#that’s the goal at least. working towards it self-isolation helps gang

[loderlied]

i’m soooo tired brain bad body bad romeo bad

[notthatiwilleverwriteit]

Read the latest mafia ask and I got some questions too about that hope you dont mind Don't you think that if he tian will be in a relationship with mo in the future someone will try to hurt mo to get to the He family? because of his relationship with he tian.I hope he tian will not get involved with his familys job.He hates that side and what they do as we seen(but he still used his brothers man on she li)and the only reason I see him working for them or with them is to protect mo or his friends

Good evening, dear anon-san!

This is going to be a rather long answer, so  youbetter get comfy...

“Don't you think that if he tian will be in a relationship with mo in the future someone will try to hurt mo to get to the He family? because of his relationship with he tian.“

I very much think that is a realistic possibility. Mo Guan Shan’s connection to He Tian can get him mixed up in dangerous people, for sure. So far, it’s mostly worked the other way around: HT’s connections and the influence of his family name have ended up saving MGS. But it’s most definitely a delicate balance, and I doubt it’s escaped HT either.

The interesting thing about “connection” is that it comes down to “distance”. And I think physical and emotional distance is an essential part of how Tianshan works both now and in the future. From the beginning, when we were just getting to know HT, it was obvious how isolated he was (130):

The person he was in front of his schoolmates was very different from when he was by himself. The distance and isolation were at least partly self-imposed. HT was very careful about letting others get close to himself both physically and emotionally.

The first time he allowed his solitary to be breached was when MGS came over to make him beef stew (ch. 144): 

HT’s face being hidden in that panel has always been an interesting detail to me. What was going on in his head at the moment? Up until that, I doubt no one besides He Cheng (and maybe Qiu) had much visited HT. Certainly, no one at school knew where or how he was living. The other students didn’t really know HT, and he actively posed as a different person in front of them. He was cheerful, cool and friendly. Living in an expensive and yet sparsely furnished apartment by himself certainly wouldn’t have fitted the image they had of HT. I doubt they would have understood the person HT became in that apartment, either. It was a place where he could drop his mask and be honest about his darkness. I think it’s something special that MGS was the first one to see all that even though he probably wasn’t aware of what he was granted to see.

If you compare that panel to when the rest of the gang came over, the atmosphere is quite different (ch. 186):

But I digress.

As Tianshan has kept developing so has the distance been narrowing between HT and MGS. Despite isolating himself and being guarded, HT was also someone who sought comfort and reassurance in physical contact (ch. 225, 260, 291, 295):

Being physically close is very much associated with feeling safe and secure in HT’s case. It’s as if he’s given himself permission to be needy in that sense. And it’s different from clinging to MGS at every turn by hooking an arm around his shoulders and dragging him along. It’s more private and vulnerable than that.

At the moment, HT seems to think that keeping MGS as close as possible is also the best way to keep him safe (ch 244, 265, 296):

As far as HT sees it, threats and enemies are lurking around every corner. She Li is uncomfortably close without HT being able to do much about it. The fact that MGS won’t back down from fights also requires HT to keep a close eye on him. But as long as HT is around, nothing bad can happen to MGS. And even if something happens, HT is right there to protect him. He’s become a blotch of darkness looming right behind MGS where all his enemies can see him.

HT’s protectiveness also has a strong possessive streak which only enhances the importance of distance. The earrings are a good example of that (ch. 282):

The earrings are a tangible proof of their connection. MGS is under HT’s protection. He belongs to HT, and no one is allowed to touch what is his. Especially people like SL who used to hold power over MGS. By wearing the earrings HT gave, SL’s reign is overwritten.

Now, if you compare that distance - or lack of - to how they seem to be connected in the future, the difference is quite obvious (ch. 224, 271, 313):

Based on the little hints the Christmas specials have granted us, the nature of their distance has shifted. They aren’t physically nearly as connected due to HT being in another country. And it seems like when they can see each other the next time is always somewhat uncertain. HT is also putting a new kind of distance between them by not telling MGS when he’s coming to see him (and probably when he’s going to take off again).

Is this distance as safe as what they had in middle school? If HT has gotten involved in his family’s businesses, does he think it’s safer to stay at an earshot from his family and potential enemies? Rather than sticking close to MGS? If he knows what’s going on instead of being in the dark, he can be proactive? 

It’s also possible HT thinks it’s the safest if he keeps MGS separated from his assumed line of work. But the safety that way of thinking grants is of course on the flimsy side. HT showing up like that is a living, breathing connection between them. Is HT perhaps treating MGS as a safe haven of sorts? I doubt his visits to MGS have remained a secret completely, but perhaps he’s trying to keep MGS hidden from his family? At least hoping they don’t know too much about him? The little storage room and narrow bed are for HT to get away from it all, even for a moment. But will HT be able to have his cake and eat it, too?

As an interesting side note, I think there’s a potential parallel between how HT visits MGS in the future and how HC kept the dog alive and goes to see it (ch. 252):

I think MGS in the future will represent similar things to HT as the dog does to HC. Someone, something, or a place where they can let their guard down and show softness, even vulnerability. They have both saved and nurtured something and by being around that something, they can feel better about themselves than in their everyday life. It reminds them that they still have humanity left in them.

