#the 4K cast with proper scripting and direction? could be good

[kaiowut99]

Once again begging Konami to get Discotek involved with at least a proper franchise-wide uncut redub of YGO, best-case scenario with proper video remastering like this and their Adventure 02 release done across the board with the DVD masters (and the animation touch-ups made for them), especially with 5D’s to get it to a proper 1080p 🙏🏽🙏🏽🙏🏽

ACTUALLY INSANE DISCOTEK MADE NEW UNCUT DUBS OF THE FIRST THREE DIGIMON MOVIES WITH THE ORIGINAL ENGLISH CAST

[smokeybrandreviews]

Smokey brand Movie Reviews: Run it Back

I’ve been trying to watch Tenet for months. 2020 has f*cked up me entire movie viewing experience, even though it never had to get this bad. I live in the US and my government is sh*t so we’ve had to deal with this bullsh*t for a full year. I’ve sat back and watched whole ass countries reopen while we are going into another nation wide lock down because idiots refuse to sacrifice even a little bit for us to get out of this goddamn hole but, i digress. This isn’t a rant about the political situation in my sh*thole country, it’s a review of Tenet. Long story short, i finally have an opportunity to check this thing out. I was looking mad forward to the theater experience with this one because Nolan is a master at that but, instead, I'll have to settle for m home theater experience.

The Good

Christopher Nolan is back at it again, giving us spectacle and substance at the same damn time. I love this dude’s work. It’s always gorgeous and cerebral and engaging. I mean, he elevated Batman to high art, are you kidding me? Tenet is no different. This film is one of his best. He takes another high concept, grounds it for laymen, and does spectacular sh*t with it. Bro, give this man a Bond film already because that’s what this is, only laced with tat same energy he instilled within Inception and The Prestige.

The editing in this movie must have been a herculean task to accomplish but accomplish it they did. It’s devastatingly phenomenal with all of the reversed shots and slighted perspectives you see on screen. I am in awe of the precision it took to make this movie happen. Obviously, it is a real visual feast but the machinations behind the scenes to make everything so goddamn seamless are disgustingly, unabashedly, brilliant. If Nolan doesn’t get an Oscar nod for this sh*t, there’s no justice in the world. It really is a technical marvel.

I touched on this a little before but this movie is f*cking gorgeous. The set pieces are breathtaking, the aesthetic is lovely, and the shot composition is pristine. Some of this cinematographer can legit be framed and hung in a museum of fine art.

And to keep the gushing going, this sound design is f*cking chef kiss level. I said Nolan is a master at his craft and that come through, one hundred percent, with the mixing in this movie. It’s more than just the soundtrack or score, but literally everything. In order for this film to work, he had to meticulously go through and navigate every noise in this film. I don’t understand how Nolan can be so precise with his vision but i am SO glad that he is.

This is the most action i have ever seen in a Nolan film and it’s legitimately some of the best. Sh*t is profound, visceral, and brutal. It borders on Daniel Craig James Bond barbarous and i loved it all. It’s such a juxtaposition from the suave, smooth, aesthetic of the film. I mean, Protagonist literally cheese grates the side of a dude’s face and walks away like it’s nothing I’ve never seen sh*t so goddamn vicious.

I just really needed to circle back around to this but these set pieces are f*cking extravagant as a motherf*cker. There is one in this flick that tops the plane heist in The Dark Knight Returns. It’s whole ass miraculous to see and i lament i couldn’t see it how it was designed to be properly seen. Nolan’s demand for practical effects always delivers brilliant spectacle.

I love this plot. I love the mechanics and the theories at play here. I’m a theoretical physics geek so i live for these existential shenanigans. It’s one of the reasons Inception is one of my favorite films and it’s definitely the reason this one is climbing that list as i watch it in real time. The plot, itself, is textbook spy heist stuff; Fate of the world, mad scientist villainy, ticking clock, mcguffin, etc. However, the theories therein uplift the material and make that mundane plot, so much more.

Okay. So, with the praise of the technical brilliance of this film out of the way, i can finally get into the performances and the cast. Of course Nolan mainstay, Sir Michael Caine, makes another memorable cameo as Sir Michael Crosby. Another interesting addition was Himesh Patel of Eastenders fame. He plays Mahir, a fixer; Another staple of these types of Nolan films. Other notable cast members include Aaron Taylor-Johnson, Clemence Posey, Dimple Kapadia, and Yuri Kolokolnikov. Even Fiona Dourif has a role to play in this flick. Chucky’s daughter is in a Nolan film and i am absolutely shook about it! Everyone delivers their performances with gusto, even when there isn’t much of a character on the page to realize. Now to get into the standouts, for better or worse.

