#that yes Disco was the subject of a racist hate campaign in the US at the tail end of its run but outside of the US it never truly died.
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More fallout from the James Somerton debacle; local person reluctant to respond to a post about the racism of disco revival because most of their argument revolves around anecdotal or observational evidence and they're too eepy to collect citable sources
#ok so the gist of my complaints are (and bear in mind that this is not peer reviewed so take EVERYTHING I say with a grain of salt)#that yes Disco was the subject of a racist hate campaign in the US at the tail end of its run but outside of the US it never truly died.#Heck#it didn't even die in the US#just evolved along with the shift to electronic music production over big-band stuff. But I digress#Meanwhile in Europe Disco enjoyed several decades of evolution into HI-NRG and Italodisco and of course House Music#which led to such classics as Gonna Make You Sweat (Everybody Dance Now); the Rhythm of the Night; and many other dance hits#produced and performed by people of colour. And it is that musical environment that Daft Punk (who are French remember) got their start in.#not to mention other more traditionally disco sounding songs of the 2000s like the works of Sophie Ellis Bextor; Kylie Minogue and others.#So anyway I get that the musical industry especially in the USA is racist as balls (has been forever)#but going straight from 1979's “Death of Disco” to Random Access Memories' success is erasing 3 and a half decades of musical history#in favour of a heavily America-Centric narrative.#Anyway subscribe to my nonexistent patreon so I can bullshit my way through more tags like this.
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