#the Knives Out update was 9/11 for most people apparently

[cxs-workshops]

Hi. I’m the person who almost attempted suicide, twice. Been nearly a year now, it’s out there, I do not care who knows.

Didn’t want to jump in this but here we fucking go: First to be fucking clear, and which no one, might I add. came to me directly to ask, all the the Logan/anon drama was NOT the reason I did why I did what I did. It didn’t help the situation, but it wasn’t the sole reason. I had so much IRL issues going on at the time, and I realize the petty stuff with the anon hate made it seem like it was the only reason but I barely thought about it while I was doing the thing. I have half the mind to bill a certain party the rest of my medical debt but hey, we’re gonna move on.

I cut myself off from fan servers and from most people in the community due to being anxious all the time, thus being alone since late 2023. If I was talking to anyone, it would be purely about the game or art stuff. Snowy & Goons, how DARE you use my situation to your benefit, and any of the posts I’ve made. You cannot outright accuse someone else of my suicide attempt without any concrete evidence. That’s a damn serious accusation. All we have are petty Tumblr anon messages. And ooo guess what, not every single Logan fan is gathered at Simprock, there are plenty of other individuals within the community, outside of fan servers. Who’s to say that your goons aren’t the ones posing as the anons for them to be framed? Idk but you can’t keep talking out of your ass. My harassment started roughly around 2020/21, I can’t even remember who said what at the time and who’s to say the same people are even around anymore. Should I have collected evidence? Seeing how it all came to this, yeah I definitely should have. I don’t have evidence, but most importantly NEITHER DO YOU. Which applies to many things for you.

Simprock was the last server I had joined. During the brief time I was there, was treated with nothing but kindness and respect. I admit, I do still have a sort of distrust with them, for other reasons, but with this it’s hard not to be on their side( and with apparent evidence) . Actually in fact, it was when Snowy had also joined Simprock, I bolted out of there shortly. I wasn’t there long enough to get to know anyone but I saw your name and my skin immediately crawled. We never talked directly but I first saw you in the bootleg my time server (late 2022-mide2023) the vibes were immediately off. I’m not of fan of Logan either but you were constantly belittling them, not cool. To think you’ve escalated this far…baffling.

Back to using my posts to your benefit, the zine post. How the fuck did you immediately accuse them again when I said I wasn’t joining either zines. Again I couldn’t even guess who the anons were but hey, could be your goons posing again. Just because a person liked it immediately meant it was an attack against you? Dude. Reaching aren’t we.

Some days I take a step back, and think. There were several different ways to have handled my harassment, and I was thinking one of those ways was the one you’re taking Snowy, and I can’t begin to imagine it, not even a little. Why? Because this is fucking insane behavior. I wouldn’t have begun to do something like this good gracious. If I made anyone uncomfortable last year anytime after my attempt or during all the hate anon messages, I genuinely didn’t mean to and I apologize. I appreciate more than anything that the lot of you gathered to help me during and afterwards. I’ll always be thankful.

I’m going to cut myself off here before I get pissed again, but one more thing.

F YOU SNOWY I FN KNEW ITBWAS YOU TALKING SHIT ABOUT QUINLAN. I don’t play about my characters and for you to mischaracterize them like this UGH JUST 🖕🖕🖕🖕🖕

Please Leave me Alone

Hi, I’ve been sort of attempting to avoid making a post about this but due to numerous concerned individuals reaching out to me and the amount of receipts that I’ve been given regarding this I have to make one last attempt to address the person who has been doing this to me for the past few months.

I know what you’re doing, and you know it’s dishonest and wrong. This needs to stop. Targeting others and involving them in your personal drama just for interacting with me is unacceptable, and the misinformation and harassment have to end.

I’m giving you the chance to take accountability and tell the truth. If I continue to hear that this behavior is still happening, I’ll have no choice but to address it directly.

I’m not interested in some self-made competition for attention and the drama - I just want to share my love for this game and community together with my friends. Please leave me alone.

For the record: I have never, and will never, send anonymous hate to anyone - especially not over being queer or creating gay art. As a queer minority myself, I stand for marginalized communities and will always support safe, inclusive spaces for everyone.

It’s incredibly unfair to your friends as well, who you have most likely been feeding false versions of the story. It’s also unfair to pull completely uninvolved individuals trying to enjoy their time in this space into this especially when you know that this is untrue- then hide behind alt accounts and your friends, which will unfairly put them in a position where they have been defending someone who has been dishonest to them.

I wanted to believe that you were going through a rough spot and that it led you to doing this in a bad state of mind, but this is becoming excessive and I want you to please use this opportunity to reflect on this because you know what you have been doing is wrong and hurts everyone.

[snowdice]

Road Trips and Missing Persons (Part 15)

Fandom: Sanders Sides

Relationships: Patton & Virgil, Virgil & Deceit, Logan & Patton, Emile & Remy, Roman & Remus & Janus

Characters: Patton, Virgil, Deceit, Remus, Roman, Logan, Emile, Remy

Summary: Patton was just getting groceries. The next thing he knew, there was a knife at his throat and he was an unwilling uber driver. Virgil’s on the run after the murder of his dad, and it’s not just his paranoia that’s telling him he’s being chased down. He has to get somewhere safe, somewhere he can trust, and all he has is a couple of stories from his dad and a name: “Green Bellow Foods and Dispensary.”

Notes: Secret Agents AU, knives, carjacking, kidnapping, murder mentioned, guns mentioned, pepper spray, blood mentioned, drugs mentioned, explosions, car crashes (more to be added)

This is a fic I’ve been writing on study breaks that you have probably all already seen at this point. I’ve affectionately named it the Goblin Brain Fic because it’s helping my brain actually get motivated for studying. I’ve slightly edited it for wording and grammar, but not for content from my previous posts. Feel free to send in asks to direct it because I’m not 100% sure where this is going and you can help decide if you feel so inclined! You can see the process I went through to build this at this link.

Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 10 Part 11 Part 12 Part 13 Part 14 My Master Post

The next two hours were the most frustrating ones of Logan’s life. It seemed like the entire universe, or perhaps more accurately his entire family, was doing its best to make his life and job as stressful as possible.

He’d stepped away from his desk for less than one minute to make sure Darlene and Fredrick’s coms were set up to his specifications. He had them outfitted with what he would usually give to undercover agents. It was a constant feed of audio from their side and Logan could talk to them with a click of a button. It was on an entirely different frequency than anyone else used and, barring damage to the actual equipment itself, it should never go offline.

