#tesh talks

[teshadraws]

Nia, noticing Tobias is once again sad/upset: "need a hug?"

Tobias, desperately touch starved and very much wanting a hug, still trying to keep up his non-existent reputation: *blushing* "What? No, disgusting,"

Pretty much. 😂

[teshief]

Can I pet the birb?

yes.

[teshadraws]

This is so cool! 😭 Thank you for making it. You did a great job conveying that sense of intense sadness and feeling lost. I love the little bit around the 1:10 mark especially!!!

This is my little bit of fanart for @teshamerkel's PMD fanfic Seekers of Soul.

There wasn't an exact scene in mind when I was writing this, but I assume it'll be one further down the road. It's meant to be a plea of sorts from Tobias for the eventuality she ends up leaving.

Which is why I named it "Don't leave me".

[microwaving-tesilid-argente]

was talking to a friend and it turns out that in their head tesilid is always bloodied and half dead bc i keep sending those pics as reaction images 😭

"if i go korea i'll get you merch of him covered in blood" "why would there be merch of him covered in blood?!?!??"

[theartofangirling]

part 3 of the 2023 version of this post: adult books!

part 1: middle grade books | part 2: young adult books

this is a very incomplete list, as these are only books I've read and enjoyed. not all books are going to be for all readers, so I'd recommend looking up synopses and content warnings. feel free to message me with any questions about specific representation!

list of books under the cut ⬇️

yerba buena by nina lacour

if we were villains by m.l. rio

everyone in this room will someday be dead by emily r. austin

i want to be a wall by honami shirono

portrait of a thief by grace d. li

the thirty names of night by zeyn joukhadar

on earth we're briefly gorgeous by ocean vuong

love & other disasters by anita kelly

take a hint, dani brown by talia hibbert

boyfriend material by alexis hall

almost like being in love by steve kluger

the charm offensive by alison cochrun

something wild & wonderful by anita kelly

red, white & royal blue by casey mcquiston

something to talk about by meryl wilsner

honey girl by morgan rogers

one last stop by casey mcquiston

once ghosted, twice shy by alyssa cole

kiss her once for me by alison cochrun

a spindle splintered by alix e. harrow

finna by nino cipri

every heart a dooryway by seanan mcguire

the starless sea by erin morgenstern

under the whispering door by tj klune

space opera by catherynne m. valente

light from uncommon stars by ryka aoki

dead collections by isaac fellman

the city we became by n.k. jemisin

light carries on by ray nadine

an absolutely remarkable thing by hank green

feed them silence by lee mandelo

summer sons by lee mandelo

upright women wanted by sarah gailey

lavender house by lev a.c. rosen

fried green tomatoes at the whistle stop cafe by fannie flagg

the seven husbands of evelyn hugo by taylor jenkins reid

a master of djinn by p. djeli clark

witchmark by c.l. polk

a marvellous light by freya marske

a restless truth by freya marske

when women were dragons by kelly barnhill

plain bad heroines by emily m. danforth

a lady for a duke by alexis hall

infamous by lex croucher

passing strange by ellen klages

even though i knew the end by c.l. polk

the chosen and the beautiful by nghi vo

whiskey when we're dry by john larison

wake of vultures by lila bowen

silver in the wood by emily tesh

the once and future witches by alix e. harrow

the kingdoms by natasha pulley

a tip for the hangman by allison epstein

she who became the sun by shelley parker-chan

the song of achilles by madeline miller

spear by nicola griffith

this is how you lose the time war by amal el-mohtar and max gladstone

gideon the ninth by tamsyn muir

some desperate glory by emily tesh

all systems red by martha wells

a psalm for the wild built by becky chambers

the mimicking of known successes by malka older

winter's orbit by everina maxwell

fireheart tiger by aliette de bodard

empress of salt and fortune by nghi vo

legends and lattes by travis baldree

the house in the cerulean sea by tj klune

other ever afters by melanie gillman

the priory of the orange tree by samantha shannon

a day of fallen night by samantha shannon

a strange and stubborn endurance by foz meadows

the unbroken by c.l. clark

real queer america by samantha allen

fun home by alison bechdel

in the dream house by carmen maria machado

better living through birding by christian cooper

why fish don't exist by lulu miller

[booksandchainmail]

Hugo Best Novel Finalists 2024

I've read all 6, so here's my impressions and loose ranking. The numerical ranking is only approximate for now, I'm going to pin it down once we get closer to voting closing. I could see the top two books switching places, or any rotation within books three, four, and five.

The Saint of Bright Doors, by Vajra Chandrasekera This was one of my top books of last year and one of my own nominations. It's a very strange book, twisty and creative, and left me with a lot of thoughts, particularly about how it handles government. I appreciated the mishmash of worldbuilding, all sorts of things that felt incongruous next to each other but somehow fit together. It also felt more literary than most sff novels? I am not normally deeply noticing of language, but I kept coming back to individual turns of phrase here. All books should have a 50-page chapter in the middle where the protagonist wanders through a neverending surrealist prison land.

Some Desperate Glory, by Emily Tesh Another of my nominations, this is a more straightforward exploration of, essentially, the deradicalization of someone raised in an authoritarian military camp. I respect how this book lets Kyr be awful, be completely convinced she is correct, and be defensive and lash out when confronted with her home's issues. I think the ending stumbles a bit, but really I mostly wanted this book to be much, much longer and have Kyr's character arc spread out more. Also, the choice of title and epigraph is excellent.

