#that's something i'm going to think more about and flesh out.

[championofthefade]

Warning!! This post may contain spoilers for those who haven't played Veilguard yet! This turned out a lot longer than I thought, but I'm discussing the theory that Rook is a spirit.

I know that there are issues with the writing and any theory is not created to make those issues get swept under the rug. This theory is meant to be fun, and I would like to talk about it.

I'm thinking about the "Rook is a spirit" theory I saw on twitter/x. This theory often rotates in my head often, and I think that it's so interesting.

Like, listen. I understand that narratively it would be complicated to insert into what we know is Dragon Age Veilguard. Someone brought up the fact that it would be a strange thing because wouldn't Emmrich know that Rook is a spirit the way that he knows Lucanis has Spite?

But the theory that cadhalash paints for us is the fact that Varric was for Rook what the Rook is for the companions.

"Help them with their personal problems and talk to them about their feelings, but never ask Rook how they're doing. Or if they need anything. In codex memos we learn the companions have potlucks and book clubs but Rook is not invited. We learn at the end that Varric wasn't really there... What if Rook wasn't either? There's tons of chat about this idea now with other examples of Rook being compared to a spirit in the game. Very interesting and fun!" -cadhalash

There could be the very huge chance that Emmrich would recognize Rook as a spirit, but what about a spirit made flesh?

Think about Cole's banter with Blackwall, for example:

Blackwall: How does a spirit become flesh anyway?

Cole: I don't know. How does a Warden become Grey?

It may seem like a reach, but to me, it makes sense. Cole chose to become human because that was the shape that would help, which he says in a banter with Varric.

Varric: So, Kid, why human?

Cole: It was the shape that would help.

Varric: Huh. Most people don't pick a shape. I guess I was hoping for something deeper with that question.

Cole: It had to be him. But harmless. The him he wanted that wouldn't hurt.

Varric: Well that's... deeper. I think.

You may be thinking, "Hey, Atlas. That might be a little reaching, don't you think?"

Well, yes. Applauding the people that caught onto Solas in the Dragon Age Fandom years and years ago now because you all were on the nose about him being a worm (spirit). But considering what we know from Dragon Age as a whole, it could be possible that Rook is too a spirit of a different kind.

We know that Emmrich can sense Spite. We know that Emmrich can talk directly to Spite. But what if Rook was more like Cole? Would Emmrich's ability to speak to spirits or sense them so close apply?

I would say, that depends on the type of Spirit that Rook would be, right? This has a lot of wiggle room for what you think your Rook would be as a spirit?

From the Wiki:

Spirits lack imagination and creativity; everything they make is based off something made by mortals. Whether benevolent or malevolent, most spirits cannot help but mine a Fade visitor's mind for their thoughts and memories. They then mimic the pieces of life they see by shaping the Fade into various realms that cater to the unconscious desires of the living, providing experiences to the sleeping that become their "dreams."

And the Spirits listed:

Command, Compassion (Cole), Courage, Curiosity (Manfred), Duty, Faith (Wynne), Honor, Hope, Justice(Anders), Learning, Love, Perseverance, Purpose, Valor, Wisdom (Solas).

(We know from Veilguard that Spite is referred to as a spirit of Determination/ mentioned in a data mine, Passion.)

For the sake of the theory, let's say that Emmrich would get an inkling. A prickling feeling even that he knows that there's a spirit near by and would chalk it up to being Manfred because he would know that, right? But then there's Spite. How big of an energy read does Emmrich get from Lucanis to immediately go, 'Yeah, you've got a tag along and I'm sorry it wasn't a willing possession'.

So, how would it get unnoticed by Emmrich, the resident Fade Expert?

Well... Reading further down said wiki page, we find this:

As Rhys puts it in a dialogue with Cole, "being important makes you real". (Asundered reference, I believe?)

Being important makes you real. Rook becomes the 'leader' when Varric gets hurt at the beginning of the game. For the entirety of the game, as Rook, you have to build a team to fight ancient elvhen gods. Rook has to be what Varric was, pulling people that Solas didn't know into trying to save the world from going to shit.

Rook was given a purpose. To save the world.

Regardless of how Rook is perceived, they are in charge. They are in a position that they didn't want, probably was expecting to go home after dealing with this Dread Wolf that they were recruited to stop, and now... They're given a role that would make them important. And as before being important makes you real.

Could Rook be something akin to Cole rather something like Spite or other spirits that we know in Veilguard?

Here's another thing: Solas.

Yes, we are talking about the egg. I'll try to keep this as coherent as possible. We know that Solas didn't want to come from the Fade to be a human (another discussion for another time). We learn that Solas was a spirit of Wisdom, whose Wisdom was twisted into a weapon and forced to do things that stripped Solas of what he wanted to keep for himself. To remain as Wisdom.

This makes it interesting if we add to the fact that Rook could choose to outsmart Solas. Because at that pivotal moment, Solas was Pride. On his pride, it was always the sword he would fall on.

Say what you will about the trick ending, but this is something that shouldn't be glossed over. Being outsmarted by Rook, Solas says, "I am a fool... Who has met his match."

Met his match. This also might be another case of reaching, but it's interesting phrasing from someone who tells clever half-truths and never quite lies. Being tricked by Rook out of pure wits alone. Something that he thought he succeeded in.

What does this have to do with spirits?

