#the fact that we can see Nant smiling here during the session

[scarefox]

this is just a doggo appreciation post 🤷‍♂️

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[asterinjapan]

KOKIA in Nagoya Blue Note [2018.08.11], first stage review

Hi everyone!

I got back from Nagoya, and there's something I want to get wordy about. You see, KOKIA held a performance at Nagoya Blue Note today, and I was lucky enough to get to attend the first stage. Naturally, I want to tell you all about it, so my review follows below the cut!

Without further ado, first the set list (from memory, but I’m fairly confident about it):

Bye bye blackbird Tenki ga ii, biiru o nomou (’the weather’s nice, let’s drink a beer’) Power of smile/the girl from Ipanema Kangaroo pocket Kirin (’Giraffe’) Waraenai hanashi (’a story not for laughing’) Obake ga kowai nante (’ghosts aren’t really scary’) What a wonderful world Moment ~ima o ikiru~ (’live in the now’) kono chikyuu ga marui okage de (’thanks to this planet being round’) Summertime

The setting was really intimate, like a jazz bar. I was on the left of the stage in the front, close to the pianist, and close enough to touch the stage if I were to lie on the ground here, haha. Pianist, bassist, guitarist and drummer all entered the stage before KOKIA went up herself. I think this is the first time I've seen her wearing pants, with a glittery top this time. It fit the casual atmosphere. 

I was right with my jazz reference as she started with bye bye blackbird, a cover song I haven't heard live from her yet and in fact, I'm fairly sure she hasn't performed it in a while to begin with? The sounds were light and upbeat, getting us in the mood for a comfortable afternoon. 

I think it was after this song that she started referring to the hot summer weather,  as the next song was very aptly titled: tenk ga ii, biiru o nomou: the weather's good, let's drink a beer, haha. (You needed to get at least one drink here along with your ticket.) It's from the new album, Tokyo mermaid, and fit right in the jazzy and light hearted flow that blackbird had started. She got her band members to join in on the occasional cheer halfway through the song,  haha. After that, she mentioned the drink she had as a specialty for today, since we should be in the mood for drinks on this hot, hot summer day, obviously! (I definitely agree. In the mean while, I had barely touched my iced tea yet because I was so enthralled already, haha. ) She then asked for us to enjoy the next song, after which the pianist started a song I didn't immediately recognize at first. Then she started singing and it clicked: blast from the past, Power of Smile! It was, again, a more jazz inspired version of the song, pretty similar to the version she rearranged for her best of album pearl, subtitled a gentle breeze. I loved KOKIA's own smile as she delivered this song, light and sweet. Halfway through, we were in for a surprise: the song morphed to English,  and then KOKIA covered girl from Ipanema. That was a very fun surprise! Next up,  she talked about how much fun she's had with her upcoming album, ikimono no ongakkai (concert of living beings), part 2 of her animal series. She already teased about a preview and indeed, she mentioned the kangaroo and its pocket, which she identified with because you can just swing your child around in a pocket in front of you like that, haha. So next up, the kangaroo song, Kangaroo pocket! It was still kind of jazzy and the lyrics went a catchy "kangaroo-roo-roo pocket", and she did the whole swinging thing too, haha. So cute! The first animal album was quite a change from her previous works as it's explicitly intended to also be enjoyed by little children, so there are also a lot of animal noises in there which was apparently a lot of fun in rehearsals. We weren't yet done with the animals! I actually felt the song sounded a bit like the giraffe song from her first animal album in terms of general atmosphere, and in keeping with that atmosphere, we got - the giraffe song! (Actually, considering giraffe is Kirin in Japanese which is also a beer brand, I'm wondering as I type this whether she was still trying to get us to drink, hmmm.)

Of course, she also came back to her most recently released album, Tokyo Mermaid, which she's really proud of and she hopes that those who haven't gotten it yet would give it a listen. For now the appetizer: two songs from the album! I must confess I am not super familiar to all songs yet, so I had to rely on the lyrics to identify Waraenai hanashi (’not a story to laugh about’). The sound of it brings me back to earlier albums, and although it is a song that didn’t stick out to me right away, it got stuck with me now. And then, she started a song I immediately did recognize because it's the first one from the album and also one that I latched on almost instantly: obake ga kowai nante (ghosts aren't really scary). From what I heard from the DVD preview, she slowed it down considerably for the 20th anniversary concert, but this was the normal rhythm. I think it could be a pretty sad song, but she kept her smile and the song felt light instead. I really love this song and i was so glad she'd put it on today's set list!