Translation State, by Ann Leckie Not much to say here, it's a new book in the Imperial Radch universe, I read it when I came out so don't remember detail. I liked the different intersecting plotlines, and particularly the Presger merge-and-devour adolescent instinct

The Adventures of Amina al-Sirafi, by Shannon Chakraborty This one I hadn't read before but enjoyed. I don't know how deep I'd say it is, but it's fun, a good classic adventure story with a putting-the-crew-back-together plot common to heist narratives. It benefits a lot from its setting: my main takeaway was that the Indian Ocean in medieval times is a criminally underused setting for any kind of nautical/swashbuckling/adventure story.

Witch King, by Martha Wells I read this one when it came out, and remember liking it a lot. The two intertwined narratives, set centuries apart, worked well for me to let the backstory unfold to inform the main plot as it progressed. I think I preferred the backstory narrative? But that might be due to also having the present narrative, since my favorite part was seeing how the echoes of relationships are still going on centuries after we get to see them form

Starter Villain, by John Scalzi I did not like this. I had some criticism last year for Scalzi's Kaiju Preservation Society, on the grounds that it was fun but not substantive enough for an award. But at least with that one I enjoyed reading it! My main thought while reading Starter Villain was "Well, at least it's short." I think my main problem with this is tonal: it doesn't commit enough to the over-the-top goofiness of "guy inherits his uncle's supervillain empire" and keeps trying to ground it in what an actual secretive genius billionaire pulling strings behind the scenes for his own nefarious purposes might look like, but then any attempts to actually be serious with the grounded stakes and world established kept running into the fact that it also featured sentient cats and talking dolphins! Also, I couldn't stop noticing that the protagonist talks the same way as the major supporting characters, which is the same way the protagonist talked in KPS last year

[literary-illuminati]

Book Review 49 – Some Desperate Glory by Emily Tesh

Introduction

I forget who initially recommended me this book, but I owe them an incredible debt. Really the only disappointing thing is that I hadn’t heard of it even sooner, as this really is just perfectly tailored to appeal to me specifically. First science fiction/fantasy novel I can remember reading in a long time that I actively wished was longer. As a testament to how much I liked this book – this review is long enough to need subheadings.

So! Some Desperate Glory is a space opera, following Kyr (Valkyr, technically), a 17-year-old cadet and genetically enhanced ‘warbreed’ golden girl of Gaea Station – that being the quasi-fascist statelet of militant dead-enders who fled to a desolate planetoid in a dead system to continue the war after aliens destroyed the earth/most of humanity. After she gets assigned to Nursery (read: breeding the next generation of soldiers) instead of a combat wing and has a crisis of faith, she talks herself into running away to help her brother on the suicide mission terrorist attack he was deployed on. With the help of one of her brother’s friends and a captured alien, she manages it, discovers that her brother had absolutely no intention of actually following orders once he’d made it out, and take it upon herself to do her own, better, terrorism. From there the plot gets weird, and I’m going to spoil it shamelessly talking about it, but if you value surprises when reading at all just stop this review and go read it.

The Heroine

Kyr is, and I say this lovingly, the most insufferable bitch of a 17-year-old military brat I’ve ever spent time in the head of (at least at first). Even compared to the other indoctrinated child soldiers she’s the cop nobody likes. She then spends the first third to half of the book unlearning this indoctrination, by which I mean very arduously and painfully reaching a point of ‘the fascist cult was a corruption and black mark on the good name of the death cult vengeful crusade, I’ll do it better’ and ‘it’s probably okay to not, like, personally hate aliens who were too young to have been alive when the earth was destroyed. Torturing them for no reason is wrong, like abusing animals was, back when there were animals’. She spends the entire book expecting on a bone-deep level to get herself killed for the cause, and at the end of the book is only like 10% of the way better (one of the last beats in the entire story is, standing with one of her only friends and sure they’re both about to run out of life support, offering to snap their neck for them because ‘asphyxiation’s a nasty way to go’). Whenever she is confronted with the idea that some people aren’t constantly aware of the possibility of physical violence or get to live their lives as something other than a bullet in the gun seeking vengeance for a dead planet she wants to scream and smash things at the unfairness of it all. I adore her.

Honestly my only real complaint is how quickly she starts mellowing out in the second and third acts of the story. There’s extenuating circumstances (whole extra life of memories, time loop bullshit, forcibly confronted with what she said she wanted and what it looks like, etc), but past the one real big hump it did rather feel like her character development suddenly became a bit smooth and easy/. This is one of the things I’m talking about when I say I wish the book was longer – everything after the first big climax and the time travel/universe editing felt kind of rushed and abbreviated.

As far as being a #problematic fave goes, Kyr was also very carefully kept from being, like, directly personally culpable for anything really unforgivable. Which I do understand why from a wanting people to sympathize with the racist homophobic fascist child soldier, but like – you’ve already introduced time travel and retroactivity. C’mon, don’t get cold feet now. Let her and Avi really share the ‘killed trillions in a universe that retroactively never happened’ credit.

