#that’s why I look for my horror subplots in children’s shows and superhero movies

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Can you share why you like the 2015 Fantastic Four movie?

Must a superhero movie be “good”? Is it not enough for a superhero movie to criticize the US military, large?

Okay, seriously, a little bit of background in three points: 1) I followed this movie from the beginning. Through the casting, through the reshoots, through the cryptic articles about how the movie would feature an unexpected romance that turned out to be right but not how we all thought -- I’m pretty sure a Ben/Sue cut of this movie exists somewhere, but it’s hard to argue that the only romantic subplot that exists in the finished film is... Ben/Reed, so. I got excited over stuff in the trailers that was cut from the finished movie entirely. I analyzed the hell out of previews. I almost stole a theater stand but it wouldn’t have fit in my friend’s trunk. I, no joke, bought the Fantastic Four peanut butter. And I had friends who were also excited for the movie, so we were having fun together. So the anticipation definitely has a part in my enjoyment of the movie. “Even though it came like that?” Oh, 100%. 2) I really like Ultimate Fantastic Four, a bad comic, so in a way I was primed to already be like “must a movie be “good?” Must it not simply give me the Mole Man?” (It did not give me the Mole Man.) Fant4stic is much more heavily influenced by Ultimate Fantastic Four than it is by 616 Fantastic Four, especially in its Reed and his relationships with Ben and with Franklin Storm and the think tank. Finally, 3) I really, really dislike the 2005/2007 movies. I think they’re flashy, sexist, shallow hot garbage pieces of filmmaking and I hold Chris Evans’ Johnny from all angles -- writing, styling, performance -- largely responsible for a wide fandom perception of Johnny Storm as a hotheaded playboy. I like Reed and Alicia but that’s basically it. 

And I can -- and have already -- gone over Fant4stic’s faults. It’s very clear that the movie largely falls apart after the time skip, but especially during the final battle, which is messy to the extreme. The extensive reshoots messed with the overall product to the point where you can pinpoint while watching what comes from which shoot, though that’s in part to the horrendous wig they put on Sue to cover up that Kate Mara had cut her hair for a different movie in-between. Josh Trank’s dogs did $100,000 worth of property damage, somehow, during filming. So I’m going to talk about what I like about Fant4stic, and here’s a really big thing: as superhero movies go, it’s different.

There’s something I hear a lot in discussions about Spider-Man films, when someone goes, “No, it wasn’t a good Spider-Man movie, but it was a good superhero movie.” Which is something I take issue with because how are we defining what makes a superhero movie good? And what people seem to think makes a superhero good is the MCU’s general formula -- not necessarily the content of their movies, but formula with which they’re devised, which does, it’s fair to say, make for a big office winner, too. And what the MCU does is it makes superhero action movies. It plays around a little with genre -- Captain America: The First Avenger is a war movie, but it’s an action war movie. Guardians of the Galaxy is a space action movie. Ant-Man is a heist action movie. It’s spun its Spider-Man movies as coming of age stories, but they’re action movies. This becomes a problem for a viewer (me, I’m the viewer) if you don’t really love action movies all that much.

In no way, shape, or form can anyone make the claim that Fant4stic is an action movie. Its one big superhero fight scene is a complete and utter failure and probably the worst scene -- probably because it was never meant to be in there. Fant4stic was meant to be a horror movie with a superhero angle, which isn’t all that surprising considering it was directed by Josh “Chronicle” Trank. And I’m really into using big superhero properties to explore other genres -- Logan’s dystopian western, TASM/2′s romance. Fant4stic’s horror. Some of the best parts of the movie are the ramping up to the accident. You know it’s coming. You know it’s going to go horribly wrong. You know Ben, in particular, played with a quiet but longing stoicness by Jamie Bell pre-transformation (and the only film Ben to be acknowledged on-screen as Jewish), is about to be, pardon the pun, doomed. And then there’s the utter horror of the aftermath: Johnny, apparently a burnt out shell, lying in the wreckage as Ben screams for Reed for to help him. Reed crawling through the smoldering chaos only to look back and see that his legs are still pinned under the wreckage. That’s good. A version of the film was apparently screened before the reshoots and the test audience found it “too dark” and I desperately want to see that cut.