“He hates that side and what they do as we seen(but he still used his brothers man on she li)“

That conflict between how HT despises his family and yet utilizes its strength when it suits him surely is interesting and something I’ve always wondered. It almost looks like even he himself is torn despite his seemingly strong resolve. Regardless of everything, they’re still his family. His interactions with his father and brother raise the question of how difficult and painful HT actually finds it trying to separate himself from them. And what compromises he’s willing to make to avoid it.

When HT went to see his father, it seemed like he was still holding at least some hope that they could reach some kind of understanding (ch. 251):

What was he going to ask his father? Did the mind games Mr. He was yet again playing with him (by not showing up), convince HT that getting the answers wouldn’t be necessary? He knew what he wanted to do and what his father happened to think it about didn’t matter.

And yet even if HT dismisses his father, it doesn’t seem like Mr. He took his threats at all seriously (ch. 251):

Mr. He probably realizes HT is conflicted. But rather than trying to force him (which I’m sure he’s tried already), he’s changed tactics. He’s allowed HT to seemingly have his way which is meant to show HT how impossible his goals are. He can set out to save the world all he wants, but the truth is he doesn’t have the resources by himself. And it seems Mr. He has managed to prove his point at least once already. I don’t see why that couldn’t also be the reason why HT is in another country in the future.

The interesting problem about that would be for how many people HT is buying safety by presumably working with his family. What about all the other people suffering at the hands of his father and the likes?

Even a stronger hold than that is probably HT’s complex love-hate relationship with HC (ch. 168, 229, 252, 260, 266):

On the surface, HT is bratty towards HC and HC lets him take out his feelings on himself. But deep down, I think the idea of cutting ties with his brother is much more painful and impossible than HT would admit out loud. HC might have become the kind of person HT hates the most, but I don’t think HT has lost hope in him despite saying so. He probably desperately wants HC to follow him, and it’s that hope that keeps him still hanging on. He doesn’t want to jump off the boat by himself. And in return, HC is probably one of the very few people who hold actual power over HT.

What I’m trying to say is HT is perhaps more hangup on his family than one would think. That’s why he’s kicking and screaming so much. Because losing hope is difficult and it hurts.

In the meantime, he seems to have settled with using his family’s strength for good. I think this panel sums it up pretty well (ch. 267):

HT being backed up by his brother’s strength to fight evils that aren’t his family. It’s probably his relationship with HC that allows this kind of leeway. I doubt Mr. He would have granted HT such favors without demanding something in return. HC, on the other hand, has always understood his brother’s struggle despite not feeling like he can support him directly. So, even if HC can’t allow HT to have his way, he can at least help keep his friends safe. From threats that aren’t the two families, that is.

“the only reason I see him working for them or with them is to protect mo or his friends”

In short, I would say the same. He’s already kind of doing that, though. HT has had to make concessions because as strong as he might be, there are powers against which even he can’t win. At least, not yet. And I kind of like that. The fact the HT isn’t invincible and can’t do whatever he wants makes it more realistic. There are still rules (albeit evil and meant to hurt other people) to which even he has to submit.

But of course, we know that isn’t going to stop HT, merely slow him down a little. Just because he can’t stop HC trying to take JY and keeping tabs on him and his friends, he sure as hell is going to be the stubborn thorn in their flesh (ch. 168, 287):

Your questions, dear anon-san, were weirdly fitting because I have (yet again) been thinking about the future dynamic of Tianshan. I’m planning a Tianshan AU which revolves around the themes of committing bad things, punishing ourselves for our sins, being forgiven and getting absolution only to rinse and repeat the same cycle again. Who judges our sins fairly; ourselves or someone else? Who decides when we have atoned enough? I think some of those questions and themes also fit the canon version of Tianshan and whatever bits and pieces we know about their future. Especially, if HT will be more connected to his family when he’s older and yet be in a relationship with MGS.

Thank you for your questions, dear anon-san!

[thamsandwiches]

DAMN. The Non-Static Artist

Beyond any doubt Kendrick Lamar Duckworth has established himself as one of the most significant presences in contemporary rap and arguably in the history of the genre. Since the release of his milestone-sophomore effort good kid, m.A.A.d city and his infallible third album To Pimp a Butterfly, every perplexing rhyme-scheme, every ferocious feature and every layered approach to subject matter has been met with attentive ears – my own included. In all he has managed to achieve a level of popularity and wide-spread acclaim that is somewhat uncommon in light of his typically conscious content. He, and the bevy of impressive artists with which he had worked to give us his 2012 and 2015 efforts, achieved an astounding attention to detail and delivered concise social commentary through memorable choices of instrumentation, attention-grabbing deliveries and a uniquely intense sense of conviction.

It is by virtue of these elements (pun intended) that I was admittedly underwhelmed upon listening to the seemingly simplistic “HUMBLE.” for the first time. And in frankness I felt as though there was a lot left to be desired upon listening to DAMN. initially. There were memorable instrumentals and attention-grabbing deliveries as I had anticipated but it seemed to lack the neat, punchy packaging of its social significance which I had come to expect of a Kendrick project – where was this album’s “HiiiPoWeR”, “Sing About Me, I’m Dying of Thirst” or “Mortal Man”? Consequently, the album felt dissatisfying irrespective of the critical acclaim. Many shared my sentiments and as such the somewhat unanimous response among the people which whom I communicate was: “I guess it’s good”.