Also, and entirely tangentially – you know how in a lot of action shows, the hero has incredibly emotionally tense rivalries and/or camaraderie with other guys, and then also an extremely conventionally feminine girlfriend off to the side somewhere who does like two things in the entire story and mostly seems to exist to prove he’s straight? Kyr has that, except she is textually gay (if incredibly repressed about it and like 90% of the way to asexual in terms of libido). Sorry Lis, but you are literally barely a character. Cleo’s right there, and already has a personality that’s more than two bullet points and is actually involved in the plot in ways beyond ‘love interest’.

Gaea Station

The shitty fascist asteroid habitat that Kyr grew up on is (if barely) the primary setting of the story, and as far as portrayals of incredibly unbalanced and fundamentally broken society just full of cultlike and ultranationalist neuross. I kind of love it as a dystopian setting, though I feel like the author kind of over-egged the pudding on it by the end of the book.

Society is organized into what feels like an intentional parody of a lot of YA dystopia setups, where you live in a tightly integrated mess all through adolescence (each with their own heraldic animal to idenity with!) but then at 17 your exams determine the branch of society you will be assigned to for the rest of your life to do your duty for humanity. Of course, unlike most YA dystopias, the System isn’t the result of some leviathan-state ruling the fates of millions or a tradition that’s going back generations upon generations – it’s a ramshackle mess that can barely consistently feed its warrior elites enough protein slop to take advantage of their genetically engineered hormone levels for muscle growth. It’s all so clearly and intentionally artificial and fake that it loops around to feeling extremely realistic.

Also do love how the elder generation all have names like Joel or Ursa or Elena, while the younger generation are all Valkyr and Magnus and Avicenna and Zenobia. The only really surprising thing is that they don’t specifically call out how children are raised in common and without individual families as following Plato’s Republic – it’s exactly the sort of attempt to create a grand unifying mythology for all of Earth’s true and vengeful children.

I really do wish Tesh had trusted the reader a bit more about it, though. Like, we can tell that almost all the names of the younger generation are either historical figures form the Mediterranean/Greco-Roman world or Norse mythology (with a few exceptions like Avicenna who fit the general aesthetic if not those exact conditions), which puts a bit of a lie to the whole ‘pan-human’ bit. It’s a clever bit of characterization through worldbuilding! You don’t need to call it out twice in dialogue between characters and then again in an in-universe scholarly essay excerpt at the start of a chapter. I can’t complain too badly though, she’s really not even close to being the worst for that I’ve read recently.

One thing I did like especially because I don’t think it was ever called out and brought front and centre is just the sort of, like, perfect irony of both Kyr and her brother Magnus – ‘warbreed’ engineered supersoldiers with physical capabilities beyond any baseline human, blonde aryan ubermensch, the golden children and eugenic future of Gaea Station/true humanity – both being queer and totally unsuited to their assigned gender roles. If it was, like, specifically brought up in a big monologue as disproof of the Gaean ideology or something it’d feel much too on the nose, but as just a set of facts underlying the characterization of the protagonists I liked it quite a lot.

Trio Dynamics

They don’t actually have all that much pagecount spent together, now that I think about it, but as far as I’m concerned the absolute heart of the story is the dynamic between Kyr, Avi (Avicenna, genius-level hacker and cynical rat bastard discontented Gaea Station restaurant) and Yiso (young and rebellious Prince of the Wisdom, taken captive by Gaea when they’re personal ship came too close and then liberated/kidnapped by the other two in their escape attempt). It’s peak trauma-bonding in that the first time it involves a) Avi torturing Yiso to force the alien supercomputer to let him access it and b) Kyr shooting Avi in the head after he uses access to the supercomputer to wipe out 90% of galactic civilization as payback for the whole ‘destroyed Earth with an antimatter missile’ thing (she got a case of morals when confronted with what ‘winning’ would mean. Also her brother shooting himself.)

By all rights they should absolutely hate each other and after two temporal recursions and oceans of retroactively unspilled blood on all their hands they’re the only people who even slightly understand each other. At one point Kyr tells Yiso ‘just so you know, I don’t really care about you as a person,’ and then immideately thinks ‘that was a lie. Why did I say that?’ Avi and Kyr both deprogram themselves from the cult that raised them but only the ‘loyalty to the cult’ bits and not the ‘alien race war vengance death cult’ bits. Yiso meets Kyr in an atemporal training simulation and gets retroactive Stockholm syndrone even though the first time they actually meet she breaks their ribs for repressed teenager reasons. They all drive me absolutely insane and I absolutely adore them. Even if Avi’s redemption felt waaaaay too rushed and unjustified in the final recursion, willing to forgive it here.

Time Loops

The big twist of the story is that, having fucked up and enabled Avi taking vengeance for Earth by doing the same thing to every other alien species, Kyr jumps into the alien supercomputer time manipulation buisness wholesale and goes back to prevent the destruction of Earth. Which then fast forwards to her being a newly minted officer in the Terran Expeditionary Fleet that is the imperial power dominating the known galaxy in increasingly high-collateral damage ways as time goes on. Yiso, in this timeline the beating heart and soul of the main alien resistance group, seeks her out and restores her memories and they go back to try and hijack the alien supercomputer before the government office whose hijacked its crippled remnants (as helmed by the alternate-timeline version of Gaea Station’s great leader, now a fleet admiral of the ‘Providence’ division) manage to literally destroy the universe.

