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apoloadonisandnarcissus · 12 days ago

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Almost Every Popular View of “Nosferatu” (2024) is Wrong

And the film itself says so.

When I say almost everyone is completely misunderstanding “Nosferatu” (2024) is not an understatement. And this film has barely left the theaters and I’m already manifesting the “renaissance “Jennifer’s Body” style era” when everyone will be apologizing to Robert Eggers for butchering the entire meaning behind his passion project. Will it take ten years, too?

You need to understand that Robert Eggers has no interest in doing “modern takes” on his work in the sense everything that happening in the story (dialogue; behavior; way of thinking) is from the time period POV: "I never think of things in a contemporary context," director Robert Eggers says […] "I try to stay in the worldview of the characters.”

Second, you need to leave your confirmation bias at the door because Robert Eggers is subverting this entire story: “My influences are all very clear, and Nosferatu is a remake, after all,” Eggers says, yet he plays with the canon, with expectations and clichés – “hopefully subverting them to do something unexpected.”

“Orlok targeted Ellen” = Incorrect

He was dead and rotting since the late 16th century, until she resurrected him and cursed him to be a strigoi (Romanian folklore) with her summoning prayer, in the prologue. This is confirmed twice by her to Von Franz and to Thomas; and twice by Orlok himself, right at the prologue, and in the first time they are meeting face to face at the Harding household, as he calls her “his affliction” (as in “disease”; “plague”).

“Child abuse” = Incorrect

Ellen was 15 years old at the prologue (confirmed by Robin Carolan). She says she was “an innocent child” because (1) she’s accusing Orlok of corrupting her innocence; (2) the concept of “teenager” or “adolescence” didn’t exist (was only created after World War II); people went from “childhood” into “adulthood” with nothing in between. And there was no "astral sex" going on between them (but more on that later).

There was no “child abuse” between Ellen and her father, either. I’ve seen this getting thrown around and I was kind of shocked. What she tells Von Franz is that her father, as she was growing older, wouldn’t allow her to play in the fields and at the forest anymore (“Father… he would find me in our fields… within the forest… as if – I was his little changeling girl. But as I became older it worsened… Father dispraised me for it…”). Because that’s not suitable for a Victorian young lady; she needed to prepare to be a wife to respectable husband (marriage and motherhood as a woman’s destiny). She also says “her touch” started to “frighten” her father, which means he wouldn’t give her physical affection anymore (which is the total opposite to whatever this interpretation is).

Ellen's father called her “his little changeling girl” as in European folklore of children kidnapped by fairies, elves or demons and a substitute child being left in their place, because she enjoyed playing and being in nature. When she was supposed to be indoors (domestic sphere).

“Orlok r*ped Ellen for years” = Incorrect

He was just there as a shadow, a haunting, a ghost (like when he appears on her curtains). Still creepy, but he never touched her, and the narrative proves that this is all he was to her.

At the prologue, Ellen is actually masturbating. Because when Orlok does touch her (when he reveals himself), she has a seizure. Which indicates he wasn’t touching nor doing anything to her before that.

While on his way to Wisburg, Orlok says to Ellen: “Soon I will be no more a shadow to you. Your spirit was never enough. Soon our flesh shall embrace and we shall be as one”; which, again, indicates he never had sex with her (“and we shall be as one” = finally; at last). He has only been a shadow (haunting) to her, until now; they have not yet been as “one” (sex).

When they meet "in the flesh" for the first time, Ellen tells Orlok (in a very sexual tone) she felt him like a serpent in her body, he says it’s not him, but her nature (her sexuality); this implies Orlok never touched her in that way. She also talks about “felt you” and she appears to have never seen his physical appearance before (while strigoi can haunt dreams, we can cut that option, too).

As their covenant is fulfilled, and before he drinks from her (and she gives him her soul), Orlok says: “as our spirits are one, so too shall be our flesh”, which indicates, again, he never had sex with her before. Which also explains why he is hyperventilating before actually having sex with her at the end; and he stands there, waiting for her consent.

Last but not least, Orlok is a strigoi from Romanian folklore (not an incubus, two completely different creature). Orlok can astral project himself as a shadow or a ghost (at the prologue he was a vision/dream); but he has to be physically present in order to do physical things. And his whole ordeal with Thomas and him coming to Wisburg prove this. He made Herr Knock drag Thomas all the way to Transylvania just to divorce him from Ellen, and then he had to travel all the way to Wisburg, himself, to complete their covenant. The entire story proves it’s impossible for Orlok to do physical things from afar.