But I was only truly astounded upon listening to K.Dot’s interview on BigBoyTV on the 29th of June; he was asked to rate his albums from best to worst and his order was:

1.       DAMN.

2.       good kid, m.A.A.d city

3.       To Pimp a Butterfly

4.       Section.80

I wasn’t surprised per se about his placing his most recent release at the top, but rather because the third spot was occupied by what I and many consider to be one of the most poignant albums of the last few decades – across all genres. A number of Twitter arguments ensued regarding the matter and I milled over it for several weeks. I went as far as constructing track-by-track comparisons and drawing through-lines along each album to establish a fair basis upon which to compare them. I was that extra. And what I found was more than the progression of each album: I found the progression of the ever-present storyteller, the ever-growing artist.

Let us start from the beginning – one of the most typically Kendrick-esque social cuts from his debut studio album Section.80 is “Keisha’s Song (Her Pain)”: a song in which he draws from the life and death of a prostitute to relay the importance of sexual morality and the impressionability of the youth. Although noble, the song presents a rather linear and, in my opinion, a rather troublesome depiction of sex work and its legitimacy. As a feminist I believe in the complete autonomy of the female-bodied individual and the assumption that such an individual always offers these services as a consequence of overtly oppressive systems takes away from that choice factor. Many other feminists also believe that sex work is to be seen just as any other service. Viewing the reason for sex work in this monolithic fashion runs the risk of inadvertently creating oppressive conceptions of these bodies, delegitimising the exercising of their autonomy.  

It would be easy for a music artist to then view that work as complete, distancing themself from it thereafter. However, Kendrick reviews, reflects and apologises for these statements on good kid, m.A.A.d city’s “Sing About Me, I’m Dying of Thirst” – the message of which is often engaged with superficially, despite being seen by many as one of his most impactful tracks. Through the lens of Keisha’s younger sister, Kendrick manages to unpack many of the qualms I had with the Section.80 song. His treatment of Keisha’s narrative and his “judging’ her past and sh*t” is denounced by her younger sister. Her sister goes on to state that she’ll do whatever it takes to earn the money she needs and concludes that Kendrick’s “talkin’ about [how he can] can help [his audience] with [her] story” is fallacious. This, for me, is a display of growth and development in the face of new light. Moreover, Keisha’s sister draws an interesting parallel with ��Brenda’s Got a Baby” off of 2Pac’s debut studio album 2Pacalypse Now. Kendrick has often cited Pac as one of his greatest influences. Additionally, there have been countless comparisons between the two emcees, stating that they occupy a similar position of significance in their respective places in rap history. With this considered, Kendrick’s reference to that song brings it into question just as much as it brings his own song into question. Not only does this demonstrate a personal reflection but a questioning of his very basis as an artist: his inspirations and his influences.

This phenomenon reappears across his discography, with To Pimp a Butterfly being as much of a reflection on the subject matter of and his life since good kid, m.A.A.d city as good kid, m.A.A.d city was a reflection on the album before it. Overall, good kid, m.A.A.d city reflected the experience of a young African American traversing the perilous spaces that are characteristic of American inner cities. He masterfully weaves a through-line to a climactic and pivotal moment in the narrator’s life, which led to his mindset regarding his position in rap at the time. It explored a plethora of pertinent personal issues upon the backdrop of gang violence and inner-city life (It’s a masterpiece and deserves its own article).

2015’s To Pimp a Butterfly came as a reaction to the socio-political climate at its time, especially surrounding the outcry regarding police brutality and the #BlackLivesMatter movement. Instead of explorative it took on a more instructive approach to many of the same themes he had explored previously. His goal was to initiate change and as such he developed his artistic direction to that effect. With the piece that is informally titled “Another N*gga” and is strung together throughout the album, our peaked curiosities are met with closing statements regarding black unity being a prerequisite to “stop the enemy from killing us”. Heavily laden with South Africa imagery and experience (a reason why I was particularly thrilled), the album presents Kendrick as being a champion of social change and a positive influence for the youth, in his home city and internationally. Whether through visuals of martyrdom and pointless bloodshed in the “Alright” music video, the satirising of the prison system in the “These Walls” music video or celebrating the strength of the black body despite adversity in the “i” music video, Kendrick created a wholistic image of a “rap saviour” as he states in 2017’s “The Heart IV”.  Many embraced this wholeheartedly – myself included (It’s a masterpiece and deserves its own article).

But many of us did not consider what this position meant for Kendrick personally – what does it mean to be the rap saviour? That is what DAMN. answers; it comes as expression of how taxing that has been for him. In several points in the album we hear scrutiny of his work from Fox News and other such platforms; they exist in the context of the album as manifestations of his own thoughts of doubt, failure and ultimately being a negative influence through his efforts which he believes may have been far too idealistic.  “FEEL.” sees the sharing of a series of personal struggles with fame, conviction, spirituality and personal life. But what strikes particularly effectively is the final set of lines in which he says: “[I] feel like the whole world want me to pray ‘em, but the f*ck praying for me?” This sense of isolation on the moral and idealistic pedestal continues on the song “XXX.”, where on top of an aggressive siren sample (reminiscent of the subject matter from To Pimp a Butterfly) Kendrick admits that his response to the death of a loved one through gang violence would be as vengeful as any other individual – in stark contrast to the image we had constructed of him off the last album. “LUST” is another song to this effect. He critiques himself for lusting after his “same routine of shame”, where he admits to caring more about his lifestyle and material wealth than current social and political matters, making direct reference to the election of Donald Trump. This signifies a loss of touch with the reason for his recent critical acclaim and in its place, he presents a much more identifiably-human display of self-obsession and complacency. The expression of the weight of his personal struggles is clear once more on “FEAR.”, where his mentions his own insecurities and considerations regarding hypocrisy, spirituality and legacy. All these sentiments and more are unpacked in a swirling 54 minutes of brutal honesty; all of this is done in response and reassessment of what To Pimp a Butterfly was at its foundations (It’s a masterpiece, hence this article).

