#the element that's the most opposite to the avatars personality is the hardest to master -> the opposite of air is earth
Explore tagged Tumblr posts
Note
Hello! It's always great to meet another Taang shipper!
What do you love most about Taang?
I hope you have a great day!!!
Hey!!
Oh, it's so nice to see that Taang is still loved by so many people (and it's always really nice to see active blogs about them ^^)
What do I love most about Taang?
I love their dynamics. They bounce off each other almost harmoniously, because they are opposites in so many aspects of their lives: beliefs and morals, elements, backgrounds and childhoods. They clash and struggle and are far from perfect, yet, no matter how big the storm, how complex the disagreement - they always reconcile, they always listen to one another, they always learn and grow and strive to become better people. They respect one another so much to work around their oppositions and thus balance and understand one another in ways that no other member of the ATLA cast can replicate (with Aang and Toph).
And though they are natural opposites, they still have so much in common if you delve deeper. Aang and Toph are the youngest in the Gaang - and share the same love for teasing and joking; they share a very deep connection with the the original benders of their respective elements (Toph with the Badgermoles and Aang with Appa); they both runaway from their homes at a young age because of paramount expectations; both are masters of their bending - even inventing a new form/bending style at 12 years-old (air scooter and metalbending).
Aang represented all Toph needed in her life - freedom, loyalty, companionship and a friend. He saw her beyond her perceived weakness and never underestimated her capabilities as an earthbender and his potential master. He taught her to trust and confide, understood her when no other person did and soften the hard edges that she'd constructed to protect herself from her suffocating reality. In a sense, Aang was a breath of fresh air in her life.
Toph, on the other hand, represented all Aang needed - stability, confidence, strength. Aang, being the Avatar, had been coddled and protected by almost everyone - Katara, Sokka, admirers, etc. He wasn't Aang, he was a symbol - a symbol of hope and peace. But Toph didn't care about his divine-like power, didn't care that everyone around him praised the very ground he stepped on - in Toph's perspective, Aang was Aang. A kid just like her and she treated him as equals; never afraid of pushing him to further his growth; she taught him to stand his ground, face his enemies head on, become a stronger, confident bender. She was the ground that anchored him to the mortal world and made him feel normal.
It's also poetic, in the finale - Toph is in the air whilst Aang is mostly on Earth. And, may I add, that at the end, whilst Zuko and Katara ultimately did teach him plenty so he could face the Firelord, Aang's preferred bending style, that was not his own, was Earthbending. The element that had once stumped him, frustrated him; the hardest element to master, his opposite... and now, he used it to protect himself, to shield and fight. He used every technique Toph taught him - rock armor, crushing earth, even seismic sense... Toph ultimately saved Aang during the Finale.
I can go on and on about them, but I'm in the midst of writing a dissertation on Toph and Aang's development and potential in ATLA - so I'll save most of my thoughts for that whenever I get to completing it.
And... let's be honest. Aang and Toph together just look so beautiful. They would be the IT COUPLE in ATLA - their canonical height difference should be reason enough to stan Taang. Avatar and The World's Greatest Earthbender... come on now! And it would just fit right - Aang as an adult would have to travel the world and Toph would gladly travel alongside him since she doesn't have a "home" (Aang is her home); and, as adults they could built Republic City from the ground up whilst also balancing raising a family... UGH! IT WOULD HAVE BEEN SO GOOD!!!
193 notes
·
View notes
Photo
Update: The start date has been moved to November
Original post below:
Netflix’s live-action adaptation of Avatar: The Last Airbender has a production start date, location, and showrunner confirmed by an official source: it will begin filming on August 16th this year, in Vancouver, Canada, and the series showrunner will be Albert Kim
This news comes from Production Weekly, an official film industry paid-subscription publication that lists current and upcoming productions (for the purposes of applying to jobs, for example). This is a legitimate industry source and so this news can be considered confirmed.
As I mentioned, Production Weekly is a paid subscription, so I won’t be posting the actual listing. However, it does contain the above three pieces of information as well as a bit more: stuff we already knew like the production companies involved (Netflix, Nickelodeon, and Rideback), the producers from Rideback, internal production name, etc.