When he got back to his desk and checked his phone, he had a missed call and a text message from Patton. Of course. Of course, in the 30 seconds he is away from his desk, someone finally calls him back. He opened the text message. His first thought was, ‘Patton, you are lactose intolerant. Why are you buying so much cheese?!’ His second thought was that the string of emojis was unintelligible. What about a baby and a knife?! If he’d just bought cheese, why did he need to go get a burger, fries, and ice cream, and on that count, why more dairy?

He tried to call Patton back, but as he was beginning to expect at this point, there was no answer. Frustrated, he slammed his finger down on the end call button. ‘I have no idea what that means’ he texted him back. He set his phone back down on his desk after making absolutely sure his ringer was at full volume.

“Be sure to track all traffic updates in their path,” Logan said. The other people in the base snapped to attention, their fingers going to work at their keyboards. Then, he pushed the button on his desk. “Fredrick?” he asked.

“We just got on I-26,” Fredrick replied instantly.

“Good,” Logan replied. He sat down in his chair to rub at his eyes and grabbed his phone once more. He shot off texts to different people in a pattern he was getting very used to at this point. Then, he went back to look at Patton’s message once again. “Why must you always use these infernal things?” he asked the text from his brother. He looked over his shoulder and saw Clara looking up. “Clara,” he said. She flinched at his tone.

“Yes?” she asked hesitantly.

“Are you literate in the emoji text message language?” he asked.

“Um…yes?” she said.

He stood and placed his phone in front of her. “Can you make sense of this message from Patton?” he asked.

“Er,” she said, looking at it with a perplexed expression on her face. “I’m getting… he bought a lot of cheese. Then he kidnapped… or got kidnapped by a baby? He got fast food and then did other things… then got gas and coffee. Um, he says everything’s cool and he loves you.”

“He got kidnapped by a baby?” Logan asked skeptically.

She gave him a helpless shrug. “That’s what he said. He got in his car at the grocery store, but there was a baby with a knife and the baby made him drive.”

“Well, thank you for trying,” Logan said. He took his phone back from her and wandered back over to his desk.

“Okay,” Darlene was saying over the coms. “But why do you even need chair covers for your apartment?”

“To prevent damage and stains,” Fredrick said back.

“You bought them for $20 at a yard sale. They’re already stained.”

“Even more of a reason to make a seat cover for them! It’ll make them cuter, and since I’m sewing them, I can personalize! See look, here’s the pattern I’m using.”

“Fred, I’m driving.”

They continued to chat idly about Fredrick’s latest sewing project. Logan was just content to have an open line of communication with his agents.

They eventually moved on from arguing the merit of chair covers and went on to discussing the pattern and color options. Well, Fredrick at least was discussing it. Darlene had descended into noncommittal hums, ‘yep’s and ‘I can’t look at that because I’m driving’s.

“Do you like this flower design or this flower design better?” Fredrick was asking.

“The first one,” was the answer.

“You didn’t even look!”

“Boss, there’s been an accident on I-26,” Emerson informed him from his desk.

“Where?” Logan asked.

“Around exit 52. The actual accident was only on the east side, but it was a truckload of cows, so it’ll likely affect Fred and Lena’s path.”

“Alright,” Logan said. “Find me the quickest alternative route.” Emerson nodded and turned back to his computer. Logan pushed the talk button. “There is an accident ahead of you,” he informed Fredrick and Darlene. “We will be giving you an alternate route. Stand by.”

“Yes, boss,” Darlene replied.

“Have them take exit 65 and get on Highway 236,” Emerson instructed.

Logan nodded and pressed down the button again. “You’ll want to get off on exit 65,” he told them. “You’ll take 236 until you’re past the accident.”

“Got it,” Darlene replied.

“We just passed mile marker 61 a few seconds ago, so we’ll be there soon,” Fredrick offered.

Darlene and Fredrick exited the interstate without any problems. It was a few minutes later that, with the obnoxious sound of a saxophone, the song titled ‘We Are the Number One Bad Guys’ (which was reportedly a mash-up of a song from a children’s show and a pop song) started blaring from his phone. Usually he’d be annoyed by hearing that sound as Patton and Remus had set it behind his back and he couldn’t figure out how to change it. Today, however, the sound was a relief. He grabbed his phone to look at the text message from Remus.

‘I’m not his keeper’ is what the text said in response to Logan’s many messages asking him if he knew where his brother was.

Logan stared at his phone for a least a whole minute.

“What’s wrong boss?” Clara finally hesitantly asked.

“I,” Logan said calmly. “Love. My. Children.”

“…Uh huh?”

Logan typed back a message he was certain at this point would not get a response, and then he hit the talk button on his desk. “So, Fredrick,” he said. “Tell me more about these chair covers. You mentioned flowers?”

“Uh…” Fredrick’s voice said. “Yes?”

Logan glanced up at the other agents in the room who were all staring intently at the designs in their desks. “Have you considered paisley?”

Logan focused on listening to Fredrick and Darlene’s conversation while the rest of the office focused on not looking at him unless it was to update him on the traffic for Fredrick and Darlene for the next 15 minutes.

“Whoa!” Darlene suddenly said, and Logan could hear the sound of braking through the sensitive listening devices

“What?” Logan pushed the button to ask.

“There were a couple of cars in our lane…” Fredric said.

“Was that a gun shot?” Logan asked when there was a loud pop on the other end.

“Uh… give us a minute boss,” Darlene requested.

He could hear the engines turn after a moment, likely as they accelerated again.

“What’s going on?” Logan asked.

“We’re, in a car chase now, apparently,” Fredrick replied, voice strained.

“Why?” Logan asked.

“I recognized the first car!” Darlene said.

“What do you mean you recognize the car?” Logan asked.

“I… shit!” Darlene said. Logan could hear the sound of tires squealing. A few seconds later there was a huge crash followed by a couple of incredibly loud splashes.

“What’s going on?” Logan asked.

There was cursing on the other end of the line in response and the sound of two doors slamming shut and then running.

“Darlene! Fredrick! What is going on?!”

There were a few more seconds where he could hear the sound of breathing and then the sound cut out halfway through the sound of a splash.

“Fredrick?” Logan said. “Darlene?” He took his finger off the button. “Please tell me we didn’t just lose the signal,” he said to the room at large.

There was silence.

“Please, someone tell me we didn’t just lose the signal to the high-tech spy gear I put on both of my agents.”

After a pause, Emerson finally spoke. “It’s… it’s not waterproof sir.”

“I see,” Logan said, his tone serene. “It isn’t waterproof.” He looked down at his hands settled on the top of his desk next to his useless talk button and the phone that no one seemed to be willing to call or text with anything useful. He turned his hands over, grabbed the bottom of the desk, and flipped the whole thing over. His computer smashed on the ground and the normally well-organized pens and papers scattered across the floor. “Well, why the hell isn’t it waterproof?!”

