#the B-52's
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Fred Schneider, The B-52's
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something something
#my art#gijinka#pretty. odd.#violator#wild planet#the b-52's#cosmic thing#panic! at the disco#depeche mode
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The B-52's (1978)
© George DuBose
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The B-52's - Roseland, New York City, April 19, 1982
I was in NYC for a couple of days earlier this month and though time was limited, I did of course find a minute to visit a local record store — Academy Records on W. 18th St. Digging through the $5 bin, I found a nice copy of the B-52's' David Byrne-produced Mesopotamia mini-album, which I've always loved, but have never had on vinyl before. A no-brainer! As I checked out, I noticed that Mesopotamia had been recorded at Bob Blank's Blank Tape Studio, and some quick Google mapping revealed that I was just moments away from where that studio used to be on 37 W. 20th St. A legendary spot, as a footnote in Jesse Rifkin's great This Must Be The Place details:
"[T]he studio's discography includes Television's seminal punk single "Little Johnny Jewel"; disco hits by Musique, Class Action, Crown Heights Affair, and Inner Life; groundbreaking remixes by deejays like Larry Levan, Francois Kervorkian, and Tee Scott; and no-wave/mutant disco albums by the likes of James Chance, Lydia Lunch, Lizzy Mercier Descloux, and DNA. It was the favored studio of genre-bending auteur Arthur Russell, and classic albums by Talking Heads (Speaking In Tongues), the Gun Club (Miami), Joe Bataan (Mestizo), Ashford & Simpson (Solid), the B-52's (Mesopotamia), Miami Sound Machine (Eyes of Innocence) and Sun Ra (Lanquidity) were all tracked there."
All that and Madonna's first single, too! New York City is like this, of course — a neverending web of connections, a labyrinth of layers upon layers upon layers. You could spend your life walking down its streets, discovering the strange stories behind every building's facade. I could never hack it there full-time, but god bless the people who can!
Anyway — the B-52's! What a wonderful band. Here they are at Roseland (239 W. 52nd St.) right around the time that Mesopotamia came out. A killer SBD tape, featuring an expanded lineup: Dave Buck and Ralph Carney on horns. We get a bunch of the new mini-album, plus plenty of stuff from their already stuffed back catalogue. As with any B-52's tape, I'm sure it's not as good as being there in person, but it's still one heck of a party. Nip it in the bud!
(Oh and hey — this old Pitchfork column of mine has more live jams if you need to further celebrate the miracle of the B-52's.)
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The B-52’s
#The B-52's#B-52's#B52's#B- 52 's#The B 52's#B-52s#The B-52s#B52s#The B52's#B- 52's#B 52's#BC-52's#The BC-52's#The BC 52's#B.C. -52's#B-52#B 52#B52#B 52s#The B.C.52's#B - 52's#BC-52s#B.C. 52's#BC 52's#BC-52#B.52's#B'52s#B 52 'S#B-52’s#The B52s
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Let them fight...
#music poll#morrissey#robert smith#the cure#the smiths#david byrne#talking heads#adam ant#adam and the ants#devo#kate pierson#cindy wilson#the b-52's
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The B-52's - Whammy! (1983)
(requested by an anon)
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Kate Pierson (The B-52's) in 1980. Photo : B.C.Kagan.
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River Phoenix, Kate Pierson, k.d. lang, Chrissie Hynde, Lene Lovich, Liza Minnelli, Fred Schneider at a PETA 'Tame Yourself' Party at the Hard Rock Cafe in New York, February 1991
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Cindy Wilson, The B-52's, 1979
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The B-52s |1978|
#gif#the b-52s#the b-52's#rock lobster#1978#fred schneider#kate pierson#cindy wilson#ricky wilson#keith strickland#1970s#music video
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The B-52's
Give Me Back My Man (1980)
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The B-52's
Wild Planet (1980)
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