Solas, who was brought out of the Fade to take a body to join the elves in a fight against the Titans. Solas, who crafted the lyrium dagger to sunder the Titans from their dreams in hopes of stopping the war. Solas, who created the blight from the Titans' severed dreams. Solas, who started a rebellion against the ancient elvhen gods who abused their power.

Rook, who was brought onto a job to stop the Dread Wolf. Rook, who disrupted the ritual in hopes of stopping Solas. Rook, who started a double blight from freeing these ancient elvhen gods. Rook, who has to build a team to stop these ancient elven gods.

I would say, in spirit, Rook is a mirror of Solas. I'm not saying Rook is wise like Solas or anything like that. But there is something about Rook being Solas' mirror that could fold into Rook being a Spirit of Reflection.

This is just something that comes to mind. Rooks helps Taash discover their identity, helps Emmrich deal with his fear of mortality, helps Neve protect Dock Town, helps Bellara with Cyrian, helps Harding with the Titans, helps Davrin with the griffons, and helps Lucanis with Spite. (Generalized, all choice dependent.) These are reflections of the companions. These are reflections of the people that Rook had brought together to save the world.

It could easily be written off because we're not entirely sure how many spirits there are, but I digress.

Of course, that too would beg the question of how it would apply to all Rooks from all backgrounds?

Let's take a look at the ones that make me think.

Shadow Dragon Rook

The foundling Rook was adopted into a military family and joined the Shadow Dragons to fight from the shadows for change in Minrathous.

We learn in a dialogue with Tarquin that a Shadow Dragon Rook was found on a battlefield by the Mercar family.

Now with this little bit of dialogue, it makes me (personally) think back to what Solas says about him walking the Fade and seeing ancient battlefields where spirits reenact wars from the other side of the Veil. There could have been spirits that were there during this battle where SD Rook was found. (It also kinda reminds me of Loki being found by Odin and raised in Asgard. Don't come for me, I've only watched the movies.)

For the sake of theory, say that a spirit that would have looked over a SD Rook before they were found by the Mercars. Thinking about it, it reminds me of how Cole (the mage) was watched over by Compassion and then Compassion took a shape that would help.

A spirit (in Spite's case) can be drawn to a person, yes? As Determination, we know that Spite was drawn to Lucanis' determination to live or something of the like. (I will live to spite you, essentially.)

Mourn Watch Rook

Discovered by undead inside a Grand Necropolis tomb as an infant, Rook was raised by Mourn Watch necromancers, eventually joining the order.

Relating back to the Muttering Undead that is in a coffin on the path from Emmrich's recruitment:

Stumbling… The steps. Skeletons saw… Oh no choice. Had to be brave… Had to be brave… Too late to cry… Save the (girl, boy, baby) with the grave.

This is a little more open ended. We know nothing about Ingellvar beyond that. We don't know where they came from, only that they were found inside a tomb. It makes me scratch my head.

We know that it's a custom in Nevarra that a spirit could reanimate a skeleton, essentially, and bring some part of their consciousness from back across the Veil. We see that Manfred, when you choose to bring him back, is brought back from across the Veil and returns with magic.

Sure, it's not the same thing as building a body out of Titan's blood, but the idea that the spirits that became the Evanuris are the best of the physical and the Fade offers up to the idea that they were going to have magic anyway when they crossed the Veil. Only lyrium gave them more power than I think that they knew what to do with.

I make this point from the perspective that Mourn Watchers are typically necromancers. They are almost always close to places where the Veil is thin enough for a spirit to come across and possessing a body in a sense.

When it comes to the Muttering Undead, I don't know who that could have been or what they were doing in the Necropolis. But it's clear that they were determined to save Mourn Watch Rook, and they were the one that put Rook in the tomb.

This one makes me scratch my head because it's so broad and vague. For the theory that Rook is a spirit, this is the origin/background/faction that lends itself to the idea because in Nevarra they revere and respect their dead with the ability to raise the corpses to continue contributing to the Grand Necropolis. But we're talking about a wee baby Rook growing up in the Necropolis. Could it be possible that the saving of Rook is more spirit in a tomb?

The last things I would like to touch on.

Dialogue with Harding (her romance I believe?) :

Harding: I've seen spirits leave the Fade and become real people. (COLE!!!)

Rook: You think I could be a spirit in disguise?

Harding: It isn't malicous. They're just drawn to strong emotion. And then...one day, real people.

Rook: I think I'm really me, and I'm really here.

This is why I mentioned Cole earlier.

And the absence of Rook in the Veilguard mural is brought up in the theory as well. Rook's absence on the mural strikes me as odd. Because yes, the companions would be a main focus in the stories that would follow them. But what about Rook, the person who brought these vastly different people together and saved the world? Not there. Were they ever there?

Much to think about.

[beef-brisket]

Charlie: Okay, that's fine- just... please, try and be a little nice to him, okay?

Adam: Okay, okay- shit... fine. I'll be fucking nicer...

He tensed up as Charlie hugged him tightly.

Charlie: Thank you, Adam... he's the only parent I've go left, I can't lose him...

Adam sighed and wrapped his arms around her.

Adam: I know, kid... I'll help him, okay? As much as I can.

Charlie nodded, her head resting just under his chest.

Charlie: T-Thank you, Adam.

-

Lucifer woke up tense and coughing. He felt like something was crawling up his throat, but after a few hacks, three petals came out of his mouth, landing next to him.