John David Washington is f*cking exceptional in this flick, man. It’s a little jarring hearing him speak sometimes, i keep hearing his pops, but dude delivers like his dad onscreen, too. This is a star-turning vehicle for Washington and he deserves all of the shine. his Protagonist is amazing to see onscreen and can give ever cinematic spy, from Bourne to Bond, a proper run for their money. Washington’s swagger and poise make this character one of the best in Nolan’s filmography. JDW is fast building one helluva body of work. Monsters and Men, Ballers, and BlacKkKlansman, and now this? It’s only a matter of time before JDW is the acronym on top of all the best scripts, all the awards. Dude is primed to blow the f*ck up and Tenet is a massive opening salvo of a career, i suspect, which will be as grand as his father’s body of work.

Robert Pattinson continues to prove he is one of the best of his generation, however ridiculous it is to actually work with him. his Handler character, Neil, kind of steals all of the scenes. Dude is witty, calculating, and mad aloof but never a bore. Pattinson delivers this performance with a smarm that feels slathered on in heaps but is just too decadent to ignore. He reminds me a lot of Hardy’s Eames from Inception and that’s high praise. Eames was my favorite character in that flick. It’s been a banner year for old Patts. The Batman his limping along, Tenet is a masterpiece, The Lighthouse was inspired, and he was disgustingly horrid in The Devil All the Time. Dare i say, ol’ BatPats becoming one of my favorites working today.

God, Elizabeth Debicki is great in this role but there simple isn’t enough to properly sustain her talents. Her Kat Barton is so goddamn thin, it’s painful because i know Debicki is great at her job. She’s shown her brilliance countless times, almost always uplifting her roles, even if the content is abject sh*t. The Cloverfield Paradox is a great example of that. This isn’t her fault. Nolan is terrible at writing women but, just once, if he could actually create a female lead with a bit off agency, i wished it would have been for this film. Debicki deserves so much better but, even with this paper thin caricature she’s been giving, she uplifts the material and works magic with the scraps.

The Bad

Kenneth Branagh as the antagonist, Andrei Sator, is a little cartoonish for the tone of this film. Branagh always kind of overacts like this in most of his appearances so you have to take it with a grain of salt but, in order to really come across as sinister like they want you to believe this dude is, someone else should have played this role. He does an admirable job but the character was just realize pitch. I can see Javier Bardem or Mads Mikkelsen killing totally this sh*t

Nolan continues to shortchange his female characters. He is the worst at writing chicks, man, i swear. It’s a shame, really, because everything else around them is always so interesting. It’s one of dude’s few flaws as a storyteller and it’s my biggest gripe with his craft. The machinations of Tenet are so intriguing but poor Elizabeth Debicki doesn’t even get to really play in that world. She definitely works with what she has but, ultimately, her character is mad flaccid and it’s a crying shame.

This isn’t a knock on the film at all but the fact i had to watch it on a regular ass television, however large and 4K that is, just ain’t the same. Nolan films are meant to be seen on the biggest screen possible, at least at first. I hope to god this thing gets a re-release when this COVID sh*t blows over.

The Verdict

I loved Tenet. Loved it. I loved the concept going in but actually seeing it, finally experiencing it, and i am hooked. It’s a stunning f*cking film and Nolan pulled out all of the stops. His writing, direction, and overall vision to put this jigsaw of  movie together is absolutely profound. Even with all of this on his plate, he Nolan was able to articulate this to one of his best casts and two of his strongest leads. John David Washington and Robert Pattinson come through and kill this sh*t. This movie would not work without these two cats. Seriously, JDW was to be a star after this, and he still might be, even if this thing didn’t get the theatrical release it absolutely needs and deserves. BatPats did his thing and killed another performance, further proving he’s a real actor and not some flash-in-the-pan, sparkling, vampire. Even the supporting cast comes through and delivers outstanding performances. Nolan uses every bit of this two and a half hour run time to deliver a heart-pounding spectacle of espionage and intrigue, rivaling the very best modern Bond films. The only issue i have with this thing is the usual Nolan issue; Bad female characters. Dude can’t write a woman to save his goddamn life. Also, the main antagonist is a bit weak. He's a little too Goldmember when he probably should have been more Goldfinger. Tenet is the best goddamn film I've seen all year and i wish, more than anything, i could have seen this thing in a proper theater It would have been quite the experience.