It is mostly down to all the fanfic I’ve read, but I really, really adore timeline divergences that ropagate out and leave all the major characters different but similar people in alien yet appropriate situations. I also adore time travel stories about someone turning the timeline into swiss cheese trying to brute force their way to the one and only golden ending. So I adore this whole conceit. Really my only complaint is that there were only two (one and a half, really) recursions. Not that I’m demanding a full groundhog day here. But, like, it’d have been nice. And Kyr/Avi/Yiso continuously bumping into each other in different configurations and usually ending up at gunpoint would have been ann absolutely amazing bit.

Space Orcs

I can’t be sure Tesh actually had any exposure to the whole online meme of ‘humans as space orcs’, but I do and it’s really impossible to read the book as anything but an examination of the idea. Compared to every alien species ever encountered, humans are tall, heavy, muscular, impulsive, and violent. In a one-on-one confrontation they’ll snap any other species’ neck. The very first pages of the book are an excerpt from an in-universe text writing for an aliens about how actually really humans are very intelligent, and then talking about how threat displays and ‘human culture’. In the original timeline they even fit into the usual social niche of orcs in a lot of fantasy these days – the scattered and diminished remnants of a brutal empire that was defeated and mostly-exterminated in their attempts to conquer the universe.

The book’s handling of this doesn’t really have a point, as far as I can tell – the worldbuilding’s sufficiently divorced from anything real that trying to call it a commentary on racism or genocide or conquering empires is a stretch. (It is after all a fundamental point of the book that the obliteration of earth and extermination of the vast majority of humanity really was the only way the Wisdom could prevent the Terran Federation from conquering the known galaxy. Which is I’m extremely sure not something the author intends to be a historical analogy.) I found it a fun bit of worldbuilding and interesting subversion of normal space opera tropes regarding humanity’s relative abilities, anyway.

Theodicy

Is an incredibly pretentious way to title this section, but also in a sense kind of the core of the book’s plot? In an interesting way, and I think it’s really the book’s greatest weakness that it doesn’t explore or grapple with it enough.

Which is to say – the Wisdom is at the heart of galactic civilization. It’s an alien AI with vague but vast (though limited) reality-warping and precognitive powers. It does not rule the civilizations that accept it, but guides them as a benevolent god towards best, happiest outcomes with whatever support they ask for or need. To determine what ‘best’ means, it creates its Princes, vat-grown heirs to the dead species that created it, with a lifespan of millenia spent going through simulations and interacting with the world to provide the data and decision-making it requires to make that sort of strategic decision.

The Terran Federation’s attempt to reverse-engineer or hijack the Wisdom put it in a situation where the only solution its princes could find was to destroy the better part of humanity and even more of their industry and culture. Through the plot of the first acts of the book, Kyr and her genius-level-hacker friend hijack a node of it and Kyr convinces/forces it to accept her decision-making instead of its prince (who they just killed). This results in an explicitly colonialist human empire ruling over aliens as oppressed subjects, and using the half-wrecked and poorly understood Wisdom to eliminate threats before they occur (shunting the reality backlash off to alien worlds they don’t care about). The next acts of the book mostly resolve around fixing or reverting this, and end with Kyr diving back into a node and having another conversation with it.

A conversation which is basically it giving up. It reverts things back to the human-genocide timeline, then shuts down its infrastructure and goes dark, leaving the entire mostly pacifistic and loosely governed galactic civilization it had protected suddenly on its own. Humanity were such assholes we found a loving god and then convinced it to kill itself.

Which, like, could 100% totally work. As far as high concept short story prompts go its incredible. But as far as actually driving the action goes the Wisdom is the one who makes the most important deciisons in the entire book, and determine the entire shape of the plot. For it to land, it really really needed more than two and a half short conversations on screen, at least to me.

TL:DR

Good book, lesbian doing space atrocities, should have been longer.

[aroaceineveryplace]

“Haven’t you ever liked someone, or cared about them?” 

“I care about you,” Kyr said. 

“Not like that!” Mags rounded on her. “Haven’t you ever wanted someone?” 

Kyr got to her feet, not liking the look on his face, but before she could say anything he barreled on. This was the most she had heard him talk at once in years, the most expression she’d seen him show since the awful months after Ursa had left. 

“Forget the queer thing,” he snarled, “just—don’t you ever want to touch anyone? Don’t you ever want to be with someone, to love someone—” 

He broke off, gasping again. Kyr’s body moved before she realized that she knew what to do. Kyr’s body was always the best of her. She went to Mags and put her arms around him, and he shuddered like it hurt and then collapsed into the hug. Kyr could feel dampness where he had his hot face against her temple. 

“It’s okay,” she said. “It’s okay.” He was shaking. Kyr found that her hand was rubbing soothing circles on his shoulder. “I’m sorry,” she said. “I’m sorry. It’s okay.” 

Do you really think it doesn’t count, that I care about you? she wanted to say. Do you think it doesn’t count, when I refused my assignment, when I left home, when Cleo called me a traitor—I got stabbed, did you know—when I came to this stupid collaborator planet and lived in a shack with a majo for two weeks and then had to see Ursa again—all of that—just because it’s nothing to do with sex stuff, do you really think it doesn’t count?