He could feel that Adam wasn't with him. As much as it hurt, he didn't blame him. Lucifer has left him more times than he could count. What was new was the hopeless feeling that filled him. That feeling that he wasn't good enough for Adam, he deserved to be alone.

Is this how Adam felt in Eden? Maybe worse, seeing as it was three people that left him. In the end, it was only Adam left. And now, it was only Lucifer.

He felt tears build up in his eyes, but he couldn't cry. He already felt the flowers crawling up his throat, cutting the sensitive flesh.

A click of the door made Lucifer look up, and he actually started crying when he saw Adam walk in- with food?

Adam: Hey, Lu- oh shit. Hey- bud, you're okay!

Adam put the tray of food down on his desk and quickly went over to Lucifer.

Lucifer: I-I thought you left- I-I'm so sorry, Adam- for l-leaving you- e-every time- I've failed you-.

Lucifer started coughing. Adam quickly helped him sit up and started rubbing his back.

Adam didn't want to think about what Lucifer said and how much strain he had in his voice. He didn't want Lucifer wasting his breath on him. Not if it'll cause him pain.

Adam: It's okay, Lu. Just... just try and breathe, okay?

Lucifer nodded and slowly started to calm his breathing. It was so much easier while Adam was here.

Adam: ...I'm sorry, too. I've done... horrible shit. You didn't deserve it. Not you or Charlie. I let my bullshit become everyone else's problem, and that's not fair. On any of you. So, I want to help you, okay? I won't... I won't pressure you to tell me who they are or anything. But I want to make you comfortable, okay? And... and maybe... fix you, completely... at some point.

Lucifer weakly smiled as Adam talked. It was strange hearing Adam so calm and caring, but he savored it. His heart even fluttered as Adam brought over the food he came in with.

Adam: It's just soup, I though it would go down easy, you know?

Lucifer: Thank you, Adam.

Adam smiled: Don't mention it.

Lucifers heart fluttered again as Adam started to feed him. He even wiped the corners of his mouth when he needed to.

Adam broke off a few small chunks of buttered bread and gave them to Lucifer. This was the first full meal Lucifer had in days. Everything was so hard to eat.

Adam: There. I don't usually make soup, so I hope it wasn't too shit.

Lucifer smiled and leaned back against the pillows.

Lucifer: It was perfect.

Adam smiled back: Okay, that's good. I'll uh... do you want a bath? Or something? You've been in bed for a while.

Lucifer blushed: W-Will you help?

Adam blushed as well, and he cursed himself for it.

Adam: If you want me to- if you're comfortable with it.

Lucifer: I am.

Adam: Alright, Luci. I'll get it started for you.

Lucifer's heart fluttered at the nickname, something he hadn't heard for a long time. He watched as Adam walked to bathroom and turned the baths tap on.

Adam: I'll open the window for you, try and get the steam out.

Lucifer: Thank you, Adam.

He smiled hearing Adam move around the bathroom. Lucifer was able to breathe easier, knowing Adam definitely cared for him. Maybe Adam doesn't hate him as much as he thinks he does.

@things-arent-what-they-seem66 @fanofstuff01

Hanahaki Disease

The day of the failed extermination was the end of many things for Lucifer. The end of Heaven's terror, the end of his isolation, the end of the Exorcists, but most importantly, it was the end of the First Man.

He had his fun, taunting Adam for anything and everything, his weight, his wives, his attitude. He knew there was no way in Hell Adam would ever be able to beat him, let alone hurt him. But it was fun to rile him up, fucker did put his hands on his daughter. He deserved it.

Feeling Adam's mask break open under his fist was so incredibly satisfying, but not as much as feeling the bones in Adam's face crack and snap as he landed blow after blow. Just when he was about to do something horrific with his Hellfire, he felt a warm touch on his shoulder.

Looking up, he was met with the face of his daughter, begging him for mercy. Of course, Lucifer felt a teeny tiny weeeny bit bad when he saw how much golden blood covered Adam's face and clothes. But that feeling quickly left when he crawled out of that crater to spew more self-righteous bullshit.

After that, everything was a blur. The sudden silver blade sticking out of Adam's chest, to him falling, landing on the ground with a sickening crack. The tiny maid on his back, stabbing him over and over. And laughing while doing it.

Lucifer watched as an angel with one arm ran over to Adam and pulled him onto his back. Her begging was hard to listen to. It was affecting a deep part of him that was making him feel sympathy for the pathetic bastard. He couldn't have that.

So, he threw them out. Every single one of them. Forcing the army to leave their dead to be feasted on by the cannibals.

Lucifer helped his daughter rebuild. He even cooked some pancakes for everyone.

It wasn't until he was sure everyone at the hotel was asleep that he went out to check the carnage. At least, that's what he told himself. But it was a useless lie as he beelined for Adam's body.

Lucifer felt sick as he saw the state of it. Most of his stomach was gone, his limbs bitten down to the bone. But the most painful thing was his wings. They were broken, snapped, and torn apart. Eaten.

He was eaten.

Just when he thought it couldn't get any worse, the man twitched. And groaned. A bubbling noise escaped his throat, golden blood running out of his mouth.

He's alive.

Lucifer knelt down, his hand hovering just above his chest. It was definitely raising and falling. It was very weak, but it was still happening.

That's when Adam said his final words.

Adam: ...h-hate... you...