No one dared to answer his question, and Logan pinched the bridge of his nose, surveying his broken computer and overturned desk for a few minutes.

Eventually, he straightened. “I need to borrow someone’s desk,” he said. Three people scrambled to their feet, but he held up a hand. “I’ll use Darlene’s,” They all scrambled back to their desks, “and send someone after those two!” He strode over to Darlene’s desk and sat at her computer. He pulled up every local news outlet he could find. They needed to find a new starting place, because he honestly didn’t know where to go from here.

He spent an hour trying to piece together what exactly was happening out there with news articles, police scanners, and other information channels. There was an explosion an hour and a half earlier in the city where this all started, and he worried that had something to do with the lack of communication as it was on the road from Nelsen’s base to the city. However, that still left almost 2 hours before that of silence from Roman and Janus unaccounted for. There were also two separate break-ins to the security office of the grocery store down the street from Remington Gates home which Logan imagined somehow was connected, but he couldn’t figure out how. And what did the cows have to do with it? Anything? Everything? What was going on? There was no news about whatever had happened with Fredrick and Darlene and the other team of agents he sent after them were still 20 minutes out from their last known location.

“Uh, boss?” a tentative voice said. Logan looked up at Clara who was standing at the edge of the desk. She flinched at the expression on his face when he looked up.

“Unless a member of my family or Virgil Gates has arrived at this base, I don’t want to hear about it,” he snapped.

“Well…” she replied, “actually…”

Want to read more? Click below!

Part 16

[patchdotexe]

Explorers of Arvus: uhhhh / 3.23.21

today's notes are different from usual bc. well. you'll see

LAST TIME ON EXPLORERS OF ARVUS i broke my sleep schedule and am barely existing so this is fine. we went back to camp vengeance an uhhhhhhhhhhhh we are now going to fuck off into the forest to die or prove a very important point

oh god we forgot to level up

[mgd voice] BOOSTING NYX TO MAXIMUM LEVEL

im so fuckin tired. what on earth am i doing. how do i level again

k is not here this time but instead we've got mae+nii bonking their heads together to simulate 2 braincells and so far it is not working. i might just have to like fuckin, drop out n zzz partway thru or somethin. would be fun to see how chaotic michael makes charlie in my absensce

oh wait i can do d&dbeyond i think. how do i work this again. will i ever remember i have shield

what level am i. level 6? pog. oh shit i think i have a new thing

. new spell

. 3 total 3rd level spell slots

. bend luck! i can now screw people over on purpose (and will probably use my sorcery points FINALLY)

michael is leveling charlie up bc my brain is apple sos

ASDXFKLJFH I FEEL CALLED OUT zec rb'd my most recent art of MaX with "all i know about xem is that leo likes xem a lot that's the extent of my knowledge" THANK U FOR SUPPORTIN ME ANYWAY

there will be less blaseball distractions than last time bc blaseball is now on siesta. however i will still have MaX brainrot in the background bc i was drawing xem

wyatt mason my beloved

OKAY I GOTTA MUTE THE TACO STAND FOR THE ENTIRETY OF D&D i cannot and will not get distracted. we can do this. we

nintendo wii

we havent even started yet and im already incoherent

ok i have made a decision and that decision is that i do not have the brainpower to play. however i do have the brianpower to take notes hopefully! so ill just like. vibe. this will be a first

oh man im gonan pick up Blink. charlie is gonna be a fucking menace to herself and others

oh my god its not concentration so charlie may continue teleporting while unconscious. thorne is going to hate this

[charlie gets her soul eaten by a ring] [charlie singing dragonston din tei at halvkWAIT JORB HAS A PRIZE

jorb got a thing! an evil genius thing! figure man. fugrine. figuring. help

GREEN HAS DIAGNOSED ME AS TIGREX MONSTERHUNTER i love this

my notes are a disaster. this is so sucks

serotonin is stored in the wiggly zoomy jorb camera

jorb: his pinky is the size of the rest of his fingers

leo: he has a disease

jorb: he has a disease.

jorb: that disease is male pattern baldness

leo: [reduced to tearful giggling for mysterious reasons]

LAST TIME, ON EXPLORERS OF ARVUS: we've returned to camp vengeance! taure is still unconscious, which is not very great. camp vengeance is doin better tho!

michael, as part of the recap: ingrid is getting railed by her new girlfriend,

first dice roll of the day is michael rolled a 1. good start

OH THORNE IS AN ARTIFICER NOW thorne took a level in artificer!

"...it's like figuring out the right mathematical equation to summon a gun."

group is gonna go check out the statue that we passed by now that we're not WHAT DO YOU MEAN PONK AND GEORGE CANONICALLY HAVE IBS thats it im not looking at 772 anymore

im doing a bad job of paying attention but at least im Present

SIERON LEARNED FLY AND USED IT ON CHARLIE

michael: what do you want to do with your new flying powers?

leo: how many problems can i cause in 10 minutes

guard 1: ...why is the halfling flying?

guard 2: [rolls a 3 on intelligence] i think they can just do that

groundhogs, the real scourge of the campaign

silje and sieron are gonna hunt a big elk. they got distracted and sieron is putting grass on silje's head. i think

WAIT WE'RE ON WATCH NOW FUCK

we have discovered kali's tragic backstory whoops

update i am. too sleepy for this. good nigh everyone

[ and then leo went and somewhat took a nap! solar, normally playing thorne, started playing charlie in my stead. @jorbs-palace, local hero, started taking shitpost notes in my stead. ]

jorb's ghostwritten notes for leo:

help solar is immediately doing a cursed voice for charlie. charlie can do so many crimes

congratulations, charlie is now temporarily immortal!

dwarves can hit things with their beard

kali wants to know if she's legally allowed to bail

she'd feel really bad if she had to loot our corpses for payment if we died.

we have entered the Tree Zone

one of the corpses is now a flamingo (has one leg)

silje has decided to stab the ground. take that, dirt

kali was large size for a second there but then she remembered to not be a giant

"you accidentally deleted my cat?!"

silje has learned naruto cloning jutsu

be gone, thot

oh boy, making an int check to look at a statue! 11! silje is dumb apparently.

hmm. the statue has divination magic. it's also affecting silje.

SILJE LEARNED A 6TH LEVEL SPELL? its only single use but still

you solved my statue riddllllleeeee

thorne forgot to have eyes

its a shame mac and cheese doesnt exist in the d&d universe

wizards are just math criminals (the criminal part is setting people on fire)

sieron crit fails a check but it was still a 9 because of having +8

thorne is looking for what's weird!

uh oh music got scary, never a good sign

hmm. those leaves over there weren't dead a moment ago.

