#the “team” part definitely didn't fit and it was lacking the attitude i wanted to go for. i like this better
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giddydelphiresearcher · 15 days ago
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Multi-stage operation! Once you clear one organ, it's on to the next! Also, a multi-stage tumor; laser it first, then you can extract it.
I also accidentally showed off a bit of the scalpel tool; the tool itself is complete, now I just need to make something that reacts to it.
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jimmygibbsjrrr · 4 years ago
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I have a lot of thoughts about the Slaters
namely, I've been wonderin why the Fairfield Survivors got thrown off the boat in Death Toll
in this panel of The Sacrifice comic, Francis confirms the fates of three of the rescue vehicles:
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A panel from The Sacrifice: Part 1. Francis is sat in the rescue vehicle from Blood Harvest, speaking to Louis. His dialogue is as follows:
"Louis, I hate to be the one to break this to ya, but we been heading to the safe zone four times now. Helicopter: crashed. Plane: crashed. Boat: kicked us out and left us to die."
/end ID
the chopper from No Mercy was confirmed crashed in Crash Course, and as for the plane from Dead Air, it was pretty easy to guess (and would have been confirmed in the cut campaign Dam It).
but the part about the boat? that's the Slaters' boat from Death Toll. this is the first time we learn this information.
so...why? what happened?
(more under the cut, ended up writing wayyyy more than I expected over these past few days and don't wanna clog people's dashes lol)
so. let's take a quick dive into the last chapter of Death Toll, to see what we can discern about the Slaters from their dialogue.
the rescue vehicle in Death Toll is a civilian boat, Saint Lidia II, owned by John and Amanda Slater, a married couple. Amanda is never heard in-game, but John's reactions to her can be heard over the radio.
the Slaters are explicitly looking for "anyone out there with firearms". John later adds that "once you get on this boat? Your job is keeping our asses alive". it appears that their motivation for saving the Survivors is selfish from the get-go.
this is undoubtedly true in Amanda's case, however, some of John's lines betray a more selfless attitude. he will berate Amanda for not "think[ing] about the little guy". he will ask, "So what, then? We leave 'em to die? I can't do that, Amanda." whilst Amanda is thinking purely of their own survival, John still feels compassionate towards his fellow survivors. despite this, he says that "I don't want our first act of kindness to be our last", acknowledging the conflict between his compassion and his self-preservation.
so. these are the Survivor's saviours in Death Toll. a conflicted married couple looking for bodyguards, offering to take the Survivors upriver to a military safe zone in exchange for protection.
as for why they get thrown off the boat...well, the easiest explanation would be Amanda.
but, stay with me here, because I think it's a little more complicated than that.
this boat? fulla tension. there's the obvious tension between the Slaters, who we've established seem to fight and disagree regularly. then there's the inevitable tension between them and the Survivors. I reckon Louis, with his generally positive and friendly attitude, wouldn't have much of a problem with them, might even attempt some friendly conversation or something. however, he's about the only one.
the comic fully establishes Bill as caring about nobody except the Fairfield Survivors - the most obvious evidence of this being the words he lives and dies by, "we look after our own". he isn't particularly interested in other people, unless they can help the group out. and he'd likely recognise the unstable and conditional nature of their rescue. while I'm sure he'd try and keep the peace, in any reasonable disagreement or fight Bill's likely to take his friends' side, and if anyone's getting thrown off the boat Bill is going with them. this goes for the whole group, to be honest; I don't think they'd want to split up at this point.
Francis hates boats, hates water, and can't swim, so (and I'm getting a little speculate-y here) would probably be in an even sourer mood than usual on the journey. being as abrasive as he is, plus this additional stress, it's fully possible he could piss off the Slaters enough to get himself (or all of them) thrown off the boat.
as for Zoey? well, I don't imagine a married couple who constantly argues is gonna sit well with her, considering her backstory. similarly to Francis, the situation they're in would make her far more stressed, making it more likely for her to lash out.