In addition to Fant4stic’s horror angle, there’s the villain of the piece: the US military. Doom, despite showing back up last minute looking like lovechild of Annihilus and a melted toy soldier -- Annihilus was supposed to be an initial villain in the film, so the resemblance likely isn’t accidental -- isn’t the true villain of the piece. If anything, young ecoterrorist Victor who just wants to rule his own planet is kind of a charming concept. But the villain of the piece is the military, who wants to use the gate for their own purposes. The military imprisons Ben, Johnny, and Sue after their transformation and explicitly uses Ben as a killing machine. When Harvey Allen approaches Ben, he convinces him Reed’s abandoned him, and that he has to “play ball” with the government. Johnny’s youthful enthusiasm and longing to belong places him in similar danger -- Sue and Franklin explicitly talk about how, if they don’t do something, Johnny’s going to be used as a weapon. One of my favorite lines in the film is when Reed is brought back to the compound to see his reworked invention: “You made it ugly.” The film backs off on this at the very end -- it doesn’t stick the landing like TASM/2 does, where the ultimate villain that spawns the actual superpowered villains is consistently Oscorp’s abuses -- but it does better highlighting this than a vast swathe of other superhero films: the bad guy isn’t Doom. Doom isn’t the one who tortures Ben. Doom isn’t the one who remakes the gate with the express purpose of breeding super soldiers. It’s the military.

I also really like the characters within the film. I don’t think this is going to be hugely surprising to my followers, but really all you need to do to make me like a Fantastic Four adaptation is nail Johnny Storm, and Fant4stic nailed Johnny Storm. I think Michael B Jordan was really terrific casting, and I’m sad we didn’t get to see more of him in the roll, because he was great at portraying Johnny’s insecurities and his vulnerability, making his occasional moments of swagger charming instead of oily, like when he blows a kiss to a rival racer. Introducing Johnny with a drag race -- and with Standing in the Shadows of Love, which is a great Johnny song, and I love how music is a big thing for both Storm siblings -- established his ability with cars and his talent for building things, letting the audience know that Johnny is smart and capable, it’s just that he doesn’t feel like he is. I love this Sue, too, serious and blunt and a little awkward, incredibly smart and far more inclined to hold a grudge than her brother. I love how she’s styled -- her clothes are normal and her makeup is realistically minimal, not movie-minimal. There’s no scene where Fant4stic’s Sue has to strip off her clothes to use her powers, or where a sexy nurse exists so Johnny can hit on her and the audience can get their recommended fifteen minutes of female objectification.

Ben is, as he often is in Fantastic Four pieces, a standout, of course, and Jamie Bell gives a great performance, both anguished and full of rage and resentment and at the same time love for Reed, but it’s his design I love the best. The 2005/2007 Thing design is cartoonish -- the 2015 is monstrous. I love the first few Thing scenes where Ben seems to have trouble moving, dragging himself across the floor, because you get a sense of how incredibly heavy his new form is and how difficult it is to exist in it beyond just looking like a rock creature. The horror of the superhero transformation is built into Ben Grimm at his core, but here it doesn’t manifest in a lost fiance or children screaming on the street but in the difficulty with which he moves, the new grinding note of his voice, vocal chords landsliding together. It’s some really terrific work. And while I think Ioan Gruffudd’s Reed was actually a pretty perfect 616 Reed (more’s the shame about the rest of the films), the Reed of Fant4stic is Ultimate Reed in the beginning through and through. The precocious genius of his childhood, misunderstood by everyone but Ben until Franklin Storm sees him, the scene where he takes the kid’s model airplane and awkwardly apologizes afterwards (the “you’re a dick” line IS funny), his awkward attempts to connect with Sue, his attempts to connect with Victor. Like Sue, he’s straightforward and blunt. The way he isolates himself in his attempt to fix things. How gross his powers are in motion. The aforementioned “you made it ugly” line. I really do like him as a Reed. And Victor... Victor is hilarious. I’m sorry, but it’s true. I was on board back when they were like “he’s a blogger, he’s a gamer” like I was 100% down to see Doom’s tortured neon green on black LiveJournal screeds, and opening on Victor unwashed in the dark playing video games? Hilarious. Victor seeing glowing green energy and immediately going “I’m gonna f*ck it”? Superb. Is this a good Doom interpretation? Maybe not, but it was entertaining. I think they could’ve gone full Ultimate and put little metal hooves on him post-transformation, granted. It’s not the Doom I want for any upcoming Doom projects -- I want my science wizard monarch -- but I can’t say I don’t like the character that Fant4stic gave me.