DAMN. is once again an encapsulation of the nature of Kendrick’s growth as an artist. His view on the subject matter as well as his vision of his place in rap music has changed, just as it always had. At this point in his life he sees the human-side of the issues he is tackling, his own issues. The album tussles with what it means to be Kendrick Lamar in a way none of its predecessors ever did. But perhaps more noteworthy is the fact that DAMN. is a testament to his exploration of his artistic changes without hesitation. This fearlessness to grow is, in my opinion at least, one of the stamps of a truly great artist – in any genre or discipline. It prevents stagnancy of expression; it lends itself towards the creation of authentic reflections of self and the world around oneself. And it is for this reason that I believe that the rankings he gave his albums are unlikely to be final. As his relationship with each develops, I believe he’ll resonate with each differently at various times. It is our privilege to see his psychological progression, told by the ever-present narrator who develops as he delivers each message.

It is my recommendation that you listen to the album again – with the lyrics in front of you preferably – and listen attentively to Kendrick’s current outlook on his life, upon his art and upon his place in music. Subsequently you may argue about whether his arguments hold water, are justified or make any sense at all. But it is important that you be cognisant of the fact that DAMN. reflects what Kendrick genuinely felt and believed during the creation of that album and that his position on some of those points may have changed in the last few months. We as an audience can respect the continuously tasteful conveying of that development and listen in on how he continues to change – organically and authentically.

LISTEN:

DAMN. ­­by Kendrick Lamar:                                         https://itunes.apple.com/za/album/damn/id1223618217

ALSO:

To Pimp a Butterfly by Kendrick Lamar:                                                               https://itunes.apple.com/za/album/to-pimp-a-butterfly/id974112072

good kid, m.A.A.d city by Kendrick Lamar:                           https://itunes.apple.com/za/album/good-kid-m-a-a-d-city/id659251600

Section.80 by Kendrick Lamar:                                                                                                             https://itunes.apple.com/za/album/section-80/id447516359

[geeky-elf]