Lucifer watched as his eyes became empty. No feeling or purpose behind them. No holy light.

The day of the failed extermination was the end of many things for Lucifer. The end of his old friend. The end of all the good memories he had from Eden. The end of his hope to repair things with Adam.

But, the day after the failed extermination was the start of many things for Lucifer. The start of seeing Adam's chest slowly start to raise again. The start of Adam's stay at the Hazbin Hotel. The start of Lucifer's own personal Hell. The start of hanahaki disease.

It started the first day Adam was at the hotel. The man looked broken and defeated. He didn't even argue with Charlie when she told him about what he'd need to do to stay here. And she wasn't holding back, and neither was Maggie.

She had her spare pressed into Adam's neck the whole time. But the light in his eyes was gone, the need to fight back. He was still healing and was quite the horrid sight, but even that didn't give him any mercy from the members or workers at the hotel.

He watched Adam limp his way to the room Charlie said was his. The whole time, he said nothing, even when Lucifer made a few small threats to his life of he tried anything.

Lucifer felt a tickle in his throat, and he coughed and cleared it.

Lucifer: Hm. Weird. Better not have caught anything form those fucking angels.

Little did Lucifer know that was the start of something truly horrible.

[glitter-stained]

A bit from the BtFC fic. Jason at the start of his spiralling.

...................................

“Bat’s been gone, they’re saying.”

“He ain’t really gone man. That thing can’t die.”

“Oh yeah? The birds die, don’t they? Why not the big bad bat?”

“’Cause a bird isn’t a bat, that’s why, you-“

“What did ya just call me-“

“They’re gonna rush in, I’m tellin’ you, all the loonies and whatever the hell those things are-“

He tries to lose himself in the chatter. Drown himself in it. He came here for that. The drink he ordered an hour ago still sits untouched. That won’t be enough to drown in. It is the voices that he needs. The arguments, the shouts, the simple, unfiltered, ugly noise of one of the worst dives of the city.

The voices are rough, angry, feeding into whatever fire is clawing at his skin. But they are still better than the other voice, the one that won’t go away. Why can’t he shut up? He ought to be quiet. The dead ought to be quiet.

 “…secret…” “…needs repair…” “…a good doctor…”

“Secret” Jason echoes the word once again, his voice a ragged whisper. “Secret. It was our secret.”

 And then Bruce put that into words. The secret they were meant to bury in silence. He promised. Bruce promised. You should keep your promises. She never did. They never do.

He shouldn’t have spoken. Bruce shouldn’t have put it into words. To name them gives them power. Bruce didn’t name it…but he spoke out loud.

 And what more did he say, in the other messages? The messages meant for his true sons? His heir?

He didn’t keep his promise. He never keeps his promises. Dammit, you should know that by now. Promises are made to be broken.

 Jason feels eyes on him and glances up. Whatever the spectator sees in his face has the old fool hurriedly getting to his feet and making for the door. He feels moisture on his face and realizes at some point he started crying.

Okay, "character is entering a mental illness episode, their facial expression (which they aren't aware of) frightens someone and they realize they're crying" is now officially one of my favourite trope (is it a trope? Can I call it a trope? Can we make it a trope? The confrontation between the external rejection and intimate suffering is brutal I love it)

(Also not linked to psychology itself but "the dead ought to be quiet" followed by Jason whispering, and the contrast between Jason whispering and the loud voices in and out of his head at the start of the spiral is pretty great. Ghostboy McHauntingThemes in the flesh.)

The cultural myth about Batman feeding into Jason's turmoil, putting Batman as some kind of creature incapable of dying, talk about a pedestal...

Jason's fixating on the trauma but incapable of naming it even to himself, furious at Bruce for doing so. The "it was our secret" part that really gives the ick because that kind of "keep it in the family" sentiment is so common in toxic/abusive systems

The breach of trust from "he wasn't supposed to mention it out loud" to "what if he said something else to the others" + "promises are never kept" -> anxiety spiral + hints of black and white thinking. He should have kept a secret (Bruce)/She never did (Catherine)/They never do (Sheila? Willis?) The emphasis on the repeated broken promises and abandonment, like he's identifying a clear pattern of broken, betrayed trust and he's the common denominator: "you should know that by now."

Also Jason drinking alone and someone running from him and the subtle mention of his estrangement (qualifying the others as the real sons) all emphasizing how truly alone he is.

I'm eating this up, anon. This is the good stuff, for real

[therevengeoffrankenstein]

he is so handsome i feel like my heart is going to explode.

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[my-thoughts-and-junk]

my 1 (one) stardew opinion is shane should not have won the bachelor poll

[icewindandboringhorror]

Lineup of all of the characters that appear long enough to need a visual representation of them in the game lol

[batfossil-fr]

Thuja - one of my bestest boys, a self hatch, and has one of my favorite bios I've written. You don't need to know a whole lot about the background story of my lore/the tab he's in (partially because most of it still only lives in my brain), other than there's an angry sun god (or two...) causing problems in my lair. ;)

[dandyshucks]

seeing ppl say that theyre going to kiss and hug all his trauma away makes me insane bc thats so not how it works 😭😭😭 not to be "u don't understand him like i do" but CMON... that sort of trauma doesnt work like that.... its not a "romance fixes everything" situation.... and i know half the time ppl are just being somewhat silly and not actually serious but i just get so irritated w the trope of "just get into a relationship and it'll fix all ur trauma :]" bc its EVERYWHEREEE

[forcedhesitation]

After my last post I decided to sit down and rank all the possible companion pairs. here is the tierlist, should you wish to fill it out yourself.

