#the giant behemoth 1959

[schlock-luster-video]

On October 28, 1959, The Giant Behemoth debuted in the United Kingdom.

[weirdlookindog]

Behemoth the Sea Monster (1959)

[ronmerchant]

the GIANT BEHEMOTH (1959)

[chernobog13]

Great diorama of The Giant Behemoth (1959), director Eugène Lourié's low-budget remake of his 1953 classic, The Beast From 20,000 Fathoms.

This time the film is set in London instead of New York City. And while Beast was animated by the great Ray Harryhausen, Behemoth was animated by his mentor, the legendary Willis O'Brien - albeit with a much lower budget and shorter production period.

[ronnymerchant]

the GIANT BEHEMOTH (1959)

[blue-opossum]

Sourcing Dream Influences, "Dinosaurus", part 2 and more

        Sourcing Dream Influences, "Dinosaurus", part 2, and more

        Wednesday afternoon, 18 September 2024

        These nostalgic dream segments (that I previously wrote about in entry 235914 of the dream journal website) reexamine the influences of two movies, "Dinosaurus" from 1960 and "The Giant Behemoth" from 1959. In my previous report, I described a scene and its influence where they dragged the tyrannosaurus onto the beach, with the main focus coming from the unrealistic stop-motion effect of the displacement of the sand without any associations with dinosaurs but a surreal creature from outer space. In this dream were three main segments, with influences from two movies.

        My dream starts as they often do, by intuitively "seeking the sleeper" either in an indirect sense or more self-evident as here. I am always lucid in this case (not to support lucid dreaming propaganda that pretends it corresponds with dream control) as it is more about exploring the dream state while seeking (and confirming) the sleep simulacrum - a result of my lifelong habitual attention to my level of perception in the dream state (and liminal or transitional states) and how it differs from wakefulness - which began before I could walk in waking life. (After all, the main goal of an infant is to attain mobility and coordination - which has remained the causality of all dreams in this mode for over 50 years.) It is mind-boggling (even infuriating) how people push "dream interpretation" (in contrast to known causality) over truth.

        I walk from the carport (typically a vivification factor because it is a liminal space in waking life) toward our shed in Cubitis. (In other words, this creation marks a shift in dream state dynamics.)

        It is night. Lightning strikes a brontosaurus, bringing it to life as in the movie. (However, there is no rain or storm.) Its head had been lying across the short walkway to our shed. It wakes and rises above me.

        From this point, however, the influence of "The Giant Behemoth" becomes a factor. This transition is self-contradicting since the brontosaurus in "Dinosaurus" was friendly (unlike the creature in "The Giant Behemoth"). I am excited about the dramatic notion of being chased by a dinosaur, but it is challenging to maintain the illusion. I run south from my home. There are abstract transitions through undefined liminality as sometimes happens before my next dream scene (somewhat like partially waking and reentering the "same" dream).

        At one point, I look back, recognizing where I am "in the movie." Even so, there are illogical changes. The unrealistic stop-motion effect of the dinosaur is still ongoing. I am now on the Golden Gate Bridge instead of London Bridge. I consider that if the dinosaur keeps approaching, the bridge will collapse. There is no fear, only an engaging curiosity.

        Finally, I am on the El Jobean Bridge in Florida. It is now daytime (even though it was night seconds ago).

        I decide I will "jump from the dream state." (My physical realism, including weight, reduces my potential for flying.) When I cheerfully jump, I hear a sound like breaking glass (a typical auditory illusion when sleeping).

        Instead of the waters of the ocean, I am now in the southwest corner of the West Elementary School playground (an area where I spent the least time in real life).

        I had landed on a four-paned window. The pieces were in at least five triangular shards on the bottom of my feet in flat formations. There is no blood despite the shards seemingly penetrating my skin. I dutifully and cheerfully pull them out of the soles of my feet without any pain following a very brief "cool pain" on impact only (more like a tingle).

        This dream cycled through the usual processes. My somatosensory response (following my vestibular response) to the dream state is my final focus. It also has the usual mobility factor (in this case, attentiveness to my feet with hand-eye coordination). A window is a virtual barrier between the dream state and potential consciousness but is atypical here, lying on the ground.

[roxysretrodrive-in]

Retro Trailer: The Giant Behemoth (1959)

AKA: Behemoth the Sea Monster

Disclaimer: I am not associated with the uploader nor the creators of this trailer.

[emily0976]

Unveiling the Maritime Majesty: INS Viraat - A Saga of Naval Excellence

Guardians of the Seas: INS Viraat's Illustrious Journey

In the vast expanse of the Indian Ocean, where waves whisper tales of valor and resilience, a maritime marvel stands tall – INS Viraat. This colossal vessel, with its rich history and unwavering commitment to national security, epitomizes the indomitable spirit of the Indian Navy.

