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#tgw 1x09
mikelogan · 1 year
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THE GOOD WIFE 1x09 Threesome + 5x12 We, the Juries
@lgbtqcreators creator bingo - parallels
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TGF Thoughts: 1x09-- Self Condemned
In which I ramble about memory pops and repeat myself several times. I’d say I was trying to capture the stream-of-consciousness feeling of the episode, but really, I’m just too lazy to edit this. 
This episode kicks off at 9:03 am. There’s a title card announcing this fact. I’m not sure why we need to know exactly what time it is, since lines about breakfast, mid-morning snack, and lunch could’ve conveyed the passage of time better than a title card. And since the time cards just kinda disappear as the episode goes on.
Maia and Lucca are waiting for Maia to be interviewed about her parents’ scheme. It seems like Lucca is Maia’s lawyer now, which I don’t love: what happened to Yesha?! I won’t complain too much, though, because I want Maia/Lucca scenes and I want Maia to feel like part of the rest of the show. But I also want to know where Yesha disappeared to.
Lucca briefly summarizes the rules of today’s interview: Maia is here voluntarily and nothing she shares in this interview can be used against her.
“Was your first year anything like this?” Maia asks Lucca. Good question. Maia has a lot on her plate, but this is still her first job. As someone who’s still in her first year out of college, I was excited to see the Kings’ take on a character who’s going through the same things I am (even if our careers and our circumstances are very different). But we’ve barely gotten any of that. And, while it’s not necessary that the writers focus on this aspect of Maia’s life (she does have bigger things to worry about, after all!), it’s something the writers could look at to add to Maia’s development. Alicia was always dealing with the sex scandal, dealing with the conspiracy/trial drama surrounding Peter, being a mother, and adjusting to going back to work and fighting for her job in her competition with Cary. Maia may not be juggling quite as many roles as Alicia was, but even still: she plays roles other than Daughter of a Scandal. She is a new lawyer. She is someone’s girlfriend. She is Diane’s goddaughter. There is no lack of potential material for Maia, which is why I’ve been (and will continue to be) so harsh on the writers for the way they have(n’t) developed her.
(And it wouldn’t even hurt the show or take up too much time to show Maia in other roles! It would make the show more coherent to have her at work more often; it would give Diane more material if she and Maia interacted more frequently; it would make everything a lot better if we got to see more of Maia and Amy’s relationship. And, if the Rindell Fund stuff needed to be minimized to make room to show Maia doing other things, so be it. That plot is in desperate need of trimming anyway.)
Lucca responds that no, her first year wasn’t anything like this (well of course it wasn’t; she was working as a bar attorney). She has a feeling her fourth year will be, though. Foreshadowing…
“You’re weathering it well,” Lucca tells Maia. Maia thanks her, and then it’s time for her interview. Hey! Wouldn’t this line play a lot better if we could see that Maia is either putting on an act and everything’s getting to her or that Maia has a strategy for dealing with this? Again (I’m going to say this a lot in this recap), we got that kind of development for Alicia. And Alicia didn’t have a live-in significant other she could talk to about anything.
Lucca and Maia walk into an interrogation room filled with lights, cameras, and a half-dozen FBI agents. “Oh, come on!” Lucca exclaims. But it turns out they’re in a different room with only one interviewer, played by Jane Lynch. The hallway is being painted and they have to go through the interrogation room because quirkiness. Also quirky: Madeline Starkey’s office, which is stuffed with all sorts of trinkets. And, if there weren’t enough quirk already in this scene, birds sometimes fly into Starkey’s window because they think it’s the sky. Lovely. Dead birds are quirk now.
Starkey explains with more specificity what Maia’s there to do, and mentions that the terms only apply if Maia is truthful. It’s a felony to lie to a federal agent, Starkey reminds her. Maia knows exactly what law that is.
“Maia, let’s talk about your parents. How did this Ponzi scheme begin?” Starkey asks first. Well that’s a broad question Maia wouldn’t necessarily know the answer to. (This is Starkey’s play—I don’t believe for a minute she’s interested in anything other than catching Maia in a lie.) Lucca answers for Maia, so Starkey rephrases. She wants Maia to share anything that comes to mind about her parents or about her Uncle Jackson. So, basically, she wants memory pops.
Meanwhile at the firm, Adrian needs Diane to help with another police brutality case. He has friends at County, so he knows when a new case pops up. And, this is an interesting one: the cop involved is Andrew Theroux, the same cop as the case from F101. If they fight this right, they can get this cop kicked off the force.
Adrian and Diane arrive at County and try to find their new client. They assume it’s a young black man who doesn’t look like he’s been involved in a physical altercation and who says he’s in there on a possession charge (but he didn’t do it).
Their real client? None other than Colin Sweeney. “Oh, Dear God,” Diane says when she sees him. Sweeney’s excited to see Diane. He asks if “Alee-see-ah” called her because she said she couldn’t take his case. Couldn’t or didn’t want to? I demand answers. (Nah, I don’t demand answers. I’m just glad this line is in here, since Sweeney’s one of those guest stars who mainly interacted with Alicia. He was always so fixated on her that her absence needs to be acknowledged for it to make even the slightest bit of sense that anyone else would be defending him.
Sweeney tells Adrian that “they’re out to get me. The same way they did with Rodney King.” EL-OH-EL. RIGHT.
Adrian and Diane (who thinks Sweeney is “the devil”) don’t like that they’re going to have to represent Sweeney, but they know this is a way to get the corrupt cop kicked off the force. The ends justify the means. (The show did as good of a job as they possibly could have—between this explanation and the Alicia reference—of bringing Sweeney onto TGF. He’s one of the guest stars that I think TGW used a little too frequently, but I’ll allow.)
Back in the FBI interview, Starkey gives Maia a date: the first criminal act took place on September 15th, 2008. I typed this date into my email inbox to see what I was up to then. Apparently, that’s the day I sent my first email to someone who’s now one of my best friends. (It was a link to the first Tina Fey as Sarah Palin sketch. How 2008.)
Anyway, Maia says, as any reasonable person asked to recall something that happened on some day nine years ago would, that that was a long time ago. “I would’ve been seventeen,” Maia says. So Maia’s 26 (possibly 27) now. “I was probably in school,” she continues.
Starkey points out it was the day Lehman Brothers went bankrupt, and that jogs Maia’s memory, which means… MEMORY POPS!
Maia remembers herself doing homework as the news played in the background. She’s at home, at the dining room table, still wearing her school uniform. (Maia went to private school, it seems, but that’s the least surprising reveal ever.) Also, sorry, but giving Maia really curly hair and a school uniform doesn’t make me believe that 30 year old Rose looks seventeen. It does, however, make it look like Maia grew up in a different era.
Maia remembers her parents panicking over the news. So far, these memory pops are nothing special, but it’s still early. They’re mostly a way of illustrating information, and that’s fine.
Starkey moves on to asking about an investor, and Maia says she remembers him being at her house on September 15th. She adds that Jax was there too. Maia has a good memory! (For some reason, all of this is making me think of the opening of Serial.)
She specifically remembers that the investor would be out eight million dollars if he pulled his money out, so her family told him to keep his money in.
She estimates that this must’ve been around 4 pm because she was still doing her homework. Girl, I was still doing my homework at 10 pm and was barely home from school by 4. Are you sure about this time frame? And if you are, what sort of school did you go to where you had so little homework you wouldn’t have been working on it much later than 4?! She also remembers that their guest was gone before dinner. This has gotten super specific.
Maia remembers that her parents discussed work over dinner. And this is where I want more from the memory pops. Maia is going through a time in her life where she’s reevaluating everything she thought she knew and questioning the perfect family she thought she had. Sure, Starkey is asking about one specific date, but wouldn’t it be cool if, for example, we saw flashes of lots of “typical Rindell family dinners” before we saw the one Maia remembers on September 15th? Did the Rindells always sit down to dinner together? Was that something they made a point of doing, something that Maia remembers fondly from her childhood? When she thinks about this particular dinner, is she only thinking about that dinner, or is she making a composite memory of lots of dinners? It is not interesting to me that Maia had dinner with her parents on September 15th, 2008. It’s not even interesting to me that Maia thinks she had dinner with her parents on that date. But it would be very interesting to me if I knew that the Rindells always sat down as a family for dinner.
Starkey has Lenore’s calendar from 2008, and it contradicts Maia’s recollection because Maia had a gyno appointment at 3 pm. Damn, her school must’ve let out early. Starkey wants to know how Maia remembers seeing Jax at 4 if this is the case. Uh? Because it was nine years ago and Maia gave you estimate times? (Lucca points this out.)
“I know that memory can be faulty. I’m just trying to get to the truth,” Starkey says. That’s a good thesis statement for what memory pops are meant to illustrate.
Maia does remember a gyno appointment, and her mom speaking with someone in the waiting room. She tells Starkey she was there. Why!? She remembers it was on that day? Why did you say yes, Maia? She says maybe she saw Jax and the investor later, which calls everything she’s said into question.
Starkey says it would’ve been impossible for Maia to be home by 4 because of the distance from the doctor’s office to Maia’s house. Maybe the appointment lasted 15 minutes. Maybe Maia got there early. Maybe she saw them at 4:30. I don’t get why Starkey is so stuck on the times adding up exactly. Or maybe she doesn’t care at all and she just wants to have reason to tell her bosses she suspects Maia’s a liar.
(Memory is malleable—note how Maia’s mental image of that day changes every time Starkey introduces a new piece of information. If Starkey said “you had fish for dinner that night, your father told me,” Maia would probably start imagining fish on the dinner plates.)
It would’ve been 5:30 by the time they got home, apparently. That’s a lot of traffic. And the housekeeper said she served dinner right at 5:30. And Jax said he was never there at all. I am not convinced by Starkey’s argument, though I also don’t trust Maia’s memories to be objective. I’m sure, in 2008, she overheard more than one discussion about the recession.