This is a "ship" chart, but it's important to clarify that I am interested in how the dynamic works overall, not just romantically. I am very invested in how the stories of different characters overlap, and how they could mesh together to change both people involved. so the more interesting I find an individual character, the more likely they are to be higher in the chart.

How interesting I find characters also usually translates to my desire (or lack thereof) to draw them. So my likeliness to draw a pairing is the scale I used to describe each tier, rather than a nebulous "S," "B", or "F." This way, I feel it is better understood exactly why each pair is placed where it is.

Once again, sorry to those who enjoy miss SH. I do not hate her, I just do not find her to be an especially compelling character. I like the voice acting for her, but I don't care for her design, and I feel any element of her story is simply better explored in those of other characters.

*Special Exception 1: I have to split this pair off specifically, because I've thoroughly disparaged it in the past, based on erroneous judgments of halsin's character. when I first played the game, I locked myself out of a lot of Act 2 dialogue with him, which meant I missed the parts of his character that I do find interesting. I will say, it does still deeply bother me how much of his character revolves around sating the sexual desire players might have for him. I also hate that, as far as I'm aware, he can only acknowledge the player's relationship with astarion in the context of having sex. But after spending an entire campaign playing the game correctly, trying to learn as much about halsin as I could, and thus romancing him, so that I could properly judge him, I have grown attached to my rewritten version of him. so I'm not so much fond of the star/halsin pair as it is in game, as I am of that dynamic in the context of corydalis' campaign.

*Special Exception 2: after what happened with halsin, I feel it would be unfair to judge how interesting I might find minthara's relationship with most of the other companions, given that I've not yet had the opportunity to recruit her. despite this, I can safely say that I have no interest in whatever would likely play out between her any of the men, bar gale. gale is the exception because I've seen snippets of dialogue between them. I do not necessarily think they'd work together romantically, but again, it's more that the potential dynamic between them is interesting to me, regardless of the type of relationship they have. also, I do not categorise all other minthy x male companion pairs as bad because I am of the belief that she is not bisexual. I have faith that this game would make an effort to show us that she was a different identity, were she, because it already does a great job of affirming every other companion's bisexuality outside their potential relationship to the player. what I do not have faith in, however, is that minthy has as beautifully written a story as lae'zel does, where she learns to abandon the cruel and bigoted beliefs her society indoctrinated her to have. not when origin companions like wyll & karlach still lack material, and not when halsin's writing is as inconsistent as it is. I do not think that either halsin or minthy have, or will ever have, fully fleshed out narratives.

if you've interesting commentary about a particular pairing that you like, that you feel I might benefit from reading, do feel free to share it! even if I dislike a pairing, I am usually willing to read someone's thoughts about why they do find it interesting, granted it's not like...something utterly foul. I just ask you keep any commentary you choose to share to companion/companion pairs or companion/companion pairs in the context of polyamory with a tav/durge. NPC romance is another conversation.

[bisaster-energy]

literally don't listen to the oh hellos valley album if thinking about sam winchester makes u feel anything because those songs are so fucking samcoded it'll tear ur heart out

[hexastitchimera]

Y'know, it's cases like Orchard's (and even "hunter" personalities like Mamämax) that make me genuinely perplexed on why predatory individuals will ride the highest horse against their own behaviour. I know it's a way to deflect attention from their own nasty shit, but it's always a self-defeating method once the same community that rallied in their name learns about the contrary.

What's worse is that they can fall from upon high into the deepest shit, and have the gall to walk right back into the townsquare, covered in their crimes like nothing happened.

Often enough, some- if not many- of the townsfolk will re-cover their eyes with wool too.

[transmasc-tabris]

.

[burntoutdaydreamer]

Things That May Be Causing Your Writer's Block- and How to Beat Them

I don't like the term 'Writer's Block' - not because it isn't real, but because the term is so vague that it's useless. Hundreds of issues all get lumped together under this one umbrella, making writer's block seem like this all-powerful boogeyman that's impossible to beat. Worse yet, it leaves people giving and receiving advice that is completely ineffective because people often don't realize they're talking about entirely different issues.

In my experience, the key to beating writer's block is figuring out what the block even is, so I put together a list of Actual Reasons why you may be struggling to write:

(note that any case of writer's block is usually a mix of two or more)

Perfectionism (most common)

What it looks like:

You write one sentence and spend the next hour googling "synonyms for ___"

Write. Erase. Write. Rewrite. Erase.

Should I even start writing this scene when I haven't figured out this one specific detail yet?

I hate everything I write

Cringing while writing

My first draft must be perfect, or else I'm a terrible writer

Things that can help:

Give yourself permission to suck

Keep in mind that nothing you write is going to be perfect, especially your first draft

Think of writing your first/early drafts not as writing, but sketching out a loose foundation to build upon later

People write multiple drafts for a reason: write now, edit later

Stop googling synonyms and save that for editing

Write with a pen to reduce temptation to erase

Embrace leaving blank spaces in your writing when you can't think of the right word, name, or detail

It's okay if your writing sucks. We all suck at some point. Embrace the growth mindset, and focus on getting words on a page

Lack of inspiration (easiest to fix)

What it looks like:

Head empty, no ideas

What do I even write about???