It also has a description of the show which is pretty funny, it goes in-depth on kind of random details like how there are “three pre-industrialized nations” (water, earth, air) and one industrialized (fire), and how the Avatar’s opposite element is the hardest to master, but nothing about characters or events. It’s basically just a little worldbuilding intro about the four elements and nations, it doesn’t even get to the Fire Nation attacking or who the Avatar is or the fact that they disappeared.
The only other thing of note is that the show seems to be officially titled “Avatar: The Last Airbender” from the title of the listing, but in the description it says just “The Last Airbender takes place in [...]”.
We can now go a bit more depth in the new pieces of info we have.
Location
The show will start filming in Vancouver, Canada. This is interesting because it matches up with reports we got a looong time ago-- two different reports, in fact:
First was a VFX test leak in September 2019, which I confirmed was real by speaking with the company who was doing the test. The leaker, who was on set for the VFX tests, said that “Word on set was that Netflix was planning to film most of the show on-location in Vancouver and Hawaii.”
The second was an offhand comment from Michaela Murphy (the original voice actress of Toph) in October 2019 who had met up with Bryke, back when they were still involved with the show, in May 2019. She said she was “pretty sure it’s going to all be done up in Canada.”
So not only is this now confirmed, but we also have a sense for how long it has been the plan. The show was announced in September 2018. By May or September 2019, it was already planned to film in Vancouver. In the above link you can also see that they were apparently supposed to start filming in early 2020. That obviously didn’t happen, as it’s now March 2021 and they have only finally made it official to start in August 2021. But, in all that time, this part of the plan has not changed.
As for Hawaii, it would still make sense that for the tropical Fire Nation, they would need a location like that as it’s one of the few types of environment the Vancouver area can’t provide.
For the Water Tribes, I am currently guessing that they will be filmed on a sound stage with virtual production. This is based on this early post from Bryke as well as one of the leaked VFX tests being an icy, snowy environment.
Besides those two extremes, again, most stuff can be done in the various landscapes and environments around Vancouver. (I just personally hope they still take care to show the climate and environment changing with latitude, as they travel from pole to equator to pole.)
Date
Again: August 16th, 2021. It’s a concrete, specific date-- a Monday-- and I get the sense that with that specificity, and being listed in Production Weekly, this is more-or-less finalized. However, I don’t have any insight into how often things like this change when they go in Production Weekly. It’s also listed as the show’s “status”, so that also could mean it could change. Basically, take it being final with a grain of salt.
However, assuming that date will not change, that leaves exactly five months and one day between now and when they’re supposed to start production. We can assume that internal stuff like scripts, costuming, set designs, etc. are well under way or done. The main public-facing things needed for filming are actors and directors. It’s possible that directors have also been hired already, but actors is another interesting aspect of this.
They originally announced that there would be open casting-- meaning anyone from the public can audition and they will publicly announce where and when to apply. Again, I’m not an expert on these specifics of the industry, but I feel like five months is maybe not enough time to do that. Or maybe it is! I’m really not sure. If it is, I would guess that it will be announced quite soon. If not, then it’s possible this changed with the change of showrunners and all that. In that case, casting would be done the normal way, in secret, and could already be well under way as well.
This is the one part where I feel like the timelines are a little odd, but maybe I just don’t have the context and five months (or less, since they haven’t announced it yet) is plenty of time.
Showrunner
Albert Kim is listed as the “showrunner”. He has had the following credits, from most recent to oldest:
Sleepy Hollow - executive producer (basically showrunner), writer
Nikita - co-executive producer, writer
Leverage - executive story editor, writer
Dirt - writer
All of these are network/cable TV shows, so this will be his first streaming series.
This lines up with an unsourced rumor from last month. I would personally still take any other aspects of rumors with a grain of salt-- it’s not uncommon for part of a report to be based on something real, like the showrunner in this case, but other parts to be incorrect.
Thank you to What’s on Netflix for connecting me with this info!
116 notes
·
View notes
Note
Do you have thoughts on the Aang/Ozai showdown at the end?
Zuko: please. The real hero is a random rock the Avatar.
The final battle was amazing, from an animation poin of view. The colors, the fighting sequence, the symbolism, Aang finally mastering all elements. Just very exciting and satisfying to watch, because it was something that the audience was hoping for since episode one. And they delivered it.