Starkey starts talking about some show she was on when she was eight, and then says that when she saw photos, she realized her memory was wrong. “The mind has a way of turning wishful thinking into actual memories,” Starkey says. That’s true. Not sure if that’s what’s going on here, but it’s true.
Lucca stops the interview. She and Maia have trouble exiting Starkey’s office because quirkiness.
Lucca, smartly, notes that Starkey is trying to catch Maia in lies. She advises Maia to only talk about specific memories. “I don’t want to hurt my dad,” Maia says. That’s obvious. She’s still—in her mind—making Jax out to be the villain, even after all the shit her father’s put her through these past few weeks. And this episode would’ve been the perfect time to find out why Maia’s so loyal to her father. “He’s her father” stopped being an adequate explanation the first time she broke the law to protect him. What produced this kind of loyalty? What kinds of values did her parents instill in her? Since she’s an only child, was she very close with her parents? Would her dad always, always find time to ask about her day, to help her with her homework, to offer to read over her essays? Would they chat about the news together?
This is connected to another problem I have with the Rindells, one I’ve touched on before. Maia’s parents are cartoon villains. Maybe if in just one scene either of them behaved like a human being, I’d have an easier time believing that Maia would care about them. Peter Florrick was always more than just Scumbag In Prison Who Cheated on Alicia. Remember Just Because Day? I think it’s in episode W1x04. It’s exactly what I would want from Maia and her parents: Alicia’s asked what she was doing on a specific date and goes to find information. She stumbles across a video from that date, and it refreshes her memory. But, before she realizes that Peter must’ve been with her the entire day, and not off breaking the law, she’s nervous. The video starts out with Peter in bed, and we don’t need to literally see inside Alicia’s mind to know that she thinks she’s found a sex tape. Now that she knows that Peter’s a cheater, she can’t help but see everything through that lens. She relaxes when she sees Zach and Grace on the camera, and then she recalls how wonderful her family was before the scandal—how good Peter was with the kids; how he surprised her “just because.” That’s a lot of information about Alicia (AND something that adds dimension to Peter) in one scene where all she does is watch a tape. How come we don’t get that much information about Maia when we get a glimpse into her mind?  
(Yes, I know the point of these memory pops is to show that Maia knew all along but ignored the warning signs. My point is that I would love to see memory pops that suggest why she was willfully ignorant for so long.)
(I don’t know where to put this point so I may as well put it here: I would like this episode far, far more if it had been placed earlier in the season. Maia realizing she knew all along and is covering for her parents is a big deal, but it’s less of a big deal when she’s been suspicious of her mom for weeks, read her father’s suicide note about his “crimes”, and, oh yeah, made the choice to let her father stay in prison for the rest of his life rather than risk hurting anyone else. This is the kind of realization that would’ve added a lot of depth to Maia early on but feels too late now.)
(On a similar note, I would prefer it if Maia came to this realization through either a conversation—in private—with her lawyer or a heart-to-heart with Amy. I don’t give a shit about continuing investigations into the Rindells, and Madeline Starkey isn’t the only person in the world who could prompt Maia to question the accuracy of her memories.)
“If you lie to protect your dad, you might get him off. But you’ll end up in jail,” Lucca explains. Wait. This is still a question?! I know these legal cases take time but can we please be done with this one? Also: if this is Maia’s way of feeling guilty about her father’s suicide attempt and how she sided with Diane and the firm over her family, maaaaaaaaaaaaybe the episode could be clearer about that????
My overall feeling about the memory pops in this episode is: They’re better than standard flashbacks and they convey what they need to about Maia feeling guilty. But there was still a lot of character detail missing.
Also: I’m sure my disappointment has something to do with how little I care about Maia, even nearly at the end of the first season. There was always very little chance of me becoming as invested in Maia as I was in Alicia, so this isn’t entirely the show’s fault. But I don’t think it’s all a matter of personal preference. I won’t get into it yet again, but I think there are lots of ways that the writers could have made Maia a more interesting, three-dimensional character.
In court, there’s some sort of unfunny joke about a judge in a wheelchair who doesn’t want any help going up a ramp. I want to believe this is just to show us that the judge is the kind of person who insists on doing everything himself without asking for help, but it kind of seems like I’m supposed to find it quirky and funny that he’s in a wheelchair and can’t wheel himself up a ramp. It is neither quirky nor funny; it’s just offensive.
Case stuff happens. Sweeney says “all lives matter” and Diane shushes him. (“Shut up, Colin. I’m finally on your side.”) (Hey, speaking of people named Colin, where’s Colin Morello at this week? I don’t miss him, but where is he?) (Marissa’s not in this episode either.) (And Barbara may as well not be in this episode because they don’t give her much to do.)
My new favorite thing is lawyers on this show laughing because the law works in bizarre and wonderful ways sometimes. It happens at least twice in this episode and it happened last week too.
More birds fly into Starkey’s windows as Lucca and Maia return for more questioning. Starkey hands Maia her mother’s calendar. For some reason, Maia keeps remembering her mom leaning in close to Jax (first they’re both blurred out) when she’s at the appointments. I think this is meant to indicate that it’s slowly coming into focus for her that all her appointments were covers for her mom’s affair with Jax. But I’m not sure that makes sense. It’s not like Maia never went to the doctor, and I don’t know why she’d go straight to realizing it was a cover for an affair (Starkey hasn’t suggested that yet at this point).
Maia’s supposed to mark all the appointments she remembers on a print-out of her mom’s calendar. She remembers her mom talking to a gynecologist and so she puts a check next to that appointment. Okay but Maia, you going to the gynecologist doesn’t mean you went on that exact day.
Maia remembers lots of gyno appointments. Is there supposed to be a point to this? Or is it just to let us know that she had a boyfriend before she had a girlfriend?
Starkey then says that Lenore wasn’t at the appointments: she was sleeping with Jax. This is so aggravating to me. These things happened nine years ago. But Starkey is right: Maia shouldn’t be confirming things if they’re not true. When I buy lunch multiple times in a week, a week later, I can’t remember which day I bought a sandwich and which day I got pasta, even if I remember that I bought a sandwich one day and pasta another day. I really don’t get why Maia is confirming anything instead of second-guessing herself. (But then, maybe Maia just thinks differently than I do.)
Also just taking a second to acknowledge that Lenore Rindell is a shitty person. 
Maia imagines her mother and Jax kissing in the hallway of her gynecologist’s office. She pictures herself turning away. This didn’t happen in reality (they were not carrying on an affair in her gyno’s office, I’m like 99.9999% sure)—this is Maia processing information. Get it? She sees the truth and turns away.
So now the question is: did Maia suspect anything? She sees herself turning around, like it was right in front of her. No, she says. She didn’t. Starkey wants to know if she ever suspected her parents of the Ponzi scheme, and Lucca insists on a break. Good call, Lucca.
At RBK, a guy from COPA is falling asleep on Adrian’s desk. Barbara and Adrian tell the COPA guy about their latest case. He’s interested when he hears which cop was involved. But when they tell him the victim is Sweeney… COPA guy laughs. And laughs. And laughs. And laughs. And laughs. And laughs. He rips up his notes and leaves, still laughing. He is my new hero.
Case stuff happens.
Maia looks at her contacts list in her phone. Lucca calls her in for more of the interview. Starkey offers them candy and makes up a story about her husband. Lucca calls her out on it—she googled Starkey. Seems Starkey is lying about whatever she feels like lying about. But she is good at her job, according to the interwebs.
Starkey responds by threatening Lucca. Cool.
Her next questions are about the Rindell Foundation. Maia is one of three board members. Starkey asks when the board last met. Apparently, years ago. In June 2011. And they never met again. MAIA. HOW ARE YOU ON THE BOARD OF A FOUNDATION THAT HASN’T HAD A BOARD MEETING IN SIX YEARS WITHOUT THINKING THAT’S SUSPICIOUS? (Later, we’ll see Maia say she cared about the cause, but actions speak louder than words.)  
I don’t think I’m supposed to be on Maia’s side on this. I don’t think it makes her a criminal or complicit that she wasn’t more involved. But it does make her willfully ignorant, and neglectful (not in a legal sense, because I don’t know anything about the law). Maia’s led a life so full of privilege she doesn’t immediately think this is strange. And she’s so comfortable with her life, she doesn’t do anything that could cause a stir. It’s no wonder she feels guilty.
Maia explains that the foundation wasn’t her idea, but it was a good cause. I’m trying not to judge Maia for this, but I’m failing. I’m sure most eighteen year olds wouldn’t like it if their parents tried to force them into running a foundation, but it takes a certain type of privilege to hear about a foundation (even as an eighteen year old) and go, “ugh, daddy, this is a good cause but why do I have to deal with it?” instead of thinking, “This is an opportunity for me to do good for other people; let me make sure I get people involved to manage these initiatives.”
In Maia’s defense, she does remember asking how much they were sending. “It’s a lot, honey,” is all she remembers her dad telling her. “I don’t know,” she realizes. And she was okay with that.
She remembers asking again, that same night, while making pizza with her dad. “Yeah, but Dad, I mean, it’s got my name on it,” she said. Henry said Jax would open the books to her in a few weeks. We don’t get confirmation on whether or not that happened. My guess? Maia never followed up, because it would’ve been uncomfortable to follow up, and she was preoccupied with her own life.
Case stuff happens. It’s good for the RBK team.
Now we’re in a memory pop without first seeing Maia, which is a transition I do not like at all because it makes the memory pop seem like a flashback and not a memory. Henry, and a bunch of guests including Diane, are singing Happy Birthday to Maia. It’s her eighteenth birthday, Starkey explains: the day the Rindell Foundation was established.
“My parents, they, they knew I was interested in Africa,” Maia says, explaining why the foundation was gifted to her. OH YES, I CAN TELL YOU WERE INTERESTED IN AFRICA FROM THE WAY YOU REFER TO IT (IN THE PRESENT!) AS THOUGH IT’S A SINGLE COUNTRY. And from the way you totally knew what your foundation was doing (or not doing). And from all those board meetings over the years.  