Amanda didn't want to save the Survivors in the first place, so while I think that John wouldn't throw them off the boat without reason, I reckon she could persuade him to throw them off if they 'caused trouble' - and they would get into an argument with her far easier than they would with John.
in short: yeah, I can see them getting thrown off the boat by the Slaters after some huge fight or disagreement. I think that's a reasonable interpretation of canon, and definitely an interesting concept.
...however, I do wonder if this tension would really be enough to destabilise their mutual need, after everything they went through to come together.
which is why I'm going to bring up The Last Stand!
I gotta quickly address something before this segment: yeah, I'm totally aware this campaign isn't canon. this evidence works with the fact that it exists in an 'alternate timeline'. also, I am missing a few citations for this section - if anyone can provide them I'd really appreciate it, but just a disclaimer that I currently can't prove some of the things the wiki claims members of the Last Stand Community Update Team have said. here and here are the wiki pages where I got this information. in short - the above explanation is simpler and more canon compliant, the conclusion I draw at the end of this post is backed by shakier evidence but I believe is more interesting, and you can make of all that what you will.
allegedly, members of the Last Stand Community Update Team confirmed a strongly-suspected fan theory about The Last Stand: that it branches off from Death Toll in some way, in a non-canon alternative timeline. as well as this, they allegedly confirmed that in this alternative timeline, the Survivors still end up in Newburg for Dead Air. even without the confirmation, this remains a solid fan theory, due to the constant references to Riverside and re-use of many of Death Toll's assets.
who rescues the Survivors in The Last Stand? John Slater. no Amanda - just John. despite her lack of voice actress, if she was still present John would give some indication of this at some point. it can be speculated that whatever happened to her contributed to the lack of rescue at the boathouse that forced the Survivors to take an alternative route. either way, he ends up at the lighthouse when the Survivors call for rescue, alone, and picks them up.
and then later...throws them off the boat. into Newburg.
what reason would John have to do that? without Amanda, surely he wouldn't have that push, as he wanted to rescue the Survivors for multiple reasons in the first place. without his constant arguments with Amanda, Zoey wouldn't be nearly as stressed. and between the three of them I'm sure the other Fairfield Survivors would stop Francis from pissing John off enough to get them thrown off the boat. in short, less Amanda = less tension, and no reason for the Survivors getting chucked off the boat.
...right?
I'd like to remind you that a symptom of the Infection is paranoia.
what if, in both The Last Stand and Death Toll, John and Amanda are infected by the Survivors on the way to the military safe zone? after all, the virus is confirmed to occasionally be airborne, and I doubt two civilians have completely effective, sustained protection against that. likely the only reason they hadn't already been Infected is because they got out on the water early on in the pandemic, and hadn't come into contact with anyone else since. it's unlikely that one of them is immune, and even more unlikely that they're both immune (especially considering those with XX chromosomes may be genetically less likely to be carriers). wouldn't Francis have mentioned it if their rescuers turned or were obviously Infected? yes, but it's possible that the airborne strain works slower as well, meaning that the Survivors are thrown off of the boat after the symptoms kick in but before the Slaters fully turn. even Church Guy had at least an hour from being Infected to turning, and he was bitten. Newburg isn't too far from where the Survivors are rescued in Death Toll anyway (the burning city in the background of the finale is Newburg), so the Survivors clearly didn't last long on the boat anyway. as a result, the Survivors wouldn't realise it was the Infection intensifying the Slaters' paranoia - they'd just think the Slaters were being dicks. Francis also explicitly mentions that they were "left to die", implying negativity or even hostility from the Slaters as the Survivors were being thrown off.
so yeah. that's why I think they got thrown off of the boat in Death Toll - a combination of the intense tension between the two parties, and the Slaters falling victim to Infection-induced paranoia. but an explanation minus the Infection is equally as plausible. it all depends on what you find most interesting, I suppose, and both feel like they fit pretty well into the world.