Fant4stic is an imperfect film, but I’d rather have an imperfect film with characters and themes that I like and one that did something different than a perfect film made with the same old formula and the same jokes on the same beats.

Also, if anyone’s curious, since Fant4stic has no DVD commentary (a crying shame on so many levels), @johnnystormcast recorded our own in our Giant Size Annual and you can download it to watch along with our thoughts, which are very deep and not at all mostly about how Ben and Reed are in love in the film.

[popculturebuffet]

Analysis of X: Uncanny X-Men #159 “Night Screams!”

Happy Halloween! For our Halloween special, I take my first dive into Claremont’s classic X-Men Run proper, as Claremont’s future New Mutants partner Bill Sienkiewicz drops by just in time for the X-Men to battle Dracula for the soul of Storm! Get your stakes ready and join me after the cut.

Welcome everyone to my special Halloween Edition of Analysis of X. I love this holliday: Scary movies, adorable children in costume, more sugar than I probably need… it’s the best. And it’s on this sacred day I’ve decided to take a second look at one of my faviorite X-Men stories and see if it still holds up to me the second time around. I first heard about this story in the back of Wizard Magzine in this old beatup issue I got from my brother,  and was blown away by the descrption of an event we’ll get to towards the end. When I finally read the issue years later thanks to an issue of Classic X-Men, it exceded my expectations, and hence here I am to see if it still holds up. And since the few bits of exposition needed can just be done as we go, let’s sink our teeth into “Night Screams”

We open on the Uncanny, the powerful, the misunderstood, the brave X-Men!... barging into someone’s apartment and being confused by the occupant. Naturally both parties are confused: The young lady because it’s her damn apartment and suddenly a blue elf, a smelly hairy Canadian, a metallic Russian, an African goddess and a masked teenager come rushing into her place. The X-Men are confused because this apartment belongs to their friend Misty Knight. Those of you who watched Netflix’s excellent Luke Cage series probably remember her from that. In the comics she’s not far off from where she ended up by the end of the Netflix/MCU partnership: a private eye who used to be a cop and has a robot arm, in the comics provided by Tony Stark because back in the 70’s and 80’s tony would make some sorta gadget for anyone who pulled a dump truck of money up to his house. As I mentioned in Excalibur, Chris Claremont never really forgot any character he ever had anything to do with, and since she was a major supporting character during his run on iron fist along with her partner in asskicking Colieen Wing, who you may remember as the best part of Iron Fist’s own Netflix series, he had the two pop up in his X-Men run during a time when they thought the professor and jean were dead, because no one bothered to pick up a fucking phone. As such Misty had apparently offered her place to the X-Men any time they were in the city proper… but herself didn’t pick up the damn phone and tell her in the past few months she got a roommate, so said roommate is understandably pissed off to find a bunch of strangers in her place.

As the above should make obvious, the young lady is Harmony Young, famous model and misty’s new roommate. At this time Mary Jo Duffy had taken over Luke Cage, at the time Power Man,’s book and, in an attempt to keep the book from being canceled, brought Iron Fist in as a second protagonist and made the book into a buddy picture with the two’s contrasting personalites and backgrounds playing off each other. Having read this run, it’s fantastic and well worth a read and is the backbone of later runs of Luke and Danny while creating one of the best friendships in all of Marvel.  As for how the hell this relates to this story, Harmony is a supporting character from that run and at the time, Luke’s Girlfriend and thus moved in with Misty when Misty needed a roommate.