(I try not to judge characters and to understand them instead but oh my god, how can I not judge someone who says things like, “My parents knew I was interested in Africa.”????)
Next question: Was Amy at Maia’s birthday party? Yes, she was. Maia remembers that clearly, romantically. She pictures Amy smiling at her, looking directly at her, noticing her, standing out from the crowd.
It was the night Maia and Amy met! That’s exciting backstory! And, we get confirmation on an age difference: Amy was entering law school when Maia turned 18. I didn’t think the age gap was that big! Like, that makes Amy in these memory pops the age I am now, and the idea of dating an 18 year old now is like, LOLLOLLOLLOLLOLLOLLOLLOL YOU’RE A CHILD. The age gap isn’t what’s strange to me—it’s not that big of a gap. It’s the gap in maturity and experience that strikes me as odd. But hey, it worked out for them, so who am I to judge?
(Good to get confirmation that Amy’s supposed to be four/five years older. That sounds about right.)
Maia’s boyfriend was there that night, but she ended up making out with Amy anyway. That escalated quickly.
Starkey also asks if Diane was there. Maia remembers her singing Happy Birthday. Of course, we don’t get to hear it, even though this is the closest we’ve ever gotten to Christine Baranski singing on the show.
Starkey wants to know if Diane offered legal advice to Maia’s parents in Maia’s presence. Lucca cuts in before I can type out, “isn’t that hearsay?”
Diane’s talking about a case she’s on, a guy who’s accused of killing a hedge fund manager who worked with Madoff. I don’t know if the timeline adds up or not, but it’s possible this is the case from W1x15, which has a case with that premise. Also, 1x15 is a really good episode and I just rewatched it last weekend. And one of the filming locations in that episode is the Rindell mansion. It’s where a corrupt hedge fund manager lived. I know that’s not intentional, but HA! (Sorry, Maia, but seeing Alicia walk through your house doesn’t do you any favors.)
(I CAN’T STOP COMPARING MAIA TO ALICIA. I HAVE BECOME THE TYPE OF FAN I CAN’T STAND.)
Maia’s torn between the pleasant memory of Amy and the unpleasant memory of Diane and her parents talking about the Madoffs. In Maia’s mind, Diane says, “I think [Madoff’s wife] didn’t know because she didn’t want to know.” Huh, I wonder where Maia got that piece of dialogue to insert into her memory. 
“How could she not know?” Diane says, and it sounds like a judgment of Maia.
Since the foundation was being used as a front and Maia’s name is on the contract, Maia’s legally responsible for any of her parents’ crimes. Unless she tells Starkey about Diane’s advice, that is.
But Maia didn’t sign the documents on her birthday! She signed them on the Saturday before her birthday!
“Nice, Maia,” Lucca says after they leave the interview. “No, lucky,” Maia replies. “No, I’ve seen lucky. That was smart,” Lucca says and offers her hand for a high-five. (Can’t it be both? Maia totally would have signed the papers if it was her actual birthday. But it is smart that she’s thinking things through before talking now.)
Now it’s 1:27 pm. I don’t understand why these time stamps are happening and I especially don’t understand why the people at All Access have inserted the commercial breaks right after the time stamps instead of right before. I assume they’re meant to kick off each act that takes place on that first day?
Case stuff happens.
Another bird crashes into Starkey’s window. I thought it had to do with the way the light hit the windows, so why is this happening all throughout the day?
Starkey asks Maia if it’s correct she found out about the Ponzi scheme from the news. She says it is. “You graduated from law school in 2016, right?” Starkey asks. Maia says that’s right.
And then Starkey asks her about a celebration that took place at her parents’ house. Wait, who told her about this? From what Maia remembers, it was a small gathering. Maia, Amy, Maia’s parents, and Amy’s parents. So if Starkey knows about this gathering, does that mean someone close to her is talking to the FBI and making things look bad for Maia?
Starkey asks if Maia was living with Amy at the time. She was. (So Maia and Amy lived together in Chicago while Maia was in law school? Where did Maia go to law school? Or did Amy and Maia live in a different city and Amy just started as an ASA?)
(Amy’s parents look super uncomfortable around the Rindells—they don’t have that kind of money.)
But, Amy’s parents asked Maia about the possibility of her parents investing in the Rindell fund. Now I REALLY want to know who Starkey’s talking to, since Maia remembers that she didn’t even tell her parents about this request. Is Starkey talking to Amy? To Amy’s parents?
Case stuff happens.
“When the facts are on your side, you pound the facts. When the facts are not on your side…” cut to Adrian pounding the table in court. HEH. Nice transition.
I forgot to mention that Luke Kirby is in this episode as an ASA. He was on Rectify. You should all watch Rectify.
Jay does investigative work without Marissa. Cool.
Sweeney’s being considered for an ambassadorship. Diane, Adrian, and Barbara burst out laughing. As I said, I like this “lawyers laugh at things that are absurd” trend.
It’s not until 40 minutes into the episode that Sweeney mentions his reputation as a wife-killer. Sorry, new viewers. The show’s not being helpful with the exposition this week!
It’s a new day and Maia’s back at the FBI, fidgeting with her rosary ring. Now, the issue is that Starkey thinks Maia must have known something was going on at the fund if she didn’t ask about allowing Amy’s parents to invest.
Maia remembers a conversation with Amy (who apparently sleeps in a shirt that says BLONDE BESTIE” on it which tells me a lot about Amy) where Amy brought up the topic again.
Lucca tells Maia she understands that “rightly or wrongly, [Maia feels] guilty for your parents’ actions.” “That’s not what this is,” Maia insists. “You don’t even need to be conscious of it, Maia. Your guilt could just be coloring your memories. You could be seeing yourself as more culpable than you are. It’s your Catholic guilt. You are condemning yourself. That’s fine for the confessional, but here, it has real repercussions,” Lucca informs Maia. This is exactly what Maia needs to hear at this moment, especially that last part about the repercussions. If Maia wants to blame herself and ask herself why she was so willfully ignorant, fine. I think she probably was willfully ignorant, at least in the sense that she never questioned her parents or her own privilege. (Again, that foundation had one board meeting in six years.) But I don’t think anything she did would warrant jail time, especially given how young she was at the time. Guilt in the moral sense? Definitely. Guilt in the legal sense? That seems… like a waste of government resources. Maia doesn’t need to help the government make their case against her just because she feels bad that she had her eyes closed. It’s a lot to ask of any person, especially a young person, to turn on their family over a slight bad feeling. What could Maia have done, anyway? Gone to the government and said, “I feel like something’s off about my parents’ fund but I don’t have any specific details or specific reasons to think that”?
In the memory pop, Amy asks Maia again if she really asked her dad. “Lucca, I didn’t tell my dad,” Maia confesses in the present. “I must have somehow known about the Ponzi scheme. Otherwise, why would I have let Amy’s parents invest?” Lucca says that doesn’t mean anything (and I agree- I can imagine lots of other reasons Maia might not have wanted Amy’s parents’ money to be tied up with her parents’ fund, starting with the fact that it would just call attention to the fact that Maia’s super rich and Amy’s not). But Maia insists: she knew. (I feel bad for Maia here. She went from refusing to believe the people she loves, who actually committed crimes, could have been involved to blaming herself for everything.)
Diane and Adrian, late at night, debate strategy for the Sweeney case and drink scotch.
“Diane? You happy here?” Adrian switches the topic. “What, at your firm?” Diane asks. She is. “You wanted to retire,” Adrian explains the basis for his question. Diane laughs. “Yes. Well, life has a way of reminding you of who you are. Guess I’m not the retiring type,” she says. I bet Diane’s a lot happier here than she was at LockhartKeyboardSmash. “Are you happy here?” Diane returns the question. Adrian laughs. “Gotcha,” Diane replies.
“I like getting the better of people, and… keeping something alive. You know? Looking at there, at all those employees, realizing they might not have jobs if I don’t keep this going,” he says. “Yeah. That is a good feeling,” Diane agrees.
“Okay. Time to go home. Let’s get dinner sometime,” Adrian says so casually it’s almost like he didn’t just ask his business partner out on a date. “That’d be nice,” Diane replies. She looks startled but not unhappy with this idea. It’s not exactly a date, but, I mean…
(Remember how Will and Alicia were always supposed to get dinner in season 1?)
(I am cool with a Diane and Adrian ship. I also love McHart. As long as we don’t get a Adrian/Diane/Kurt triangle with Adrian as Will (I took you in when you were poison) and Kurt as Peter (the cheater), I’m pretty much okay with wherever the writers want to go as long as they do it well.) (Though I still don’t believe Kurt would have ever cheated on Diane.)
Adrian comes up with a way to get Sweeney’s case thrown out and, more importantly, the cop kicked off the force. It works.
At the next day of interviews—we didn’t see a single one of the day 2 interviews, just Maia panicking in the hallway—Maia remembers hearing Jax talking about an audit with both her parents, who closed the door in her face. Not sure what point in time this is supposed to take place.
She also remembers telling Amy they shouldn’t entangle their families’ finances. Maia remembers Amy asking if there’s something wrong with the fund. Did she? Does it matter if she did?
Lucca provides hypothetical reasons why Maia might not have told her dad that Amy’s parents wanted to invest. Makes sense to me. Also, proves yet again that Lucca is very good at reading a situation and saying the exact right thing. (She’s done this several times with Maia, but she did it all the time with Alicia, too.)
Sweeney isn’t going to be an ambassador, and he’s not going to help Diane with her civil suit. What a shame.
“I’ll drop by again,” Sweeney warns.
Maia tells Starkey that it just seemed like a bad idea to mix family and finances. Based on Maia saying “the truth is” in her answer, Starkey decides what she was always going to decide: Maia’s a liar and she knew about the Ponzi scheme. She’s going to recommend that they prosecute Maia. Good luck finding evidence.
Maia tears up, and the episode ends.