From a writing point of view, though? It was less of a showdown and more of a cop-out. See, I'm not saying, by any means, that Aang should have killed Ozai. Quite the opposite. Not only because it was a children's show. Not only because Aang was a traumatized, non violent, 12 years old. But also because it made sense for the character and for the core themes of the show.
Don't get me wrong, Ozai one hundred per cent deserved to die. Aang himself stated that the world would be a better place without Ozai in it. I just don't think he should be the one to do it. At the same time, is on his hands that Ozai's fate lays and no one else can make that decision for him.
So if killing Ozai off could turn him into a Fire Nation martyr anyway and Aang refuses to do so because of his pacifist principles, what's the other option to defeat the guy and end the war? The authors went with energy bending and, honestly, I thought it was brilliant for a series of reasons.
First, ending Ozai's life seems like the obvious choice, an easy way out. I love the concept of Aang refusing to do what's expected of him and choosing instead to finish the war on his own terms, without compromising who he is, because in theory, that would mean he would have to go out of his way to find a different solution, in a perfect shout out to Bumi's words in The King Of Omashu: "you must master the four elements and confront the Fire Lord. And when you do, I hope you will think like a mad genius."
Second, in a show where bending is intimately related to one's very being, the questions begs to be raised: how much taking someone's bending away is better, more ethical or less cruel than actively killing them? Because it's a fundamental part of who they are, of their soul. Ty Lee had the abiliity to block chis, temporarily making people unable to bend. And it was a terrifying thing for the people she used the technique on.
Lastly, it ends the "killing Ozai would turn him into a Fire Nation martyr" for good, because (ATLA COMICS SPOILER ALERT) Aang let him leave without his bending and a significant amount of people still worshipped the guy to the point of planning coups on the down low and sending Zuko death threats left and right, so we basically got the same result, but Ozai remained an ever present threat to the peace Aang fought to achieve.
The problem, as people smarter and more eloquent than I have pointed out countless times, wasn't the energy bending solution, it was the way it was introduced and then executed.
Aang: hey! Look at these weird Lion Turtle things.
Looking back now, this scene from The Library was obviously foreshadowing the finale, so the Lion Turtle reveal wasn't pulled out of thin air. It had a purpose. Considering that this episode, from Book Two, mentioned the Lion Turtle, who would later teach Aang how to energy bend and that The Guru, also from Book Two, introduced the arc of Aang having to let go of his attachment to Katara in order to master the Avatar State, I can only assume that the original intentions of the writers were very clear:
Aang doesn't want to kill Ozai but he also doesn't want to let go of Katara. That's the catch! To "energy bend" his way out of murder, he has to master the Avatar State. His conflict here, is much greater than before because now Katara is a factor in the equation as well. He either kills Ozai, keeps his attachment and gives up the Avatar State or he masters it, defeats Ozai by removing his bending but has to let go of Katara in the process. It's awesome because it's the hardest possible choice a character like Aang could be forced to make. And we knew he would ultimately do the right thing, but regardless of what he decides, he still loses something important to him, he still has to make a huge sacrifice.
Of course, none of that happens. This was the first and only time the Lion Turtle was brought up. The “letting Katara go” arc was unceremoniously killed alongside Aang the second Azula shot that lightning in Ba Sing Se, but differently from the Avatar, whom Katara ressurrected, it was never brought back. And it’s a shame. Because The Library was the perfect episode to expand on the Lion Turtle and energy bending mystery.
And the finale? It was the perfect episode for Aang to do what he failed to do in Ba Sing Se: to let Katara go and achieve the Avatar State by his own merits, sacrificing something he wanted for the greater good. The way he hid into a cocoon of rocks? It would have been a great call out to the little crystal tent he made in his fight with Azula when he decided to give the Guru’s advices a try. And it would also symbolize rebirth in the same way Katara breaking him out of the iceberg did. Because now he had finally reached the other side of the river and he is no longer the same person he once was.
But the narrative decided, instead, to rob Aang from any growth, from any substancial change, from any interesting arc. They went with the “love is the most important thing” approach to justify him honlding on to Katara. And I could have bought it if they hadn’t been so dishonest about it.
First: if you love someone, you let them go. Attachment and love are two very different things. No one ever told Aang to stop loving Katara. He was told to let her go. And it makes sense because he was attached to her in a way that wasn’t healthy for either of them, and was keeping him from achieving his full spiritual potential, something he should care a little more about, given his upbring.
