#thank you wolf 359 and hfth people for liking the bullshit i say

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I posted 6,945 times in 2022

That's 317 more posts than 2021!

441 posts created (6%)

6,504 posts reblogged (94%)

Blogs I reblogged the most:

@perfect-cecilos

@blue-eyes-white-privilege69

@bugssiesbeans

@thisautistic

@closet-keys

I tagged 3,745 of my posts in 2022

Only 46% of my posts had no tags

#wtnv - 306 posts

#pretty art - 199 posts

#dragon age - 170 posts

#malevolent - 167 posts

#amc iwtv - 138 posts

#ofmd - 116 posts

#hfth - 114 posts

#spoilers - 94 posts

#toh - 88 posts

#good fucking content - 88 posts

Longest Tag: 139 characters

#another friend of mine started listening to night vale bc she needed something for her commute and because it gave us a reason to talk more

My Top Posts in 2022:

#5

It isn't until Change of Mind that you really realize just how short staffed Minkowski's mission was.

80 notes - Posted June 5, 2022

#4

I listened to Memoria this morning while getting ready for work which was a terrible decision cause it's difficult to put make up on while you're crying.

I just want to say the idea of Pryce inputting a core thought meant to tear Hera down, that runs every time she does anything, and the idea of "giving them my own voice" so the thought is indistinguishable from her own, really fuckin hits me in the mommy issues.

I think one of the coolest things they did with Hera as an A.I. was to create a computer metaphor for some aspects of human psychology; that a self-defeating thought is implanted in someone by another person that occurs at runtime every time.

That a small, single line of "code" recited subconsciously before every thing we do effects our whole systems.

That we need to know it's there to cope and work around it.

It's just very, very good. I like it a lot.

82 notes - Posted May 30, 2022

#3

Wolf 359 is just so good I will never be over it. That whole sequence at the end of episode 28 when they've just pulled the Hephaestus station into a stable orbit, Eiffel is in Lovelace's shuttle detached from the station and drifting very slowly, and he convenes with Minkowski in the medical lab where he gets suddenly interrupted by Lovelace flatlining?

And after a moment of the drama of trying to get Lovelace's heart beating again, the last thing we hear from him is, "Diiiiiiiiid....... was thaaaaaaaaat......??" and then the shuttle explodes?

Just amazing.

I love the flow of the scene and the tension. I love the voice acting. I love that we're hit with two more crises while still exhausted from the cost of narrowly escaping the last one. It's a bunch of emotional beats all in a row.

I literally dream of being this good at writing.

92 notes - Posted May 14, 2022

#2

I’m 25 episodes into Hello from the Hallowoods and I have decided I really like it. Here are some reasons why:

Lots of queer characters at lots of different ages and lots of different stages.

Some of the older characters are just beginning to engage with their queerness and it’s so sweet.

An asexual character!

I appreciate that the writer just threw in anything that seemed fun to them. Eldritch deities? Demons? Spirits? Doll zombies? Punk rock stars? Elemental mages? Capitalism trying to persevere after the apocalypse? Evangelism? All yes, and that’s goals tbh. I wish I could capture that energy.

Consistently the best openers I’ve ever heard.

Fuck, even the eldritch narrator is queer.

The particular way that death shows up as a theme here is really interesting. Death as a lingering consciousness, or a continuation, rather than an emptiness or an end.

Even though they’re mostly all the same voice actor and it’s basically the narrator reading a story to you, there are distinct enough voices for most of the characters that you can tell who is who even without the cues.

My fave audio drama villain archetype, the creepy evil boss, literally thinks she can take on an eldritch god and win. I’m so, so into it.

Water as giving life... especially after death.

Ahhh I recommend giving it a try if you like audio dramas.

104 notes - Posted January 11, 2022

My #1 post of 2022

Cutter's "recruitment" of Eiffel is such an interesting interaction because until this point, with the exception of Hera, everyone else's sign on has not been so deeply resisted.

Hera AND Eiffel are not thrilled to take Cutter's deal, in fact they really have no other choice.

But Eiffel's scene is the first time we've ever heard Cutter struggle to control someone. He doesn't have the same tools he had with Hera.

It's the first time we hear someone laugh at Cutter, set a hard boundary with him, and literally call him a motherfucker to his face!

I'm also trying to think if anyone else aside from Hera ever really caught on to Cutter. Eiffel literally likens him to Patrick Bateman (American Psycho).

And I really feel like Cutter's agitation is palpable in his silence before he cuts Eiffel off with, "okay, okay! before you say any more things I'm going to make you regret..."

Like, Cutter still successfully lands the hook by making promises about what Goddard can do about supporting his daughter, but THAT MOMENT OF PEAK TENSION!!!!!! And only after Eiffel has been bought into it does he fall in line with the hierarchy and switch to calling Cutter, "sir."

111 notes - Posted May 25, 2022

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