I don't have a plot, I just have an image

Want to write but no story to write

Things that can help:

Google writing prompts

If writing prompts aren't your thing, instead try thinking about what kind of tropes/genres/story elements you would like to try out

Instead of thinking about the story you would like to write, think about the story you would like to read, and write that

It's okay if you don't have a fully fleshed out story idea. Even if it's just an image or a line of dialogue, it's okay to write that. A story may or may not come out of it, but at least you got the creative juices flowing

Stop writing. Step away from your desk and let yourself naturally get inspired. Go for a walk, read a book, travel, play video games, research history, etc. Don't force ideas, but do open up your mind to them

If you're like me, world-building may come more naturally than plotting. Design the world first and let the story come later

Boredom/Understimulation (lost the flow)

What it looks like:

I know I should be writing but uugggghhhh I just can'tttttt

Writing words feels like pulling teeth

I started writing, but then I got bored/distracted

I enjoy the idea of writing, but the actual process makes me want to throw my laptop out the window

Things that can help:

Introduce stimulation: snacks, beverages, gum, music such as lo-fi, blankets, decorate your writing space, get a clickity-clackity keyboard, etc.

Add variety: write in a new location, try a new idea/different story for a day or so, switch up how you write (pen and paper vs. computer) or try voice recording or speech-to-text

Gamify writing: create an arbitrary challenge, such as trying to see how many words you can write in a set time and try to beat your high score

Find a writing buddy or join a writer's group

Give yourself a reward for every writing milestone, even if it's just writing a paragraph

Ask yourself whether this project you're working on is something you really want to be doing, and be honest with your answer

Intimidation/Procrastination (often related to perfectionism, but not always)

What it looks like:

I was feeling really motivated to write, but then I opened my laptop

I don't even know where to start

I love writing, but I can never seem to get started

I'll write tomorrow. I mean next week. Next month? Next month, I swear (doesn't write next month)

Can't find the time or energy

Unreasonable expectations (I should be able to write 10,000 words a day, right????)

Feeling discouraged and wondering why I'm even trying

Things that can help:

Follow the 2 min rule (or the 1 paragraph rule, which works better for me): whenever you sit down to write, tell yourself that you are only going to write for 2 minutes. If you feel like continuing once the 2 mins are up, go for it! Otherwise, stop. Force yourself to start but DO NOT force yourself to continue unless you feel like it. The more often you do this, the easier it will be to get started

Make getting started as easy as possible (i.e. minimize barriers: if getting up to get a notebook is stopping you from getting started, then write in the notes app of your phone)

Commit to a routine that will work for you. Baby steps are important here. Go with something that feels reasonable: every day, every other day, once a week, twice a week, and use cues to help you remember to start. If you chose a set time to write, just make sure that it's a time that feels natural to you- i.e. don't force yourself to writing at 9am every morning if you're not a morning person

Find a friend or a writing buddy you can trust and talk it out or share a piece of work you're proud of. Sometimes we just get a bit bogged down by criticism- either internal or external- and need a few words of encouragement

The Problem's Not You, It's Your Story (or Outline (or Process))

What it looks like:

I have no problems writing other scenes, it's just this scene

I started writing, but now I have no idea where I'm going

I don't think I'm doing this right

What's an outline?

Drowning in documents

This. Doesn't. Make. Sense. How do I get from this plot point to this one?!?!?! (this ColeyDoesThings quote lives in my head rent free cause BOY have I been there)

Things That Can Help:

Go back to the drawing board. Really try to get at the root of why a scene or story isn't working

A part of growing as a writer is learning when to kill your darlings. Sometimes you're trying to force an idea or scene that just doesn't work and you need to let it go

If you don't have an outline, write one

If you have an outline and it isn't working, rewrite it, or look up different ways to structure it

You may be trying to write as a pantser when you're really a plotter or vice versa. Experiment with different writing processes and see what feels most natural

Study story structures, starting with the three act structure. Even if you don't use them, you should know them

Check out Ellen Brock on YouTube. She's a professional novel editor who has a lot of advice on writing strategies for different types of writers

Also check out Savage Books on YouTube (another professional story editor) for advice on story structure and dialogue. Seriously, I cannot recommend this guy enough

Executive Dysfunction, Usually From ADHD/Autism

What it looks like:

Everything in boredom/understimulation

Everything in intimidation/procrastination

You have been diagnosed with and/or have symptoms of ADHD/Autism

Things that can help:

If you haven't already, seek a diagnosis or professional treatment

Hire an ADHD coach or other specialist that can help you work with your brain (I use Shimmer; feel free to DM me for a referral)

Seek out neurodiverse communities for advice and support

Try body doubling! There's lot's of free online body doubling websites out there for you to try. If social anxiety is a barrier, start out with writing streams such as katecavanaughwrites on Twitch

Be aware of any sensory barriers that may be getting in the way of you writing (such as an uncomfortable desk chair, harsh lighting, bad sounds)

And Lastly, Burnout, Depression, or Other Mental Illness

What it looks like:

You have symptoms of burnout or depression

Struggling with all things, not just writing

It's more than a lack of inspiration- the spark is just dead

Things that can help:

Forget writing for now. Focus on healing first.