Second, in the person of Iroh, arguably the wisest character in the show, Aang is told that he is right for choosing love over power. But this is a false equivalence because it’s not what Aang is doing. The scene makes it look like he is seeking power for the sake of power. That’s not the case. The Avatar State is an inherent power, meaning Aang already has it. It’s part of who he is. He just needs to unblock it and learn how to control it. And he has to do that not for personal gain, but to put an end in the war.
A war that took almost everything from Katara, the person he loves. Aside from Aang himself, she is the person who would benefit the most from him learning to control the Avatar State, since she is the one who has to calm him down every time he accidentaly triggers it and winning the war is a very personal goal of her. Now, this is just conjecture but I firmly believe that even if Katara was secretly in love with Aang (which I don’t buy), she would be the first to tell his it’s okay to let her go. But alas, she wasn’t even aware of this conflict. A conflict she played a key part in.
That being said, I do think that the Ozai dillema was introduced too late. It should have been explored before the Day of Black Sun, giving Aang plenty of time to search for a different solution. It also never made sense to me why killing Ozai wasn’t a problem then. Apparently the explanation that I was supposed to stick with is that Aang was naive. He didn’t know people expected him to kill the Fire Lord until Zuko asked him what he would do when he faced Ozai, since violence wasn’t the answer. But I honestly struggle to accept this because, yes, Aang was naive.
But not that naive. Not at that point. After episodes like The Siege of the North and The Avatar State, I just don’t buy he didn’t know what people wanted him to do. Plus, Aang has an evasive fighting style, based on always being one step ahead of his opponent. To do that, he has to plan beforehand. What was his plan to confront Ozai in the Day of Black Sun, after everything he went through? Talk to him? Arrest the guy? If that’s the case, shouldn’t it at least be discussed with the gang? It’s never addressed.
Then comes the finale. Aang’s moment of truth. The event we’ve all been hoping for. The one that will turn him into a legend. And Aang is losing. He can’t win without killing Ozai or controling the Avatar State to take his bending away. What will he sacrifice to become a hero? His morals or his attachment? Answer: neither! Because the writers decided he should have everything without give up nothing. So they miraculously make a convenently sharped rock hit the exact right spot in the perfect time unblock his chakra, allowing him to enter the Avatar State.
I’m not even gonna talk about how this is most definitely not how chakras work, because it’s not really my place. But I am gonna talk about the tragic (not to say hilarious) fact that, by trying to make Aang have his cake and eat it too, the writers ultimately made a fucking rock the responsible for Aang’s success. Not his cleverness, not his hard work, not his altruism: a rock. If that rock wasn’t there, in the right place, at the right time, then what? Would Aang finally have done what he had to do, or would he be killed, allowing the war to continue?
That’s my issue with it. That, and the fact that they had no trouble addressing delicate topics, but didn’t have enough courage to let the 12 years old protagonist end up alone. Because, of course, children can’t understand the hero not getting the girl. Right?
RIGHT?
Aang managed to defeat Ozai and get the girl even though there was a whole season dedicated to build up an arc in which he would have to let her go to succed. Even though their last one on one interaction before their last kiss was Aang screaming at her and storming off, while Katara reprimended him for walking away from the issue. Even if he had been acting more and more possessive and entitled when it came to her affection. Even if Katara had shown no real interest in him that way before she suddenly does. But what do I know? Maybe she was hit by a magic rock too.
Aang and Katara happened at the cost of Aang’s character development. Fandom might think the rival ship was harmed the most by it, but that’s not true. Aang was. And it’s really sad. He is an amazing character and he deserved to be the hero of his own story, to have his beliefs tested and to come out of his journey irrevocably changed, not locked inside a plot armor.