Major Graphic Novel Update on REFD

So I have been more motivated than usual this week and with a little more free time, I managed to write two more storyline snippets plus three character designs (third one submitting tomorrow). I'm still figuring out the best title for the whole thing. Right now the one that sticks to me is Rajin: Edge of Darkness, but I feel I can get more creative with it and pick something else, but I'll see. Honestly I need to stay focused with grad school for the time being, but I'm really hoping after graduating and I can start illustrating pages, or at least focus on my art in general just for the sake of improving. Just somethings that I can touch on now: Characters: Skyfyre: Main and first character in the story who becomes possessed with a dragon's soul and gains elemental magic throughout. Eldoron: A sky pirate with a bad history who decides to make his life around building an airship to travel the universe, exploring new worlds, meeting new faces, and ultimately with a goal of vengeance of the eminent dark powers that lie beyond. He is very tech savvy and has a strategic mind. Often combining technology with magic, which is what created Rajin in the first place. Jessie: A Wiccan whose expertise is in alchemy. She can concoct anything from a healing potion to a powerful bomb. Ian: A accident in his youth left him for dead if it wasn't for the help and sacrifice from others to aid in keeping him alive and converting him to a cyborg with super human capabilities. His main purpose is ensuring everything runs the way it's supposed to and inventing new and useful items. He has a geeky and outgoing persionality for the most part, but is plenty happy with himself and his inventions. Pixel: An insectoid like fairy who befriended Eldoron at an early age. She's become a useful companion and guide. Her sense of adventure and need to help others has ensured her to be a useful part of the team. She mainly helps Eldoron, but often aids in other tasks where her small stature is to her advantage Orion: A full blooded elf with a mysterious and rough exterior. Not too much is known about him or his past. He rarely talks and at times can be rather blunt. However the only other crew member that seems to break his barriers is Jessie. He is the knowledge base of the crew and reads during most of his time. He knows everything about every mystical or non mystical race and their history. Orion possesses telekinetic and limited time bending powers. Trish: A nature loving goblin who is almost ninja like with her amazing senses and quickness on her feet. She is sort of the rogue of the crew, and good on stealth related and missions requiring a quick in and out. She loves fantastical creatures of all sizes and often collects them and trains them as her own. She is knowledgeable in Phoenix falconry, gryphon riding, serpent taming, and even dire wolf domestication. The only creature that still remains out of her reach are dragons. They are just too smart and clever she says. She hopes to try to train a wyvern though, being more primitive, she might have more luck. Blaze: Skyfyre's dragon companion who possessed her from within his egg form. He is one of the more powerful fire dragons, but with his link to Sky's elemental magic, he can shift and change to accommodate those needs. (An eastern storm dragon, a fire drake, a furry tundra dragon, a sea serpent, and an earth wyvern). Acheron: One of the main antagonists of the story, but far from the ultimate one. He is elven in magic, but vampiric in it's very nature. He acts as a medium to the dark powers and becomes molded and shaped in their will turning him into a monster who possesses a sense of masochism. He likes making his victims suffer greatly and yearns for the destruction of worlds to spread his evil powers further. Plot synopsis: A mysterious force in the universe, whether its the ether that holds space together or it's more has made outlying planets in worry. As darkness spreads, many are forced to leave or become victims to its power leaving others to fend for themselves. As planets get consumed, parts break off and ricochet through its infinite vacuum. One the broken parts lands on Earth near a small village where an orphaned girl's curiousity takes the best of her. Upon further investigation, she becomes possessed by the mysterious being within it's shells. Turns out that being was a dragon, though starting out as a baby, has great potential for power. As she grows stronger and discovers magic powers of her own that would change her life forever and create many enemies along the way. It's not until a mysterious sky pirate comes to rescue her is when her journey and discovery of her destiny really begin. It's aboard the grand airship, Rajin, where Skyfyre learned about what her role is among many uniquely gifted crew members. The gang will travel to the far reaches of space discovering new planets and making new friends along the way whether they are elven or dwarfish. In the end the fate of the galaxy rests in the hands of these handful of mystical humanoids and beasts alike. Style: The style found in my character designs will be similar to what I hope to accomplish in the comic. Characters that aren't too realistic in nature, but I need to master anatomy still and improve on it overall so I can pull it off that much better especially since I'll be drawing different characters of different ages a lot. The style of the graphic novel itself, will be semi Ike a hero comic book, but it will read more like those such as How to Train you Dragon comics as well as the Last Airbender set. Not pop arting as I want to focus on the illustration side of it all. I want to make the backgrounds detailed while the foreground characters are simple (Miyazaki film like). Setting: About Rajin: Most of everything will take place on Rajin, which is almost a small city in itself. Rajin has everything one would need on long periods of inner space travel. The airship itself is self sustaining powered by magic and technology alike allowing it to fly and keep everyone comfortable. Food is grown on board along with places to train and work on combat and energy based abilities. Plenty of room for Blaze to stretch his wings on and roomy living quarters that can put a luxury apartment complex to shame. Everything is customized to one's own and plenty of rooms and living space on each and every one of the floors that will fit to everyone's needs. There are armor and weapon making and repair places along with those for recreation based use. The airship itself has many amenities that are found on Earth, but also many that are inspired from all over making way for a diverse community to live in harmony and make a home for themselves. Ian has even created robots and tech that make life easier especially to avoid having to walk all the way from one side to the other. About other Homeworlds: While a good chunk will occur on Earth as Sky and Blaze learn to get used to one another and try to find their place in the world without bringing unwanted attention to themselves, the graphic novel will go through many planets and homes to not only distant human related relatives like Eldoron's, but also many mythical beings from animal halflings, to orcs, dwarves, mermaids, centaurs,....you name it they will all appear one way or another. The worlds themselves, will be as unique as them holding an artistic beauty that I really hope to master backgrounds in general by this point because I want to capture the complexity of the natural and artificial side of it all. You will have worlds that aren't anything more than caves, deserts, oceans,...etc. and even those that are completely suburban. Sort of a Futurama/Star Wars feel as many of these outlying worlds are connected and many travel between them and beyond especially in the more advanced regions of tech and discovery you will see more of these connections, while others isolate themselves more. Artist Goals: I've been thinking so much on this project since I was a freshmen in college (almost 8 years ago). Often ideas came to me as I daydreamed in class or on the way to class, but now I've changed a lot of the aspects, but began fitting all the pieces together more and more. My main goal(s) as an artist is to try and master or at least be the best I can at all the mediums available to me whether its painting, colored pencils, sculpting clay or 3D models, animating, plush making,...I want to try them all in my lifetime. I also feel it would be cool even if it's a one time thing for me to publish a graphic novel and maybe a purely written book that goes with it. I'm not sure how long the novel will be, I want to extend it as far as a I can without milking anything to death. Might publish one or two or several depending on where it goes. My main focus now is grad school so I need another year to focus on that and get my degree, but I feel with whatever free time I have I can work towards improving and putting more pieces together. I want to perfect whatever style I can come up with before the illustration process begins. Things that I should focus on: Backgrounds, backgrounds, backgrounds, I need to practice backgrounds so much in terms of accuracy in detail and lighting as well as in perspective especially for big city scenes and such. This will definitely be the hardest goal because I need to improve a lot in terms of drawing and coloring and getting everything right with that. Airship tweaking. I feel the exterior design could use continued work to make it as interesting as I want it to be. I also need to do a floor by floor layout to show all the rooms and areas and even some concept art on how some said areas will look. Character Designs: Lots of thought still needed here, I need to improve on my human based style in terms of making sure anatomy is as accurate as possible while keeping it in almost a Disney-esque sort of way since realism won't be my focus with characters to keep them simple as I focus my time on backgrounds and such. Also figure out how many add on characters will occur as the story progresses and how that will ensure their uniqueness in terms of additional roles on board Rajin. Storyline: It's getting to the point where writting while it helps, I feel I need to start just doing and thinking of further story arcs as a go. Right now I feel I have a nice story idea that should extend for a good chunk of it, but antagonist development and how that leads to end game, is what will be tricky and i have to figure that out too. Right now, it's organized like this: Skyfyre's daily life as a homeless orphan prior to the meteor strike followed by possession of soul and continues forth as Sky trying to get used to her new situation (denial first step of course and avoidance). Blaze grows a little bit with her as they spend several months trying to make a home elsewhere before eventually getting captured by government agencies. Skyfyre is than experimented on and starved to the brink of death in the hands of corrupted people who wish to extract her power. During this time flashbacks to the meteor's origins should occur "The Rescue" (snippet in gallery) will occur as Sky is brought onboard the ship She has trouble adjusting at first "Slow Dance of a Sky Pirate". As she learns to adapt to the new changes and potential destiny gets to know the other crew members better, she begins training with them. Of course in time a relationship slowly builds between her and Eldoron. During the time on the airship spanning a few months, flashbacks to Eldoron's past "Attack of Vimera" will come into play. Several flashbacks for each character will come into play (not necessarily in chronological order where they will be the most significant, I want the reader to piece the parts together and the connections that were formed from beginning to present day). These will take place throughout at different parts, some towards the beginning and some other when Acheron is introduced. Something begins to happen to the airship where some outside force disrupts the magic within the elemental crystals that keep the ship running. It becomes an emergency and they must travel to each of the major elemental based planets to restore their powers one by one starting including a visit to the marine planet. "That Night". Where the relationship between the two grows a little more. It's at these different locations they meet and take on some of the inhabitants that will prove useful as they continue to learn about the growing threat of the darkness spreading Acheron will get introduced at one point followed by many failed fighting attempts including a major climax one "Sky's last Fight" So far this is what I have laid out mainly still a lot of things I hope to extend it upon and fill it with all leading up to a life versus death situation with the final battle. Well that's what I have laid out for now. Changes are bound to occur and will update accordingly. Thanks for reading. Hope you all like the ideas so far. Created at simplydevio.us