— Emily Tesh, Some Desperate Glory

[nonas-third-tantrum]

I’m not even halfway through but Some Desperate Glory by Emily Tesh is rewiring my brain in the way a book hasn’t been able to do since I first read tlt

if you’ve read it please talk to me about it and if you haven’t read it GO READ IT

[teshadraws]

I hope Magie has a nice Mother’s Day

Aww!!! While I don't think Mother's Day is a thing in the Seekers universe, I'm sure Maggie had a lovely day regardless. :')

[theinquisitxor]

Mid-Year Book Freak-out Tag 2024

Another year, another Mid-Year Book Freak-out Tag! I believe this set of questions originated on booktube, but I see it circulate around all social media. I usually do this set of questions every year. Feel free to copy/paste the questions if you're interested!

I try to only answer 1 book per question (but sometimes I can't decide) and I try to only talk about a book once throughout the set of questions too, so I'm not too repetitive, but it doesn't always happen!

1.Best Book so far in 2024: I'm going to have to say Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants by Robin Wall Kimmerer. I read this on audio back in January, and it's stuck with me since. I bought a physical copy and have been reading & marking up the book over the past few weeks. I'm not a religious person, but this book could be my bible lol.

A close runner up is North Woods by Daniel Mason, and the Beartown series by Fredrik Backman.

2.Best Sequel you've read so far in 2024: Emily Wilde's Map of the Otherlands by Heather Fawcett. This series is just so fun and exactly the type of book I like to read.

3.New Release you haven't read yet, but want to: Goddess of the River by Vaishnavi Patel. I really enjoyed her debut, Kaikeyi and she's an author on my radar now. I'm also interested in Running Close to the Wind by Alexandra Rowland.

4.Anticipated Release for the second half of the year: The new T.Kingfisher book, A Sorceress Come to Call in August, as well as A Dark and Drowning Tide by Alison Saft later in the fall.

5.Biggest Disappointment: The Atlas Complex, the third and final book to the Altas series by Olivie Blake. This was a big disappointment and let-down :(

I also found Song of the Huntress and A Winter's Promise to be disappointments this year. Both were books I was anticipating liking a lot, but was let down.

6.Biggest Surprise: The Throne of the Five Winds / Hostage of Empire trilogy by SC Emmett. This became a new favorite fantasy series, and I went into the first book without much of an expectation, but was surprised by how much I liked it.

7.Favorite New Author: I did not read many new (new to me, or debut) authors this year so far, but I did enjoy reading the Greenhollow Duology by Emily Tesh. So I would say Emily Tesh is a new favorite.

8.Newest Fictional Crush: usually I struggle with this question, but this year was easy 😂. It's easily Zakkar Kai from The Throne of the Five Winds without no doubt. Takshin from the same series is also a contender!

9.Newest Favorite Character: Komor Yala from The Throne of the Five Winds, she was such a great main character, and had such a quiet strength and intelligence that made her an instant favorite.

10.Book that made you cry: The Wall by Marlen Haushofer had me crying by the last page. I might not make everyone cry, but it certainly made me emotional.

11.Book that made you happy: A Fragile Enchantment by Alison Saft was one of the first books I read this year, but it was so delightful and had me smiling throughout. I read it in a day and couldn't put it down.

12.Most Beautiful Book you've bought/acquired this year: The Language of Trees: A Rewilding of Literature and Landscape by Katie Holton is such an artistic and unique book.

13.Book you need to read by the end of the year: I've been meaning to do a re-read of the Pellinor series by Alison Croggon for a few years now, maybe I'll get to it this year

[teshief]

Just wanted to say, your slay the princess protag is so hot

ive gotten this several times after kitchen fork came out.

[lilareviewsbooks]

Short SFF Books!

I know getting into SFF can be difficult because of the sheer size of series and books in the genres. So here’s a couple of speculative fiction picks that don’t require that much time to read :)

I’ve also made a part two for this, so check that out if you’d like some more short SFF!

This Is How You Lose The Time War, by Amal El-Mohtar & Max Gladstone

209 pages

sapphic rep

standalone

This one is a classic when it comes to short sci-fis (thank you, Bigolas Dickolas), and that’s definitely for a reason! This Is How You Lose The Time War is a story in an incredibly unique format that will, to be honest, probably emotionally devastate you in some way or another. 

Time War follows Red and Blue, two agents working for opposite sides of, you know it, a time war. Their job is to travel through time to change the odds for their respective “agencies”. But, of course, they can’t resist leaving each other messages along in the way - in the most unique manners possible.

This queer novella will take your breath away. It will lead you through multiple timelines, split into two perspectives, Red and Blue, with a beautiful, lyrical writing style, which will make you so invested in our two main characters. The author duo treats us to these fantastical, vivid settings, which are sparkling with potencial and leave you wanting to dive deeper.

Silver In The Wood, by Emily Tesh

112 pages

achillean rep

duology

This is part of the Greenhollow Duology, but can absolutely be read as a standalone. It’s also one of my all time favorites! Silver In The Wood follows Tobias, a groundskeeper who lives deep in the woods. When Henry Silver moves into the house Tobias watches, things change - there’s something in the woods, and Tobias might just have to introduce Henry to it. 

It’s been a while since I read this, but I haven’t forgotten about it. I’m always thinking about this book. The vibes are simply immaculate, and so cozy. It will literally make you feel like you’re in the woods. The character work is excellent, and focuses on older protagonists, which is always a treat. The romance is well-constructed and the second book is completely optional, taking place almost as a side-quest for the main couple. 

I wish there were so many more of these, but unfortunately there are only two. But damn, are they great! Highly recommend, Silver In The Wood and its sequel, Drowned Country!