10 notes
·
View notes
Note
i watch a lot of avatar the last bender and i gonna ask the question. which of the a class is a bender (water, earth, fire, and air) or a non bender? who do you think would be the avatar?
given that she has an atla url, you can imagine es was very excited to answer this question LOL. we decided we’d approach this from like the standpoint of if bending existed, but in the current setting and world as we know it (so not quite fixed in the atla world or lore). i made visual aids to go with it because i’m a visual person, but i’ll talk a bit through our thinking for each type!
water felt so obvious for riley she was one of the first people we decided on. she definitely has that katara-like energy for a waterbender where she’s gentle and practiced and quite fluid with her motions and her emotions, but she’ll also flip on a dime in an instant and kick your ass with water if you hurt anyone she cares about (which brings us to a necessary thought -- missy vs riley epic bending battle like katara v azula energy? would love to see it). for chai, we decided she would be water because it’s interesting to have a diva type who falls in a category that is represented by folks who aren’t at all divas, so it just adds an interesting variety to things. she’s also the direct opposite to maya as a rival in that sense (who we’ll come back to).
for charlie, both he and zay we thought a lot about how the movements of bending could be tied to dance and where their strengths lie. esther said that the fluid movement of water bending reminded her a lot of ballet / lyrical, and that made sense to me. it also ties together the similarities between riley and charlie in terms of their personalities, but i think where they differ is charlie would be someone who struggles a lot with his bending. i think you have to have a big sense of inner self and balance to bend proficiently, and as we know, charlie never feels on balance. i think he’d be victim to more overwhelming moments of bending when his emotions feel out of control, and for that reason he’d try really hard to avoid using it whenever possible. esther also pointed out the cool idea of he inherited a bit of this as well -- if the gardners are all water benders, but eleanor is very strict about them only using it for healing properties and Nothing Else, that kind of belief can constrict charlie’s ability as well and contribute to his fears. and perhaps the reason bridgette was exiled also has to do with her wanting to explore bending in a more well-rounded sense, so then she could be a mentor to charlie later... truly much to think about.
(also, again, i say... can we imagine the epic bending battle that could exist between brandon, charlie, and zay? charlie who is always underestimated and brushed aside and doesnt feel in control of his own power stepping up when zay starts to lose the upper hand in a bending face off and thus charlie comes into his own and jumps into to take on brandon too and its like yeah YOU THOUGHT HE WASN’T GONNA DO NOTHING. BUT THEN LOOK AT HIM GO. LOOK AT CHARLIE AND ZAY TAG TEAM. EXACTLy).
continuing under a read more because there’s evidently lots to say!
earth happened to be a crowded category for us though why i don’t know. i jokingly said that dave would be like the boulder but also he like... is basically a human brick, so it makes sense he’d have some earth roots. but i think dave uses his bending in a more silly / lowkey way, and has no ambitions to try and master it. he also is part of the quartet of bending in the techie boys that makes up the full element list (dave, nate, dylan, and jeff), which is kinda cool. zay we went with earth for because unlike charlie, the most key trait to his dance (and bending) is how firmly rooted and grounded he is -- he has faith in his own abilities, he’s balanced, one could even say he’s stubborn in how he sticks his ground. but this parallels well to dance as well where you need to have faith in even footing and knowing you’re going to land the right way and in the right position. esther also suggested that he would be one of the few who can lava bend, which kind of makes him this interesting near-intersection of earth and fire which i thought was super cool.
for isadora, we agreed she would be of the metal bending camp (and perhaps, in this world, is even the innovator of it) and is always trying to experiment with her earth-bending. we know she’s stubborn as hell and very firmly planted in her stances and opinions, but i think where she trips up is in the moments where she does feel unsure or kind of loses her footing (like with val or knowing how she wants to be perceived over s2), her bending no longer comes naturally and she almost loses it in those moments. so like over s3, in theory, as she’s grappling with grief you’d see her have to struggle to even get the basic bending capability back in decent shape as she’s also recovering emotionally. then for eric and harper, both of them to me have very stable, grounded energies, and i think they act acutely as mentors to isa and zay respectively.
most of these feel obvious, but maya is probably the most self-explanatory bender you can get here. she is like azula in a nutshell in terms of being showy, hot-headed, calculating, arrogant, etc... though she admittedly has more heart than azula. which is saying something. we thought of maya and asher as honestly sort of antithetical to one another, as asher on the flip side is terrified of his bending ability and thusly is almost a non-bender in that he never uses it. it flares up sometimes when his anxiety gets bad and so he freaks and tries to stifle it (almost like elsa with ice but. reverse lmao), and i also think there’s something really cool in the way of like... how breath is tied to bending (especially fire) but also tied to calming panic so there’s... something there. a thread to pull at. but essentially its kind of like zuko v azula where like if asher believed in himself and stepped up to his full potential he could 100% take on maya, but it’s his own insecurity, fear, and self-doubt that holds him back and keeps him all wrapped up. also, yindra v maya fiery bend-off when?