UNDEAD TROLL TIME! rolling initiative

"it's ok, im a wizard, it's my duty to be correct." "wow! waow!"

woooah here he comes

IT JUST DID HALF SIERON'S HEALTH AS A PASSIVE END OF TURN EFFECT?

thorne backed up and cast eldri- oh, ray of enfeeblement. character development continues

charlie is going to just blink out of existence for a minute.

big chungus has grabbed silje and sieron. BIG CHUNGUS HAS THROWN SILJE AND SIERON.

sieron is using hit and run tactics! isn't good at his extra attack yet though

silje is activating bid bid blood blood blood

thorne uses beam of skipping your leg day. troll's legs are now skipped.

michael is trying to determine what a 'clavicle' is

"does that mean the star trek kind, or the bdsm kind?"

charlie wants to cast magic missile.

charlie has vanished back into the ethereal plane mid-taunt

silje has decided to not get bitten today

silje may or may not have stats.

oh, right, trolls are weak to fire! and also we forgot to upgrade sieron's firebolt. so it actually hurts now!

silje is full of knives and blades and does 31 damage in one turn!

charlie shouts words of encouragement from the ethereal plane. a nearby ghost vibes with this.

🎉 eldritch blast 🎉

kali remembered she hates the sun

silje is enthuasiatic about charlie saying "get him cat boy!"

charlie contemplating using fireball to nuke the troll and also the entire stonehenge

charlie has decided to use magic missile instead, probably for the best

the troll bit at charlie SO POORLY it broke some of its teeth on the ground

charlie is too small to hit

accidentally rolled advantage on a firebolt, so got to learn it WOULD have done 29 damage with a crit but instead it missed because it was not actually with advantage

silje has just sliced open its entire back and made a spray of frozen blood! radical. big boy is down!

we have burned the body because we are not stupid. well, we ARE stupid, but not stupid in the way of leaving a body full of necrotic magic around

[dr coomer voice] i think it's good that he died!

we're also doing a funeral pyre for the other corpses that were around. just to be sure.

our loot is: the satisfaction of a job well done

thorne is cosplaying as charlie

charlie has located the direction troll came from! she found the 'the way to sweet loot' sign

thorne is apparently better at survival checks than our hired guide? wack

we found a viking house! it has: mead, a shield, gravestones,

found a gold coin in the mead! maybe it was thirsty

oh theres a LOT Of coins in there actually. 60 gold and 120 silver!

have successfully pointed out a hole in the DM's logic :)

there was a raven! it cawed and left. ok bye buddy

and that's where we leave it! heading back to camp vengeance next time.

someone rated this session a 7.2 out of 10, which is very specific

good night mr coconut

[rann109]

What the hell happened to Wereworld by Rann?

Hello folks. I know it’s been a long time. The little webcomic I did over on comicgenesis was last updated by me on 1-13-13 and frankly I’m surprised it is still up. I’m surprised comicgenesis is still up.  

I don’t know if the folks in charge there are doing anything now, but last I checked there seemed to be only the barest minimum of maintenance going on. A quick perusal of the forum indicates that not much is working and creators are just kind of on their own. The glory days of the site seem to be long over. 

I am starting this blog to answer questions a lot of my comic’s long-suffering fans might have been asking for years now. 

This is my very first Tumblr post. I chose them because (so far) it’s easy to use, they’re popular, and most importantly, free! I also like the old-school blog feel. I don’t know how many of you will actually FIND it. I’ve planned on doing this for years now and I was going to make the announcement via the Yahoo group but, alas, Yahoo has ended their groups service just as I resolved to do this. Probably because nobody uses them anymore. I can’t really blame them, but as a result I lost contact with all of you.

This is going to take awhile to unpack. It’s been almost nine years, after all. Damn. 

Before going into details, I’ll just say Life happened. It has been a chaotic time for me, as well as, I’m sure, for you. But I’ll get to the first and biggest reason I stopped the comic:

#1- BURNOUT

Yes, the artist’s arch-nemesis, burnout. I got to a point where the thought of picking up a pencil to draw was the last thing I wanted to do. It came as a shock, really. As passionate as I was in the early days I thought it would never end. I loved drawing and creating characters and stories as much as anything I ever got into. As my ability improved through dedicated practice I was proud of the work and loved the feedback. But over time I grew less and less interested in updating Wereworld. I guess about ten years of dedicated work on a project that doesn’t seem to have an end anytime soon and receiving no pay for that work can do it to a person. I really got tired of trying to compose a page, draw it, ink it, update my page using html, and post the finished comic all in the same day. Other days of the week were out of the question as I had little enough free time as it was and I had to, and wanted to, do other things during that time.

#2- FAMILY 

And everyday life seemed to begrudge me even the little time I ended up spending on Wereworld. Like, everything would be going smoothly, but as soon as I sat down, put on some music to get “in the zone”, that’s when life would come kicking down my door to demand my undivided attention. Every Sunday I could count on my phone ringing, family wanting my attention and loading me with worries and problems before going merrily on their way, leaving me in a bad mood. No comic THIS week. AGAIN! My “Why bother?” kicked in and I began to plan on just waiting around, doing nothing, waiting for crisis #2076 to come banging on my door. Nobody except my wife understood how important that little bit of time was to me and how important it was for me to be in the right STATE OF MIND to work on Wereworld. All it took was a comment or a five minute call to screw me up. They are the kind of people who measure a thing’s worth by how much money you’re making because of it. And since I wasn’t making anything on it, they saw no reason not to bother me during my drawing time. The “emergency only” stipulation I made about calls tended to be loosely interpreted. (My sibs are all married with children now, with all the problems that come with it and it has been pretty damn quiet for me here on my end in the past few years, LOL!) 

#3- DEPRESSION

No, not clinical depression. Not the kind that pushes people to the brink and start thinking of ending ending it all, but the combination of little to no time to spend on creating and my growing burnout pretty much marked the end. The situation made me feel depressed. But I have many other activities and a happy life with my wife (who was always very supportive of my various obsessions, including WW) and it was easier to refocus on other things instead of mourning my waning motivation to create new comics.

#4- WORK

Yep, work. Gotta pay the bills and eat. I lost my career job when the place I worked finally shut its doors after a long decline after 9-11. I did a little bit of everything after that and pretty much all of it sucked. But you gotta do what you gotta do.

I’ll end this post for now, as the day is getting on and there’s other things I have to do (yep, still!), but there’s a lot more to this and I’ll be back VERY soon to update this blog. And you CAN believe me this time! 