The Singing Hills Cycle, by Nghi Vo

100 to 128 pages 

non-binary and sapphic rep

series

The Singing Hills Cycle is a good one to recommend, because it’s very low-commitment. You can pick whichever one of the three books (there’s soon to be a fourth!!) draws your interest, you can start with that one, and then go from there. The series follows Chih, a wandering cleric, from the Wandering Hills Abbey, which is preoccupied with keeping records of the history of this China-inspired kingdom. Chih goes around the territory with his talking bird Almost Brilliant, collecting stories.

This series is beautiful! Every book contains in it a beautiful exploration of folklore, and bite-sized story that will always warm your heart. Chih is a wonderful character around which to revolve this story, and their commitment to keeping records and history flows off the page - which is hella important, let’s record our history, folks! The side characters that show up on a book-by-book basis are always the best, and their dialogue is always the best part.

I highly recommend listening to the audiobook - I did so for the last installment,  Into The Riverlands, and it was amazing! Just a 2 hour listen, if that sells ya!

The Murderbot Diaries, starting with All Systems Red, by Martha Wells

144 to 256 pages

queer rep of all kinds! yay!

series

The Murderbot Diaries is for those of us looking for a bigger committment. The series currently has 7 books, one of which is a full-length novel. However, you can read the first book as a standalone and decide if you’d like to continue on following Murderbot’s adventures! Most of the books are 150 - 200 pages long, and so are a pretty quick read!

This is perfect if you enjoy a snarky narration style and a compelling protagonist who’s trying to figure out how they fit into the world. Murderbot, our main character and narrator, is a SecUnit, that is, a security android, that must accompany a scientific expedition to a distant planet, to keep the explorers safe. But Murderbot has hacked its security mode, and enjoys watching TV shows and chilling by itself. But when the mission starts to go wrong, it might need to perk up and start - oh, no! - interacting with the humans.

Although I haven’t read the whole series yet, - I’m waiting for the mood to come over me, okay! - I have the first three books under my belt, and I’m so excited to continue. Murderbot has this spark and this snark which is just so entertaining to read, and so this book will have you laughing and rooting for it as it tries to figure out how to fit in in human society. Such a compelling character, and I’m happy there’s a lot of content out there for me to consume.

The Emperor’s Soul, by Brandon Sanderson

192 pages

no gay rep :(

standalone

The Emperor’s Soul is a part of Mr. Sanderson’s Elantris universe, but can be read as a standalone without knowing anything else about this world. It’s a bit of a different rec - Mr. Sanderson’s writing style is - and I mean this in the politest way possible - dry as fuck, and definitely not for everyone. But there’s something here I think is worth your time.

The magic system here is so unique and so fascinating. The Emperor’s Soul follows Shai, a Forger, who can copy objects flawlessly by re-writing their history. But, suddenly, she’s enlisted to do the impossible - Forge the Emperor.

I would give this one a try, even if it’s not like all the others one I recommended. It’s a good read, and Mr. Sanderson is, like it or not, a classic fantasy writer that’s a must-read for most fantasy fans. And, for me, this and then Mistborn were perfect stepping in points for his fiction.

I have so many of these, guys. Like, literally, so many. So, let me know if you want more of these - I’ll write up another post! And if you’d more specific recs, feel free to drop an ask :) 

Also, check out my SFF books with queer-normal worlds list, if you’re looking for more gay stuff!

[microwaving-tesilid-argente]

wonder what will happen first. me finishing the (first) teshes fic and publishing it, or tapas reaching That Chapter.

[marnz]

2023 book post

I read 63 books this year (i do count short stories & novellas) and there were epic highs (everyone read the school for good mothers) and epic lows (y'all read this shit? for real?).

here are my top ten, in no particular order, followed by thoughts on the rest. it's so long lol okay let's get into it

top ten.

the school for good mothers by jessamine chan - a perfect commentary on the prison industrial complex and how poor, single, and mothers of color are treated set in a chilling near future. loved it. i read this book in june and think about it daily.

edinburgh by alexander chee - this book is a modern classic for good reason. gay tragedy lovers this book is for YOU. the prose is so beautiful, so dream like, that i couldn't stop reading. i read this book in one sitting, very nearly a year ago, and i was completely devastated by it.

in the woods by tana french - love this for: unreliable narrator who sucks but is compelling; prose about the woods and the 1980s mystery; cassie; a police procedure that starts off by being like 'crucially you must understand that the police lie.' i have a weakness for atmospheric books and this has that in spades.

homegoing by yaa gyasi - this book is SO good and the prose and character voices are excellent. it's extremely epic but somehow only 300 pages?!? each character only gets 1 chapter but gyasi does SO much with each chapter 😭 i read this in one day because i could not stop reading. i also read gyasi's other book, transcendent kingdom, which was also very good.

some desperate glory by emily tesh - this book is a mindfuck and is one of the few times i've seen [spoiler] done well. there are a lot of things this book talks about--imperialism; artificial intelligence; fascism; white supremacy and how it intersects with gender; queerness; eugenics. i posted about it early when i had only read like 49% and i was soooo wrong to do so. read this and just trust me.

x by davey davis - okay are you ready for this? X is queer/trans bdsm neo noir mystery set in a dystopian near future. it is dark, it is consuming, it is surprising, it is a book i turn over obsessively whenever i can't sleep. i need to reread and i only read it a few months ago.