[smokeybrand]

Smokey brand Movie Reviews: Run it Back

I’ve been trying to watch Tenet for months. 2020 has f*cked up me entire movie viewing experience, even though it never had to get this bad. I live in the US and my government is sh*t so we’ve had to deal with this bullsh*t for a full year. I’ve sat back and watched whole ass countries reopen while we are going into another nation wide lock down because idiots refuse to sacrifice even a little bit for us to get out of this goddamn hole but, i digress. This isn’t a rant about the political situation in my sh*thole country, it’s a review of Tenet. Long story short, i finally have an opportunity to check this thing out. I was looking mad forward to the theater experience with this one because Nolan is a master at that but, instead, I'll have to settle for m home theater experience.

The Good

Christopher Nolan is back at it again, giving us spectacle and substance at the same damn time. I love this dude’s work. It’s always gorgeous and cerebral and engaging. I mean, he elevated Batman to high art, are you kidding me? Tenet is no different. This film is one of his best. He takes another high concept, grounds it for laymen, and does spectacular sh*t with it. Bro, give this man a Bond film already because that’s what this is, only laced with tat same energy he instilled within Inception and The Prestige.

The editing in this movie must have been a herculean task to accomplish but accomplish it they did. It’s devastatingly phenomenal with all of the reversed shots and slighted perspectives you see on screen. I am in awe of the precision it took to make this movie happen. Obviously, it is a real visual feast but the machinations behind the scenes to make everything so goddamn seamless are disgustingly, unabashedly, brilliant. If Nolan doesn’t get an Oscar nod for this sh*t, there’s no justice in the world. It really is a technical marvel.

I touched on this a little before but this movie is f*cking gorgeous. The set pieces are breathtaking, the aesthetic is lovely, and the shot composition is pristine. Some of this cinematographer can legit be framed and hung in a museum of fine art.

And to keep the gushing going, this sound design is f*cking chef kiss level. I said Nolan is a master at his craft and that come through, one hundred percent, with the mixing in this movie. It’s more than just the soundtrack or score, but literally everything. In order for this film to work, he had to meticulously go through and navigate every noise in this film. I don’t understand how Nolan can be so precise with his vision but i am SO glad that he is.

This is the most action i have ever seen in a Nolan film and it’s legitimately some of the best. Sh*t is profound, visceral, and brutal. It borders on Daniel Craig James Bond barbarous and i loved it all. It’s such a juxtaposition from the suave, smooth, aesthetic of the film. I mean, Protagonist literally cheese grates the side of a dude’s face and walks away like it’s nothing I’ve never seen sh*t so goddamn vicious.

I just really needed to circle back around to this but these set pieces are f*cking extravagant as a motherf*cker. There is one in this flick that tops the plane heist in The Dark Knight Returns. It’s whole ass miraculous to see and i lament i couldn’t see it how it was designed to be properly seen. Nolan’s demand for practical effects always delivers brilliant spectacle.

I love this plot. I love the mechanics and the theories at play here. I’m a theoretical physics geek so i live for these existential shenanigans. It’s one of the reasons Inception is one of my favorite films and it’s definitely the reason this one is climbing that list as i watch it in real time. The plot, itself, is textbook spy heist stuff; Fate of the world, mad scientist villainy, ticking clock, mcguffin, etc. However, the theories therein uplift the material and make that mundane plot, so much more.

Okay. So, with the praise of the technical brilliance of this film out of the way, i can finally get into the performances and the cast. Of course Nolan mainstay, Sir Michael Caine, makes another memorable cameo as Sir Michael Crosby. Another interesting addition was Himesh Patel of Eastenders fame. He plays Mahir, a fixer; Another staple of these types of Nolan films. Other notable cast members include Aaron Taylor-Johnson, Clemence Posey, Dimple Kapadia, and Yuri Kolokolnikov. Even Fiona Dourif has a role to play in this flick. Chucky’s daughter is in a Nolan film and i am absolutely shook about it! Everyone delivers their performances with gusto, even when there isn’t much of a character on the page to realize. Now to get into the standouts, for better or worse.