11-24-20, AAnnd I’m back. On to number five. 

#5- DISCONNECTION

The longer I went without updating the comic, the less connected to it I felt. I had in mind to finish the thing someday but not on the Comicgenesis platform. And time just sort of slipped away. I’d still think about the story now and then, but it wasn’t an all consuming thing like it was before, not even close. And I started working on other stories which I’ll get into later.

#6- GUILT

I still receive a fan email once in awhile, hard to believe. At first I answered everybody, but over time as it became more apparent I wasn’t going to get back to it anytime soon, I stopped replying. I felt guilty about leaving everyone hanging, and the longer it went, the more guilty I felt until I’d wince whenever I got an email concerning the old comic. I was going to send a letter out via my Yahoo group, but like I mentioned before, they stopped the service just as I was about to do it. That added to my guilt even more!

#7- OTHER INTERESTS

I have always had a variety of hobbies and interests and I was good and ready to get back into some of them or start new things altogether. My first passion is knife making and I have been into that in the past years since. Not full time, I don’t want to burn myself out on that too, but I have made and sold a good little amount in the past few years. I took a leather armor maker’s master class and had a lot of fun at that, I rebuild vintage road and mountain bikes, and scour the countryside for resalable items at yard and estate sales. To name a few. I also wrote and published a book on Amazon, so that’s out there. It’s called “Abagail Reese and the Supersonic Witch” if anyone cares to check it out. I had a lot of fun writing that but it hasn’t made me much change so I kinda redirected my creative focus on my knives, which actually does pay. I have a few other stories kicking around in my mind but I don’t know when I’ll ever get to writing them down. I’m sure as hell not going to try to illustrate them myself. As slow as I work and as rusty as I am, forget it. They’d be novels. Unless I found a great, fast artist who worked for almost free, lol! 

[weekendwarriorblog]

The Weekend Warrior February 28, 2020 – THE INVISIBLE MAN, GREED

Welcome to Leap Weekend (if there is such a thing) as we get that one extra day of February for the first time in four years before we leap (get it?) headlong into March’s proverbial lion on Sunday.

This past weekend, 20th Century’s Call of the Wild did far better than anyone had projected as it benefited greatly from being one of the most Disney-friendly movies produced by the former Fox-house, as well as the solid reviews. Even though I probably had one of the highest projections for the weekend at $17 million, it ended up blowing that away with $25 million, coming out just below Sonic the Hedgehog. This coming weekend it might surpass it. Brahms II fell short of my already-low prediction. (Also, Impractical Jokers: The Movie ended up making $2.6 million in 357 theaters last weekend, just missing the top 10. Makes me curious how many more theaters it will expand into this weekend... but we’ll get back to that in a bit.)

Thankfully, this weekend we only get one new wide release, and it’s a good one, as Saw and Insidious co-creator Leigh Whannell takes on HG Wells’ THE INVISIBLE MAN (Universal) with Elisabeth Moss playing the unseen killer’s primary victim, one who believes her toxic and abusive ex Adrian Griffin (Oliver Jackson-Cohen from “The Haunting of Hill House”) is dead, but in fact, he’s just invisible!  I know, it sounds cornier than it actually is. By the time you read this, I’ll have probably already written my full review so you already know that I kind of dug what Whannell did here.

This will be an interesting test to see if Moss can bring her popularity from shows like “The Handmaiden’s Tale” and “Mad Men” to the big screen since she really hasn’t been the lead in many big studio releases. Obviously, she had a fairly big role in Jordan Peele’s Uslast year, which was also produced by Jason Blum for Universal, and that did decently by opening with $71 million. (That movie got a huge boost by being Peele’s follow-up to the Oscar-winning Get Out with the amazing Lupita Nyong’o.) A few months later, Moss’ co-starring role in the WB graphic novel-based crime thriller The Kitchen tanked even with support from bigger stars like Melissa McCarthy and Tiffany Haddish. The Invisible Man will be a good test to see if Moss can carry a major wide release, already having a strong fanbase, especially among critics thanks to last year’s indie Her Smell.

There’s a pretty long history of Universal’s Classic Monsters being brought back to the screen with Dracula and Frankenstein getting the most iterations -- some more successful than others. Francis Ford Coppola’s 1992 movie Bram Stoker’s Dracula was one of the bigger hits for the time, grossing $82 million after a $30 million opening, and this was 1992 money, mind you.

Just ten years ago, Universal’s The Wolf Man opened with $31.5 million over the Presidents Day weekend and ended up grossing $61.9 million, the name value of its title character helping quite a bit but only for that opening weekend. Even though it was universally (ha ha) panned, Tom Cruise’s The Mummy reboot also opened with $31.7 million (in the summer) although it failed to kick-start Universal’s planned “Dark Universe” shared universe of films. The lack of quality for those projects may hurt The Invisible Man with moviegoers who have felt like they’ve been burned too many times before, but we’ll have to see how the critics feel about it. (Reviews so far are mostly positive, at the time of this writing.)

Going back further, the Paul Verhoeven thriller Hollow Man, starring Kevin Bacon, opened with $26.4 million on its way to $73.2 million, so I can’t see any reason why 20 years later, The Invisible Man can’t find similar success.

Sure, there’s been a serious downturn on horror over the past two months with so many pretty mediocre horror movies getting released, few of them doing well. The name brand of The Invisible Man and the Blumhouse branding (not to mention Universal’s marketing, which has done a decent job with the trailers and commercials) should allow it to make $26 to 30 million (maybe more?) – it won’t have a problem being the #1 movie at the box office this weekend regardless.

My Review of The Invisible Man

My Interview with Leigh Whannell over at VitalThrills.com

The Invisible Man shouldn’t have a hard time taking #1 whether it ends up on the low point of projections or breaks out with something closer to $30 million or more. Even more interesting to watch is the bottom of the top 10 and whether last week’s Emma or Impractical Jokers: the Movie might break into the top 10 depending on their respective expansions. The latter might have a slight advantage since it might be targeting 700 to 800 theaters or more while Emma is only expanding into about 100 theaters before its nationwide release next week.

Also, apparently the popular manga series “My Hero Academia” is coming to the big screen starting tonight with the nationwide release of My Hero Academia: Heroes Rising, but since I know almost nothing about the series or how many theaters it might open in, there’s not much more I can add. Maybe it’ll do well enough to break into the top 10, but who really knows?  The previous movie grossed $5.5 million domestically with an August ‘18 opening, and presumably, its sequel can do even better with the series being even more popular. I’ll give it the benefit of the doubt that it could end up with $3 million over the weekend if it opens in 500 or more theaters, but it’s really a stab in the dark here.