What Ellen has been doing during her teenage years (when she believes that Orlok "took her as his lover"), was, in fact, masturbation: a huge taboo in Victorian society, and the ultimate sin, as Ellen’s father calls it when he finds her naked, and yes, masturbating.

Orlok was there was a presence, a haunting, a shadow (either watching or talking with her), as that's how Robert Eggers describes him. Either way, Ellen was fantasizing about him. She tells Thomas “you could never please me as he could” because the purpose of masturbation is orgasm (which is what she associates Orlok with; “epilepsies”) and vaginal orgasms by penetration (alone) can be difficult for most women to achieve.

When Orlok asks her “Remember how once we were? A moment. Remember?” is connected to the reincarnation theme in this story.

“The lilacs represent Ellen innocence” = Incorrect

The lilacs are the visual storytelling device to showcase Ellen and Orlok’s relationship, including the reincarnation theme.

“Orlok r*pes Ellen repeatedly” = Incorrect

We already established he can’t touch her in that way, without her almost dying (like we saw at the prologue), and we never saw anything like this again in the entire film.

Look at Orlok’s body position: he literally just got here to grab Ellen’s neck (almost suffocating her in the process). This scene establishes he can’t touch her without something like this happening.

And this is why we are shown Herr Knock Solomonari Sex Magick ritual (masturbation). This man assembles an entire ritual room just to communicate with Orlok, and he starts by masturbating, which gives the audience two crucial bits of information: (1) it’s sexual energy that summons Orlok; (2) Orlok has to be conjured (invited) for these communications to happen.

And teenage Ellen, similar to Knock, would masturbate and summon Orlok; which is why she believes he actually took her as his lover, even thought he didn’t touch her, because, if he did, it would almost kill her (which is why she says “it would kill me” and she means it literally because Orlok, being a strigoi, his very presence is life-threatening).

Which tells us, all the moaning and body spams are on Ellen herself. She knows Orlok is coming to Wisburg, and she’s summoning him to her. This her yearning for him. He haunts her because she wants him to haunt her; Orlok has to be summoned and invited in, in every way, and the film clearly establishes this. And this is why when she's having sex with Thomas she starts saying "let him see! let him see our love!"; she's also conjuring Orlok in that moment.

This is all on Ellen. That first screenshot is also her giving in entrance into the city, by sea.

“Orlok cannot love Ellen” = Partially True

He cannot love her wholly in his present state as strigoi because this curse removed his best human qualities. He did retain his most fierce and strongest desires into his strigoi self; Ellen’s soul and passion. Which indicates he did love her fiercely and deeply in their last life (or lives). He will be capable of love her once the curse is removed (which is what happens at the end).

I argue it’s “partially true” because Bill Skarsgård managed to convince Robert Eggers to let Orlok have vulnerability in his scenes with Ellen, in connection to Orlok’s backstory (Eggers doesn’t want to share with the public). So there’s still a spark there, and she’s his only humanizing trait.

“Ellen sacrifices herself to save Thomas and Wisburg” = Incorrect

Thomas wasn’t in danger because Orlok wasn’t invited into his house. The moment he left the Harding household (where Orlok was given entrance, thanks to Ellen herself), and arrived at his own house, he was safe, and Orlok couldn’t harm him, in any way, shape or form.

Orlok, like your regular vampire, has to be invited in, and this is established by the film:

At the prologue, Orlok shows up at Ellen’s window: asking for entrance;

The Nuns tell Thomas “remain here. His evil cannot enter this house of God” (it has nothing to do with God, but with Orlok not be giving entrance);

Ellen opens a window at Hardings household for Orlok to enter (she also gives him entrance into the city);

Thomas tells Ellen at the carriage scene (when she asks to go with them): “Of course not, Ellen. You must be kept safe away”. And he leaves for the night believing she’s safe because Orlok doesn’t have entrance into their house;

After finding Harding dead, Dr. Sievers says to Von Franz and Thomas: “But Orlok... Will he not have already risen? Should we not return to our homes?” (where he can’t enter and they are safe)

Ellen opens the window of her own house at the end, asking Orlok to come to her and giving him entrance.