baru cormorant series/the masquerade by seth dickinson - this is 3 books but let's count it as one book. much has been said about baru as a cringefail autistic marxist lesbian icon (affectionate) but what i really appreciate about these books, other than how fucking gay they are, is the specificity of the world building. i have a theory that modern readers are in search of detail (and cruelly denied by much of publishing rn). seth dickinson loves details. seth dickinson is going to take semi familiar narratives and tell them in a brand new way using details; math; hyper specific words. god i love it

poverty by america by matthew desmond - relatively short book, read it in a day. i also read desmond's first book, evicted, and it is also SO good but what's sexy about this book is that modern american society and esp. politicians frequently likes to be like 'oh no, poverty is so tragic but it can't be solved' and desmond is like 'watch me.' for people who enjoy reading andrea long chu take downs reviews and want concrete solutions for how to build a better world.

station eleven by emily st. john mandel - many people told me this was the best book they've ever read and i was like 'whatever. i'll get to it when i get to it.' DO NOT BE ME!! read this!! i wouldn't say this is a happy book but it was a beautiful book. i loved it. i cried for about 90 minutes afterwards. for art lovers, weird theatre kids, people unafraid of plague books, non linear timeline lovers, people who have been divorced.

piranesi by susanna clarke - okay i read this on my flight to frankfurt earlier this year and it totally bowled me over with how lovely it was and how emotional i got. just a beautiful, delicate, haunting, eerie book. for fans of mysteries, people who love oceans, gothic houses, people who earnestly believed magic was real as kids and hope it's real today, people who love academic drama they aren't involved in.

okay damn honorable mentions: in the dream house by carmen maria machado (SO good, maybe deserves my rec more than piranesi), normal people by sally rooney (mainly because it did make me insane), under the banner of heaven by jon krakauer (thorough, horrifying), honey & spice by bolu babalola (SO fun), sula by toni morrison (stunning!!), severance by ling ma (millennial alienation during a plague, amirite?), trust exercise by susan choi (who knows what really happened? you'll understand).

okay now the worst books i read this year, aka books i did not vibe with:

broken harbor & the trespasser by tana french; did not enjoy broken harbor due to the themes and did not enjoy the trespasser due to how cringefail the ending was. you can't depict ongoing harassment a woman of color is experiencing in her workplace, make her decide to leave after two years of this harassment, and then back track it in the last chapter? please. this is a problem tana french runs into a lot, but that is a different post

the witch elm by tana french; parts of this book were absolutely delicious. but a lot of it felt very tedious and in need of a stern editor. so many books these days need more thorough editing and the result is that a potentially amazing book is just like, okay. i understand the power fantasy that this book is designed to be, but i'm not the right audience for it (disabled). also, generally i need a character to root for.

amateur by thomas page mcbee; SO sorry thomas. i didn't vibe with this book mainly because i don't think i'm the target audience for it. i'm not cis and i'm not straight?? i also am not interested in narratives about trans men wanting to prove their masculinity by taking up a violent sport. i think this tension is addressed in the book but it wasn't addressed to my satisfaction. violence is often all the world gives to men as a source of power and thus serves as a solace for everything patriarchy takes from them, so i suppose i understand wanting to be able to get a piece of that...logically that makes sense. but also. why.

the late americans by brandon taylor; the thing is, i fucking love real life by brandon taylor and i enjoy brandon's criticism and read his substack (although i disagree with almost every aesthetic opinion he has). so possibly my expectations were too high, but i read this and i guess i was just...wanted to know what the point is. gay people suffering in the midwest? as a genre, it slaps. as a book, i feel frustrated. it felt loose, pointless, in great need of editing. brandon talks about this book by talking about the importance of moral fiction, and this book lacks moral urgency for many of its stories. i've read a lot of moral fiction and this isn't it? anyway I read this in July and looking back all I remember is Seamus' journey and the way brandon dragged workshopping.

the angel of the crows by katherine addison; look. if you're going to write sherlock wingfic, put it on ao3. if you're going to file off the serial numbers, please work harder so i can't tell what it originally was. and absolutely nix the author's note saying it was sherlock fanfic, because that makes me very unhappy! personally!

99% mine by sally thorne; classic second book syndrome. except the third one is also not very good. too bad!

touched out by amanda montei; okay obligatory disclaimer that i'm not a mother or parent but rather an adult who loves my friends' kids! this book really frustrated me and i think i would have enjoyed it considerably more if it was all cultural criticism instead of a memoir (other than the dworkin parts????). a memoir is an art form, a set narrative, but criticizing it feels weird because i am criticizing the author's life decisions as presented to me, in a flattened context, in a controlled narrative. if the memoir parts were instead part of a fictional book i would not hold back lol. this book is marketed as the most important work of feminist scholarship in the last 30 years and...it ain't. i also felt the focus was incredibly narrow. while montei does attempt to cite a broad range of theorists i just kept finding myself wondering, what about people from other cultures? what about disabled mothers? what about queer mothers or parents? what about this? WHERE'S YOUR RESEARCH? WHERE ARE YOUR INTERVIEWS? there is a specific kind of feminism where white women act like their specific experience is the pinnacle of all suffering and tbh it isn't. this book reminded me of that very strongly. like, if you're telling me you won't have an epidural because it was invented by a man then you are not a useful person to engage with, thanks.