1. The Invisible Man (Universal) - $30.6 million N/A (up $2 million)*

2. Call of the Wild (20th Century) - $15.4 million -38%

3. Sonic the Hedgehog  (Paramount) - $14 million -47%

4. Harley Quinn: Birds of Prey  (Warner Bros) - $3.5 million -48%

5. Bad Boys for Life (Sony) - $3.5 million -40%

6. My Hero Academia: Heroes Rising (FUNimation) - $3.1 million N/A* (based on 550 theaters - note that this opens Weds i.e. today)

7. 1917  (Universal) - $2.6 million -38%

8. Brahms: The Boy II (STXfilms) - $2.5 million -57%

9. The Impractical Jokers Movie (TruTV) - $2.2 million -15%* (based on 750 theaters)

10. Jumanji: The Next Level  (Sony) - $2.1 million -35%

11. Emma. (Focus Features) or Parasite (NEON)   - $1.7 million (down .3 million)

*UPDATE: Giving Invisible Man a little boost since it’s opening in about 600 more theaters than my earlier projection plus the reviews have mostly been positive which will definitely help. Still no actual theater counts for My Hero Academia and The Impractical Jokers movie, so I guess we’ll have to see when numbers come in Saturday where they end up.

LIMITED RELEASES

This week’s FEATURED MOVIE is GREED (Sony Pictures Classics), the new collaboration between Michael Winterbottom and Steve Coogan, whose earlier films, 24 Hour Party People and “The Trip” movies (a fourth one coming out this summer!) are some of my favorite British comedies. In this one, Coogan plays Sir Richard McCreadie, the “King of High Street,” who has earned a reputation for his billion-dollar fashion store empire by negotiating wholesalers’ prices down, even when it means the already poorly-paid workers overseas are deprived further of anything close to a fair wage.

The film is told through a pseudo-doc format as McGreadie’s family and staff are preparing for his lavish 60th birthday soirée in Greece, complete with a facsimile version of Rome’s Colosseum so that “Greedy” McCreadie can fulfill his fantasies of being Russell Crowe in Ridley Scott’s Gladiator. What could possibly go wrong? The story is told through McGreadie’s biographer Nick (the amazing David Mitchell from Peep Show in a rare movie role!) who is going around the world talking to those who know McGreadie to get interviews for a video profile to be shown for the event.

Greed takes on a fairly standard mockumentary format with Winterbottom (who also cowrote this screenplay himself, another rarity for the filmmaker) putting together an impressive cast that includes Isla Fisher as McGreadie’s wife Samantha and Shirley Henderson as his mother (despite her being the same age as Coogan). Much of the humor comes from the comedy-of-errors surrounding this celebration with one thing going wrong after another but things getting progressively worse whenever McGreadie steps in to try to fix things.

The funny thing about watching Greed is that I spent most of the movie convinced it was a biopic about a real person ala 24 Hour Party People, vaguely remembering certain events as something I remember hearing about. Thanks to my old Beat editor Hannah Lodge for pointing out that the movie was in fact loosely based on the true story of billionaire Sir Philip Ross Green, someone I wasn’t even remotely familiar with but clearly was enough in the public consciousness to make me realize this film was loosely based on fact. (I’m sure that many will touch on the toxic masculinity clearly displayed by McGreadie which lines up with accusations about Green, who has repeatedly had his knighthood in danger of being repealed for his behavior and actions.)

I found Greed to be very funny but with a clear and poignant message about what the likes of “Greedy” are regularly getting away with at the expense of beleaguered workers in poverty-stricken countries. In that sense, it doesn’t hit the viewer too hard over the head with its message but still gets it across as well as any actual doc might. There’s also a great Knives Out style turn that will appeal to those who have gotten tired of the wealthy doing whatever they want and getting away with it.

There are other movies I’ll probably be watching this week and a few others that I won’t have a chance to watch.

Andrew Heckler’s BURDEN (101 Studios) premiered over two years ago at the Sundance Film Festival, but it’s finally being revived and released.  It involves a Ku Klux Klan museum opening in a small racially-diverse town in South Carolina in 1996 and how it affects the people of the town. The story mainly revolves around Garrett Hedlund’s Mike Burden, a top soldier for the local KKK head Tom Griffin, played by Tom Wilkinson, who is odds with the local preacher, Reverend David Kennedy (played by Forrest Whitaker) about that museum. When Mike falls for a single mother (Andrea Riseborough), he has to start deciding whether he can leave the KKK despite his inbred hatred for blacks, including Kennedy, who helps him when Griffin turns the town against Mike. This is a decent drama that I wanted to like more because it deals with a really important message about allowing love to overcome hatred. It’s a strong story (based on true events) that features some amazing performances, but particularly from Riseborough (once again virtually unrecognizable!), but also Hedlund and Whitaker, both playing very difficult roles. I guess the problem is that Mike’s inevitable road to redemption is so bumpy with so many ups and downs, you love him, you hate him, he’s good, he’s bad… it really created quite an erratic tone whereas a tighter script could have made this a movie as good or better than Spike Lee’s BlackKklansman. It’s a shame, but I still it’s worth watching since it does deal with issues like racism and hatred that seem to constantly raise their ugly head even when we think there’s hope for a better world. It’ll open in select cities this Friday.s

Speaking of Sundance, Benh Zeitilin’s Beasts of the Southern Wild was all the rage at the festival all the way back in 2012, eventually getting four Oscar nominations, and he finally releases his follow-up WENDY (Fox Searchlight), a re-envisioning of the classic Peter Pan mythos. It once again features a group of no-name non-actors with Devin France in the title role and Yashua Mack playing Peter Pan.

Albert Shin’s moody thriller DISAPPEARANCE AT CLIFTON HILL (IFC Midnight) stars Tuppence Middleton (“Sense 8”) as Abby, a young woman who witnessed a kidnapping at Niagara Falls when she was a girl, who decides to return to home there to see if she can figure out who was responsible.

Apparently, John Turturro’s THE JESUS ROLLS, in which he reprises his bowling character from the Coens’ The Big Lebowski,is opening in select theaters this weekend. Turturro directed the movie that co-stars Bobby Cannavale, Audrey Tautou, Susan Sarandon and Sonia Braga, and for some reason, I thought it was opening on March 20 but apparently, it will be at the IFC Center starting this weekend!

Matthew Pope’s feature debut, the thriller Blood on her Name (Vertical), stars Bethany Ann Lind (from “Ozark”) as Leigh Tiller, a woman who discovers a body of a dead man with his blood draining out onto the floor, and she decides to cover it up while also feeling like she needs to return the body to the man’s family. It will get a special screening at the Nitehawk in Wiliamsburg on Thursday night with Pope, Lind and co-writer Don Thompson doing a QnA, and then will be On Demand (and other select cities) on Friday.