And besides Von Franz never tells Ellen about the instructions on the Solomonari codex of secrets. But her sacrifice is still connected to them because these instructions are confirmed to have been successfully fulfilled by Von Franz himself, at the end.

“Ellen is coerced into succumbing to Orlok” = Incorrect

I’ll let Orlok himself answer this: “the compact commands she must willingly re-pledge her vow. She cannot be stolen.” And “willing” and “compelled” are two completely different things, and Orlok knows this. He gives Ellen the three nights countdown because he wants her to face the truth; her nature will never be accepted by Victorian society because “she’s not for the living, she’s not for human kind”. Which is exactly what happens because Robert Eggers describes his Ellen as a “dark, chthonic female heroine" who “makes the ultimate sacrifice and she’s able to reclaim this power through death.” chthonic” means spirits or gods who inhabit the Underworld.

Ellen doesn’t “succumb” to Orlok (this is the nonsensical marketing for this film); she’s reclaiming ownership over her power (death) and her sexuality (sex); she’s accepting herself represented by accepting him. Her “power” is medicalized by Victorian society, and her “sexuality” is owned by her husband. She’s liberating herself. But more on that later.

“Ellen tricks Orlok into staying until dawn” = Incorrect

You cannot trick the person who wrote the Şolomonari codex of secrets, whose instructions are being used in that scene.

When searching Herr Knock’s office alongside Dr. Sievers, Von Franz finds symbols he recognizes as Şolomonari (from Romanian folklore), and discovers a book, which he identifies as the Şolomonari codex of secrets. Later, he reveals to Dr. Sievers and Harding: “our Nosferatu is of an especial malignancy. He is an arch-enchanter, Solomonari, Satan's own learned disciple.” Here, Von Franz is telling the audience the codex belongs to Orlok; because it’s the second time a character has confirmed him as the Şolomonar of the narrative.

This is based on the “Dracula” novel by Bram Stoker; where Count Dracula studied at the Scholomance, a school located in the Carpathian Mountains, in Transylvania, where the Devil is said to instruct 10 or 13 students, which will become Şolomonar after their graduation (Romanian folklore). The course lasts 7 or 9 years, and their final assignment is to copy their entire knowledge of humanity into a "Şolomonar's book"; this codex doesn’t merely belongs to Orlok’s, he wrote it himself as his final assignment to become a Şolomonar.

Like in the novel, it’s Von Franz (Van Helsing book counterpart) who reveals that Dracula/Orlok that studied at the Scholomance/is a Şolomonar: "learned his secrets in the Scholomance, amongst the mountains over Lake Hermanstadt, where the devil claims the tenth scholar as his due"; which is exactly what the Old Abbess tells Thomas: "A black enchanter he was in life. Solomonari. The Devil preserved his soul that his corpse may walk again in blaspheme."

In these book are the instructions in how a Şolomonar can break free from his own Nosferatu curse (which can happen when you are dealing with a quest for immortality). Which is exactly what Orlok was after; this is his “masterplan” sort of speak. He wants Ellen to break the curse she put on him, for his spirit to be set free, and he wants to take her soul with him, forever united (“you shall be one with me, ever-eternally”).

Orlok has no Satanic symbols on his sigil and coat of arms, because he's, in fact, a Pagan enchanter, worshiper of the Dacian god Zalmoxis (Robert Eggers is following an academic thesis that links the folkloric Solomonari with Zalmoxis worship) but Paganism was demonized by Christianity and their followers labeled as "devil worshippers". And Von Franz, student of the occult or not, is a man of his time.

“Orlok didn’t get Ellen’s soul at the end” = Incorrect

Orlok is a strigoi, and as such, it’s not blood he feeds on, specifically. It’s “life force” and “living energy” (“blood is the life”); he feeds on his victims souls, and that’s what sustains him. And that’s why Thomas had to be exorcised.

When he’s feeding off Ellen’s blood, he’s actually feeding off her soul, giving life to himself, for the Solomonari ritual to be possible. Their souls are merging inside of that rotten corpse. At dawn, when it gets destroyed, Orlok and Ellen’s united souls are set free as their combined blood pours out of “Nosferatu”. And Orlok is now an “empty shell” because their joined souls have been liberated to the Afterlife, together, forever. And the last shot of the film really drives home this; as they lie embraced in death, both finally at peace, their souls united, as it was fated to be.

