#thanks anon i just rewatched bruce with that sweat-covered tshirt sing this

[janiedean]

HELLO ANON, I’m delighted you wanna participate in my week-long springsteen birthday party celebrations!!! and since you took care to leave me such a long, well-put, thought out message that I’m sure you thought I couldn’t wait to read, I decided to talk to you about a truly absolute classic and if you don’t know it I even picked for you one version where he’s hot as hell, isn’t it darling? ;) so, without further ado...

badlands is the opening act of bruce’s fourth (and most likely turning point) record darkness on the edge of town from 1978. it’s one of his truly most known classics, a hell of a concert opener/piece (believe me, I’ve tried it seven times and it was always a mystical experience, you should too!!) and a perfect summary of... pretty much all of his favorite themes. sounds good? believe me, if you ain’t experienced badlands in your life you’re missing something. ;) now, shall we go through the lyrics? (ps: really, listen to it while you read my explanation or you won’t get the full experience :( )

Well, lights out tonight Trouble in the heartland Got a head on collision Smashin' in my guts, man I'm caught in a cross fire That I don't understand

so, we have one of those openings of bruce’s that cold kick you into the scene that imvho are one of his trademark points and I love him dearly for it which immediately projects you into the scene: we’re in the heartland and the lights are out tonight, which means that it’s night and it’s dark and already from the first two lines you can contrast the upbeat rhythm with the utter bleakness of the opening. by the way, if we all failed geography like jon and sansa, this is what we mean with badlands:

and with heartland we mean that part in the US that goes from north dakota/iowa to kansas/missouri roughly, so we can assume that our narrator comes from some small town in center-USA and he’s not enjoying his time there that much. see, two lines and you already have situation, mood and location - this guy knows how to write a song, amrite?

so, other than that, it’s lights out and this guy has a collision in his guts, which makes you immediately think of a car accident inside his body in one of the most tender parts of it/in the part that gets upset when we feel sick first, which is supposed to make you feel his visceral unhappiness at his situation. also, he’s caught in a crossfire ie he feels in the middle of a bunch of different problems that jump at him and he doesn’t understand them, which also means that he hasn’t straightened them out and he doesn’t exactly know what’s wrong with him, but he knows that he has problems and that his life isn’t what he wants.

But there's one thing I know for sure, girl I don't give a damn For the same old played out scenes Baby, I don't give a damn For just the in-betweens Honey, I want the heart, I want the soul I want control right now You better listen to me, baby

so: now he addresses a girl, which means he’s talking to a woman who’s supposedly his love interest, and he tells her he knows one thing at least, which is that... as before we have guessed he’s in some situation of stasis that he dislikes while he feels caught in a bunch of problems he can’t face/figure out/have a grip on, and his visceral reaction to it is that he wants to cut away with all of that, he wants to stop rehashing his old life (the same old played out scenes/just the in-betweens), and he immediately states it as he says that he wants the heart, the soul and control, as in: he wants to have back his feelings (his heart), his life (the soul) that he feels he doesn’t have anymore and mostly he wants control over them, as if until now he’s felt like he didn’t have it and everyone else was taking all the decisions, and he presses to his girl saying that she has to listen to him. seems like he’s decided, right?

Talk about a dream Try to make it real You wake up in the night With a fear so real You spend your life waiting For a moment that just don't come Well, don't waste your time waiting

now, here we have one of the most iconic lines bruce ever put to music (the first four verses) which would deserve treatises, but anyway, for what we can do: he tells her that they have dreams that they shouldn’t forget and that they should try to make them real ie they shouldn’t be there worrying about played out scenes and in-betweens, but then they wake up with a fear so real that they can’t do it, and at this point you feel their fear too because he’s singing in a way that about throws all of that in your face. but then he says you spend your life waiting for a moment that just don’t come and that hits you even more because don’t we all wait to do things/wait for the right moment to experience things/throw ourselves into what we want to do and then it passes and you think it’s gone? yeah, that. and with that he says that we shouldn’t, and we go into the immortal refrain, as in:

