#that does not. help.

[misscrazyfangirl321]

Love when brain says "No you can't do x until you do y" and then won't let me do y

[oidheadh-con-culainn]

as an aroace person with limited sexual experience, no interest in watching porn, and poor sex ed as a teen, there IS something simultaneously funny and vaguely tragic about being 28 adult years old and realising how extremely tiny your frame of reference is for genitalia and deciding you should expand this to better understand bodies (yours and others). and then you're just there like "okay so what the fuck do I even google right now, anyway"

[sunbentshadows]

Hey all, you know how internet searches suck now? When the results are awful, full-of-AI, death-of-the-internet levels of bad?

Start appending date constraints to your searches - "before:2023".

My results have gone from 90% AI bullshit to ~60% usable - which frankly at this point is a huge improvement.

[noodles-and-tea]

Continuation of this

[hinamie]

mentor

[clarisimart]

be careful what you wish for, Fordsy

commission info here

[kiisaes]

i sentence you two to eternal pining

[trans-androgyne]

Genuinely, what happened to “feminism is for everyone”?

That’s the feminism I grew up with: encouraging people to recognize that fighting sexism and restrictive gender roles helps folks of every gender. We’d push back on the idea that feminists hate men, pointing to inclusive feminist literature and how many men are feminists.

Now, there are so many people insisting that the solution to patriarchy is to openly hate and ostracize men no matter what. Why? What is the benefit? It’s certainly not effective in fighting oppressive structures to exclude half the population from your cause on the basis of immutable traits. It may feel cathartic to say horrible things about men and try to punish them for your frustrations with patriarchy. But the only actual effect I see is the increasing right-wing radicalization of young men, who are being told that the left hates them for the way they were born and presented with an abundance of proof that it’s true.

Why are we going back to treating men and women as different species? It doesn’t fix things to say “well women are the good gender and men are the bad one” this time. If you sincerely want to dismantle sexism, you’re going to have to unpack and let go of all sex and gender essentialism—even that which considers women inherently pure and men inherently immoral.

[deadpoolian]

Marvel Snap

The cupid arrow hitting in the last gif... 💘

[peacheskoo]

Saw these panels the other day and—

LET JASON BE SILLY YOUR HONOR

He knows he won’t no balls

[chloesimaginationthings]

The ending of FNAF Help wanted..

[kingzombear]

Welcome to fuckin THERAPY you cunty triangle

[thruflames]

the ineffable husbands as that meme

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[erinwantstowrite]

while im here im going to try and convince you guys to write more "Tim Drake joining the Batfam late" aus because it's underrepresented

like, i love the fics where he joins early. that's cute! but a fic where he joins late for whatever reason??? i eat it up like a cat starved for attention. i want Tim Drake being the "perfect" heir to Drake Industries and being known as the polite, well adjusted young man that everyone knows. and then turn around and find out that Tim has not only been stalking the Bats under their radar since he was, what, 9 years old? but on top of that, he's started solving cases that they can't get to. Tim who stalked so hard he learned where they learned their martial arts and went "backpacking across europe" only to have actually been learning from Shiva. Tim who has become an urban legend to the Batfam because they can't tell if this vigilante exists or not, since they never catch him, they don't have footage on him, etc. Or if they DO know him, they don't even think to put Tim Drake in the suspect pool because Tim Drake whined for an hour when he broke a nail at a charity event once. the kid is smart, sure, but he's not going out at night fighting crime and solving cases that Batman didn't know about yet.

even better if Tim named his vigilante persona an adjacent name to the Robin mantle. him knowing he can't BE Robin (perhaps Jason hadn't died in this au) but he could be a hero that helps them from the shadows

and obviously he makes a mistake of some kind... maybe he saves someone at an event as Tim Drake and Bruce sees how little hesitation he had. or maybe he gets injured and can't get up himself, and that's when a Bat or a Robin or someone finds this vigilante they almost thought was a myth: bloody, broken, and needing help. pick him up and take him home and then there are endless possibilities to what happens next but the ending BETTER be Tim finding his home with his people

[potato-lord-but-not]

I will start sobbing violently no one look at me

Poem by Natalie Wee