Seek professional help

If you feel like it, use writing as a way to explore your feelings. It can take the form of journaling, poetry, an abstract reflection of your thoughts, narrative essays, or exploring what you're feeling through your fictional characters. The last two helped me rediscover my love of writing after I thought years of depression had killed it for good. Just don't force yourself to do so, and stop if it takes you to a darker place instead of feeling cathartic

[yandere-romanticaa]

Seen the request, so I shall deliver. Could you pls write a drabble or hcs of a yandere sunday with an isekaied reader?

Good timing because I'm actually planning a non yan isekai fic for him, I wonder if you saw that post. Here it is in case you haven't.

Sincerest apologies if this isn't the best, this fic is 100% emotionally charged by my obsession with him and frankly with a little bit of a high for passing a tricky exam. This is a treat for myself.

EDIT: Please check out this wonderful comic that @danijaci made me based off this fic!! 😭🫶

Picking up the cup from the fine oak table, you gazed towards the eerie galaxy before you, hundreds upon thousands of stars giving you a constant reminder of just how far from home you truly were. Taking a sip from the little porcelain cup you could not help but to hum in delight, the soft notes of the tea soothing your nerves ever so lightly as you pretended to ignore the heavy gaze which lingered at the back of your head.

Even from this distance, it was easy to tell that Sunday was eager to approach you. Still, he kept his distance and made a silent offering in the form of the very tea you drank at the moment.

Anything is better than Himeko's coffee but you were never going privy her to that.

In a not so distant past, all of this was nothing but fiction. The Express, the story, the characters - it was all nothing more but fiction, something to pass the time as your days went on and on, the same monotony repeating each and every day.

It was hard to not think about your friends and family, what sane person would not? Lord knows how they must be feeling right now, worried sick out of their minds with indescribable sorrow. In their eyes you had merely vanished, not a single trace to be found. For all they knew you could have been left for dead in a ditch somewhere, beaten, bloodied and broken, never to see the light again or if they were even more inclined to be morbid, you had succumbed to a fate worse than death. Death at the very least grants you finality, that all is over regardless of what happened moments prior.

But that was simply not the case for you.

Here you were, lounging about in a comfortable chair as you pondered on your old life while enjoying tiny little luxuries, far away where none of your loved ones could reach you. However, life was funny sometimes because it had some fun games in store.

Sunday was very kind upon arrival. He made sure to always be there for you, always checking up on you, always there to keep you company. You were already smitten with him but now to actually witness him in the flesh was just... Indescribable. You got along like a house on fire, so much so that the crew liked to tease that you ought to just get a room. Sunday, ever the gentleman, would just brush their words aside and assure you to not take their playful little jabs to heart.

You wouldn't say anything, resorting to merely giving him a smile but not because of what he said but rather of what he did not - never once did he actually shut down those perverse accusations. Never, not even once did he deny them.

He became an emotional crutch, someone to whom you would come running to when things got tough and he would always welcome you with open arms. Sunday would hold you tenderly, his serene voice dripping with honey along with a tender drop of ecstasy, for his excitement with holding you would just show itself sometimes. His grip would be too tight at certain moments, never quite ready to let you leave. His hugs were warm and comforting, he always smelled so good too. He smelled like kindness and sweet wildflowers, always lulling you back to him no matter the time. In dark corners and perhaps even under the watchful eyes of the crew, Sunday would wrap his scarf around your head, securing the soft fabric in order to provide you with a sense of comfort.

It was humiliating just how much you would try to inhale his scent as much as possible. You wanted it etched deep inside your memory, you wished for it to linger on your very soul and for it to follow you everywhere you went, sticking to your being like tar. The fabric of the scarf would muffle your ears a little but someone was always chatting in the background. Be it March bickering with Dan Heng, Mr Yang scolding someone for doing something they were not supposed to, or just Conductor Pom Pom trying to give a speech, all of it was irrelevant.

You were ready to kill whoever would try to pry you away from sweet Sunday. That thought came often which had left you worried - just what kind of person had you become? Regardless, you kept your mouth shut and had no plans of sharing such violent sentiments with anyone, particularly not to the one you held so dear.

When it was time to part for the evening you would bid the crew farewell and wished them a good night. You always made sure to take a few extra seconds with Sunday, just to ease your aching soul. He would tell you to sleep well and would see you in the morning, ready to take on any endeavor that crossed your paths.

As everyone parted ways, Sunday would wander off somewhere dark and distant, somewhere no one could see nor hear him. He would fall to his knees and clutch his chest in agony, fat tears streaming down his face as he did everything he possibly could to steady his raging heart. In a rush he would reach for the scarf which clung around his neck, his grip tighter than iron as he would bring it close to his nose. Taking a large, deep breath, Sunday was greeted by your familiar scent which would promptly calm his poor heart.

He sometimes wondered if his heart would start bleeding from the pain due to the sheer intensity of his emotions.

This was wrong, everything about this was not right and it hurt. Sunday was obviously ill but he had no clue on how to fight this... This emotion, this white hot feeling of need whenever you stood by his side. He started to choke on the air around him and fell into an abrupt coughing fit but even then, he could bring himself to remove the scarf from the lower part of his face.

Sunday wept and sobbed, filthy snot coming out from his nose but he could not handle that now. He needed you, Oh Heavenly Aeons, how he needed you. However was he going to tell you how he felt? How, oh how was he going to express the sheer magnitude of his true thoughts? He would scare you off, he was sure of it.