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Written by John Hertig on The Prepper Journal.

Editors Note: Another guest contribution from John Hertig to The Prepper Journal. As always, if you have information for Preppers that you would like to share and be entered into the Prepper Writing Contest with a chance to win one of three Amazon Gift Cards  with the top prize being a $300 card to purchase your own prepping supplies, then enter today!

It seems that everybody (or nearly everybody) has heard of the “BOB” or “Bug Out Bag“.  Some may have heard of other “bags” and concluded they are all the same.  They are similar, but not the same.  The “bags” we will consider are:

EDC – Every Day Carry

GHB – Get Home Bag

GOOD – Get Out of Dodge bag

BOB – Bug Out Bag

INCH – I’m Never Coming Home bag

and

Survival Kit

The Rule of Threes

Whenever thinking about survival, it is good to keep the “Rule of Threes” in mind.  This is a set of guideline about what can kill you fastest, and provides a guide for the priority of survival equipment and tasks.  Simply stated, this is:

In any extreme situation, a person usually cannot survive for more than:

– 3 minutes without air (or blood circulation or with arterial bleeding)

– 3 hours without shelter

– 3 days without water (or treatment for some medical conditions)

– 3 weeks without food

Note that lack of food will kill you just as dead as lack of air; it just takes longer.  That does not mean that considering food in your survival planning or tasks should not be done, just that it should not be done first.  Also, this is not a guarantee.  Depending on conditions, these problems could kill you sooner, or even later.  Again, this is merely a guide to priorities to be used in choosing equipment and supplies in advance of need, and scheduling tasks in an emergency situation.

Note that “darkness” is not on the list as a killer, but it kind of should be.  Not because darkness itself can harm you, but not being able to see what you are doing or where you are walking can kill or harm you.  A source of light should be high in every list of survival supplies.

Survival Kits

These are designed for PERSONAL emergencies, not major disasters affecting a large number of people.  As such, they should have a significant focus on signaling for help.  With good signaling capability, usually this situation will only last for a day or two, so your primary focus is on severe bleeding and shelter, with water and other medical supplies secondary.  Food should be a distant third priority.

A survival kit can fit in your pocket if there is very little chance you’ll need it (around town), in a belt pack if you are close to civilization, or in your backpack when you are really heading into the wilds.  In addition to light and signaling, it should include something which can be used to stop severe bleeding, and a way (better is a couple of ways) to start a fire and a basic sewing kit.  As space permits, add a “space blanket” or even better “bivy”, other materials to aid in building shelter from the elements, and then water purification tablets and a container to use them in, or a container in which to boil water.  And so on, until the likely scenarios are covered, or you reach your size goals.

Every Day Carry

This is what you “Carry” on your person “Every Day”, or at least whenever you leave your house.  It is not so much a “survival kit”‘ as a “life kit” with survival applications.  For more details, see the article on EDC.

Get Home Bag

If you are at work or shopping or otherwise not at home when disaster strikes, everyone in your family should have getting home as a priority.  That is where your primary preparations, or your means of getting to your primary preparations are located.  It is also a place where your loved ones are or can be.  You may be able to get in your car and drive home, but don’t bet your life or your family’s lives on that.  The car might not work, or the roads may be jammed or the bridge might be out.  You may need to “hoof it” home, and if you are not dressed or equipped for that trek, your odds of succeeding will be lower.

In the car is a good place for your GHB.  This will contain or be with the clothing and shoes you need to walk home in the most severe conditions likely, as well as PPG (Personal Protection Gear – air filtration mask, goggles, gloves and weather specific gear), an appropriate survival kit, and to the degree practical, defensive weaponry.  The survival kit need not be heavy on signaling gear, as in a wide-spread emergency, the odds of getting help are lower then usual, and the odds of attracting predators is increased.  A key aspect of your GHB is “knowledge” – knowing several routes home from wherever you happen to be, knowing which areas to avoid (gang territory, nuclear or chemical plants, flood or fire hazards and so on) and likely “choke points” where the disaster or human action can cut off or restrict travel.