“Orlok is the villain of the film” = Incorrect

The villains of this story are the Victorian characters and Victorian society. Everyone keeps romanticizing.

Robert Eggers calls Ellen a “victim of 19th century society” several times on interviews, and how she’s completely misunderstood and unseen by everyone around her (except by Von Franz and Orlok):

“People talk a lot about Lily-Rose Depp’s character’s sexual desire, which is a massive part of the character, of what she experiences — being shut down, and corseted up, and tied to the bed, and quieted with ether. Misunderstood, misdiagnosed. But it’s more than that. She has an innate understanding about the shadow side of the world that we live in that she doesn’t have language for. This gift and power that she has isn’t in an environment where it’s being cultivated, to put it mildly. It’s pretty tragic. Then she makes the ultimate sacrifice, and she’s able to reclaim this power through death”.

The real tragedy on Ellen’s story is not her connection with Orlok; it’s her human life in Victorian society; where her supernatural gifts are medicalized, and dismissed at every turn. Like Robert Eggers also says: “[Ellen is a] victim to 19th-century society […] she can see into another realm, and has a certain kind of understanding that she doesn’t have the language for,” Eggers said. “But people are calling her melancholic and hysteric and all of these things.”

This entire story is Ellen liberating herself from her oppression by Victorian society, like Linda Muir, the costume designer, tells us in an interview about how Ellen’s wardrobe tells a story about female repression and liberation:

Her [Ellen] true nature [takes over] in the end. She liberates herself by ripping herself open, ripping her striped dress open. She liberates herself by wearing the same garment over and over and over again when she's staying at Harding's home. So she's liberated herself in that she doesn't feel the need to dress up completely each and every day. And then she liberates herself completely in the end.”

Linda Muir also talked about the importance of "Ellen's corset" to the story in an interview with "The Art of Costume", and it symbolizes her oppression and medicalization by Victorian society.

Historically, corsets have always been considered an instrument of women’s oppression, so it’s not surprising to see them having the same meaning here. Corsets were restrictive devices that rendered women immobile, passive and prone to fainting, and the Feminist movement of the 20th century saw them as “as one of the quintessential Victorian social horrors”. Corsets were also considered a sign of respectability, because they controlled the body, and, by extension, physical passions.

Ellen corset consumes her until she tries to break free from it during her “possession scene” with Thomas; the point of that scene was her showing him her true nature, and his reaction was to call the doctor on her. His “love” and her medicalization are the same. That’s what she leaves behind. And at the end, she’s fully naked before Orlok, no more corsets, fully liberated.

This is a very feminist story through the lenses of Historical Feminism, because this is about Ellen reclaiming her own power, through death and sex (the core themes of this story).

#Nosferatu 2024 #Robert Eggers #Ellen Hutter 2024 #count Orlok 2024 #Thomas Hutter 2024 #Anna Harding #Friedrich Harding #professor Von Franz #Nosferatu #historical feminism

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simmedaway · 6 years ago

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Progress of the new Carolan Estate barn

#the carolan household #carolan estate #ts3 #the sims #the sims 3 #equus sims #equus community

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advancedthetapractitioner · 5 years ago

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TGIWednesday and a download for making it through life's storms

TGIWednesday News

Well I’ve been praying/fishing for over a week to move Hurricane Dorian out to sea and while the Bahamas sadly took a tragic hit, we now know that the worst of it is continuing to stay off the Florida east coast as it moves north. We are continuing to pray for Dorian to have the least amount of damage and loss of life... that's the goal. But I want to urge you all to Keep the Faith during this weather event or any other kind of "storm" that arises in your life. There will still always be challenges and with these kinds of “life storms” but know that "this too shall pass” as my sweet mom Granny Ruth always says. When you see it coming, statements are of little help. When you’re moving through a life storm, you are nearly numb on listening to the advice of others. Once you’re through it however, you can look back and realize on some level it was necessary and maybe it took you out of a greater harms way or was an unanswered prayer that actually allowed your life to turn out even better than hoped for. Keep the faith! Ok, so... voice back? Check. moving forward with grace and ease? Check. And just in time for tonight's "Turning On Your Youth and Vitality Switch" bonus call happening at 8pm EDT on Zoom conference. This is a private call for those who have previously purchased the Fountain of Youth MP3. If that's you, then you have received 2 reminder emails and had 2 chances to register and claim your spot on the live call. Know that the recording will go out to ALL mp3 buyers - regardless of whether you registered to attend LIVE. Now...the good news for the rest of you is that we now know we're able to open up a VERY LIMITED NUMBER of spots for others to join in on this Bonus Clearings call for ONLY $22. We asked for folks to submit related topics for the clearings call and this is some of what will be covered: hair loss, thinning hair, thicker hair, gray hair, hair patchiness, skin moles, itchy skin, low immunity, sluggishness, fatigue, menopausal weight gain, excess weight, slow metabolism, fatty liver, bone and muscle strengthening, indigestion, digestive irregularity, inflammation, poor sleep. To claim a spot on the call, click this link and it will take you to Calendly where you can select the Sept 4th date and confirm if there's still an open spot. There you will pay $22 via PayPal to receive the direct Zoom call link, confirmation email and reminders & replay.