And this leaves me with two questions:
1) Do we have to endure another season of trial BS? This show does not need an ongoing conspiracy arc to work. In fact, the ongoing conspiracy arcs are usually the things that DON’T work.
2) Why didn’t we get to this point earlier? Not the point of Maia being prosecuted, but the point of Maia feeling guilt. I said this earlier, but I think these emotional beats would’ve been great things to hit on earlier. Now, after this episode, I have a sense of how much it affected Maia to be raised in a world where she never had to worry about anything other than herself. The stakes don’t have to be as high as an interview with the FBI and a potential prosecution to make Maia question everything, her own views included. They’re not going to send Maia to jail—at least, I’d be shocked if they did—so why do this arc? I would rather see her work through her guilt, reach out to her friends, reach out to Amy, start trying to do good, really throw herself into the firm’s fights even when she doesn’t understand them, or something like that. To me, that’s more interesting than watching the team come together to defend her.
(I expected to be harsher on this episode than I ended up being. I’m pleased that I liked it more on rewatch.)
(And sorry for all the Alicia mentions. I hate it when people insist on comparing a new character to an old character, but I just can’t stop doing it when it comes to Alicia and Maia. I’m trying to keep my comments to the storytelling—what works and what doesn’t when building a character whose notable for their connection to a big scandal—but I’m sure that what a lot of it comes down to is just that I love Alicia a lot and will take any opportunity I can to write about her.)
This episode kicks off at 9:03 am. There’s a title card announcing this fact. I’m not sure why we need to know exactly what time it is, since lines about breakfast, mid-morning snack, and lunch could’ve conveyed the passage of time better than a title card. And since the time cards just kinda disappear as the episode goes on.
Maia and Lucca are waiting for Maia to be interviewed about her parents’ scheme. It seems like Lucca is Maia’s lawyer now, which I don’t love: what happened to Yesha?! I won’t complain too much, though, because I want Maia/Lucca scenes and I want Maia to feel like part of the rest of the show. But I also want to know where Yesha disappeared to.
Lucca briefly summarizes the rules of today’s interview: Maia is here voluntarily and nothing she shares in this interview can be used against her.
“Was your first year anything like this?” Maia asks Lucca. Good question. Maia has a lot on her plate, but this is still her first job. As someone who’s still in her first year out of college, I was excited to see the Kings’ take on a character who’s going through the same things I am (even if our careers and our circumstances are very different). But we’ve barely gotten any of that. And, while it’s not necessary that the writers focus on this aspect of Maia’s life (she does have bigger things to worry about, after all!), it’s something the writers could look at to add to Maia’s development. Alicia was always dealing with the sex scandal, dealing with the conspiracy/trial drama surrounding Peter, being a mother, and adjusting to going back to work and fighting for her job in her competition with Cary. Maia may not be juggling quite as many roles as Alicia was, but even still: she plays roles other than Daughter of a Scandal. She is a new lawyer. She is someone’s girlfriend. She is Diane’s goddaughter. There is no lack of potential material for Maia, which is why I’ve been (and will continue to be) so harsh on the writers for the way they have(n’t) developed her.
(And it wouldn’t even hurt the show or take up too much time to show Maia in other roles! It would make the show more coherent to have her at work more often; it would give Diane more material if she and Maia interacted more frequently; it would make everything a lot better if we got to see more of Maia and Amy’s relationship. And, if the Rindell Fund stuff needed to be minimized to make room to show Maia doing other things, so be it. That plot is in desperate need of trimming anyway.)
Lucca responds that no, her first year wasn’t anything like this (well of course it wasn’t; she was working as a bar attorney). She has a feeling her fourth year will be, though. Foreshadowing…
“You’re weathering it well,” Lucca tells Maia. Maia thanks her, and then it’s time for her interview. Hey! Wouldn’t this line play a lot better if we could see that Maia is either putting on an act and everything’s getting to her or that Maia has a strategy for dealing with this? Again (I’m going to say this a lot in this recap), we got that kind of development for Alicia. And Alicia didn’t have a live-in significant other she could talk to about anything.
Lucca and Maia walk into an interrogation room filled with lights, cameras, and a half-dozen FBI agents. “Oh, come on!” Lucca exclaims. But it turns out they’re in a different room with only one interviewer, played by Jane Lynch. The hallway is being painted and they have to go through the interrogation room because quirkiness. Also quirky: Madeline Starkey’s office, which is stuffed with all sorts of trinkets. And, if there weren’t enough quirk already in this scene, birds sometimes fly into Starkey’s window because they think it’s the sky. Lovely. Dead birds are quirk now.
Starkey explains with more specificity what Maia’s there to do, and mentions that the terms only apply if Maia is truthful. It’s a felony to lie to a federal agent, Starkey reminds her. Maia knows exactly what law that is.
“Maia, let’s talk about your parents. How did this Ponzi scheme begin?” Starkey asks first. Well that’s a broad question Maia wouldn’t necessarily know the answer to. (This is Starkey’s play—I don’t believe for a minute she’s interested in anything other than catching Maia in a lie.) Lucca answers for Maia, so Starkey rephrases. She wants Maia to share anything that comes to mind about her parents or about her Uncle Jackson. So, basically, she wants memory pops.
Meanwhile at the firm, Adrian needs Diane to help with another police brutality case. He has friends at County, so he knows when a new case pops up. And, this is an interesting one: the cop involved is Andrew Theroux, the same cop as the case from F101. If they fight this right, they can get this cop kicked off the force.
Adrian and Diane arrive at County and try to find their new client. They assume it’s a young black man who doesn’t look like he’s been involved in a physical altercation and who says he’s in there on a possession charge (but he didn’t do it).
Their real client? None other than Colin Sweeney. “Oh, Dear God,” Diane says when she sees him. Sweeney’s excited to see Diane. He asks if “Alee-see-ah” called her because she said she couldn’t take his case. Couldn’t or didn’t want to? I demand answers. (Nah, I don’t demand answers. I’m just glad this line is in here, since Sweeney’s one of those guest stars who mainly interacted with Alicia. He was always so fixated on her that her absence needs to be acknowledged for it to make even the slightest bit of sense that anyone else would be defending him.
Sweeney tells Adrian that “they’re out to get me. The same way they did with Rodney King.” EL-OH-EL. RIGHT.
Adrian and Diane (who thinks Sweeney is “the devil”) don’t like that they’re going to have to represent Sweeney, but they know this is a way to get the corrupt cop kicked off the force. The ends justify the means. (The show did as good of a job as they possibly could have—between this explanation and the Alicia reference—of bringing Sweeney onto TGF. He’s one of the guest stars that I think TGW used a little too frequently, but I’ll allow.)
Back in the FBI interview, Starkey gives Maia a date: the first criminal act took place on September 15th, 2008. I typed this date into my email inbox to see what I was up to then. Apparently, that’s the day I sent my first email to someone who’s now one of my best friends. (It was a link to the first Tina Fey as Sarah Palin sketch. How 2008.)
Anyway, Maia says, as any reasonable person asked to recall something that happened on some day nine years ago would, that that was a long time ago. “I would’ve been seventeen,” Maia says. So Maia’s 26 (possibly 27) now. “I was probably in school,” she continues.
Starkey points out it was the day Lehman Brothers went bankrupt, and that jogs Maia’s memory, which means… MEMORY POPS!
Maia remembers herself doing homework as the news played in the background. She’s at home, at the dining room table, still wearing her school uniform. (Maia went to private school, it seems, but that’s the least surprising reveal ever.) Also, sorry, but giving Maia really curly hair and a school uniform doesn’t make me believe that 30 year old Rose looks seventeen. It does, however, make it look like Maia grew up in a different era.
Maia remembers her parents panicking over the news. So far, these memory pops are nothing special, but it’s still early. They’re mostly a way of illustrating information, and that’s fine.
Starkey moves on to asking about an investor, and Maia says she remembers him being at her house on September 15th. She adds that Jax was there too. Maia has a good memory! (For some reason, all of this is making me think of the opening of Serial.)
She specifically remembers that the investor would be out eight million dollars if he pulled his money out, so her family told him to keep his money in.
She estimates that this must’ve been around 4 pm because she was still doing her homework. Girl, I was still doing my homework at 10 pm and was barely home from school by 4. Are you sure about this time frame? And if you are, what sort of school did you go to where you had so little homework you wouldn’t have been working on it much later than 4?! She also remembers that their guest was gone before dinner. This has gotten super specific.
Maia remembers that her parents discussed work over dinner. And this is where I want more from the memory pops. Maia is going through a time in her life where she’s reevaluating everything she thought she knew and questioning the perfect family she thought she had. Sure, Starkey is asking about one specific date, but wouldn’t it be cool if, for example, we saw flashes of lots of “typical Rindell family dinners” before we saw the one Maia remembers on September 15th? Did the Rindells always sit down to dinner together? Was that something they made a point of doing, something that Maia remembers fondly from her childhood? When she thinks about this particular dinner, is she only thinking about that dinner, or is she making a composite memory of lots of dinners? It is not interesting to me that Maia had dinner with her parents on September 15th, 2008. It’s not even interesting to me that Maia thinks she had dinner with her parents on that date. But it would be very interesting to me if I knew that the Rindells always sat down as a family for dinner.
Starkey has Lenore’s calendar from 2008, and it contradicts Maia’s recollection because Maia had a gyno appointment at 3 pm. Damn, her school must’ve let out early. Starkey wants to know how Maia remembers seeing Jax at 4 if this is the case. Uh? Because it was nine years ago and Maia gave you estimate times? (Lucca points this out.)
“I know that memory can be faulty. I’m just trying to get to the truth,” Starkey says. That’s a good thesis statement for what memory pops are meant to illustrate.
Maia does remember a gyno appointment, and her mom speaking with someone in the waiting room. She tells Starkey she was there. Why!? She remembers it was on that day? Why did you say yes, Maia? She says maybe she saw Jax and the investor later, which calls everything she’s said into question.
