#the c plot is with daisuke and the stuff he's got going on internally
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woobifykamukura · 1 month ago
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hi your addendum to my post was so amazing i couldn't just not say anything i SEE YOU SO HARD in believing its like a greek tragedy. nobody was supposed to die on that ship, this was all avoidable had the company trained and took care of their employees better, had the crew been more stable, i love what you have to say about this
- @missingininaction
@missingininaction omgomgomg thank u so much!!! :D my friends and i have been talking incessantly abt how the whole thing is a greek tragedy for like the last month, like! i do not think jimmy is ontologically evil and to act like That's The Point is i think doing a big disservice to mouthwashing as a game because WHY would this game thats filled with nuance and complexity suddenly turn around and believe in ontological evil??
this is a sidenote for Me but in the medbay there's a book called "up or down? the illusion of choice" and its out on the counter. and i know this was just supposed to be a reference to how fish is made but it also implies that anya reads about philosophy and determinism (the idea that there's no free will) and compatibilism (the idea that there's limited free will) and i am just fascinated with the idea that anya reads about philosophy and about the very common argument that if people are shaped by their pasts and those pasts have an effect on them that they can't control, how "free" is free will? how "at fault" are people, really, for their actions?
i find the idea interesting, of anya reading that book to cope, because it makes her feel better. i feel like she believes that peoples' worst moments dont make them monsters because she reads about psychology and philosophy and is keenly aware how out of control a lot of actions really are. and that maybe if her assaulter isn't just a monster, it means she isn't just a victim, too. and that what happened to her wasn't anything she did to "cause it," it happened because the things that drive people forward are fickle and unpredictable things. it makes her feel better, to acknowledge the dead pixel, as it were, of the assault itself, but to still find comfort in the bigger picture of the nighttime screen as a whole. while curly refuses to see the dead pixel, anya sees it, is mindful of it, and yet still looks at the whole picture. willful ignorance versus mindful knowledge of both the wide philosophy of Was It Really His Fault and But It's Still Something That Happened And Ergo Someone's Responsibility To Acknowledge
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