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thedivinefish · 5 years ago

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TGIFriday the 13th and Full moon mayhem

TGIFriday News

It’s not always what it seems. In many cultures for thousands of years, the number 13 is actually a power number, an omen of good fortune, new beginnings, a renewal and things to look forward to. It’s not always the bad omen, bad luck that “American cinema” has made it out to be. In fact I have a big fat black cat with green eyes named “Tuna” and as I write this he is in my healing chair. Believe me it’s not because he loves me so much, but he is like a weird totem animal that at times exudes healing, grounding and power. Now the full moon often puts the light on what we need to change and or be aware of and it’s statistically a time when the ER and jails can experience overcrowding for real. So always be cautious and expeditious, but move forward with steady progress and grace and ease knowing that things can and will improve. So because this week it's a full moon AND Friday the 13th ...if things get a bit much reach out and get on my schedule. https://jimmymackhealingshop.com/services

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"I am so eternally grateful to you for all the months of protections for me and my family! We are doing so well now, I feel the danger is past us now, and we can be free from energy attacks finally!! Thank you with all my heart! I am not renewing the monthly prayers at this time. Gonna see how we do. I’ll speak to you soon!!" - J.B.

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Listen here for this week's replay Special Guest: Carolan Carey Radio show host, The Psychic Medium of Sarasota. Profound readings and messages from spirit Listen here SEPTEMBER 17th Guest: Susan Kennard Spiritual Scientist, Intuitive Therapist, EFT Master Practitioner & Trainer, Meta Health, Theta Adv DNA, 5D Angelic Healing, Mindfulness Trainer, Founder Sparkle to Success www.susankennard.co.uk

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divinefishingtips · 5 years ago

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TGIFriday the 13th and Full moon mayhem

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365dailyaffirmations · 5 years ago

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TGIFriday the 13th and Full moon mayhem

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TGIFriday Download

~ IMMUNE TO BAD LUCK ~

From the Fish Box

FREE Weekly LIVE Healings and Messages

SEPT. 26th - YOU WEALTH REVOLUTION

I am THRILLED to announce that I have been invited to be a guest speaker on the Darius Barazandeh - You Wealth Revolution telesummit later this month on September 26th!

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scottishdreams · 6 years ago

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Art review: Duncan of Jordanstone Degree Show, Dundee

Dundee ^ | Hope Carolan references Dundee's jute-making past and women's domestic work by transforming household objects into unique woven sculptures. http://dlvr.it/R59Jsl

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josephkitchen0 · 7 years ago

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Old Irish Goats: Breed Profile

Breed: Old Irish Goats

Origin: Settlers brought cold weather goats to Ireland in the Neolithic age, approximately 5,000 years ago. This line of goats had slowly adapted, over many generations, to the cold, arid conditions of northern Europe during the slow migration of nomads. As people set up homesteads in Ireland, this hardy and economical breed gradually adjusted, over thousands of years, to Ireland’s landscape and damp climate, and acquired resistance to local diseases. This makes Old Irish goats ideal for families living in harsh conditions with meager land.

History: The Old Irish goat was the only breed until about 1900, providing many products to impoverished households. In the nineteenth century, they numbered a quarter of a million, and many were exported to England. When the potato famine struck, goats proved invaluable, and villages with access to goats and fish were more likely to survive. At the beginning of the twentieth century, improved dairy goat types were imported and cross-bred with local stock to increase milk yields.