John David Washington is f*cking exceptional in this flick, man. It’s a little jarring hearing him speak sometimes, i keep hearing his pops, but dude delivers like his dad onscreen, too. This is a star-turning vehicle for Washington and he deserves all of the shine. his Protagonist is amazing to see onscreen and can give ever cinematic spy, from Bourne to Bond, a proper run for their money. Washington’s swagger and poise make this character one of the best in Nolan’s filmography. JDW is fast building one helluva body of work. Monsters and Men, Ballers, and BlacKkKlansman, and now this? It’s only a matter of time before JDW is the acronym on top of all the best scripts, all the awards. Dude is primed to blow the f*ck up and Tenet is a massive opening salvo of a career, i suspect, which will be as grand as his father’s body of work.

Robert Pattinson continues to prove he is one of the best of his generation, however ridiculous it is to actually work with him. his Handler character, Neil, kind of steals all of the scenes. Dude is witty, calculating, and mad aloof but never a bore. Pattinson delivers this performance with a smarm that feels slathered on in heaps but is just too decadent to ignore. He reminds me a lot of Hardy’s Eames from Inception and that’s high praise. Eames was my favorite character in that flick. It’s been a banner year for old Patts. The Batman his limping along, Tenet is a masterpiece, The Lighthouse was inspired, and he was disgustingly horrid in The Devil All the Time. Dare i say, ol’ BatPats becoming one of my favorites working today.

God, Elizabeth Debicki is great in this role but there simple isn’t enough to properly sustain her talents. Her Kat Barton is so goddamn thin, it’s painful because i know Debicki is great at her job. She’s shown her brilliance countless times, almost always uplifting her roles, even if the content is abject sh*t. The Cloverfield Paradox is a great example of that. This isn’t her fault. Nolan is terrible at writing women but, just once, if he could actually create a female lead with a bit off agency, i wished it would have been for this film. Debicki deserves so much better but, even with this paper thin caricature she’s been giving, she uplifts the material and works magic with the scraps.

The Bad

Kenneth Branagh as the antagonist, Andrei Sator, is a little cartoonish for the tone of this film. Branagh always kind of overacts like this in most of his appearances so you have to take it with a grain of salt but, in order to really come across as sinister like they want you to believe this dude is, someone else should have played this role. He does an admirable job but the character was just realize pitch. I can see Javier Bardem or Mads Mikkelsen killing totally this sh*t

Nolan continues to shortchange his female characters. He is the worst at writing chicks, man, i swear. It’s a shame, really, because everything else around them is always so interesting. It’s one of dude’s few flaws as a storyteller and it’s my biggest gripe with his craft. The machinations of Tenet are so intriguing but poor Elizabeth Debicki doesn’t even get to really play in that world. She definitely works with what she has but, ultimately, her character is mad flaccid and it’s a crying shame.

This isn’t a knock on the film at all but the fact i had to watch it on a regular ass television, however large and 4K that is, just ain’t the same. Nolan films are meant to be seen on the biggest screen possible, at least at first. I hope to god this thing gets a re-release when this COVID sh*t blows over.

The Verdict

I loved Tenet. Loved it. I loved the concept going in but actually seeing it, finally experiencing it, and i am hooked. It’s a stunning f*cking film and Nolan pulled out all of the stops. His writing, direction, and overall vision to put this jigsaw of  movie together is absolutely profound. Even with all of this on his plate, he Nolan was able to articulate this to one of his best casts and two of his strongest leads. John David Washington and Robert Pattinson come through and kill this sh*t. This movie would not work without these two cats. Seriously, JDW was to be a star after this, and he still might be, even if this thing didn’t get the theatrical release it absolutely needs and deserves. BatPats did his thing and killed another performance, further proving he’s a real actor and not some flash-in-the-pan, sparkling, vampire. Even the supporting cast comes through and delivers outstanding performances. Nolan uses every bit of this two and a half hour run time to deliver a heart-pounding spectacle of espionage and intrigue, rivaling the very best modern Bond films. The only issue i have with this thing is the usual Nolan issue; Bad female characters. Dude can’t write a woman to save his goddamn life. Also, the main antagonist is a bit weak. He's a little too Goldmember when he probably should have been more Goldfinger. Tenet is the best goddamn film I've seen all year and i wish, more than anything, i could have seen this thing in a proper theater It would have been quite the experience.