lord this is a long chunk o text. I know most fandoms prefer art and fanfic over this sorta thing, so please let me know in replies or something if you're interested in more stuff like this. also if any of this makes sense because I like to ramble.
oh and if you'd like to use any of my interpretations in fanworks like art or fic, I'd love to see it :)
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sanstropfremir · 3 years ago
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would love to hear ur thoughts re. these street woman fighter's performances and who you would personally vote as the "better dance crew" in how they interpreted each other choreos and the song.
this was for their first elimination round (ep4) and it was interesting to hear from the judges + why they gave the points they did. (i'm not entirely sure if you're watching the show's episodes. they are roughly 2 hours long. so if you would like more context, pls let me know! i wrote brief comments underneath each one as well as the winners [spoilers ahead!]. assuming you are not: for this mission, each crew is paired with another crew and they have to choreograph one of the soloist songs. songs were "split" into two parts: part one [would be one song] and part two [another song]; one crew would choreograph one part and follow the other's crew choreograph for the other part.)
1. boa - eat you up (want choreo) + better (ygx choreo). dance crews: ygx vs want
https://www.youtube.com/watch?v=gCfK_qWAhM0&ab_channel=MnetTV
winner: ygx. boa gave 151 pts to ygx and 49 pts to want (the biggest gap in points between crews), sharing that although want choreographed eat you up, ygx was more cohesive (pointing to how want wore hats and it was messy). additionally, ygx had better stage presence and was able to capture the camera more. also, because ygx is the only crew to have a b-girl and use it in their routine, the judges applauded want for doing the best they can.
2. cl - doctor pepper (wayb) + hello bitches (prowdmon). dance crews: prowdmon vs wayb
https://www.youtube.com/watch?v=GEEpZ9SrvaE&ab_channel=MnetTV
winner: prowdmon. judges shared that doctor pepper's routine is a trademark of wayb and that they should have been the standout. however, they felt like prowdmon did it better.
3. hyuna - crazy (4minute) (coca n butter) + i'm not cool (hook) + lip and hip (hook). dance crews: hook vs coca n butter
https://www.youtube.com/watch?v=e1ikpPKEA30&ab_channel=MnetTV
winner: hook. the two dance crews are VERY different in terms of style. coca n butter is described to be more hip-hop while hook is definitely more reflective of the current/newer trends. (when hook was first introduced in the show, they were known as the crew who was famous only for tiktok dances.) the judges shared that hook was more fun and interesting, given their stylistic choice of wearing the pink wigs. whereas it seemed for coca n butter, they felt like something was lacking (they showed something but it didn't feel they did.)
4. jessi - what type of xx (lachica) + nununa (holybang) + gucci (holybang). dance crews: holybang vs lachica
https://www.youtube.com/watch?v=vtZzI11oyqc&ab_channel=MnetTV
winner: lachica. (this was the only battle where both crews came in v close pts. whereas for the other crews, there were huge point-gaps.) judges had a hard time choosing, sharing that for lachica they were more detail-oriented while holybang had better teamwork.
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imo, i agree with the judges' choices. though i would have to say i think wayb did their routine (doctor pepper) better than prowdmon. they stood out to me then, but when it came to the second part (hello bitches), prowdmon was better. i loved lachica's performance - it was v clean + reminded me of something a kpop group would do (which like, the crew largely works with kpop acts like chungha, boa's better, etc. so it makes sense).
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this was LONG. thank u if u do read it and post! i miss the kingdom "era" when u would post weekly reviews. the two are v different but this new mnet competition show is the only one i'm invested in. i'm not sure if it's big internationally? i know it is v popular in korea right now. while i've only seen i-fans talk about the show as it relates to chaeyeon (want) because she's an idol. - swf (streetwomanfighter) anon :]
omg this is so long and well organized, forget me writing reviews anon you should do it!! i'm not currently watching the full episodes but i've been catching the few clips that pop up in my youtube recommended occasionally, so i definitely don't have all the context but i'll take a crack at it!
ok so my assumption/from what i can tell, they have a bit of leeway to alter the competing group's choreo as needed to better suit numbers and formations. i also went and found the individual versions of these because why did they make them so small on the split screen, don't they know i'm old and wear glasses. also: MNET FOR THE LOVE OF ALL THAT IS HOLY STOP MOVING THE FUCKING CAMERA. WE DO NOT NEED SCROLLING VERTICAL BOOM SHOTS OF THIS. just keep the same lens at eye level it's really not that hard. this is like, one of the worst possible ways to shoot dance it is SO annoying. ok i'm done bitching about that let's go.