With the confusion cleared up the X-Men try to smooth things over, minus Logan who, now knowing he dosen’t have a fight on his hands is going to get drunk because logan frankly has three states: boning, drinking and killin, and Kurt’s already swooping in there, and while you’d think hitting on Luke Cage’s girlfriend would be dumb, Luke is not above a three way. I mean why do you think danny sleeps at his and jess’s place every other Sunday? Storm being the leader she is offers to leave, but Harmony, seeing three handsome young men and likely having an open relationship with Luke, decides what the hell and lets the X-Men stay. Kitty scoffs at her and.. oh god I’m going to have to talk about the Colossus and Kitty thing aren’t I? Fuck me…. Yeah for those of you who weren’t aware, Kitty had a crush on Colossus.. a grown man at the very least 6 years older than her. They eventually DID enter a relationsip, that THANK CHRIST, wasn’t sexual till Jim Shooter, in one of the few times he actually made sense as Marvel’s Editor in Chief outright told Chris to cut it out and broke the couple up himself by having Pitor fall for someone else. And while that whole romance was forced and rushed, it both ended an annoying subplot and gave us a DAMN good issue of Uncanny I’ll get to some day. We soon find out WHY the X-Men are in town in the first place:

I do like the story progression so far: it feels organic and the opening of the X-Men barging in on an apartment is a nice hook and the following pages quickly explain the situation without feeling too clunky about it. But yeah Kitty’s Parents want to see her and while as Ororo notes she dosen’t have anything to wear, Harmony being a true friend to this person she just met offers up her vast wardrobe which Kitty herself quickly gets herself a piece of. The two get dressed and head off to meet the Prydes. We then get a short scene of Cyclops, whose on vacation visitng his brother Alex alongside his space pirate dad. As you can tell i’m not really going that much into it as it’s only one page of the isssue and has nothing to do with the rest of the plot other than informing us Professor Xavier’s in a coma, which tells me why he wasn’t with the rest of the team.  Back in NYC, Kurt is still flirting with Harmony when the team gets a call from Kitty... who wonders if Ororo got home okay. Kurt’s instantly put on alert because she’d told kitty she was heading straight back.. hours ago. And as we see bellow, she’s been attacked with two marks left on her neck... which can only mean one thing.. NEIL BREEN HAS KILLED AGAIN.. or you know vampires. 

Storm is rushed to the hospital and Logan and PItor soon get the call thanks to Storm’s wallet to come get her. While the doctor wants to keep her overnight Storm is.. oddly calm, finding the night realixing and getting the feeling something’s watching her, but shaking it off. The fact she’s not CONCERNED about that or seems chipper after having her throat torn open just screams red flag don’t’ it? Storm returns home to rest , shooing the rest of the X-Men away and well. if you were wondering when the hell this turned into a vampire story besides the whole neck bites thing... 

The scene is haunting and well done and Bill, since his last name is hard to spell and I’ve mangled enough names as is on this blog, does a fine job with it, portraying the horror of it as well as how entrhaled Ororo is well. IT’s this sort of moody atmospheric stuff that would serve him well when he became artist on New Mutants and thare’s damn good reason his run is where the book really starts to pick up steam. Kitty returns home.. and is greeted with the news Storm has turned ill. When kitty tries visting storm is afraid of the sunlight, has a mysterious scarf from an admierer with a large D on it, and flinches when Kitty’s star of david brushes up against her. Kitty, sensing the obvious heads off to do some errands. Later that night Ororo lets her her “lover” and the one behind all this...

Yup. I wasn’t lying or exaggerating in the teaser: The one behind all this is DRACULA. That Dracula, not some alien or some other vampire. The prince of Darkness himself has designs on Ororo. And if your wondering if this is just some one issue weirdness… NOPE. Around this time, Dracula had his own ongoing started in the 70’s, Tomb of Dracula and what I’ve read is excellent. As a result Dracula was a part of the Marvel Universe, had his own backstory and enimies, and fought the likes of Dr. Strange and Spider-Man and earlier this year was the center of a major plot in Jason Aaron’s Avengers run. But before he can turn her, help arrives..