Next up is The Whistlers (Magnolia), the new film from Romanian filmmaker Cornelio Porumboiu (12:08 East of Bucharest, Police Adjective), and it’s a rare Romanian film that’s less than two hours long! It’s a policeman trying to free a crooked businessman from a Romanian prison, first travelling to Gomera, one of the Canary Islands, where he has to learn the local dialect that includes hissing and spissing. Bummed I missed this one. It will open at the Film Forum downtown and Film at Lincoln Center uptown, plus other cities.

Alex Thompson’s Saint Frances (Oscilloscope) is written by and stars Kelly O’Sullivan from “Sirens” as 34-year-old Bridge, who finally catches a break and gets a much-needed job taking care of a six-year-old (Ramona Edith-Williams) and also meets a nice guy but when she gets pregnant, it avoids to unexpected complications with her young liege.

Opening Thursday night at the IFC Center is James Sweeney’s rom-com Straight Up (Strand), starring Sweeney as Todd, an obsessive compulsive gay twenty-something who suddenly gets the existential feeling that maybe he isn’t gay after all. Meeting Karen Finlay’s Rory, a struggling actress, the two form a bond around their conversations.  Sweeney and some of his cast will be doing QnAs at the IFC Center on Thursday, Friday and Saturday nights.

Lastly, D.W. Young’s doc The Booksellers (Greenwich) looks behind the scenes at the world of rare books with appearances by Parker Posey, Fran Lebowitz and Gay Talese. It opens at the Quad in New York and other cities.

Also screening at the IFC Center Weds night is Stuart Sweezey’s excellent music doc Desolation Center, which looks at the efforts by an L.A. concert promoter to hold indie rock/punk shows in the Sahara Desert in the early ‘80s featuring the likes of Sonic Youth, Minutemen, Meat Puppets, Red Kross, Swans, Einstürzende Neubauten and more! The special screening will include a QnA with Sonic Youth’s Lee Ranaldo and Steve Shelley, and having seen it at Rooftop Films last summer, I highly recommend it to fans of any of those bands.

LOCAL FESTIVALS

The big regional film for the New York area, and it’s one that I have yet to be able to attend, mainly since it takes place so far uptown, is the 10thannual Athena Film Festival, which is quite an amazing achievement for my friend Melissa Silverstein and her Women and Hollywood for putting this on for ten years.

This year’s fest runs from February 27 (this Thursday) through March 1 (Sunday), kicking off with Unjoo Moon’s I Am Woman, a biopic about Helen Reddy, who famously wrote that song in the ‘70s. It closes on the 1stwith Suffragette director Sarah Gavron’s Rocks, starring newcomer Bukky Bakray as a teen girl trying to take care of her younger brother and herself. The centerpiece films are Liz Garbus’ Lost Girls, starring Amy Ryan; Haiffa Al-Monsour’s The Perfect Candidate and the Oscar-nominated documentary For Sama. The festival includes a mix of new and already-released films including Harriet, Toni Morrison: the Pieces I Am and lots more. Click on the link above for the full schedule and program of films.

REPERTORY

METROGRAPH (NYC):

Metrograph wraps up its month-long “To Hong Kong with Love” this weekend with the fictional anthology Ten Years (2015), James Leong’s 2018 film Umbrella Diaries: The First Umbrella (chronicling the recent revolution in Hong Kong) as well as a work in progress screening of Leong’s If We Burn. “Climate Crisis Parables” continues with Lars von Trier’s Melancholia (2011) shown again, as well as Bong Joon Ho’s Snowpiercer from 2013, Antonioni’s cRed Desert (1964) and Tarkovsky’s Stalker (1979). Also this weekend, Welcome To Metrograph: Redux will screen the ‘80s classic Beverly Hills Cop (1984), starring Eddie Murphy, as well as Abel Ferrara’s equally classic Bad Lieutenant (1992), starring Harvey Keitel. Also screening Saturday evening is Jeff Kanew’s Black Rodeo (1972) as well as Vincent Gallo’s Buffalo ’88 (1998) and then Claude Chabrol’s 1960 film Les Bonnes Femmes on Monday night. This weekend’s Late Nites at Metrograph  is Ingmar Bergman’s Persona (1966) while Playtime: Family Matinees  is David Lynch’s The Straight Story (1999) a good introduction of Lynch for the kiddies?

ALAMO DRAFTHOUSE BROOKLYN (NYC)

Tonight’s “Weird Wednesday” is 1985’s softcore gladiator film The Perils of Gwendolyn (hosted by my pal, the wonderful Heather Buckley!). Showing earlier this evening (but sadly sold out) is the Tom Cruise/Brad Pitt classic Interview with the Vampire (1994). Thursday begins the Alamo’s “VHStival” with a screening of the 1987 flick Video Violence, and then next Monday’s “VHS Vortex” movie is Evil Spawn, also from 1987. Next Tuesday’s “Terror Tuesday” is the 2005 movie House of Wax and then next week’s “Weird Wednesday” is the classic Robocop 2 (1990) plus there’ll be a screening of William Friedkin’s Sorcerer from 1977 earlier next Weds, which more than likely will also sell out.

Over on the West Coast, the Alamo Drafthouse Cinema Downtown Los Angeles (which would earn you 4,256 points in Scrabble if you could even fit it on the board) is playing Voyage of the Rock Aliens (1984) as its “Weird Wednesday” tonight (it’s sold out) and then Thursday night is the J-Horror Bloodbath double feature of Demon Within and Biotherapy that New York got earlier in the month. (Also, sold out! Sorry!) Also on Saturday, the appropriate Amy Addams comedy Leap Year will screen in the afternoon. Sunday is a double feature of Destin Daniel Cretton’s movie Short Term 12, starring Brie Larson, is paired with Brett Haley’s new film All the Bright Places with Haley and writer Liz Hannah on hand to answer questions. You can either choose between that or Pawel Pawlikowski’s 2005 film Summer of Love, starring a very young Emily Blunt. Monday’s already sold-out “Out of Tune” hosted by my buddy Jeremy Wein (who keeps forgetting to tell me about these before they sell out!) is the Electric Light Orchestra and Olivia Newton-John collaboration Xanadu from 1980. Next week’s “Terror Tuesday” is Brian Yuzna’s Society from 1989 with the director in attendance.