Starkey says it would’ve been impossible for Maia to be home by 4 because of the distance from the doctor’s office to Maia’s house. Maybe the appointment lasted 15 minutes. Maybe Maia got there early. Maybe she saw them at 4:30. I don’t get why Starkey is so stuck on the times adding up exactly. Or maybe she doesn’t care at all and she just wants to have reason to tell her bosses she suspects Maia’s a liar.
(Memory is malleable—note how Maia’s mental image of that day changes every time Starkey introduces a new piece of information. If Starkey said “you had fish for dinner that night, your father told me,” Maia would probably start imagining fish on the dinner plates.)
It would’ve been 5:30 by the time they got home, apparently. That’s a lot of traffic. And the housekeeper said she served dinner right at 5:30. And Jax said he was never there at all. I am not convinced by Starkey’s argument, though I also don’t trust Maia’s memories to be objective. I’m sure, in 2008, she overheard more than one discussion about the recession.
Starkey starts talking about some show she was on when she was eight, and then says that when she saw photos, she realized her memory was wrong. “The mind has a way of turning wishful thinking into actual memories,” Starkey says. That’s true. Not sure if that’s what’s going on here, but it’s true.
Lucca stops the interview. She and Maia have trouble exiting Starkey’s office because quirkiness.
Lucca, smartly, notes that Starkey is trying to catch Maia in lies. She advises Maia to only talk about specific memories. “I don’t want to hurt my dad,” Maia says. That’s obvious. She’s still—in her mind—making Jax out to be the villain, even after all the shit her father’s put her through these past few weeks. And this episode would’ve been the perfect time to find out why Maia’s so loyal to her father. “He’s her father” stopped being an adequate explanation the first time she broke the law to protect him. What produced this kind of loyalty? What kinds of values did her parents instill in her? Since she’s an only child, was she very close with her parents? Would her dad always, always find time to ask about her day, to help her with her homework, to offer to read over her essays? Would they chat about the news together?
This is connected to another problem I have with the Rindells, one I’ve touched on before. Maia’s parents are cartoon villains. Maybe if in just one scene either of them behaved like a human being, I’d have an easier time believing that Maia would care about them. Peter Florrick was always more than just Scumbag In Prison Who Cheated on Alicia. Remember Just Because Day? I think it’s in episode W1x04. It’s exactly what I would want from Maia and her parents: Alicia’s asked what she was doing on a specific date and goes to find information. She stumbles across a video from that date, and it refreshes her memory. But, before she realizes that Peter must’ve been with her the entire day, and not off breaking the law, she’s nervous. The video starts out with Peter in bed, and we don’t need to literally see inside Alicia’s mind to know that she thinks she’s found a sex tape. Now that she knows that Peter’s a cheater, she can’t help but see everything through that lens. She relaxes when she sees Zach and Grace on the camera, and then she recalls how wonderful her family was before the scandal—how good Peter was with the kids; how he surprised her “just because.” That’s a lot of information about Alicia (AND something that adds dimension to Peter) in one scene where all she does is watch a tape. How come we don’t get that much information about Maia when we get a glimpse into her mind?  
(Yes, I know the point of these memory pops is to show that Maia knew all along but ignored the warning signs. My point is that I would love to see memory pops that suggest why she was willfully ignorant for so long.)
(I don’t know where to put this point so I may as well put it here: I would like this episode far, far more if it had been placed earlier in the season. Maia realizing she knew all along and is covering for her parents is a big deal, but it’s less of a big deal when she’s been suspicious of her mom for weeks, read her father’s suicide note about his “crimes”, and, oh yeah, made the choice to let her father stay in prison for the rest of his life rather than risk hurting anyone else. This is the kind of realization that would’ve added a lot of depth to Maia early on but feels too late now.)
(On a similar note, I would prefer it if Maia came to this realization through either a conversation—in private—with her lawyer or a heart-to-heart with Amy. I don’t give a shit about continuing investigations into the Rindells, and Madeline Starkey isn’t the only person in the world who could prompt Maia to question the accuracy of her memories.)
“If you lie to protect your dad, you might get him off. But you’ll end up in jail,” Lucca explains. Wait. This is still a question?! I know these legal cases take time but can we please be done with this one? Also: if this is Maia’s way of feeling guilty about her father’s suicide attempt and how she sided with Diane and the firm over her family, maaaaaaaaaaaaybe the episode could be clearer about that????
My overall feeling about the memory pops in this episode is: They’re better than standard flashbacks and they convey what they need to about Maia feeling guilty. But there was still a lot of character detail missing.
Also: I’m sure my disappointment has something to do with how little I care about Maia, even nearly at the end of the first season. There was always very little chance of me becoming as invested in Maia as I was in Alicia, so this isn’t entirely the show’s fault. But I don’t think it’s all a matter of personal preference. I won’t get into it yet again, but I think there are lots of ways that the writers could have made Maia a more interesting, three-dimensional character.
In court, there’s some sort of unfunny joke about a judge in a wheelchair who doesn’t want any help going up a ramp. I want to believe this is just to show us that the judge is the kind of person who insists on doing everything himself without asking for help, but it kind of seems like I’m supposed to find it quirky and funny that he’s in a wheelchair and can’t wheel himself up a ramp. It is neither quirky nor funny; it’s just offensive.
Case stuff happens. Sweeney says “all lives matter” and Diane shushes him. (“Shut up, Colin. I’m finally on your side.”) (Hey, speaking of people named Colin, where’s Colin Morello at this week? I don’t miss him, but where is he?) (Marissa’s not in this episode either.) (And Barbara may as well not be in this episode because they don’t give her much to do.)
My new favorite thing is lawyers on this show laughing because the law works in bizarre and wonderful ways sometimes. It happens at least twice in this episode and it happened last week too.
More birds fly into Starkey’s windows as Lucca and Maia return for more questioning. Starkey hands Maia her mother’s calendar. For some reason, Maia keeps remembering her mom leaning in close to Jax (first they’re both blurred out) when she’s at the appointments. I think this is meant to indicate that it’s slowly coming into focus for her that all her appointments were covers for her mom’s affair with Jax. But I’m not sure that makes sense. It’s not like Maia never went to the doctor, and I don’t know why she’d go straight to realizing it was a cover for an affair (Starkey hasn’t suggested that yet at this point).
Maia’s supposed to mark all the appointments she remembers on a print-out of her mom’s calendar. She remembers her mom talking to a gynecologist and so she puts a check next to that appointment. Okay but Maia, you going to the gynecologist doesn’t mean you went on that exact day.
Maia remembers lots of gyno appointments. Is there supposed to be a point to this? Or is it just to let us know that she had a boyfriend before she had a girlfriend?
Starkey then says that Lenore wasn’t at the appointments: she was sleeping with Jax. This is so aggravating to me. These things happened nine years ago. But Starkey is right: Maia shouldn’t be confirming things if they’re not true. When I buy lunch multiple times in a week, a week later, I can’t remember which day I bought a sandwich and which day I got pasta, even if I remember that I bought a sandwich one day and pasta another day. I really don’t get why Maia is confirming anything instead of second-guessing herself. (But then, maybe Maia just thinks differently than I do.)
Also just taking a second to acknowledge that Lenore Rindell is a shitty person. 
Maia imagines her mother and Jax kissing in the hallway of her gynecologist’s office. She pictures herself turning away. This didn’t happen in reality (they were not carrying on an affair in her gyno’s office, I’m like 99.9999% sure)—this is Maia processing information. Get it? She sees the truth and turns away.
So now the question is: did Maia suspect anything? She sees herself turning around, like it was right in front of her. No, she says. She didn’t. Starkey wants to know if she ever suspected her parents of the Ponzi scheme, and Lucca insists on a break. Good call, Lucca.
At RBK, a guy from COPA is falling asleep on Adrian’s desk. Barbara and Adrian tell the COPA guy about their latest case. He’s interested when he hears which cop was involved. But when they tell him the victim is Sweeney… COPA guy laughs. And laughs. And laughs. And laughs. And laughs. And laughs. He rips up his notes and leaves, still laughing. He is my new hero.
Case stuff happens.
Maia looks at her contacts list in her phone. Lucca calls her in for more of the interview. Starkey offers them candy and makes up a story about her husband. Lucca calls her out on it—she googled Starkey. Seems Starkey is lying about whatever she feels like lying about. But she is good at her job, according to the interwebs.
Starkey responds by threatening Lucca. Cool.
Her next questions are about the Rindell Foundation. Maia is one of three board members. Starkey asks when the board last met. Apparently, years ago. In June 2011. And they never met again. MAIA. HOW ARE YOU ON THE BOARD OF A FOUNDATION THAT HASN’T HAD A BOARD MEETING IN SIX YEARS WITHOUT THINKING THAT’S SUSPICIOUS? (Later, we’ll see Maia say she cared about the cause, but actions speak louder than words.)  
I don’t think I’m supposed to be on Maia’s side on this. I don’t think it makes her a criminal or complicit that she wasn’t more involved. But it does make her willfully ignorant, and neglectful (not in a legal sense, because I don’t know anything about the law). Maia’s led a life so full of privilege she doesn’t immediately think this is strange. And she’s so comfortable with her life, she doesn’t do anything that could cause a stir. It’s no wonder she feels guilty.
Maia explains that the foundation wasn’t her idea, but it was a good cause. I’m trying not to judge Maia for this, but I’m failing. I’m sure most eighteen year olds wouldn’t like it if their parents tried to force them into running a foundation, but it takes a certain type of privilege to hear about a foundation (even as an eighteen year old) and go, “ugh, daddy, this is a good cause but why do I have to deal with it?” instead of thinking, “This is an opportunity for me to do good for other people; let me make sure I get people involved to manage these initiatives.”
In Maia’s defense, she does remember asking how much they were sending. “It’s a lot, honey,” is all she remembers her dad telling her. “I don’t know,” she realizes. And she was okay with that.