Next up was a song with mostly just KOKIA and piano, which is a combination that always makes me happy. This was a song all of you know: What a wonderful world. She sings it a bit slower than the original, but so kind and sweet. I feel like her English has improved a lot over the years, and she definitely knows what she's singing, as she gestured and smiled knowingly when the lyrics about children growing up came up.

With the intro of the next song however, I immediately perked up because I knew this one very, very well. I think she's performed it every time I've seen her live, which is a blessing, because this was moment ~ima o ikiru~ (live in the now), which is an impressive song on its own but even more amazing live. Gone was the light tone of the previous songs: suddenly, the small venue seemed much, much too small to hold her powerful voice as she didn't hold back. I really tried not to cry, because this song hits me hard, but KOKIA looked almost straight at me when she was looking at her pianist for cues and I didn't want to cry on her, haha. This was marvelous. The lights swelled with the song, she effortlessly held her ridiculously long tone (last time I remembered to record it, I clocked it at 22 seconds!), and just - wow. That's not the most insightful review ever, but I'm just so blown away every time, especially contrasting the previous songs. Although KOKIA is without a doubt a professional and at ease on stage, it was like she just let loose all of the reins to deliver on moment, and delivering she did. I barely remembered to sip my drink as she took the microphone again for a talk.

She mentioned her upcoming concerts, of which there are a LOT (trust me, I run a fan blog and I've been having trouble keeping it up to date this year, haha), but the first ones up will be in China. Not entirely coincidentally I suspect, her next song was kono chikyuu ga marui  okage de (thanks to this planet being round). This is a song that swells, although not quite as much as moment, haha. I really like it though. 

It definitely was a little earlier, but KOKIA also mentioned the last time she performed here in Nagoya, which was last year’s birthday live show, when the audience apparently started singing Happy Birthday to her. The pianist tried to sing it now too, but shied away once he was offered the microphone, haha.

I think it was during this time that KOKIA started to thank the musicians, but we weren't done just yet: suddenly, she picked up the tempo and the volume, as the final song felt too big to be contained in such a small space, wow. KOKIA really is an amazing singer: she sounds like it's effortless live, and this was no exception. The song was English and very appropriately Summertime, though definitely a more powerful and slightly more up-tempo than the versions I can find online (I don’t know a lot of jazz, okay, sorry about that, haha) .

And suddenly, it was over, just like that. I mean, it makes sense since she has two performances today, but I was still overwhelmed by her performance and kind of meekly sipped on my iced tea while people around me were getting up. As it turned out, there was a shop with merchandise, and it was still open! When I went over to check, we noticed KOKIA sitting in the next room over - she was having an signature session.  Ohhh boy! I mean, with how small the venue was I was hoping for it, but being able to see KOKIA this close and getting to talk to her twice within a year was a bit much for my heart, haha. 

I'm a spoiled brat who already had all the albums for sale, but I did spot the normal version of her 20th anniversary best of album, which has a lovely but completely different cover and packaging from the special edition (which I had pre-ordered, because come on, have we met). So I ended up buying an album I already have (technically twice even, since it's a collection), but it did mean I could queue up! Keeping with the atmosphere, this session was much more up close and laid back than the Christmas concert back in December (but honestly, I was already amazed she held an autograph session at all back then, given how huge that venue was). KOKIA was seated at a high table putting her at eye level, and the queue was so short I was getting fidgety trying to remove the packaging as quickly as possible, haha. And suddenly I was at the front, and she seemed pleasantly surprised to see me (I'm fairly sure I was one of the very few obviously foreigners here today, at least from what I saw). I thanked her profusely for today (I never quite know what to express but gratitude when it comes to KOKIA), and we actually got to talk a bit. I mentioned I was from the Netherlands, and she was impressed with my language skills since, as my blog demonstrates (and she knows it's there!), I speak at least 3 languages,  haha. I'm not quite as fluent as I wish in Japanese, but this talk went pretty alright with some help here and there. I explained that moment as a song meant a lot to me and asked her to sign the booklet at that page, and she wrote it out to my name with a smiley face, hee. There were still people waiting for their turn, so I thanked her again and got to shake hands before leaving.

And with that, I think I summoned up today's main event pretty well! I'm currently in the train back to my hotel, so I'm typing this on my phone.

Aaand now I’m back at the hotel and have just finished tidying up this review a bit, haha. I hope I didn’t forget to mention anything, but I’ll stalk twitter a bit for the other fan reviews there.

Thanks for reading my rambling thus far and if you’re reading this, KOKIA, thank you again for a wonderful afternoon! It was very different and a sharp contrast from the last live show (when she did a huge hall concert backed up by a full orchestra), but I can’t help but fall in love with your music all over again every time.

See you soon again!