1. boa - ygx vs want i agree with the big point gap on this one, and i think want made a couple of choices that were not cohesive enough, and obviously they also got set up to fail by ygx. actually i think both groups made choices that were not particularly good, but ygx had more of the skills to back up what they were doing than want did. breaking is very difficult and requires a lot of upper body strength and a higher centre of gravity, which are two physical traits that are less common in women. personally i wouldn't have tried to break to better because although boa songs do have more of a beat than other idol music, it's still not at all the right type of music for breaking. it's gotta be fast, breakers rely on speed, because it's all about momentum; they're literally throwing themselves around the stage. here's the final from battle pro 2019 for example. the music is basically beats only; heavily lyric based music, like idol music, is bad for battling in general because there isn't a lot of consistency. i have more to say about this but i'm getting off track. basically by choosing to handicap the other team (because they don't have a bgirl at all) they shot their own bgirl in the foot because the song is too slow to properly show off her skills. i applaud want for making bold choices, like the hatwork and attempting the breaking, but ultimately when combined with their styling the performance looks disjointed. also they have some formation cohesion issues that make it look a bit like they'e struggling to keep up, even with their own choreo.
2. cl - prowdmon vs wayb i agree with the judges, i think prowdmon bodied the wayb choreo. i actually thought that was their choreo at first. they have the best presence that i've seen of all the groups and the performative "hard bitch" attitude fit in with their genre setting. wayb had several mistakes and synchronization issues that in my opinion made them look sloppy in comparision to prowdmon, who were sharper and had two more people to put into formations. 3. hyuna - hook vs coca n butter ok personally i don't like either of these choreos, but i'm agreeing with the judges here, i think hook's was the mildly more engaging. i can tell that they're very young and do mostly short form tiktok content because i see a lot of eye catching moves, but i don't see a lot of strong connective tissue between those moves. they have good ideas but they also really struggle with putting people into formation and balancing it out well. it doesn't help that they're a seven member crew going up against a four member one, so they have three extra people to figure out what to do with. there's a lot of empty space where there are members waiting in position for a group formation. it also doesn't help at all that they (mnet) appear to just be rawdogging the songs together without any kind of mixing, which is a huge detriment to groups that have to choreograph for two in their section. i'm not cool and lip and hip have two totally different feels and kudos to hook for at least trying to get them to at least visually be cohesive when mnet is go girl giving us nothing sonically. coca n butter has much more of an old school hip hop style, so putting these two up against each other was (probably a random lot draw) an interesting choice. personally i would have been more interested to see hook against want with the boa tracks and ygx against coca n butter with the hyuna tracks. however, i think the reason why coca n butter's stage felt like it was lacking is because they tried to emulate hyuna, without having the stage presence or the weirdness of hyuna. it feels like they're trying too hard and there isn't really any personal character in the piece, versus with hook, who embodied hyuna's weirdness a little more authentically and took a completely different direction. 4. jessi - lachica vs holybang lachica took this one easily, although their formations were a bit wonky for nununana, they covered it fairly well and i think they managed the best transition between songs (between nununana and gucci). they were sharper with good stage pictures and had a good gimmick with the double fringe on the gloves and hats. holy bang had some issues fitting their extra person into the what type of x choreo, but they did well with their own choreo. however, like with coca n butter and hook, because lachica took a new visual spin, this felt too derivative of jessi, so it wasn't that interesting for me to watch. i do think they are one of the groups on the stronger end of skills and presence. --- as far as visually what performances i liked the best, since would this even be a writeup by me if i didn't talk about design, here's a quick breakdown:
prowdmon - got some rudimentary setpieces, got a theme, got some fun variations on a uniform look; excellent for what i assume was limited budget capacity and also it's a dance crew show.
