#the 'WHITE EAGLE' outfit was unexpected but is one of my favorites and is inside my hide ita bag now

[naradreamt]

Set of eight rubber keychains released in 2018 to celebrate hide's 20th Memorial event

[in-defense-of-the-horror]

American Horror Story Hotel: A Rant Continued

Yesterday I posted my thoughts on AHS: Roanoke, because it was terrible and all my anger was eating me up inside.  I thought that would be the end of it, but I was wrong.

@colonelcaribou was curious as to my thoughts on Hotel, and so I’m here to present you with more ranting about American Horror Story (something that I’m always more than happy to do, by the way.)

SPOILER WARNING: Like my last AHS rant, this is intended for people who have already seen the season in question, this time Hotel.

Let’s just go ahead and start this off with one of my favorite things; unpopular opinions. Hotel is actually my personal favorite season of American Horror Story. While I don’t think it’s as good as Murder House from a critical standpoint, the strengths from the season all play to my preferences whereas the weaknesses are issues that I seem to have with every season of the show - making it the most enjoyable for me to watch. That being said, it’s the only season (excluding Roanoke) that I’ve only seen one time, and I’m probably the least familiar with it.

While it is my favorite season - it’s far from perfect. Since this is a rant, I’m going to start by talking about the things that drove me crazy.

I think one of the aspects that bothered me most throughout the season was Chloë Sevigny’s portrayal of the grieving mother Alex Lowe. I can see where she was going with the role, the under-played emotions were meant to illustrate the detachment and depression that her character is experiencing (at least, that’s what I got out of it.) However, it led to me feeling like many parts of the story regarding her character were bland at best. The fact that the only real emotion I remember her distinctly expressing was anger (which was often misguided, misplaced, or exaggerated) tipped the scales toward me actively disliking her character. This was a big issue that I had with what was an otherwise great subplot.

Before I move away from the Lowe family too much, it’s also worth nothing that I took issue with some character design choices for the small son, Holden Lowe. This sounds like nitpicking, and maybe it is, but could they have made the kid any creepier? It would be one thing if that was part of the story all the way through - or if they had made him look more like a normal kid in the flashbacks at least, but I actually found it really distracting. With the long, wispy, white blond hair, the pale skin, and his mother’s vacant expression - this kid was legitimately the most terrifying part of the season in my opinion, and it kind of sucks that I don’t think it was intentional.

Now let’s talk about James Patrick March.

Don’t get me wrong, I thought he was an interesting character. His design was great, Evan Peters did a fantastic job playing him, but his name bothered me. It’s not the first time that American Horror Story has changed the name of a character or even a historical figure being portrayed on the show - and I can see why they wouldn’t want to flat out say that this character was H. H. Holmes. After all, the Hotel Cortez was an amalgamation of many different locations, and it wasn’t even located in the same state as the infamous “Murder Mansion” that Holmes built in Chicago. Using the name of the actual killer would have been spreading a wild amount of misinformation, and considering the amount of liberties they had to take with the character’s history, could have been seen as pretty insensitive. 

It makes sense that they would choose a new name for him and just use Holmes as inspiration (like they did with the Briarcliff Institute in Asylum) but there was one episode where it started bother me; Devil’s Night.  In a room with the spirits of the most notorious serial killers, the fact that H. H. Holmes had been replaced with James Patrick March meant that he obviously couldn’t be at the soiree, since he was, in a way, hosting it. It’s a small enough detail, but it’s one that got on my nerves while I was watching, and as I’m typing this out I realize it really stuck with me.

That small issue is also a great transition into Devil’s Night, which was my least favorite episode and, as far as I saw it, the worst part of the season.

Let’s say for a moment that I buy into the premise of serial killer ghosts having dinner together annually on the one night of the year where they have physical form on this plane (which for the record, I don’t.) Let’s also say that the ghost of not H. H. Holmes was somehow a mentor to all these serial killers from all over the country, and that somehow makes sense. The execution was still very flawed. The whole scene was over the top, the dialogue felt very forced, and what the fuck was going on with the Zodiac killer?

Like, okay, I get that we don’t have enough information to do an accurate depiction of the Zodiac killer, but I feel like there were a lot of better alternatives than to making him look like the world’s worst Monty Python and the Holy Grail cosplayer (did anyone else get that impression from his outfit, or was it just me?) Much like my issue with Roanoke where they failed to give me an answer to an actual, historical mystery that they decided to bring to screen, I feel like there were a lot of ways to go.