She remembers asking again, that same night, while making pizza with her dad. “Yeah, but Dad, I mean, it’s got my name on it,” she said. Henry said Jax would open the books to her in a few weeks. We don’t get confirmation on whether or not that happened. My guess? Maia never followed up, because it would’ve been uncomfortable to follow up, and she was preoccupied with her own life.
Case stuff happens. It’s good for the RBK team.
Now we’re in a memory pop without first seeing Maia, which is a transition I do not like at all because it makes the memory pop seem like a flashback and not a memory. Henry, and a bunch of guests including Diane, are singing Happy Birthday to Maia. It’s her eighteenth birthday, Starkey explains: the day the Rindell Foundation was established.
“My parents, they, they knew I was interested in Africa,” Maia says, explaining why the foundation was gifted to her. OH YES, I CAN TELL YOU WERE INTERESTED IN AFRICA FROM THE WAY YOU REFER TO IT (IN THE PRESENT!) AS THOUGH IT’S A SINGLE COUNTRY. And from the way you totally knew what your foundation was doing (or not doing). And from all those board meetings over the years.  
(I try not to judge characters and to understand them instead but oh my god, how can I not judge someone who says things like, “My parents knew I was interested in Africa.”????)
Next question: Was Amy at Maia’s birthday party? Yes, she was. Maia remembers that clearly, romantically. She pictures Amy smiling at her, looking directly at her, noticing her, standing out from the crowd.
It was the night Maia and Amy met! That’s exciting backstory! And, we get confirmation on an age difference: Amy was entering law school when Maia turned 18. I didn’t think the age gap was that big! Like, that makes Amy in these memory pops the age I am now, and the idea of dating an 18 year old now is like, LOLLOLLOLLOLLOLLOLLOLLOL YOU’RE A CHILD. The age gap isn’t what’s strange to me—it’s not that big of a gap. It’s the gap in maturity and experience that strikes me as odd. But hey, it worked out for them, so who am I to judge?
(Good to get confirmation that Amy’s supposed to be four/five years older. That sounds about right.)
Maia’s boyfriend was there that night, but she ended up making out with Amy anyway. That escalated quickly.
Starkey also asks if Diane was there. Maia remembers her singing Happy Birthday. Of course, we don’t get to hear it, even though this is the closest we’ve ever gotten to Christine Baranski singing on the show.
Starkey wants to know if Diane offered legal advice to Maia’s parents in Maia’s presence. Lucca cuts in before I can type out, “isn’t that hearsay?”
Diane’s talking about a case she’s on, a guy who’s accused of killing a hedge fund manager who worked with Madoff. I don’t know if the timeline adds up or not, but it’s possible this is the case from W1x15, which has a case with that premise. Also, 1x15 is a really good episode and I just rewatched it last weekend. And one of the filming locations in that episode is the Rindell mansion. It’s where a corrupt hedge fund manager lived. I know that’s not intentional, but HA! (Sorry, Maia, but seeing Alicia walk through your house doesn’t do you any favors.)
(I CAN’T STOP COMPARING MAIA TO ALICIA. I HAVE BECOME THE TYPE OF FAN I CAN’T STAND.)
Maia’s torn between the pleasant memory of Amy and the unpleasant memory of Diane and her parents talking about the Madoffs. In Maia’s mind, Diane says, “I think [Madoff’s wife] didn’t know because she didn’t want to know.” Huh, I wonder where Maia got that piece of dialogue to insert into her memory. 
“How could she not know?” Diane says, and it sounds like a judgment of Maia.
Since the foundation was being used as a front and Maia’s name is on the contract, Maia’s legally responsible for any of her parents’ crimes. Unless she tells Starkey about Diane’s advice, that is.
But Maia didn’t sign the documents on her birthday! She signed them on the Saturday before her birthday!
“Nice, Maia,” Lucca says after they leave the interview. “No, lucky,” Maia replies. “No, I’ve seen lucky. That was smart,” Lucca says and offers her hand for a high-five. (Can’t it be both? Maia totally would have signed the papers if it was her actual birthday. But it is smart that she’s thinking things through before talking now.)
Now it’s 1:27 pm. I don’t understand why these time stamps are happening and I especially don’t understand why the people at All Access have inserted the commercial breaks right after the time stamps instead of right before. I assume they’re meant to kick off each act that takes place on that first day?
Case stuff happens.
Another bird crashes into Starkey’s window. I thought it had to do with the way the light hit the windows, so why is this happening all throughout the day?
Starkey asks Maia if it’s correct she found out about the Ponzi scheme from the news. She says it is. “You graduated from law school in 2016, right?” Starkey asks. Maia says that’s right.
And then Starkey asks her about a celebration that took place at her parents’ house. Wait, who told her about this? From what Maia remembers, it was a small gathering. Maia, Amy, Maia’s parents, and Amy’s parents. So if Starkey knows about this gathering, does that mean someone close to her is talking to the FBI and making things look bad for Maia?
Starkey asks if Maia was living with Amy at the time. She was. (So Maia and Amy lived together in Chicago while Maia was in law school? Where did Maia go to law school? Or did Amy and Maia live in a different city and Amy just started as an ASA?)
(Amy’s parents look super uncomfortable around the Rindells—they don’t have that kind of money.)
But, Amy’s parents asked Maia about the possibility of her parents investing in the Rindell fund. Now I REALLY want to know who Starkey’s talking to, since Maia remembers that she didn’t even tell her parents about this request. Is Starkey talking to Amy? To Amy’s parents?
Case stuff happens.
“When the facts are on your side, you pound the facts. When the facts are not on your side…” cut to Adrian pounding the table in court. HEH. Nice transition.
I forgot to mention that Luke Kirby is in this episode as an ASA. He was on Rectify. You should all watch Rectify.
Jay does investigative work without Marissa. Cool.
Sweeney’s being considered for an ambassadorship. Diane, Adrian, and Barbara burst out laughing. As I said, I like this “lawyers laugh at things that are absurd” trend.
It’s not until 40 minutes into the episode that Sweeney mentions his reputation as a wife-killer. Sorry, new viewers. The show’s not being helpful with the exposition this week!
It’s a new day and Maia’s back at the FBI, fidgeting with her rosary ring. Now, the issue is that Starkey thinks Maia must have known something was going on at the fund if she didn’t ask about allowing Amy’s parents to invest.
Maia remembers a conversation with Amy (who apparently sleeps in a shirt that says BLONDE BESTIE” on it which tells me a lot about Amy) where Amy brought up the topic again.
Lucca tells Maia she understands that “rightly or wrongly, [Maia feels] guilty for your parents’ actions.” “That’s not what this is,” Maia insists. “You don’t even need to be conscious of it, Maia. Your guilt could just be coloring your memories. You could be seeing yourself as more culpable than you are. It’s your Catholic guilt. You are condemning yourself. That’s fine for the confessional, but here, it has real repercussions,” Lucca informs Maia. This is exactly what Maia needs to hear at this moment, especially that last part about the repercussions. If Maia wants to blame herself and ask herself why she was so willfully ignorant, fine. I think she probably was willfully ignorant, at least in the sense that she never questioned her parents or her own privilege. (Again, that foundation had one board meeting in six years.) But I don’t think anything she did would warrant jail time, especially given how young she was at the time. Guilt in the moral sense? Definitely. Guilt in the legal sense? That seems… like a waste of government resources. Maia doesn’t need to help the government make their case against her just because she feels bad that she had her eyes closed. It’s a lot to ask of any person, especially a young person, to turn on their family over a slight bad feeling. What could Maia have done, anyway? Gone to the government and said, “I feel like something’s off about my parents’ fund but I don’t have any specific details or specific reasons to think that”?
In the memory pop, Amy asks Maia again if she really asked her dad. “Lucca, I didn’t tell my dad,” Maia confesses in the present. “I must have somehow known about the Ponzi scheme. Otherwise, why would I have let Amy’s parents invest?” Lucca says that doesn’t mean anything (and I agree- I can imagine lots of other reasons Maia might not have wanted Amy’s parents’ money to be tied up with her parents’ fund, starting with the fact that it would just call attention to the fact that Maia’s super rich and Amy’s not). But Maia insists: she knew. (I feel bad for Maia here. She went from refusing to believe the people she loves, who actually committed crimes, could have been involved to blaming herself for everything.)
Diane and Adrian, late at night, debate strategy for the Sweeney case and drink scotch.
“Diane? You happy here?” Adrian switches the topic. “What, at your firm?” Diane asks. She is. “You wanted to retire,” Adrian explains the basis for his question. Diane laughs. “Yes. Well, life has a way of reminding you of who you are. Guess I’m not the retiring type,” she says. I bet Diane’s a lot happier here than she was at LockhartKeyboardSmash. “Are you happy here?” Diane returns the question. Adrian laughs. “Gotcha,” Diane replies.
“I like getting the better of people, and… keeping something alive. You know? Looking at there, at all those employees, realizing they might not have jobs if I don’t keep this going,” he says. “Yeah. That is a good feeling,” Diane agrees.
“Okay. Time to go home. Let’s get dinner sometime,” Adrian says so casually it’s almost like he didn’t just ask his business partner out on a date. “That’d be nice,” Diane replies. She looks startled but not unhappy with this idea. It’s not exactly a date, but, I mean…
(Remember how Will and Alicia were always supposed to get dinner in season 1?)
(I am cool with a Diane and Adrian ship. I also love McHart. As long as we don’t get a Adrian/Diane/Kurt triangle with Adrian as Will (I took you in when you were poison) and Kurt as Peter (the cheater), I’m pretty much okay with wherever the writers want to go as long as they do it well.) (Though I still don’t believe Kurt would have ever cheated on Diane.)
Adrian comes up with a way to get Sweeney’s case thrown out and, more importantly, the cop kicked off the force. It works.
At the next day of interviews—we didn’t see a single one of the day 2 interviews, just Maia panicking in the hallway—Maia remembers hearing Jax talking about an audit with both her parents, who closed the door in her face. Not sure what point in time this is supposed to take place.