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Today, in Ireland, most goats have British and Swiss origin. Intensification of production has marginalized Old Irish goats in favor of higher-yielding goat breeds. Despite the fact that they are celebrated in folklore, song and art, there are only a few hundred Old Irish goats left. These are believed to be hidden among feral herds roaming heaths and national parks. Even here, their gene pool has been diluted through cross-breeding with commercial dairy types. When feral populations are controlled, indiscriminate culls further eradicate native animals. Dwindling biodiversity threatens the loss of unique DNA, which allows goats to thrive in cold, harsh and damp conditions, and specifically those of the Irish landscape.

Old Irish goats, credit: Seán Carolan

Modern farming methods can inadvertently bring about the kind of conditions that led to the famine, when reliance on a single variety of potato resulted in massive crop failure due to its susceptibility to blight. The Old Irish Goat Society, formed in 2006, recognizes this danger and appeals to volunteers to help them identify genuine Old Irish goats among the feral herds. The society works with the government and heritage associations to gain official protection and rare breed status.

To prove their genetic inheritance, DNA tests were required. Samples from feral and domestic herds were compared to museum samples. Scientists analyzed goat bones and skin that had been preserved from times before improved breed imports. DNA from feral goats in Mulranny revealed descent from historic samples of Irish and Old British breeds, most of which are now extinct, and landrace Scandinavian breeds. Mulranny goat DNA is quite distinct from Mediterranean, Swiss and improved breeds.

Old Irish goat kids, credit: Eamonn McCarthy

The Old Irish Goat Society’s aim is to preserve Old Irish goats in the wild as an existing standard, through collaboration with national parks and landscape management schemes. It also encourages domestication without improvement, as Old Irish goats already make ideal homestead animals, being productive in sparse conditions. The society relies on volunteers and donations from bodies such as the County Mayo Foundation and The American Ireland Fund.

Conservation Status: Near extinction: only a few hundred individuals left. They represent a unique reserve of locally-adapted DNA. According to ecological researcher Rosa García, “Goat genetic heritage is seriously threatened … especially for remote areas which hold an outstanding reservoir of livestock diversity adapted to the local conditions….”

Standard Description: The coat is long, coarse, and oily with an abundant cashmere undercoat. The face is dished, and the body small and deep, with a large rumen to digest poor forage. Legs are short and strong. Distinctly pricked ears are small to resist frostbite, while a long muzzle warms the air before entering the lungs. They normally have horns and beards in both sexes, but no goat wattles. Bucks have long beards and ostentatious tufts on cheeks and forehead, and impressive outward-curving horns. They have slowly adapted these traits in harmony with the local environment. This makes them low-maintenance, hardy, and resilient.

Feral Old Irish goat buck, credit: Old Irish Goat Society

“The Old Irish Goat has a distinct regal image, with its long beard, oversized sideburns, flamboyant coif, long coat, and of course … it is ostentatiously adorned with a crown of impressive horns,” enthuses Seán Carolan, chairman of Mulranny Environmental Group and Old Irish Goat Society.

Coloring: A variety of colors and patterns of gray, black, white, and rich to pale browns.

Temperament: They are described as exceptionally intelligent, charismatic, and gentle. They quickly adapt to domestic settings.

Popular use: Before the twentieth century, rural families kept Old Irish goats for milk, meat, fats, hide, horn and fiber. Now their descendants exist in feral herds, and could be used for conservation grazing and tourism. Their unique genetic makeup embodies a food security resource. They have huge potential as backyard goats, producing nutritious milk of high fat content, due to their economic use of a wide variety of forage.

Old Irish goats, credit: Eamonn McCarthy

It isn’t really Old Irish if: there are wattles, large ears, long legs, short hair or other signs of dairy conformation. Other feral populations’ DNA revealed a closer relationship to foreign improved breeds, and demonstrate how any mix of goats left to cross-breed spontaneously in harsh conditions will eventually produce small, hairy descendants, reverting to a wild type like their Bezoar ancestor.

Quotes: “There is a very compelling and urgent need to preserve the Old Irish Goat breed as a genetic and cultural resource. The Old Irish Goat is the ancient breed of the nation and the symbol of its past. “They’re a rare breed likely to become extinct very, very quickly in the near future.” Raymond Werner, historian and researcher, Old Irish Goat Society and British Feral Goat Research Group, 2009.