lachica - great continuity of effect in costuming with the fringe, and using the gloves as a mouth/lip effect was one of the most interesting choices of these routines.
hook - the pink wigs and the black latex on the checkered floor was a nice gimmick that was a bit of a nod to hyuna's weird without being too derivative. i'm not expecting a whole lot because these are dance crews but i think this was a decent amount of styling effort.
want - they made a bold choice with the hats and even though it didn't quite pay off for them i still respect it.
coca n butter/ygx/holybang/wayb - ygx and wayb did basic hip hop type styling and while it's absolutely fine, it's just boring. holybang went for a directly inspired jessi look, and although yes bodysuits, overall it wasn't that interesting either. coca n butter get props for doing a costume change and actually incorporating that into the choreo but it feels too much like it's trying to be hyuna weird with the caution tape strapped over their tits and asses.
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as a final note/question to you, my lovely invested swf anon, what's the format of the show? are there stages like this every episode to review? if these were from the fourth one only, is there anything worth me reviewing in the first three? i'm not particularly interested in the aggressive competitive nature of the show and editing so i don't particularly want to watch the full two hour episodes, but if you think it's worthwhile for me to review stuff then i will. otherwise if there's a set structure (like with kingdom) i can seek out the stages specifically and review them if i know what i'm looking for.
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tokyoghoose · 5 years ago
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nous aimons tous les deux jours
pairing: dabi x reader
playlist: things we never say - bad bad habits*, sincerity is scary - the 1975, love love love - of monsters and men, if i go, im going - gregory alan isakov, i dont know me like you do - low hum, if i get high - nothing but thieves ( alice kristiansen cover ), i dare you - the regrettes, problems - deathbyromy, fool of you - meltt, hell and you - amigo the devil, creature - it looks sad, tongues and teeth - the crane wives, hooked ( addicted you might say ) - eleisha eagle, nothings gonna hurt you baby - cigarettes after sex, a dream of you - far caspian, so alright, cool, whatever - the happy fits, a lovely night - ryan gosling
warnings: mentions of violence, brief mentions of drugs for expression, and suggestive themes
summary: we love every other day
announcements!
this is my first try at a enemies/lover thingy! Originally it was going to be an enemy to lovers but i liked the idea that they're just on opposing sides a little more haha. Lemme know if you'd like to see the other one though!
i know there are a lot of hero x villain fics like this out there 😌 this is my take on it, so please bare with me!
feedback is welcome and appreciated! requests are open!
"We really have to stop meeting like this."
An addiction. That's what it is. Either that or it's some kind of reverse psychology like you want what you can't have—because nothing else makes sense. If you knew him as a regular person, honestly you probably wouldn't have given him a second thought. If he was a hero you worked beside—or god forbid a villain—then you probably wouldn't have cared for a hookup or two, but then you'd get over it. It's not infatuation. It's an addiction. It's toxic and unhealthy and it just feels good even if it shouldn't. But the high; the high is unbeatable.
It continues on forever and more. From the moment his gaze pierces yours it's like snorting a rail of coke or taking a tab and the trip never ends. It's not even the fact you could get caught. You two are so damn obvious; anyone who stumbles into an alleyway at three in the morning would see the two of you doing more than what a fight warrants. It's just him. It's simply Dabi.
Romeo and Juliette's syndrome is probably a better term for it. But hell, it's not like he'd die for you. Right? It's not like you've known each other way longer than some days and nights and you certainly aren't teenagers and he's definitely not somebody who moves onto a girl and decides he's in love at first sight just because his 'rosaline' left him face down ass up. So maybe Romeo and Juliette is just lack of a better term.