THE NEW BEVERLY (L.A.):

Wednesday’s Afternoon Classic is Vincente Minelli’s An American in Paris (1951), starring Gene Kelly and Leslie Caron, while the Weds/Thursday double features are Freebie and the Bean and Busting, both from 1974. 1992’s Candyman will screen as this week’s “Freaky Friday” and then Friday’s midnight movie is True Romance (again) and the Saturday midnight movie is Arthur Hiller’s The Hospital  (1971) starring George C. Scott. This weekend’s Kiddee Matinee is Harry Potter and the Order of the Phoenix from 2004 and the Monday’s matinee is Wesley Snipes in Passenger 57 (1992).

EGYPTIAN THEATRE (LA):

Friday is the rescheduled Retroformat 2020 screening of 1913’s Traffic in Souls while Saturday begins a series of “Weinmar Variations” (free with RSVP!), German films made between 1919 and 1933 with musical accompaniment. Pandora’s Box from 1929 will screen on Saturday night and then Sunday’s “Sunday Print Edition” is Vincent Minelli’s The Clock (1945). Lav Daz will appear in person on Sundayfor a screening of a restoration of his 2001 film Batang West Side with a series on the Philipino filmmaker shared with Aero.

AERO  (LA):

Thursday’s “Antiwar Cinema” matinee is The Mouse That Roared (1959), starring Peter Sellers and then Thursday night is a double feature “Salute to Kelly Reichardt” with Old Joy and River of Grass with Reichardt in person. Saturday is a series called “The End of History: The Cinema of Lav Diaz,” screening 2013’s Norte: the End of History with Diaz in person. Sunday evening’s double feature continues the Kelly Reichardt series with two of her picks: 1953’s Ugetsuand 1970’s Little by Little.

MOMA  (NYC):

Modern Matinees: Jack Lemmonwraps up this week with 1954’s It Should Happen to You on Weds, Blake Edwards’ 1962 Days of Wine and Roses on Thursday and 1968’s The Odd Couple on Friday. (The next series will focus on the great Cicely Tyson!) The “Theater of Operations” film series also continues with Werner Herzog’s Lessons of Darkness (1992) on Sunday. The “It’s All in me: Black Heroines” series will screen David D. Williams’ 1993 film Lillian and All by Myself: The Eartha Kitt Story (1982) on Wednesday and more running through the weekend. “Television Movies: Big Pictures on the Small Screen” also continues through Friday.

NITEHAWK CINEMA  (NYC):

Out in Brooklyn the Nitehawk in Williamsburgwill show the 1998 horror sequel Bride of Chucky on Friday night at midnight and Allison Anders’ 1993 film Mi Vida Loca as part of its “California Love” series on Saturday morning. (Not rep but another option for Saturday morning is seeing Rashaad Ernesto Green’s Premature which will screen at the Nitehawk on Saturday with the amazing Zora Howard and cinematographer Laura Valladao doing a QnA. (Also on Monday, the Nitehawk will screen the incredible 2018 doc Varda by Agnès, which I highly recommend. Meanwhile, Prospect Park will screen Ang Lee’s Brokeback Mountain from 2005 on Saturday morning and then IT will screen Premature on Monday, again with Howard and Valladao doing a QnA in case you have to miss the event on Saturday.

BAM CINEMATEK (NYC):

Starting Friday, BAM is doing a special series “Kelly Reichardt Selects: First Cow in Context” which will offer screenings of movies that inspired the indie filmmaker’s upcoming film, First Cow, which opens March 6. This weekend’s offerings include Agnès Varda’s The Gleaners and I, the 1953 Japanese film Ugetsu, Satyajit Ray’s Pather Panchali (1955), the 1978 Italian film The Tree of Wooden Clogsand more, as this runs through Weds with Melville’s Le Cercle Rougefrom 1970.

MUSEUM OF THE MOVING IMAGE (NYC):

This weekend’s “See It Big! Outer Space” offerings including Ridley Scott’s 1979 sci-fi classic  Alien and John Carpenter’s 1974 film Dark Star, which was said to be an inspiration for Scott’s film. As usual, Kubrick’s 2001:  A Space Odyssey will screen on Saturday afternoon as part of the exhibition.

FILM FORUM (NYC):

Elem Klimov’s Come and See will continue through the weekend, as will Visconti’s L’Innocente, while the weekend’s “Film Forum Jr.” is Barbra Streisand’s Yentl from 1983 and then keep an eye out next week a new series called “The Women Behind Hitchcock,” which should be fairly exciting.

ANTHOLOGY FILM ARCHIVES (NYC):

Dušan Makavejev’s 1971 film WR: Mysteries of the Organism screens tonight and Sunday, as part of “Dušan Makavejev, Cinema Unbound” (that should really pull people in) while “Dream Dance: The Films of Ed Emshwiller” runs through Friday. To be perfectly honest, I know nothing about either of these filmmakers and if their films interest you, you’d be better off clicking on the links and doing some reading. Sorry.

IFC CENTER (NYC)

This week’s Weekend Classics: Luis Buñuelis Diary of a Chambermaid from 1964, while the Waverly Midnights: Hindsight is 2020s is Tim Burton’s 2001 remake of Planet of the Apes, starring Mark Wahlberg, and Late Night Favorites: Winter 2020, it takes the weekend off.

QUAD CINEMA (NYC):

Pandora and the Flying Dutchman will run through the weekend to next week but with only one or two screenings a day, but then on Friday, the Quad will pick up the new 4k restoration of Horace B. Jenkins’ Cane River (1982) that has been playing at BAM the past couple weekends with the filmmaker’s son Sacha Friday evening and Saturday afternoon.

ROXY CINEMA (NYC)

Thursday’s Nicolas Cage movie is Werner Herzog’s Bad Lieutenant: Port of Call New Orleans from 2009.

LANDMARK THEATRES NUART  (LA):

Friday night’s midnight movie is WilliamFriedkin’s Cruising (1980), starring Al Pacino.

STREAMING AND CABLE

This week on Netflix, we get Brett (The Hero, Hearts Beat Loud) Haley’s romantic drama All the Bright Places, starring Elle Fanning and Justice Smith, on Friday, as well as the first season of I’m Not Okay with This, a new series from the Stranger Things team, starring Sophia Lillis from It, and the South African spy thriller series Queen Sono, as well as the second season of Altered Carbon with Anthony Mackie.

Next week, it’s March, and the latest Disney-Pixar movie Onward takes on Ben Affleck in Warner Bros’ sports drama The Way Back. I’m not sure if I’ll be given a chance to see either.

By the way, if you read this week’s column and have read this far down, feel free to drop me some thoughts at Edward dot Douglas at Gmail dot Com or send me a note on Twitter. I love hearing from readers!