all four of these kiddos have air bender energy to me, but in different ways and for different reasons that i can’t even necessarily articulate. haley i think is very dreamy and somewhat flighty and so wouldn’t be very good with her bending abilities. yogi just has the like... air trickster energy. then you have nigel and dylan, who are kind of like polar opposite air benders. dylan is definitely in the class of aang where it’s like silly tricks, aid in helping him leap and flip and soar around, constantly showing off that marble party trick, goofing off with the other techie boyz and trying to teach them how to do air games, etc. it’s to the point where jade (a non-bender) is like air benders must be the most annoying type on earth do they ever RELAX? impossible to work with... and then she meets nigel, also an air bender, who is like the antithesis to that in that he’s calm, thoughtful, peace-making, almost overly cautious (in that same way aang is where indecision can be your greatest enemy) and jade is like... now that. that’s what i’m talking about.
back around to dylan, though, this brings us to our assertion that dylan would be the avatar. this is something we actually mused on ages ago together when doing atla rewatch (for maggie) / watches (for es), and he just has the perfect energy for it. he’s someone who brings people together, he’s a unifier and peacemaker, he has so much intrinsic hope and optimism... but he also can be too silly and naive and would have struggles here and there trying to learn different elements (both focus wise and generally). but he basically has a team avatar built in his usual core group, with riley (water), isa (earth), and asher (fire), not to mention his techie buddies who add to that.
i was also very excited about the thematic element of dylan being air and asher being fire, because what does fire need to survive? air. yeah, it’s poecy.
and there’s something interesting there too of like... you know, the reason aang didn’t want to learn fire bending anymore was after he accidentally burned katara, and i think that sort of thing is what asher is most afraid of -- especially if dylan eventually comes to him and claims he would be the perfect teacher to teach him fire bending which will be the hardest element for him to master. it’s like, if you’re already scared of your own ability to cause damage, how do you possibly risk that even slightly to try and pass it onto your most treasured loved one? you know? there’s just so much interesting fodder there.
anyone who has known me for a while should find lucas being a non-bender exactly 0% surprising. when it comes to magical or mystical concepts like this i nearly always give lucas the normie everyman role, because i feel like it is just so quintessential to his essence. even in aaa, actually, he kind of represents this role being the “untalented,” average person stuck at the performing arts school with people who are supremely talented. so you see the blueprint. he kind of makes up the sokka angle of the dylan-team-avatar arrangement, and he also falls under the guidance of jack who is a non-bender in the vein of that expert swordsman that sokka trains under. they have that kind of dynamic and energy to me (which brings us to our third point: jack v yancy epic battle with swords when?) i think there’s also something interesting to lucas and asher’s friendship if part of the reason they’re close is because asher stifles his own abilities so much to basically be on the same playing field as lucas, which makes him feel less alone... so how does that change if he does start exploring his bending in the effort to help dylan... much to think about.
jade, as previously mentioned, is just a very Tired non-bender being surrounded by her loud bender boys. darby and sarah, as non-benders, reinforce their theoretical subordination to the likes of maya and chai (though i support darby fighting back if she could just wile up the courage...) then we have farkle, who is in a very interesting place as a non-bender trying to elbow his way to the front of the pack amongst the likes of maya and zay. i think this inferiority complex would contribute to... you know, everything about him (especially s1) and would be exacerbated even further by the idea of him REALLY being the black sheep of his family if he’s the only non-bender in a family full of practiced and prestigious fire benders. we also felt like farkle would definitely be someone who dabbles and experiments in technology around bending, trying to replicate the thing he just doesn’t have.
-- Maggie & Es
#sorry this got long LOL#its funny you know i realized most of y'all have no idea the amount of aaa aus i have... like#au inception i know but... some of them y'all#like we gotta educate y'all on freefall. that shit is where its at#answered#a class#lucasmatthews#ask and you shall receive
18 notes
·
View notes
Text
Legend of Korra Headcanons/Thoughts?
These has been floating around in my head for a few weeks, and I just gotta get it out and see if anyone else sees what I see or understands where I’m coming from.