Bug Out Bag

A lot of people talk about “bugging out” if there is a disaster.  And the bag of equipment and supplies they plan to take with them is called a BOB.  The problem is that many of these people don’t know the actual definition of “bugging out”.  It was originally a military term describing what happens when a position is in danger of being overrun by the enemy.  The personnel at the position are moved from there to another position which is currently safe(r).  The key here, is not the “leaving” but the having a safer destination.  Thus a “true” BOB is designed to specifically get you from where you are bugging out from, to where you are bugging out to. You may be able to do it by vehicle, in which case you can carry a lot more stuff.  In case you can’t go by vehicle or your vehicular movement is permanently interrupted, you should have an actual BOB, usually a backpack, which you can carry as you walk to your bug out location.  Ideally, you have supplies at that location, or you can carry them in the vehicle as long as you can and hopefully not have to abandon them.  If you are limited to a BOB, you won’t be able to carry long term supplies for your new location.

Unlike a survival kit, where you tend to stay put and wait for rescue, when bugging out, you will be on the move.  You’ll need lots of energy, so food is rather more important.  “Life boat rations” or energy bars are compact, or freeze-dried meals can be tasty and light but need cooking (water boiling) capability.  Of course, you still need first aid supplies, weather appropriate clothing and the capability of making shelter when you are not moving.  And water and the capability to get more.  Probably some defensive capability is in order.  Depending on the distance you need to go, you may not be able to carry enough stuff to get there, in which case you might need the capability to scavenge abandoned supplies.  See the article on scavenging. Another option is to set up “caches” of supplies along the way.

Unless you have a stocked location to bug out to, bugging out is not a good scenario, bordering on “fleeing”.

Get Out of Dodge Bag

This is something I came up with, or perhaps saw somewhere in the past.  No matter the source, this GOOD bag is what many people really mean when they talk about BOBs.  This is what I call a bag which is designed to make “fleeing” less of a disaster.  You don’t have a place to go to, but where you are is too dangerous to stay there, so you leave and search for a safer place.  Perhaps outside the disaster area, or a cave or some place which can provide you with shelter, water and food, and some isolation from predators.  As such, the contents are oriented towards short term movement, self defense and long-term acquisition of water and food from likely areas.  It’s a BOB without a designed schedule or destination.

I’m Never Coming Home Bag

I’ve heard of these, but can’t really understand why a person would have as a primary goal, never coming home.  Unless they were trying to avoid capture by people (the government perhaps) who knew where they lived and have the resources to wait there for them for a really long time.  In every case I can conceive of, I would hope that coming home eventually would be a possibility, unless there was a high probability that home wouldn’t be there.  Basically, I’d consider it a “minimal move”, so I would concentrate on what I needed short term, and what I could not replace long term.

How Many Bags Do I Need?

Ideally, since all of these bags (should) have different goals, you would have all of them available.  You leave the house, you have your EDC.  You step away from the pavement, you have a survival kit.  Something happens while you are away from home, you have your GHB.  And if you have to leave your home, you have either a GOOD bag or BOB depending on whether you have a location to go to.  If you are running from the mob or the law, or your house is about to be destroyed, you have your INCH bag.

The problem is, there is a high degree of commonality among these, and most people can’t afford the cost of all of these, or the space to store them, or the effort to keep them stocked with fresh items.  So lets consider how to minimize those factors.  One key is modularity.  If you have the items for each facet of your bags packaged separately, you can quickly assemble the needed bag.  It is best that your GHB stays in your vehicle, completely separate from your other bags.

First of all, EDC is a no-brainer.  Unless you spend all day on the couch in your underwear, you already HAVE an EDC kit of some sort.  The trick is to optimize it, not only for your life, but for emergencies.  Next you will want a decent survival kit which will fit into any of the other bags.  Because of how basic this is to all the bags and how much trouble it would be to move it around a lot, you might want to have at least two of these, one in your GHB in the car, and one or more in the house to go into whichever other bag it is needed for.  It is most convenient if these are identical; and since signaling is not a need in any but a personal survival event, you can save money by having a separate signaling module to add for non-disaster survival scenarios.  There is no reason to have both a GOOD bag and a BOB, since they have different, mutually exclusive goals, but having the appropriate one is critical, since no matter where you are, no matter what happens, you cannot guarantee that you can stay in your home.  Nature and/or man is entirely capable of making it unlivable.  Personally, I do not bother with an INCH bag, but I do have critical stuff in my BOB just in case my home is destroyed or stripped.

Don’t forget, each of these bags is for one person or possibly one person with a small child.  Each person in your group should have as similar a setup as they can carry.  If some members of your party are significantly less able to bear a load than others, you’ll have to “spread the load”, with the people who can carry more, carrying more.  Just make sure each person has enough to get by with in case they get separated from the group.  Make sure each person (this includes you) knows how to use the stuff they are carrying.

Choosing Your Bags

There are three components of any bag.  These are the bag itself, the contents of the bag, and the knowledge and experience to use the contents of the bag.