She also remembers telling Amy they shouldn’t entangle their families’ finances. Maia remembers Amy asking if there’s something wrong with the fund. Did she? Does it matter if she did?
Lucca provides hypothetical reasons why Maia might not have told her dad that Amy’s parents wanted to invest. Makes sense to me. Also, proves yet again that Lucca is very good at reading a situation and saying the exact right thing. (She’s done this several times with Maia, but she did it all the time with Alicia, too.)
Sweeney isn’t going to be an ambassador, and he’s not going to help Diane with her civil suit. What a shame.
“I’ll drop by again,” Sweeney warns.
Maia tells Starkey that it just seemed like a bad idea to mix family and finances. Based on Maia saying “the truth is” in her answer, Starkey decides what she was always going to decide: Maia’s a liar and she knew about the Ponzi scheme. She’s going to recommend that they prosecute Maia. Good luck finding evidence.
Maia tears up, and the episode ends.
And this leaves me with two questions:
1) Do we have to endure another season of trial BS? This show does not need an ongoing conspiracy arc to work. In fact, the ongoing conspiracy arcs are usually the things that DON’T work.
2) Why didn’t we get to this point earlier? Not the point of Maia being prosecuted, but the point of Maia feeling guilt. I said this earlier, but I think these emotional beats would’ve been great things to hit on earlier. Now, after this episode, I have a sense of how much it affected Maia to be raised in a world where she never had to worry about anything other than herself. The stakes don’t have to be as high as an interview with the FBI and a potential prosecution to make Maia question everything, her own views included. They’re not going to send Maia to jail—at least, I’d be shocked if they did—so why do this arc? I would rather see her work through her guilt, reach out to her friends, reach out to Amy, start trying to do good, really throw herself into the firm’s fights even when she doesn’t understand them, or something like that. To me, that’s more interesting than watching the team come together to defend her.
(I expected to be harsher on this episode than I ended up being. I’m pleased that I liked it more on rewatch.)
(And sorry for all the Alicia mentions. I hate it when people insist on comparing a new character to an old character, but I just can’t stop doing it when it comes to Alicia and Maia. I’m trying to keep my comments to the storytelling—what works and what doesn’t when building a character whose notable for their connection to a big scandal—but I’m sure that what a lot of it comes down to is just that I love Alicia a lot and will take any opportunity I can to write about her.)
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citrusy-fangirl · 7 years
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incoherent pile o’ thoughts about TGF 1x09
(Hi.  This is the person formerly known as citrusyfangirl.  I now have a TGW/TGF-themed sideblog-to-my-main-blog and it has a hyphen and I won’t be using citrusyfangirl anymore.  Follow here for run-of-the-mill thoughts on The Good Fight and related media.)  Some scattered thoughts on TGF 1x09:
-I posted before the episode that I didn’t know how a Colin Sweeney episode was going to work without Alicia.  And IMO, it kinda didn’t.  I needed there to be a real reason that Alicia wouldn’t be dealing with this, and the half-sentence brushoff of “Alicia said she couldn’t handle my case” didn’t feel like there was any actual backstory behind it, it felt like the writers wanted a Colin Sweeney episode on TGF and didn’t even bother making up a character- and/or plot-based excuse for why he should be there.  Was it some technicality of the law, some sort of conflict?  Has Alicia moved into a different place in her life and decided she doesn’t need Colin Sweeney’s bullshit anymore?  It sounds like she’s dealing with some cases, just not this one, so why not?  As much as I want them, those aren’t necessarily answers I need from the show, but what I do need is consistency in the portrayal of Colin Sweeney, and that would have involved a *lot* more references to Alicia – hurt/confusion/indignation that she won’t represent him anymore, constant comparisons of the RBK lawyers to her whenever they displease him (come on, he threatens to leave for another firm at one point and he doesn’t say “I’m going to call Alicia again, I think this is nonsense” or whatever?), trying the typical weird flirty stuff but it’s just not the same with these new lawyers.  This show is causing problems for itself by wanting Alicia to be a notable presence in the periphery of the show, so she gets mentioned a lot for a character who’s never shown, but they’re refusing to let her edge any closer to the spotlight and thus they are forced not to give us any actual information about where she is and what she’s doing.  It winds up driving the other characters OOC – Lucca not turning to Alicia when dealing with her own confusion over how to handle a romantic partner embroiled in politics, for example, and now Colin Sweeney basically being all “welp, them’s the breaks ¯\_(ツ)_/¯” when Alicia, with whom he has had a weird creepy obsession for seven years, suddenly won’t take his case.  I don’t know.  I think they could have handled it better.  To me Colin Sweeney is not the same when he’s not playing off Alicia.
-The rhythms and cadences of how Starkey’s quirkiness was written were a little too reminiscent of Elsbeth IMO (it’s hard for me not to get caught up in how frequently this show is recycling material) but at least Jane Lynch played her very differently, and the lying-about-husbands-and-probably-about-painters-to-construct-a-useful-interrogation-persona thing worked for me.  I liked Lucca as Maia’s lawyer (though where, indeed, is Yesha?) but everything about the *content* of that proffer session fell flat for me.  How the hell is Maia supposed to remember which gyno appointments she had on which dates nine years ago?  Unless you have, like, a very specific type of autism or something that’s not how the human mind works.  I understand that Starkey wasn’t actually interested in getting real information, she just wanted to catch Maia out in a lie so she could go ahead and prosecute, but then why schedule a goddamn proffer session?  The only information you took out of that is that Maia can’t remember the exact dates that her mom took her to doctors’ appointments a decade ago and that she may have had some peripheral, indirect knowledge that her parents were engaged in something shady.  You knew all that before the “proffer session”!  The entire session consisted of you asking Maia only-vaguely-relevant questions she could not possibly be reasonably expected to have full and coherent answers to, waiting for her to answer incorrectly/confusedly, and then giving her the real answers!  You didn’t need to spend your day doing that! Just issue a subpoena or whatever from the get-go and then spend the rest of the day researching the cost and logistics of installing tinted windows in your office to cut down on the dead birds smearing themselves across the glass behind you! How is that not a better idea!
-I guess I liked the memory pops and the way they were handled (LOVED the way she saw Amy in her memory) – the way they showed us how comfortable she used to be in her rich, comfortable life and how little incentive she had to rock the boat when she began to see clues that her parents were sketch city.  I don’t think it would even have occurred to her to rock the boat; she’s smart but she’s not someone who Has To Know, not someone who can’t rest until she’s put the pieces together, and I was glad to see that established/reaffirmed here.  (I want to see more of what Amy is thinking about all this.  She’s the one who bothered to formulate the question “Is something wrong with the fund?”  Is she a Has-To-Know person?  How does that work between the two of them?) I liked the unreliability of Maia’s memory and how suggestible she was; Starkey would tell her something happened and she’d construct a memory of it that was probably a composite of several different things that happened at different times. That felt real enough to me, even if the stupid pointless questions Starkey was asking didn’t.  
-All in all this episode was trying to raise the stakes by having Maia’s growing self-awareness (“oh my God, I knew something was wrong all along”) happen concurrently with/as a result of a high-stakes interview that ends in a formal declaration that she will be prosecuted.  But they didn’t manage to make the interview make all that much sense, so it feels like they’re shoehorning character development into a sloppily-written plot.  This is better than no character development but not as good as good character development.
-Side note: I do not ship Diane and Adrian.  Maybe I’m wistful for the old days of Will/Diane friendship, but I would like to have a strong collegial friendship/partnership at the center of the show, not a romantic mess.  (I also just want to erase this bullshit plot where Kurt cheated on Diane in violation of EVERYTHING WE EVER KNEW ABOUT HIS CHARACTER and have McHart be the best ever again, but I suppose that won’t happen.) When Adrian asked Diane to go out to dinner sometime I wanted so badly for it to be a friendly thing that initially I convinced myself it actually was.  That doesn’t even make any sense, and yet I still want that.  Guys, you have to work together!  Don’t fuck this up, please!
-Other side note, prompted by Lucca’s performance as Maia’s lawyer: more badass Lucca, show.  You can’t give me too much badass Lucca.  True, I will never stop yearning after badass Kalinda, and Lucca will never be Kalinda (which, don’t get me wrong, is good); she’s just great in her own right and I want more of that.  Lose the stupid Robert-King-classic kinky sex with Colin Wonder Bread and stick to Lucca slaying.  Can’t go wrong there. -ALSO, while I didn’t like the awkwardness of the judge not being able to get up the ramp (why is the grade on the ramp illegally steep in a *courthouse*? How many lawyers are fighting for this case now?) I did like seeing him again, as last we saw him he was giving a thoroughly unimpressed face to Louis Canning as Canning tried to commiserate over disability. I think he’s kinda great. But I always like the competent judges who don’t have a shtick. Just don’t make “being in a wheelchair” a shtick, show. You’re riding close to the edge now. -Last side note, I spent a fair amount of time laughing at this episode, and in places where I was actually supposed to laugh, so that’s a plus. 
I probably have more thoughts about some other more minor things that happened but I think those are the main things.  Thoughts, anybody else?