IT’s kitty who got a nifty Van Helsing getup and a cross.. but in an intresting twist on the mythos the cross does nothing. But not for the by this point cliché reason of “we’re just not using that old chesnut”, no in the Marvel Universe one needs genuine faith for the religious symbols weakness to work… and as the star of david showed earlier, Kitty is Jewish .. but when Dracula tries to choke a bitch, it’s said star of David that saves her. Tragically, Storm is too brainwashed to run and leaves with Dracula, begging Kitty to forget her and leaving the poor child in tears as her surrogate older sister leaves with a monster, possibly forever and there’s nothing she can do to stop it. On a side note though nice entrance line. While it’s no “Begone monster you do not belong in this world!” it’s still pretty sweet. 

The rest of the team burst in and Kitty explains what’s going on: that while she didn’t know it was DRACULA till now, she was supscious but rightly suspected the others wouldn’t belive her and Logan dosen’t, trying to write off the scarf as Harmony or Misty’s.. but Kurt shoots it down, stating that Kitty is no child and her word means as much as Logan’s own, with his own time in Bavaria telling him to not take vampires lightly.. ESPECIALLY Dracula. Even if Logan still isn’t buying it, Kitty does point out that wether she’s right or not, Ororo is too injured to leave out in the wild, let alone with some strange man who may or may not be Dracula. Given this is a superhero comic, a fight naturally breaks out, with Dracula summoning his wolves, where’d he purchase those, to fight while Kurt tries fighting the big man himself.. and quickly gets his fuzzy blue ass handed to him. Colossus and WOlverine take the wolves out and prepare for the big man himself. 

As you can see Dracula is handing them their asses.. which is no surprise: not only are the X-Men two members short, and even if they weren’t Dracula would still be able to take them. It also helps ease him into this shared universe: the reason why he hasn’t been beaten for good with so many heroes out there is simple:  besides having the cover of being so famous that most wouldn’t belive he’s real, he’s also really damn powerful and only one vampire hunter after him has any sort of powers, that being Blade who was introduced in Tomb of Dracula. And while he’s a vampire, he dosen’t have Drac’s broken number of extra powers.

With it now being clear given he fuck slammed Colossus that Dracula is out of their league Kurt suggests a straight up fight won’t work and they need plan B.. and with that we get the best scene in the issue, the one that made me want to read it in the first place. 

Just as a recap, in a brilliant callback to a few pages ago, Wolverine tries, cleverly, to use his claws as a cross.. but as Dracula mocks him, it won’t work. Like Parappa the Rapper says you gotta belivie.. and unfortunately for Dracula, Kurt does in what is, to my suprise, the first time his religion comes up but it works well and adds a sizeable amount to his character. Sadly as fucking epic as this is, it only holds him off for a second and he soon sendds lightning after him because.. apparently he can do that now? I dunno.  While this goes on Kitty runs into the castle which Dracula has morphed into his own kinda castle, and while Kitty dosen’t find dracula she does find an almost turned storm and readies a stake, though Ororo points out it won’t do much good.. and we get another powerful scene as Kitty decides she’s right. 

While that goes on, the rest of the team presses on but have no more luck and soon Dracula has them beat and Storm arrives seemingly having slain kitty.. only to shed her Dracula outfit for her uniform and start kicking Dracula’s ass, kicking off an awesome fight between the two.

She ends up slamming him into a party where Drac, being a sore looser, tries to force her to submit.. but she stays her ground and he gets desperat holding a hostage to try and get her to submit

But as seen she will not and refuses to.. and Dracula admits defeat, realizing he was genuinely attracted to her and he’d have to snuff out what made her worthy of being his queen to do so. Granted he’s still a creepy mind rapist, but it’s still a nice character touch. He books it out of there, and being good at evading people as his solo would show, tells Ororo following would be a fools errand and givne how beaten down her team is , even with her back to give them the edge, he’s right. So for now he escapes, but the X-Men have one the night and Ororo is free and back to being just a mutant again and tearfully reunited with kitty at misty’s place.

With that touching scene done, our heroes runite with Harmony, with Misty and Coleen now present and celebrate their narrow victory. There’s also a quick stinger with Moira MacTaggert telling the X-Men xavier’s condition has gotten worse, but for the most part, it’s a happy ending as our heroes, however narrowly have won the day and I thankfully got this done before Halloween ended.