Zodiac could have been just a regular guy whose name wasn’t mentioned. Could have been a regular woman whose name wasn’t mentioned. They could have created a name (like they did with James Patrick March.) He could have been Ted Cruz - which would have been the best use of a meme on television. He could have, and this is crazy, not been there at all. I think that would have been my top choice, actually, because from what we do know of the Zodiac killer, what are the chances he would attend an event like that anyway? I feel like the most elegant solution to the dilemma would have been to have a place-setting at the table for him (with the symbol on it of course) and then to have slipped a line in there about how he never shows. 

There were some other issues throughout the season, but these are the ones that really stuck with me, and that I’m still thinking about a year after watching it. So, with all these complaints, you’re probably wondering why this is my favorite season. Unlike Roanoke, Hotel had a lot of redeemable moments and now I’m going to transition into some more positive ranting.

For one, the ambiance was great. The set was stunning, the cinematography was gorgeous, and hands down this was the season with the best sound track. (They got my favorite She Wants Revenge song AND my favorite Eagles song in the pilot, how awesome is that?)

There was an excellent use of body horror throughout the season, from the grisly killings committed to represent the ten commandments to the flashback where Sally sews herself to her friends. I think more than any other season the visuals really stuck with me.

While I have already brought up some problems I had with certain casting decisions - there were a lot of fantastic choices also made in that regard. I was surprised by just how talented Lady Gaga was in her role as The Countess, Kathy Bates continued to impressed, I think Sally was one of Sarah Paulson’s most intriguing and well-played characters. Let’s  also not forget about the amazing supporting cast in this season. While there were countless characters in the Hotel Cortez that were wonderful, I don’t think any of them stand out as much as Liz Taylor.

In addition to being beautifully designed, perfectly portrayed and having a fascinating backstory that contrasts with  the darker themes in the rest of the season, Liz Taylor was possibly the best instance of representation in the season - perhaps in the entire show. While the Countess also offers some LGBTQ representation, I was deeply moved by the mature way they dealt with having a transgender character recur throughout the season. 

They addressed Iris not being comfortable with Liz due to her own ignorance, and she was upfront about how she didn’t know how to ask. Liz, a strong woman confident in her identity is happy to set the record straight, even though it means sharing about a time in her life before she had that confidence. 

That flashback scene also shows The Countess in a softer light as she helps Liz embrace who she was meant to be and acknowledging her as a woman before the rest of the world did. She pushes Liz to come out as a woman, and when she sees that she’s pushing too hard, tones it down and suggests a smaller, more manageable step. Maybe she didn’t handle being an ally the best, but the fact that she realized she was trying to force someone to do too much too fast and backed down showed a side of her character that was unexpected, especially considering her unflinchingly dominant personality.

Where I thought Liz really shined though, was after that when she’s in bed with Tristan. Tristan is surprised that he’s fallen for Liz because “he’s not gay.” Liz is quick to assert her gender and set him straight. “You’re not gay for being with me. I’m a girl. I’m a hetero girl.”

There’s one last big thing that made me really appreciate this season, and that was the mythology. Those of you who have been following me awhile know that I am tougher on vampire stories than I am on just about anything else. It’s partially because I got burnt out on it, but I also feel like a lot of vampire mythology is poorly executed and overly romanticized. If I had known there would be vampires in the season, I might not have even wanted to watch it - but I’m so glad I did.

There are a lot of vampire romances in Hotel, but at the same time I feel like they weren’t glorified. At no point did I feel like the show was trying to sell me on the concept of eternal love through a vampyric virus. On the contrary I think it illustrates how the undead are in many ways lonelier than they ever were as humans. The relationships aren’t born out of romance, they’re born out of the lust that comes with the vitality of everlasting youth, and that’s how it was depicted. 

All in all I felt like this was a much more realistic take on vampires. They’re less idealistic and in a way the idea of vampires being more human is a lot scarier than the alternative. They’re not dangerous because they’re monsters, but rather because they have the same wants and needs that we all have, but amplified. Not only does it make the prospect of them existing more plausible, it makes the idea of becoming one much less appealing - which is exactly how it should be. 

The undead (the ghosts and vampires both) were glamorous, but that beauty was always matched with such clear suffering.

I have a lot more that I could probably say about the show, and about this season in particular, but this hits most of my big points about it. While it’s not perfect, there were a lot of things that made me enjoy the story. 

In fact, writing this up, I think I’ve talked myself into re-watching the season to see if it holds up.

[nightmareonfilmstreet]

[Recap] READY PLAYER ONE Serves up Adventure, Action, and Horror Cameos Aplenty!