But it's so unfair. How the hell are you supposed to escape him when it's like he's around every corner. With every breath you take, it's like he's an inch closer to crushing your chest with his. And maybe you want him to? This isn't very hero-like.
"You're the one always tracking me down, doll."
The pet name sends shivers down your spine and it makes you want him all the more.
Who am I? What has gotten into me?
You blame the pink tint to your cheeks on the brisk wind of the night, but the heat to them is a large contrast. You cross your arms over your chest and scoff, trying to look taller, stronger, and broader. Not in a threatening way, but more a warning.
This time you'll really take him out.
"In case you forgot, it's my job."
You tell yourself that every time.
And every time he gets away.
"I'm not doing anything but taking a walk."
He steps closer, the already short distance between you two getting shorter. The streetlamp that cuts the scene in half flickers, a moth flying away from the light and towards the moon. You count three squares in distance and you resist the urge to step back.
"You're a wanted criminal, Dabi."
He doesn't deny it but scoffs anyway, shoving his hands into his pockets leisurely. It's like he's never bothered. You're just a nat he's waiting to squash. You have to remind yourself of that: You're just prey.
"I think you just miss me." His tone is serious, but he's only teasing—no matter how true it is. You're starting to think that he can read minds—it's actually quite concerning.
You force a laugh past your lips, trying to show you aren't bothered by what he says. It's just a game of cat and mouse, and it's time the roles switch.
"Please. I could throw you in jail right now."
"But you wouldn't do that. Isn't that right, bunny?"
Your guard faulters and it gives him the opening he needs to corner you completely—and quite literally. It's a blink of an eye and he has you against the brick wall. It'd look rather suspicious to anyone passing, or maybe it looks endearing. But it doesn't matter, to begin with when it's a barren street. Even the crickets seem to have fled.
It's like wherever Dabi walks, everything else scatters. If it were the sea, you're sure it'd part red.
Dabi smirks, trapping you between his body and the cool, damp bricks. The mist from earlier rain seeps slowly into your hero suit, sending a violent chill down your spine. His other hand touches your hip, fingers grazing the fabric so faintly that it'd feel non-existent if it weren't for the heat radiating off them. You hitch your breath when his nose nudges your neck, his hot breath causes shivers and his eyes bore into your own with something mischievous.
"I-"
His lips ghost the skin of your neck and you subconsciously pull it taut, tilting your head to the side. You're beginning to hate how your body arches into his and how it reacts to the simplest of touches.
Like a brick to a window, your dissolve shattered easily.
Dabi quirks a brow, challenging you to continue as you sputter about. It's embarrassing. You can hear him say it now, just like so many times before: "Oh? A big hero like you getting flustered by a big bad villain like me? How cute."
Your walkie talkie comes alive with static and a voice cuts in asking for help to take down a gang of criminals a few cities over.
My saving grace.
"I-I have to go." You push him away by the shoulders with sudden confidence, but he doesn't seem to put up much resistance.
God, you want to wipe the smug smirk off his face.
He backs off and turns with an unbothered wave, proving his point that you wouldn't- couldn't touch him, much less win against him in any sort of battle. The untouchable.
"Until next time, right?"
———
It's like a new tide from the moon—how fast your feelings towards him change. He's awful. A criminal, a villain, a murderer. He's the literal icon of everything your against.. or of what you're supposed to be against.
But you understand him. You get his whys and you feel his emotion like you're apart of them. You empathize with him and it makes you so fucking angry at yourself because you know—as a hero—you should never side with a villain like him, no matter how much sense he starts to make.
Blame it on his tone and the smoothness of his words. He's just a swindler.
The next time isn't even a full week later. He technically protects you from some randoms in an alleyway and you catch him in the act of it all, turning to catch whoever was following you, only to be met with cold blue eyes and a pile of ashes in front of you.
Of course, it ultimately ends in the same place it always does; his bed.
His scent and touch linger a little too long after these meetings and you decide once again that this is the last time.