Final Thoughts: This issue is every bit as good the second time around, if not more so now I know who Harmony is and have read some of Dracula’s own title, though it’s not a necessity as none of the stuff from Tomb is important here, and Harmony is introduced well enough. This issue is a masterpiece, having atompsheric moody horror, the drawings well done and there’s so much I didn’t show that’s just awesome and Bill would only get better from here. The character work is also great as most of the X-Men get moments to shine. While wolverine is mostly there for his usaul schtick as is Colosus, how easily dracula manhandles them shows just how strong he is without feeling forced. But the real stars are Kurt, who gets one of his finest moments here and even after that fails still presses on anyway, Storm whose transformation is truly horrifying and whose ultimate victory is made all the sweeter and Kitty, whose at her best with: her youthful naivity matching well with her refusal to give up as she stares down both Dracula and her big sister in equal amounts. The issue is a must read for what’s left of this Halloween and every one after it and a great little done in one. Even with the btis of other storylines, it’s still easy to read and understand on it’s own and is one of the best one and done issues i’ve ever read and still holds it’s position in my eyes as one of the best X-Men stories period, taking what should be a rediculous premise and owning the hell out of it. A must read if i’ve ever read one. 

[karkkidoeswriting]

25 Questions Tag

Thank you @rosecorcoranwrites for tagging me! :)

1. Is there a story you’re holding off on writing for some reason? I’ve been holding of a murder mystery novel I was planning about year? two? ago. At some point I realized I’m not ready for it, not because it would need better writing than fantasy, but more like I felt I didn’t understand our own world good enough yet (does that make sense?) and didn’t yet had the means and patience to do enough research to get the understanding.

2. What work of yours, if any, are you embarrassed about existing? Oh boy... Many. The bright side is, I’m so bad at finishing anything I start that I have never finished a full length novel. (Though I’ve written many and many terrible things that only counts as short stories because of length.) I remember writing starting a fantasy story in high school or primary school where main character was a prince of tyrannical kingdom and suddenly he changed to a black panther (not the superhero) and couldn’t change back. Of course he came across the shape shifting rebels and there was of course this girl that turned into a tiger and of course they didn’t get along but we all know how that ended up. I’m pretty sad that it was so many computers ago it is lost forever.

3. What order do you write in? Front of book to back? Chronological? Favorite scenes first? Something else? Chronologically. As character exercises I tend to write my favorite scenes as I invent them, but usually they don’t end up in the novel or at least without some changing.

4. Favorite character you’ve written? Would you pick a favorite of your own children??

5. Character you were most surprised to end up writing? I’ll go with Valeri. He is not the usual type to end up my main character and that is the precise reason I made him. I don’t want to limit myself with writing only characters I would like in real life. I definitely wouldn’t like him if I met him, but I like him as a character. 6. Something you would go back and change in your writing that it’s too late/complicated to change now? There are no such changes for me. I have started my current wip three times from the scratch. If I feel there is such a big change that should be made I drop the project for a while and think about it. If I still want to write it, I make the change, if I have fell out of love, I move on. (Also as I’ve never get so far as the finish, it is possible.)

7. When asked, are you embarrassed or enthusiastic to tell people that you write? Embarrassed... Usually I’m not shy and I’m pretty confident in myself, not caring really what other think, except when it comes to writing. I’m not really sure what is it, but I think it’s that I’m pretty private person and writing is something I do right from the hearth.

8. Favorite genre to write I like historical fiction so much too (also mystery), but I have to say fantasy. I just love the world building!! At same extend you can’t do that much world building in any other genre (except scifi), and I love it.

9. What, if anything, do you do for inspiration? Read books and read especially non-fiction. Most of the time reality is stranger than fiction. 10. Write in silence or with background music? Alone or with others? Definitely alone and mostly in silence. Though sometimes instrumental music (ambient, classical or movie music)

11. What aspect of your writing do you think has most improved since you started writing? I don’t know, I had so many flaws (still do) that I can’t really say what I was worst at.