A Legacy Afloat: INS Viraat's Storied Past

Commissioned in 1959 by the British Royal Navy as HMS Hermes, this aircraft carrier bore witness to the geopolitical shifts of the 20th century. Its decks echoed with the footsteps of naval personnel as it served the British Navy with distinction. In 1987, the baton passed to the Indian Navy, transforming HMS Hermes into INS Viraat, symbolizing the deepening commitment to maritime prowess.

Naval Architectural Marvel: The Anatomy of INS Viraat

A behemoth on the seas, INS Viraat stands as a testament to the prowess of naval architecture. Weighing over 28,000 tons and stretching 227 meters from bow to stern, it's a floating city capable of carrying a diverse fleet of aircraft. With a flight deck spanning 168 meters, this floating airfield becomes the stage for aerial ballets showcasing the skills of naval aviators.

A Guardian's Arsenal: The Might of INS Viraat's Aircraft Fleet

INS Viraat's primary mission revolves around projecting power through its formidable aircraft fleet. From Sea Harriers to Sea Kings, each aircraft is a piece in the intricate puzzle of naval strategy. These airborne guardians extend the ship's reach, conducting surveillance, reconnaissance, and combat operations with unparalleled precision.

Seafaring Fortress: The Defensive Capabilities of INS Viraat

In the ever-evolving landscape of maritime security, INS Viraat stands as a mobile fortress, armed to the teeth with defensive capabilities. Its anti-aircraft systems, radar, and electronic warfare suites form an impregnable shield, ensuring the safety of the vessel and its complement. The mere presence of INS Viraat in strategic waters serves as a deterrent to potential adversaries.

Operational Odyssey: INS Viraat's Missions and Deployments

From the icy waters of the North Atlantic to the tropical expanses of the Indian Ocean, INS Viraat has sailed through diverse theaters of operation. Participating in multinational exercises, humanitarian missions, and peacekeeping endeavors, the ship has been a global ambassador for India's commitment to maritime stability.

The Final Salute: INS Viraat's Retirement and Legacy

As the sun sets on INS Viraat's operational life, it leaves behind a legacy etched in the annals of naval history. The ship's retirement in 2017 marked the end of an era, but its impact endures. Plans for preservation and commemoration ensure that future generations will marvel at the ship that sailed through decades, embodying the spirit of maritime excellence.

Preserving History: INS Viraat as a Maritime Museum

In its retirement, INS Viraat finds a new role as a floating museum, offering visitors a glimpse into the life of a naval giant. Exhibits detailing the ship's history, technological advancements, and the daily lives of its crew paint a vivid picture of naval life. This transformation not only preserves history but also educates and inspires the generations to come.

A Beacon of Inspiration: INS Viraat's Influence on Naval Strategy

The impact of INS Viraat extends beyond its physical presence. Its operational prowess and adaptability have influenced the development of future naval strategies. Lessons learned from its long and distinguished service continue to shape the way nations approach maritime security challenges.

Conclusion: INS Viraat - Sailing into Eternity

In the heart of every naval enthusiast, INS Viraat remains a symbol of maritime glory. From its inception as HMS Hermes to its retirement as INS Viraat, this floating fortress has weathered storms, faced adversaries, and sailed through history with unwavering resolve. As it transitions from active duty to a museum, INS Viraat's legacy continues, inspiring the dreamers and safeguarding the seas from the depths of its maritime soul.

[bradleythomasenfield]

SPIDEY - (Presents) - THE GIANT BEHEMOTH - 1959 - The Movie Review

[bradleyenfield]

SPIDEY - (Presents) - THE GIANT BEHEMOTH - 1959 - The Movie Review

[fuddlyduddly]

getting some serious gender envy from this random extra in The Giant Behemoth

[schlock-luster-video]

On November 19, 1959, The Giant Behemoth debuted in Mexico.

[weirdlookindog]

Behemoth the Sea Monster (1959)

AKA Behemoth; The Giant Behemoth

[ronmerchant]

the HUNCHBACK OF NOTRE DAME (1956), the BRIDE AND THE BEAST (1958), the GIANT BEHEMOTH (1959), and the DAUGHTER OF DR. JEKYLL (1957)

[chernobog13]

THE GIANT BEHEMOTH (1959)

This is basically a not-so-good British remake of The Beast From 20,000 Fathoms (1953). Besides near identical storylines, the two films shared the same director: Eugène Lourié.

The stop motion effects team was headed by Willis O'Brien, of King Kong (1933) and Mighty Joe Young (1949) fame. Interestingly, O'Brien's assistant on Mighty Joe Young, Ray Harryhausen, had done the stop motion work on Beast, so Obie was following in his protegé's footsteps.

However, a big problem is that Obie and crew were given a minuscule budget and an almost impossibly short amount of time to work with. This is one of the reasons Behemoth is the inferior film. Still, even Obie's bad work was better than just about anyone else's good work.

[atomic-chronoscaph]

The Giant Behemoth (1959)