books that would have been amazing if not for that one part

he who drowned the world by shelley parker chan - man i have mixed thoughts on this book. look away my beloved swbts mutuals. okay the epic highs (ouyang & zhu!! ma!!) were set off by baoxiang lmao. i'm mainly interested in queer masculinity and femininity and a femme straight guy is like. well, good for him, but i don't really care? bring me back to my loveds zhu and ouyang. but my main gripe...tbh i think baoxiang is a hugely unreliable narrator that protests about a lot of things too much. being straight for one thing; not having a thing for esen is another. AND MORE COULD HAVE BEEN DONE WITH THIS? like i honestly wish the implied incest thing, which was brought up at least twice, was more present. taking a step back, if you're like well i'm straight and i don't have a thing for my dead brother i helped kill but i absolutely will be seducing the spitting image of him while i fuck my way to the top of the throne? that should make me insane. possibly it would have in a book that didn't already have ouyang. who can tell. so i wish SPC had leaned into that a lot more, i wish baoxiang hadn't felt like such a plot instrument, i wish there was more Ma, i wish spoilery completely unbelievable storyline was better, etc.

in memorial by alice winn - damn, this book. it was so good but it fell apart at the end. i respect winn's decision to not have it be perfectly easy after living through the untold horrors of the trenches of wwi but the idea of two brits running away to brazil to live out a life of colonial bliss because being gay wasn't explicitly illegal in brazil at a time is like. what? i guess. anyway, it was good, i just have some notes.

romantic comedy by curtis sittenfeld - here's the thing, i love curtis sittenfeld and i knew going in that this is a book by the author that wrote rodham but man, this is a book by the author that wrote rodham. this is the most Online book i've ever read (derogatory) and it's very specific in its liberal i'm an Online author on twitter type of deal. the point of the book is that Not Tina Fey falls for Male Taylor Swift on Not Saturday Night Live and it was good, it was fun, i wasn't expecting [spoiler] ummm but it worked. i had a good time.

this is very long, sorry.

[llycaons]

SO. I've hit 14 books this year!! I do have a goodreads but it's kind of public so it's mutuals-only (feel free to ask!). but here's my list so far

babel by r.f. kuang

kindred by octavia butler

the goblin emperor by katherine addison

horse by geraldine brooks

spinning silver by naomi novik

kitchen by banana yoshimoto

deep as the sky, red as the sea by rita chang-eppig

the buried giant by kazuo ishiguro

annihilation by jeff vandermeer

the order of the pure moon reflected on water by zen cho

the mask of mirrors by m.a. carrick

black water sister by zen cho

the witch's heart by genevieve gornichec

mexican gothic by silvio moreno-garcia

I also attempted, but gave up on

the night tiger by yangsze choo (the stepsibling romance...I couldn't)

the tiger's wife by téa obreht (just a bit slow - may return to it)

song of the huntress by lucy holland (I just hated one of the leads so much 😭 my blood pressure skyrocketed every time it was her chapter)

these violent delights by chloe gong (WOW this book is for 15 year olds and also pretty pretentious and stupid to boot)

black sun by rebecca roanhorse (it did not grab me)

the black tides of heaven by neon yang (frankly this was a bad book)

silver in the wood by emily tesh (shut UPPPPP white rich british man!!!!!)

lucha of the night forest by tehlor kay mejia (very juvenile and an embarassingly heavy-handed 'drugs are evil' moral right off the bat. also just not very well written)

my reading map as of now

borrowed

ancillary justice - scifi isn't my usual genre but I was really intrigued by the sample I'd read, and I loved the raven tower by the same author. audiobook

sistersong - I had such a bad time trying to read song of the huntress I'm wary about this one but I do still want to try it. ebook

holds - physical books

gods of jade and shadow - I don't know much about this one but I do love a more modern take on folktales and I don't know much about mexican mythology

snow crash - I'll finish this eventually lol. another scifi

pachinko - sampled this ages ago. will it be good? idk. I was absorbed

salt fish girl - REALLY looking forward to this one. it says zero copies available so perhaps I will need to buy it 😭

warbreaker - a podcaster I listen to gave a glowing review and I've been meaning to get into brando sando for ages

lolita - lower on my priority list. I'd like to listen to the audiobook but maybe that would be harder. the only available copy is in spanish anyway

holds - audiobooks

warbreaker - I'll takewhatever arrives first. the waitlist is fucking. months long

pachinko - ditto. these are both 20+ hour audiobooks so maybe a physical book would be less tiring. maybe

wuthering heights - I want to know what everyone is talking about when they rave about their toxic doomed love

the final empire (mistborn #1) - another sanderson offering

the watchmaker of filigree street - I have been on the waitlist for so long for this one...

the water outlaws - please be good please please please

giovanni's room - long waitlist for this one too!!

on my list but not in my library

when a fox is a thousand - I want to read this one so bad I feel SICK. libby PLEASEEEE

piranesi - honestly this did not captivate me but it's so short. why not

sorcerer to the crown - only the second book of this series was available, oddly enough. is the second one so freestanding? is it so much better? I'd like to read them in order. lower on my list since it was a new addition

this is like 16 books and some of them are VERY long so I doubt I'll get to this entire list by the end of the year but it's so satisfying to look back and see how much reading I've done 😊 I've done more this year than I have in like, a decade and it's been so wonderful getting back into another long-beloved form of storytelling even if I don't get as obsessed with it as I used to in hs and middle school