Steven Spielberg set another adventure in motion with his slick adaptation of Ernest Cline’s 2011 novel, Ready Player One. Fans of Cline’s love letter to the 1980s will no doubt be searching the screen for their favorite pop-culture references. Many from the beloved book made their way to the big screen, but some of the additions may surprise you.

Our hero, Wade Watts, shows us how hard life can be in the year 2044. Watts is better known as Parzival in the virtual world The Oasis, which he escapes to whenever possible. While there, he competes amongst other Gunters (egg hunters) in Anorak’s Quest. This impossible treasure hunt would leave the winner holding a fortune and wielding immense power.

Ready Player One has a buried moral to its story about the dangers of too much escapism, but the film heralds Spielberg’s return to adventure, which offers the greatest escape from reality. The film is exciting and entertaining, particularly for the nostalgia junkies of the modern age. Horror fans will also be surprised by just how many of their favorite fiends found their way into the film.

  Classic Horror Icons

During the introduction to The Doom Planet, eagle-eyed fans may notice Freddy Kruger from A Nightmare on Elm Street. Kruger’s unmistakable hat and glove are silhouetted briefly before being defeated by an unknown Gunter. Before the scene ends Jason Voorhees of the Friday the 13th franchise is front and center, wielding his signature machete and wearing his hockey mask.

The first challenge facing Parzival is a racing challenge. The one car that stands out amongst the rest is the 1958 red and white Plymouth Fury. She which can be spotted in several shots before the race begins. Christine is a cherry-red beacon of color in a sea of silver and bluish vehicles, but we lose sight of her once the race begins.

  Creature Features

Two of the greatest foes that appear in the race scene are King Kong and the T-Rex from Jurassic Park. It’s an interesting juxtaposition to see a Tyrannosaurus trouncing through city streets. Meanwhile, Kong was not about to let any Gunters cross the finish line. On the whole, the scene can be a bit chaotic, but it’s a thrill to see these giant foes crushing through their opponents.

Parzival gains celebrity status in The Oasis after figuring out how to bypass Kong. After his win it seems everyone wants a photo with him. As it happens, Beetlejuice alerts everyone to Parzival’s presence as he enters a museum to do research for the quest. Moments later, a lumbering genie pulls Parzival aside to scold him for being so naive. Before Parzival can react, an enormous chestburster from Alien rips through the genie’s chest only to reveal one of Parzival’s acquaintances in disguise.

  Come Play With Us

One of the impossible challenges facing Parzival relies so heavily on the film The Shining that you’ll momentarily think someone switched reels on you. The segment is so well done it will leave viewers longing for more twisted fandom collisions. My favorite segment in Ready Player One because it is unexpected, humorous, and thrilling to watch unfold.

While getting ready for a night out, our hero gives us a quick nod to Michael Jackson’s famous red leather outfit worn in the Thriller music video. It’s one of several ensembles Parzival dons before choosing to go the Buckaroo Bonzai route instead.

Throughout the film we see that characters can choose to take on different forms or change their appearances. During the battle for Castle Anorak we see one character choose to enter The Oasis as The Iron Giant. However, kaiju fans may be more excited to see Mechagodzilla wreak havoc during battle.

During this melee we are introduced to some unorthodox weaponry. A grenade in the form of Dustbrain, the spongy, toy mummy head from Madballs, is an amusing surprise. Still, one of the best cameos of all is Chucky, everyone’s favorite Good Guy Doll from Child’s Play. Chucky is armed and laughs maniacally while slashing at his enemies. The crowd erupted into laughter at the expenditure of the one and only F-Bomb when an unsuspecting victim shouts, “IT’S FUCKING CHUCKY!”

  Honorable Mentions

There are, of course, honorable mentions to be made for quick shots of Gremlins graffiti on a building and the Aliens marine ship, Sulaco being shown in toy form. The Gunters also use a Martian ship from War of the Worlds as a rendezvous point. One character has a Rocky Horror Picture Show patch on her vest when not inside The Oasis. There are also zombie-like ghosts who dance in a style eerily similar to that of the ghosts in The Haunted Mansion attraction in Walt Disney World. Beyond that, The Fly remake is mentioned and Spawn can be spotted as an avatar during one of the many battle scenes on The Doom Planet.

How many of these horror cameos did you spot while watching Ready Player One? Let us know in the comments and sound off in our Facebook Group!

  The post [Recap] READY PLAYER ONE Serves up Adventure, Action, and Horror Cameos Aplenty! appeared first on Nightmare on Film Street - Horror Movie Podcast, News and Reviews.

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