“The Irish goat in the process of time has developed a coat which acts as a natural thatch in the moist humid atmosphere of its native districts, and to graft Nubian or Swiss blood into this breed does not add to its beauty, and, to our mind, impairs its usefulness. The Irish goat, we maintain, is the best we have for the purpose, and it should be kept pure in type.” Walter Paget, British illustrator, 1918.

Sources: Old Irish Goat Society Cassidy, L.M., et al. 2017. Capturing goats: documenting two hundred years of mitochondrial DNA diversity among goat populations from Britain and Ireland. Biology Letters, 13(3), p. 20160876. Rosa García, R., et al. 2012. Goat grazing, its interactions with other herbivores and biodiversity conservation issues.” Small Ruminant Research 107.2, pp. 49–64.

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Photographs by kind permission of the Old Irish Goat Society.

Presented by: Tamsin Cooper www.goatwriter.com.

Originally published in the March/April 2018 issue of Goat Journal and regularly vetted for accuracy.

Old Irish Goats: Breed Profile was originally posted by All About Chickens

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simmedaway · 6 years ago

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#ts3 #the sims 3 #the sims #sims 3 #sims #the carolan household

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sean-carolan · 7 years ago

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Sean Carolan

ARTIST INTERVIEW

M: To simplify, I see several different kinds of work, some sculptural and some illustrative. What kind of work do you make?

S: I’ve been looking at it as trying to find a balance between messy and intentional . Originally, charcoal was my go to, and I think I might work back towards it, but for a while I was focused on just filling the space, solidifying color and letting the process be visible in the drawing itself.

I’m kinda concerned about making it apparent that the drawing was made in an emotional state, or channeling certain anxieties and mindsets through uhm, the work itself and so I try to make things alittle violent, or uhm, portray them in a kind of haphazard manner, but I am, uh

-trying to find a more refined approach for it.

M: I see theres an interesting balance between sort of a control and then a very gestural, like expressionistic type of mark-*accidentally knocks drawing on the floor* Oh no!

S: That can just stay on the floor too, like I said, critically panned(laughs).

M: So you said that you mentioned that you try to convey a sense of anxiety in your work. That is a theme that tends to pop up, can you tell me about that and other themes that pop up?

S: Uhm, to me its about uhm, sources of anxiety, and to myself that is sort of about self reflection, uhm to get to the root source of it, but also that everybody should reflect on themselves. And I’ve always sort of struggled with well, I’m not trying to say that this is how everybody should be or that this is what everybody experiences, but more so that these are the codex of what I experience and that everybody has their own.

And so It deals with personal sexuality, underlying urges, identity, but like, referring back to myself specifically. I’ve had it described to me as very Catholic, like they looked at the stuff and asked “Are you Catholic?” and I was like “Well, I was raised Catholic.” And they thought that was very apparent, Uhm, because I am very concerned with the concept of reconciliation, which to me, is based in personal honesty. I-I try to be honest about uhm, things I’m uncomfortable with, uhhh, but then putting them out there in a way that shows that I’m not in support of everything that I believe, its sort of a-uhm, to scrutinize it. So yeah.

M: So I see some external influences, some kind of things you were talking about-

S: I see what you’re doing there.

(laughs)

S: So Darth Vader…(laughs) Darth Vader is a motherfucker but the problem with Darth Vader is that he isn’t entirely evil, he just suffers from low confidence. He is an impotent man stuck in a metal suit, that tried to succeed and now is a lackey. Uhm…And to me is a kind of motif figure that represents toxic masculinity, especially in the way that he tries to incorporate his son to be just like him and is frustrated at the fact that he wont join him. But also to me hes an obvious enough that I feel most people would be ale to contextualize what he represents in the paintings. I’ve been catching a lot of flack for that-

M: For Darth Vader or for using pop culture figures?

S: Well for both. I get accused of being very 1-1 and the students, well certain students like it a lot more but the teachers don’t really.

M: Yeah that’s actually something I’ve noticed, like the teachers are much less fond of that.

S: But that’s definitely my go to figure. I’ve been trying to get away from that alittle bit.

M: You also make sculpture, correct?

S: Yes, yes I do(laughs).

M: (Laughs) were just gonna pretend we didn’t already rehearse this already.

-and are the same kind of themes present and also what are your sculptures like?