First, I saw a post on Facebook a few weeks ago suggesting that Princess Yue should have been the next waterbending Avatar, and that him being trapped in that iceberg partially threw the Avatar cycle out of balance. Their evidence suggested that Yue being “born without a spirit” and having the Moon Spirit give her some of theirs was part of their proof to support their claim.
I absolutely agree and took it one step further. When I first watched Legend of Korra I noticed that Korra didn’t seem like a stereotypical waterbender. Something about her just seemed off to me. Then it dawned on me recently what it might be, and when I thought about it, everything made sense and fell into place. If Yue was supposed to be the waterbending Avatar, then that means Korra was supposed to be the earthbending one.
When you look at everything at once, it makes a lot of sense. Her natural fighting stance that she dons most of the time resembles more of an earthbending style than a waterbeinding one. She almost always has her feet spread far apart with her knees bent (you know the pose I’m talking about). Plus, the hardest element for her to master was air, which is the opposite of earth (Aang had a hard time mastering earth and he was an airbender, and even Roku commented that water was difficult for him as well).
When I first saw season one of Legend of Korra, it didn’t make sense to me why Korra had a difficult time mastering airbending, but when you think about it this way, everything just clicks. Also, if you take the other aspect of the Avatar cycle into consideration, Korra should have been born a boy, since Kyoshi was the last earthbending Avatar. There are a lot of things about Korra’s personality that just scream male earthbender that it’s just crazy to me.
Second, I had this thought a little more recently, but I feel like Tenzin and Lin’s relationship is more complicated than we see in Legend of Korra. It always felt like they still had feelings for each other, even after all this time. Personally, I feel like Lin’s been in love with him for years, even though he broke up with her and basically left her for Pema.
These are just some of the things that have kept me up at night the past few weeks. I hope posting and sharing them can help get them outta my head so I can get some decent sleep.
#personal post#headcanons#thoughts#legend of korra#avatar the last airbender#lok#atla#waterbending#earthbending#airbending#avatar korra#avatar aang#avatar roku#avatar kyoshi#korra#princess yue#yue#master tenzin#tenzin#chief lin beifong#lin beifong#lin#tenlin#linzin
13 notes
·
View notes
Note
I know some people have already contributed to this, so I hope none of y’all mind if I put in my 2 cents
So I think it’d make a lot of sense if Adrien was a fire bender (since black cat is destruction and fire is most known for destruction).
I think it’d be cool if Marinette was water or earth and I think fire would be the hardest to learn (the hardest element is always the one opposite of the avatar’s personality) so since Adrien and Marinette are “yin and yang” it would make the most sense if Adrien’s “destructive” element was the hardest for Marinette to learn. (Bruh im pretty sure that sentence was awful and grammatically incorrect in so many ways but ya get the idea).
Anyway, I wonder if maybe Emile (a non bender) was killed (put in a coma) by benders, so Gabriel would want to take his revenge on benders (even though he is one himself (kind of like how Amon is a bender but is against all bending)) and his goal would be to make everyone equal. (He could possibly be a chi-blocker as well?)
I definitely see the Gorilla as an earth bender (though maybe he doesn’t use his bending much) and Nathalie as a non bender.
I can see Nino as a water bender (I mean Bubbler and the fact that he’s a turtle themed superhero). I was actually think Alya would be an earth bender just because she kind of reminds me of Toph (they’re both stubborn and brave).
I feel like Chloé would be a nonbender and be extremely upset about that fact. If Sabrina is a bender it probably makes her feel inferior (and Marinette being the avatar would be the icing on the cake and would explain why she picks on her so much).
If Lila was a bender I think she’d actually be a water bender because I see her as a blood bender (controlling and manipulative).
Maybe master fu was the previous avatar (so he’s not a tangible person, but Marinette gets avatar advice from him like how Aang got advice from Roku).
That’s pretty much all I have right now lol. Sorry for hijacking this post
Ml salt crossover with avatar the last airbender where marinette is the avatar and Lila Is Lying about being the avatar but she immediately gets shut down because everyone in the class (minus alya because I think you like alya salt) already knows Mari is the avatar?
I don't watched ATLA sorry
@unmaskedagain @gothfoxx ??? Idk if ur interested in thus
186 notes
·
View notes