Even with this pain, even with these clipped wings and bleeding heart, Sunday had never felt so alive, so harrowingly present in the moment whenever he was with you.

Perhaps, he was doing himself a kindness by just letting you be. Drink your tea, be at peace.

He can always just make you another cup if you so desired.

Without knowing, you both haunted each other in the most agonizing way known to mankind and neither was strong enough to face the reality of the situation.

[crookedteethed]

18+ - mdni

ᥫ᭡. how the rafe's fuck you.

If I'm being honest, Season One Rafe does not know how to fuck you properly.

Rafe's sexual prowess was lacking in technique and selflessness, his thick cock a mere tool for his own pleasure rather than a passionate conduit for his partner's (your) ecstasy.

With that being said, of course he thinks he's hitting that spot inside of you--I mean, the guys ego is bigger then his dick. And that's saying something.

You bite your lip, stifling a moan - not of pleasure, but of frustration. Rafe's hips snap against yours in a frantic, uneven rhythm as he chases his own release. His eyes are screwed shut, completely oblivious to your unsatisfied state.

"Oh yeah, baby, you feel so good," he grunts, his breath hot against your neck.

You resist the urge to roll your eyes. Instead, you wrap your legs tighter around his waist, angling your hips in a desperate attempt to get some friction where you need it most. But it's no use. Rafe's too focused on himself to notice your subtle hints.

Just as you're contemplating faking it to get this over with, Rafe lets out a strangled groan. His body tenses, then shudder, and he's coming deep inside of you, and you're still left panting like a bitch because you haven't come yet.

(honorable mentions: When it comes to fucking with season one Rafe, he will refuse to perform any oral on you--he thinks it's gross--this doesn't mean he doesn't expect blow jobs from you, though. Also, in season one, Rafe either pulls off the condom mid-fuck, or forces you to go on birth control just to fuck you raw.) 

Season Two Rafe, on the other hand? That's a whole different story. He just comes across as so fucking reckless when he fucks you, y'know?

He fucks so angry.

He's all raw energy and unbridled passion, like a storm you can't control but can only surrender to. When Rafe's hands are on you, it's electric - every touch sends shockwaves through your body. His kisses are hungry, almost desperate, as if he's trying to devour you whole.

There's an edge of danger to it all, a thrill that makes your heart race. You never quite know what he'll do next - pin you against the wall, throw you onto the bed, or drop to his knees in front of you. That unpredictability is intoxicating.

And when he finally enters you, it's with a forcefulness that takes your breath away. Rafe fucks like a man possessed, all grinding hips and guttural moans. His fingers dig into your flesh, leaving marks you'll find later and trace with a secret smile.

Primarily he still chases his own high, but you can't help but let out a moan or two just by how rough he fucks you. The realization crawled through Rafe's body like a languid, tingling vine, filling him with a desperate craving for more of your euphonious moans.

In Season Three, Rafe is a new man - older, more mature, and eager to please. As he starts to devour your pussy, his experience comes through as a welcomed bonus. His movements are calculated and skillful, his tongue dancing over your sensitive flesh with practiced ease, as he realizes sex is more enjoyable when both parties are having fun.

Rafe's eyes glimmer with a mischievous delight, a smirk playing on his lips as he watches you with anticipation, your body convulsing and your cunt spasming just from his tongue??

It's a big ego booster to Rafe knowing he can do that to your body.

But it's not just his mouth that knows what it's doing now. His hips know how to move, how to find that sweet spot that ignites sparks of pleasure throughout your body. He's learned the power of slow, deep thrusts followed by quick, shallow ones - a combination that never fails to send you into a frenzy.

And it's not just about his dick anymore. Rafe's hands roam your body with purpose, memorizing every curve and eliciting shivers of delight from your skin. His lips are like fire on your skin, leaving a trail of heat wherever they touch - your neck, your breasts, the inside of your thighs.

When he finally sinks into you, it's with a low groan that reverberates through both of your bodies. He watches you closely, taking note of every gasp and moan as he adjusts his rhythm to suit your pleasure.

Like a mirror image of his previous self in season three, Rafe in Season Four is still eager to please both of you. But now, he approaches your pleasure with a gentle touch, taking extra care as he fucks you.

With every thrust, his mind is consumed with thoughts of marrying you, and it only intensifies his desire for you. Every moan and gasp that escapes from your lips only fuels his passion further. He knows that he wants to spend the rest of his life making love to you, and nothing could stop him from doing so.

Every movement, every touch, is charged with an intensity that goes beyond mere physical pleasure. Rafe's hands roam your body with reverent desperation, as if trying to memorize every curve and contour. His lips brush against your neck, your collarbone, whispering promises of forever between heated kisses.

You can feel the change in him, the shift from lover to potential life partner. It's in the way he looks at you, eyes burning with a mixture of lust and something deeper, more profound. It's in the way he holds you closer, as if afraid you might slip away if he loosens his grip even for a moment.

As your bodies move together in perfect synchronicity, you can't help but wonder if this is all happening too fast. Is Rafe really ready for this level of commitment, or is he caught up in his jealousy of Sarah's unexpected pregnancy? The thought flits through your mind, but you find yourself swept up in the passion of the moment, surrendering to the moment, to the electric sensation of Rafe's touch on your bare skin.

as always, reblogs and comments keeps me motivated. 🫶🏾