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tuseriesdetv · 7 years
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Crítica Del 1x09 "Self Condemned" De The Good Fight: Hypothetically He's Back
Falta menos de una semana para la season finale de The Good Fight – con una segunda ya en mente – y, esperemos, para conocer la respuesta a algunas de nuestras preguntas. Las cosas por Chicago siguen complicándose para algunas de nuestras protagonistas. Si quieres enterarte de lo que ha pasado, no dudes en seguir leyendo
Me parto xD
No puedo negaros una cosa y es que mi hype por este episodio estaba bastante arriba por un único nombre – lo siento, Jane Lynch –: Colin Sweeney. La vuelta de mi cliente favorito ha sido el combustible para que yo me lo pase pipa viéndole un año después de los acontecimientos de The Good Wife. No estuvo en la última temporada de esta, cosa que eché muchísimo de menos, pero tenerle de vuelta es lo mejor que me ha pasado en lo que llevamos de serie. Colin sigue siendo un troublemaker, un tipo excéntrico y juguetón que no puede estarse quieto. El caso en sí me ha dado un poco igual porque Dylan Baker – a sus pies; ¡qué pedazo de actor y cómo le quiero! – sigue robando la pantalla cada vez que aparece. Sí, tenemos otro caso de brutalidad policial que implica a Sweeney. Si lo pensáis fríamente, en estos diez episodios nos hemos movido por un rango muy restringido de casos: brutalidad policial, Chumhum (blancos ricos que se ríen de sus abogados), un caso de presuntos abusos que al final no fue, el caso Rindell como tal… Entiendo que en veinte episodios, como en el caso de TGW, hubiese una mayor diversidad pero se puede trasladar a los diez de The Good Fight y sin meter relleno, como pasaba en la serie madre. Se me está haciendo cansino ver lo mismo y más si tampoco es que avancemos gran cosa en la trama. Colin Sweeney ha sido todo lo que quería y necesitaba, pero venimos de un capítulo donde la guerra civil en Reddick, Boseman & Kolstad acababa de comenzar y… lo han cortado. ¿Lo van a dejar para el final de temporada o ya para la siguiente? ¿Con un periodo de tiempo tan largo, en el caso de la segunda opción, nos va a seguir interesando esta división del bufete, táctica ya más que manida por parte de la serie original? Tengo mis serias dudas. Siguiendo con Sweeney, tengo que decir tres cosas. La primera es que ha mencionado a Alicia – no podía coger su caso. ¿Qué andará haciendo con su vida? – y el momento en el que se ha dirigido a Barbara me ha recordado muchísimo a cuando hablaba con Florrick. Tengo los feelings a flor de piel con este señor – no os podéis ni imaginar lo mucho que le quiero –. Segundo: ¿qué ha pasado con Renata? ¿Ya se ha divorciado de ella? Anda que las fiestas que este se trae con drogas y sexo de por medio… Habría que verlas para salir huyendo. Tercero: ¡¿embajador en el Vaticano?! Por favor, ¡spin-off para Colin Sweeney si eso ocurre! El diablo en persona en el Vaticano. ME MUERO. Ay, Colin, cómo te echaba de menos en mi vida. Ojalá vuelvas.
¡Qué mona, por favor! ♥.♥
Este episodio ha estado más centrado en Maia, quien se ha reunido con una agente del FBI, Madeline Starkey, interpretada por Jane Lynch, y Lucca, quien es ¿su abogada? ¿Qué pasó con la anterior, la han echado, se le ha acabado el contrato, los King han decidido cortar por lo sano? ¿Qué es esto? El caso es que Starkey ha jugado bastante bien al intentar confundir a Maia en más de una ocasión y hacerla sentir bastante incómoda. Que te pregunten por cosas de hace nueve años es una gran presión, sobre todo porque ni vosotros, queridos lectores, os acordaríais de qué hicisteis si quiera hace una semana – ni yo, os lo aseguro –, así que estaríamos todos un poquito en la mierda. Por lo tanto, comprendo y simpatizo con Maia. Sin embargo, ya vamos viendo cosas raras. Maia notaba que algo se estaba quemando pero nunca fue más allá, se contentó con las respuestas que su padre, principalmente, le daba. Puede ser por la inocencia de la juventud, porque su mente estaba a otras cosas, no indagase más, pero algo debió pasar en su cabeza para que no le dijese nada a Henry sobre la inversión que querían hacer los padres de Amy. La “traición” a Amy le pesa bastante ahora mismo y con cierta razón, dado que es su novia y le mintió, pero debe haber una razón por la  que no se ha cuestionado nunca sobre por qué no se lo contó a su padre. La sensación que me da sobre Maia y la fundación es que realmente ella no estaba muy involucrada, sino que eran sus padres quienes manejaban todo y ella sólo firmaba los papeles que le daban. Esta institución nació con muy buenas intenciones, pero estas desaparecieron del mapa en cuanto los padres de ella se dieron cuenta del negocio tan lucrativo que tenían entre manos. Si lo expandimos, mi sensación es que Maia es una hija única muy querida involucrada en la familia pero, al mismo tiempo, muy ausente. Si no, no me explico cómo tampoco se olía nada o nunca le ha dado por mirar los cajones. ¿Demasiado inocente? ¿Hay gente de 25 años tan inocente? Sin duda alguna, Maia – aunque me duela – necesita un par de bofetones para espabilar porque si no se la van a comer con patatas. Ya los está recibiendo por todas partes, sin comerlo ni beberlo, y espero que la hagan un poco más lista y más echada para adelante porque la noto muy paradita. Otra razón puede ser que sus padres sean merecedores del Oscar a mejor actor y actriz del año, porque esconder todos los problemas ha debido de ser para darles el premio. Al final, entre jugada y jugada, supuestamente Maia miente a Starkey, por lo que el trato por el que “todo lo que digas no va a ir en tu contra” se anula y Rindell va a ser investigada por el fiscal del Estado. Me da una pena tremenda porque, en el fondo, es una chiquilla que acaba de obtener su título como abogada y estaba empezando a trabajar. Esto puede ir dos caminos: uno muy bueno en el que todo se medio arregle y ella espabile, sin perder su bondad; o por uno muy malo donde, uno, también se medio arregle todo y se convierta en una cínica como Alicia Florrick, o dos, todo se vaya a la mierda y acabe en la cárcel. Esto último sería lo sorprendente y lo que haría que The Good Fight se desvirtuase un poco de The Good Wife. Una de mis quejas es que, aunque esté bien beber de la serie madre, también hay que saber forjar una identidad propia, desvinculándose en ciertos momentos y tomando un timón propio. TGF lo ha hecho en cuanto a que contamos con tres personajes femeninos protagonistas en vez de uno solo, tenemos un bufete integrado por afroamericanos, nuevos personajes…, pero en otros aspectos continúa ciertos caminos ya vistos y que pueden resultar repetitivos. Espero que la season finale nos sorprenda.
¡Qué monas! Me gusta el tándem que forman
Otra cosa con la que no se ha avanzado en este episodio es la no relación entre Lucca y Colin, a quien no hemos visto junto a Marissa. Ambos personajes han estado fuera de combate. Me da a mí que lo van a dejar para la finale también y ahí va a haber una marabunta de temas, tramas y personajes que nos va a volver locos. Tenía ganas de saber qué va a pasar entre Lucca y Colin, quienes me están quitando la vida poco a poco, pero vamos a tener que esperar una semana más. En cuanto a Lucca, ha estado estupenda ayudando a Maia. Starkey se le ha metido debajo de la piel y Quinn ha sabido cómo jugar a su juego. Menos mal porque veía que esto terminaba peor de lo que lo ha hecho.
En general, este episodio me ha parecido más un tránsito hacia el final de la temporada, donde todo parece que va a explotar. Y no estoy muy segura de que eso sea bueno. Con todo lo que tienen que contar, me da que el episodio va a durar casi una hora o sus 50 minutos no se los quita nadie. No sólo tendrán que cerrar tramas, sino también abrir otras nuevas de cara a la segunda temporada, a no ser que dejen alguna abierta ya de esta y ya veréis la risa que nos va a dar – totalmente irónico esto último –. Este capítulo, en particular, no me ha dicho gran cosa; tiene dos puntos interesantes (la vuelta de Sweeney y la reunión de Maia) pero no mucho más. Como llevo diciendo semanas, me sigue faltando algo en esta serie, algún tipo de profundización con chicha. En este caso lo hemos tenido con Maia, pero realmente no hemos sacado mucho en claro porque ni ella misma se acuerda bien de lo que pasó, por lo que, haciendo balance, me quedo con nada.
Por mi parte nada más excepto animaros a que dejéis vuestros pensamientos, sentimientos o cualquier cosa que se os haya pasado por la cabeza al ver el episodio. Siempre intento sacar un hueco para responder vuestros comentarios, que sé que es una cosa que cuesta bastante. Os lo agradezco de veras.
¡Hasta la semana que viene!
P.D: Mamá Rindell lleva años tirándose a Uncle Jax. Esto se pone turbio.
P.D.D: ¿Adrian sugiriéndole a Diane que vayan a cenar alguna vez? ¿Esto es una hipotética cita? Uyuyuy.
Irene Galindo (@MissSkarsgard) 
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deelylah-sedai · 12 years
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mikelogan · 1 year
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THE GOOD WIFE 1x09 THREESOME
CHRIS NOTH as PETER FLORRICK and JULIANNA MARGULIES as ALICIA FLORRICK
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I feel like my biggest frustration with TGF is that we're really not getting into the headspace and emotions of /any/ of the main characters, especially if we compare it to TGW and its relationship to Alicia. I can't imagine TGF pulling off an episode like "A Few Words" or "The Decision Tree," and that makes me sad :(
TOTALLY. The show is trying to do so much, but it’s sacrificing character development for COTWs, politics, and whatever the Rindell ponzi scheme subplot is. It’s especially frustrating because I know the writers are capable of good characterization and good character arcs (not only did they get it right for Alicia, but they’re also still fantastic at the small character moments and writing towards their actors). So why is all of that missing from TGF? They know how to develop Diane. They know Lucca’s voice. And Maia’s arc is just a variation of Alicia’s arc! How can they be failing to write Maia as a compelling figure when they have seven years of knowing what did and didn’t work in Alicia’s arc to use as a guide?! 
The TGF 1x09 promo has some scenes of Maia with curly hair and a line about the way the mind remembers things, so I’m thinking we’ll get memory pops next week. The only problem? It shouldn’t take memory pops to get inside the mind of a character-- the memory pops should add dimension to an already interesting character. Honestly, at the rate TGF’s been going, I’m half expecting the memory pops to just be boring run-of-the-mill flashbacks. 
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