Badlands, you gotta live it everyday Let the broken hearts stand As the price you've gotta pay Keep pushin' 'til it's understood And these badlands start treating us good

now: living the badlands every day (look at the above) is obviously a way to say suffering through your life while feeling overwhelmed (don’t you feel overwhelmed just looking at those pictures?) while the broken hearts stand as in, your heart being broken is the price you’ve got to pay because life is shitty, but if you *push until you get it* then the badlands might start treating you good and you might turn your life around. that’s the message, but it becomes even more obvious when you go ahead with the rest:

Workin' in the fields That'll get your back burned Workin' 'neath the wheels 'Til you get your facts learned Baby, I got my facts Learned real good right now You better get it straight, darlin'

so: our narrator has a physically demanding and hard job (working in the fields/’neath the wheels) which causes him physical problems (back burned) and he had to suffer through that to learn his facts real good, which he stresses repeating it twice, and then explains:

Poor man wanna be rich Rich man wanna be king And a king ain't satisfied 'Til he rules everything I wanna go out tonight I wanna find out what I got

admittedly, it’s not the most original moral but it’s because it’s true: poor people want to be rich (of course), the rich never have enough and want to rule over the others (be king) and the kings/rulers/people in power have no satisfaction until they have everything under their rule because their ego is out of control and power breeds power and no one ever has enough of it (seems like grrm likes bruce). our dude, who’s definitely poor and not a king, just wants to go out tonight and find out what he’s got. and what does he have?

Well, I believe in the love that you gave me I believe in the faith that can save me I believe in the hope and I pray That someday it may raise me Above these

so, he has three things: the love his girlfriend gave him so we can suppose she definitely has an agency in this relationship and he didn’t expect her to give it to him, he has faith that he can be saved from his crap life (could be faith in god or the love he feels for her or both) and he has hope and prays that all of this might raise him above the badlands, ie: that the fact that he has love in his life and that love gave him hope might give him the push to leave his crap life behind and get to something better that he desperately yearns for.

Badlands, you gotta live it everyday Let the broken hearts stand As the price you've gotta pay Keep pushin' 'til it's understood And these badlands start treating us good

now you see that the refrain repeated at this point has a new layer added to it, right? now, you should really be listening to the song because that’s when clarence clemons’s immortal sax solo happens and brings you to another dimension and then it slows down before the last part is basically a whole crescendo which believe me in a concert is a mystical experience. also, get ready for one of the Best Lines Bruce Ever Wrote In His Life:

For the ones who had a notion, a notion deep inside That it ain't no sin to be glad you're alive I wanna find one face that ain't looking through me I wanna find one place I wanna spit in the face of these

now: here we get the nail on the head ie he sums up the entire deal in two lines: this song is for the people with a notion deep inside ie a need so bad it’s etched inside them and nothing can carve it out or take it from them that there’s nothing sinful or bad in being glad you’re alive as in, in being glad you are because then you can keep on living and make things better for yourself rather than just give up and die in a life that you hate, and those people should find a face that doesn’t look through them (as in, someone who sees them for who they really are and loves them for it), one place (as in, a place to live that they want to live in), and they should spit in the face of the badlands ie the horrible life they feel like they can’t conquer but that they need to leave behind.

I mean, it’s basically spitting in the face of what hurt you until now and go off to live your life and trying to be happy, what’s to hate about it? and if you listened to that song, you’d know that at this point the crescendo ends and it kicks into the last refrain:

Badlands, you gotta live it everyday Let the broken hearts stand As the price you've gotta pay Keep movin' 'til it's understood And these badlands start treating us good

which is the same as before obviously, but now has three different layers more to it and tops perfectly a gem of a song that is deservedly one of bruce’s most beloved ones by us all fans and that should be more known to the casual listener because it’s truly iconic and speaks to all of us because we all felt like that at some point, didn’t we?

thank you so much for indulging me in my springsteen extravaganza anon! you might find it a little difficult to do it again I fear, but if you find a way I’ll be delighted to find you some other iconic song to dissect. happy early springsteen birthday!!!! :)