When choosing a bag, you need to consider size, weight, durability and long term comfort.  And there is another concern.  Keep in mind that YOU have made the effort to be prepared for this disaster, but a large percentage of the people around you have not.  And some of them are eager to, and some of them feel forced to, take advantage of your preparations for their profit or their family’s needs.  Thus, you want to remain as unnoticeable as possible, having a “gray man” persona.  Any pack you choose should have dull, unobtrusive colors, with no obvious brand name marks or designs.  For in-town use, you want to use packs like “everybody else” uses, and for bigger bags for out of town travel, ones which look “distressed” (dirty, duct tape “patches”).  Camouflage and black are “dull” colors, but they, as well as military style or “tacticool” packs, tend to bring to mind “government” or military, and everybody knows those guys are loaded with cool stuff.  Obviously, don’t have anything desirable or attractive hanging on the outside.  You don’t want to be noticed, and if you are noticed, you don’t want to be an (or the most) attractive target, and if you are a target, you don’t want to appear to be worth much effort.

Wrong!

There are two paths to follow:  you can find a pack you like and then put into it what you can, or you can figure out what you will carry, and then choose a bag which will hold it.  Either path will force you to make compromises.  I prefer to compromise on the bag rather than the contents.  In the case of a GHB or BOB you should have a good idea how long the trek is likely to take, and this allows a decent guess at what items and how many of each should be included.  All size estimates need to be accompanied by weight estimates.

When choosing a bag, size is the first concern, and that is determined by how much stuff you need to put into the bag.  Packs often are rated in “liters” which for the metrically challenged can be estimated by dividing them by four to approximate “gallons”.  If you have a guess at the size you will need, it is best to choose a pack which is a bit bigger, because you can put nine gallons into a ten-gallon container, but you can’t put eleven gallons into that container.  However, the bigger the bag, the more stuff you will be tempted to put into it, and the more it will weigh.  Be prepared to lower your size estimate if your weight estimate gets to be too high.

And that brings up the other key concern, the weight.  A person in good physical condition and trained up for it, can probably carry a load of 25% of their body weight.  People in poor condition will be able to carry less.  Keep in mind that pretty much anybody can carry more than they should, briefly.  But can they carry it all day, for several days sequentially?  Can they hike or climb uphill?  Are they able to avoid tripping, or developing foot or ankle injuries?  Can they run short distances?  Jump over narrow obstacles?  As you can see, ideal load weight is a matter of experimentation, and the entire party should work at increasing their capabilities.  But at any point in time, there is a practical maximum weight.  When you hit that, you have to stop packing things in.  If you don’t have enough stuff, you will have to exchange things already in there for things which are lighter (and probably more expensive).

Now that you have an adequate size and not too much weight, consider the comfort.  A pack which distributes the weight and rides well will make your trek less of a torture.  For a large pack such as a GOOD, INCH and most BOBs, you will want to transfer as much of the weight as possible to your hips.  This requires an internal or hybrid frame and a padded waist belt.  External frames should be avoided; they tend to get caught on things. and usually are less comfortable.  A few BOBs and many GHBs may not be that heavy and can get away with using a smaller, frameless pack.

Frankly, if you can find a pack which meets all these criteria, durability may not be a major concern.  The longer the trek and the more rugged the terrain, the more important it becomes.  Keep an eye out for the material.  Nylon, canvas and leather are durable; plastic and cloth are not as durable.  Thick is more durable than thin.  But thick and canvas and particularly leather tends to be heavy, and every extra pound the pack weighs is a pound of stuff you can’t carry.  Thus generally, a mid-weight nylon is best.  You want it to be water proof or highly water resistant or have a water proof cover.  If not truly water proof, make sure that any contents which can be affected by getting wet are packed in water proof bags and even if the pack IS waterproof, you want your critical stuff in their own waterproof protection.

Finally, there is organization.  Having everything you need is great, but being able to find it or access it as needed can be important.  A bag which has lots of pockets may be handy, but every pocket adds more material and thus more weight.  This is a trade-off, and fewer pockets can be somewhat compensated for by intelligent packing.  If you need something quickly, you want to get right to it, and if you use something a lot, you don’t want to take everything else out to get to it.

Maintaining Your Bags

As mentioned, your GHB is best kept in your vehicle, so you will always have it with you when not at home.  Except what if you are not taking your vehicle?  That is a conundrum, and assuming you “have” to go and can’t take your car, you have three options:  risk going without it, taking it with you, or taking a subset with you in your pockets or other containers.  As for your other bag(s) and modules, you need a storage location which is readily available but not in the way, protected from casual access, where they won’t get mixed in or blocked, and are not subjected to environmental extremes.

Some things you put in your bag(s) will have expiration dates.  You need to keep a record with each bag or module stating these dates, and it is a very good idea to put in fresh things before the old ones “expire”.  This usually does not mean they become useless or dangerous, so if you happen to be a month or two late, it’s not a big deal.  But going years past the date is not wise.  Be aware of the storage conditions where you keep each bag (most particularly the trunk of your car) and its effect on the items in the bag.

  Finally, do NOT take stuff out of your bags for “temporary” use.  If you take something out of one of your bags, the odds that you will remember to put it back (and replace anything partially used up) are depressingly low.  Which reminds me.  I can’t tell you how many fancy flashlights I’ve lost to battery leakage.  Keep the batteries out of your emergency gear until the emergency happens or is right around the corner, or use lithium batteries, which so far have not leaked on me.

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