S: The sculptural work uhm-the themes are similar but I interpret them in a different way. A lot of my sculptures have to deal with an architectural space, more like a domestic interior space, like I said the last time we spoke, I make a lot of small spaces for people to retreat into, but placed within a very obvious space. Like I said, I made the wall which was pretty much the back of the LAB room I covered with a false wall and built a space inside in which you could disappear or uhm the Cube Cave, which was a six by six by six cube with a tunnel inside which you could burrow into. I also make a lot of figurative sculptures out of metal which I dress up in clothing, give them a sort of pageantry and put them in spaces, domestic spaces. I’m interested in how your development has to do with where you grow up and who you grew up with and how we all sort of think of development in a blanket term and then its not even just like demographics it breaks up into household to household in a cul-de-sac, and some situations are mundane and others are horrific, and you often times really have no way of telling because of personal privacy, there’s never really any intervention. And so that’s uhm, probably where the sculptures lay, and again the critique has been “less figurative, less direct” more uhm,-just more abstraction, all the teachers want more abstraction and I feel like a couple students really don’t want that to happen-

M: Like I was warned about that coming into this school like “yeah It’s a good school but they want every thing to be abstract” and I was like “Oh you.”(laughs)

S: I feel like a lot of the ways were told to resolve drawings or sculptures, you could go on Instagram and find any number of artists doing something similar, like super gestural compositions of forms and movement and they’re sort of a dime a dozen-

M: Yeah, I mean any kind of art is so I don’t necessarily see it like that but I find abstract art as being kind of more valuable than other kinds of art-

S: Yeah, yeah.

M: I’m, sorry I keep looking at that and I keep thinking that super interesting, I mean its so different than everything else.

S: Oh, that’s Carlyn’s.

M: Oh, sorry(laughs).

S: Thank you, Merav.

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simmedaway · 6 years ago

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#ts3 #the sims 3 #the carolan household

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simmedaway · 6 years ago

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#ts3 #the sims 3 #the carolan household #patrick shaun carolan

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simmedaway · 6 years ago

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#ts3 #the carolan household #maeve carolan #sims #sims 3 #the sims 3

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advancedthetapractitioner · 6 years ago

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TGIWednesday Good Fortune is on it's way!

TGIWednesday News

Friday March 28th Mercury goes direct OUT of Retrograde and things level off a bit more, and it may surprise you when I say this, but I want to encourage you to consider playing with gambling and lottery or any games of chance on a small scale. I want to empower you to enter even a bake sale raffle at your club or church just to open up the chance of winning. I believe the excitement, anticipation and the wondering are their own special kind of fun and bring us joy. My acupuncturist and I went to the horse tracks in Florida one day and we toyed with muscle testing/applied kinesiology/finger and sway testing in order to at least get the probability of what order the horses would come in at the finish line on that day, in that race. It did not line up like the favored ones at all, but we said, “Oh well, let’s bet it exactly like it tested just for grins." On a 10$ bet in a matter of minutes we won thousands of dollars! So yes it’s possible, and yes, we’re coming out with an Abundance Audio MP3 in April that will add more excitement/kismet/good luck and good fortune in your life. Stay Tuned...

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divinefishingtips · 5 years ago

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TGIFriday the 13th and Full moon mayhem

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~ IMMUNE TO BAD LUCK ~

From the Fish Box

FREE Weekly LIVE Healings and Messages

SEPT. 26th - YOU WEALTH REVOLUTION

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To listen online, click the date links below:

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advancedthetapractitioner · 5 years ago

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TGIFriday the 13th and Full moon mayhem

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TGIFriday Download

~ IMMUNE TO BAD LUCK ~

From the Fish Box

FREE Weekly LIVE Healings and Messages

SEPT. 26th - YOU WEALTH REVOLUTION

I am THRILLED to announce that I have been invited to be a guest speaker on the Darius Barazandeh - You Wealth Revolution telesummit later this month on September 26th!

To listen online, click the date links below:

Check out TheJimmyMackHealingShow.com for a full listing & all replays!

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EVERY FRIDAY at KODAWARI YOGA STUDIOS TAMPA

Go deep sea "fishing" with Jimmy!

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Choose 7 days @$33 Choose 14 days @$66 Choose 30 days @$99

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Fish Food

The Daily Bread To Feed The Fish

Tell The Fish: 365 Daily Inspirations & Affirmations

Increasing Intuition IRS & Tax Time Love & Romance Money Mindset Moving Forward Pain Relief Pet Healing Sales & Success Sex Sleep Traveling w/Ease Work & Career Weight Loss Youth & Vitality

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