12. Your weaknesses as an author? Firstly: finishing the god damn thing. Secondly: action scenes and writing action overall 13. Your strengths as an author? Characters and world 14. Do you make playlists for your work? Sometimes but rarely use them as I prefer silence :D 15. Why did you start writing? I had so many things in my head I wanted to put on paper. It’s my form of self-expression.  16. Are there any characters who haunt you? Currently Valeri. I can’t get him of my mind :D

17. If you could give your fledgling author self any advice, what would it be?

Do and outline, decide ending before starting. Outlining isn’t for everyone but it is sure worth trying. And you start with FIRST draft, it is something like a sketch, so just write it, don’t think too much. Then you can write second, and third and as many drafts as you need.

18. Were there any works you read that affected you so much that it influenced your writing style? What were they? I would argue that everything that I’ve read have affected my writing style, some more than others. Nothing very clear, I think. Of course Harry Potter, almost anyone my age can say that, but I’ve read so little lately that I really don’t remember how each author writes. 19. When it comes to more complicated narratives, how do you keep track of outlines, characters, development, timeline, ect.? With Drive. I have docs where I write all the names of the characters, no matter how unimportant they were, and tell in few words who they are. I organize the docs by area. Then I have a docs named ‘timeline’. There I have all the historical events as well as main events of the story listed by year and month. Also I have list of character arcs and subplots for every main character.  And then of course I have list of chapters and events in each, also some notes on the chapter. As you can see I like listing things. I fill all the lists as I go along. 20. Do you write in long sit-down sessions or in little spurts? I either don’t write at all or I sit down straight seven hours and write non-stop. I don’t have in between mood

21. What do you think when you read over your older work Depends how old :D If its a few years old, it’s surprisingly good. If its about five years old it’s in the awkward zone where it is bad, but not bad enough to be funny, reading them makes hurt inside. Everything older than that is just super funny. 22. Are there subjects that make you uncomfortable to write? Not really. I’m not planning on (at least yet) showing my writing for anyone but here in internet where no one knows me and for my boyfriend who know me inside out and I have nothing to lose :D so I feel I can write literally anything. Only thing I can think of is sex scenes. I really like smut but I’m pretty bad at it, as I don’t want it to feel erotica but also I don’t want it to be censored or too vague. 23. Any obscure life experiences that you feel have helped your writing? Hard to name anything specific as I believe that all life experience helps writing. You know, when you write about people and life, I really helps to be people and live. 24. Have you ever become an expert on something you previously knew nothing about, in order to better a scene or a story? While starting to write Saga of a Shieldmaiden, I became kind of a expert on Finnish mythology and life and history of Vikings. My knowledge was very limited on both subjects before that. Also for a murder mystery novel (that I mentioned in the first question) I read a criminology book.

25. Copy/paste a few sentences or a short paragraph that you’re particularly proud of. I answered same question before in another tag game, and I’m now too lazy to translate another paragraph. So this one is from the original Saga of a Shieldmaiden (that I’m now revising). It might be a bit too long though.

Something big was moving around me as I felt the water flowing differently. In the thickening darkness I couldn’t see anything. Or maybe I had my eyes closed, I couldn’t be sure.

It is not the sea that is suffocating you. It is the fear. You reek of it. You are so full of fear, it is dripping out of your throat. So full, your breath cannot flow.

I felt a touch on my throat. It was not a touch of a human. It was not a hand of a human. Massive crooked claw rested on my neck. The claw was rough and stony hard, full of scales. Sharp end of the nail pressed against the skin of my throat without piercing it. I felt a breath of a warm current behind my back. One breath caused so strong tide, it would have wiped me away, if the claw wouldn’t have kept me put.

Let the water into your lungs. Let the salt clean you of fear.

Every moment without air led me deeper into the dark, closer to death. Maybe he was the Death. I turned to look over my shoulder. To my horror I was faced by great, scaled, sharp-fanged head. A head of a dragon. It’s long serpentine body seemed to extend twisting into the endless blackness. The silvery scales glowed in the darkness of the sea and the deep-blue wells that were his eyes looked at me without blinking.

I’ll tag @lady-redshield-writes, @coda-wolf, @alittle-writer, @starlitesymphony and @plaguecraft! :)