It's a real shame you have to blame it on his body heat and not the undeniable attraction you feel towards him. But you suppose that could count towards it.
His hands are anywhere—everywhere—and they leave a fire in their wake. It's too much and still not enough. All you want is to be closer. Fingers in his hair, pulling him into you until you can't, and then pulling him in more. It's like air, the way you breathe him in. When you finally give into dabi it no longer becomes a crime, but a necessity.
It's overbearing and messy and awful, but you can't help but slip into his embrace and into his warmth.
It's freezing and he's the sun.
Tangled in between cotton sheets, you feel him rub circles into your shoulder and you hear his heartbeat. It's reassuring to know someone like him even has one. Then again, he probably wouldn't have protected you if he didn't have one. How many times has he saved you from harm's way? Honestly, one time is too many.
It almost makes this fling of yours respectable. It almost makes you want to admit you're falling for that smug face and bad attitude.
"We talked about what we'd do if we ran into your league again, you know?"
Why on earth would you bring that up of all things, y/n?
He doesn't need to know anything about your career, much less your plans to take his team down.
"Hmm.. is that so?" Dabi's fingers move up to draw languid circles into your collarbone before shifting slightly to loom over you. His other hand comes to rest on your hip, sending a searing, but welcomed heat to the flesh. You hiss quietly at the sensation, already knowing there's a bruise forming from the activities not too long ago. His lips replace his hand on your neck and he removes his arm from under your head to hold himself up.
Your hand finds his messy hair, fingers delving into the raven locks and tugging gently as he makes his way to the column of your throat and to your ear. He nips at it, nose brushing against your jaw; his hot breath creating goosebumps that rise to your flesh.
"I like knowing you think of me when I'm not around, Angel."
The tone and raspiness of his voice makes you groan, feeling him kiss beneath your jaw. You just know he's smirking at the reactions he elicits from you because you can feel it. He enjoys watching your internal struggle. You can't act like you didn't choose to form whatever this is with him.
You tug his hair to look at him, bringing his face up and he almost looks annoyed that you disrupted his path heading down towards your chest. Your lips ghost over each other's and you lean in for a kiss, only for him to pull away and leave you chasing.
"I also like when you call my name."
Your hand falls from his hair to cup his jaw, practically pulling him forward into a kiss. It's rough to cover up the intimacy and need behind it. His fingers dig into the plush of your hip, thumb pressed into your stomach before his hand goes upward with an ulterior motive.
Pulling away from him before he can initiate anything more, you run your thumb across his lips and the silver bands that adore the lower half of his face. Surprisingly enough, it didn't take long to adjust to the different textures
"And I like how you kiss me."
This almost feels too domestic—not that you mind, but you're positive he knows you're wrapped around his finger, in the palm of his hand. It's impossible to hide it now. Your actions speak louder than the three words on the tip of your tongue, poisoning your mind.
It makes you cringe when you think about it all. How easily he can get into your head and twist your arm. Some nights you catch yourself thinking that maybe you'll be able to convince him to open his eyes a little wider to see your point of view, especially when you've begun to see his. They're horrible—the villains you go against, but he makes them seem so different. You hate how he makes you double think everything.
He playfully nips at your thumb when you push it gently between his lips, teasingly. His hands trail up your arms, pulling them off of him and above your head. You're the one who makes the move to intertwine fingers as he pushes them down harshly on the pillow underneath you. Insatiable. That's what he is. Is it so wrong to keep wanting more?
The sun beginning to rise over the horizon and spilling in through the window doesn't seem to stir him as he makes his descent from your lips.
You already know that by the next morning you'll hate him and that surrounds him. You'll hate yourself for listening to your heart instead of your head simply because it just 'feels so right.' It's a constant cycle between the two of you, and you're sure he feels the same. He doesn't agree with anything you stand by like a hero, but there's something that keeps him close enough.
There's only so much you can expect, even when you deny it over and over.
But god, you have to stop meeting like this.
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