#terence hardman
Explore tagged Tumblr posts
claudia1829things · 2 months ago
Text
"THE MOONSTONE" (1996) Review
Tumblr media
"THE MOONSTONE" (1996) Review
Following my viewing of the 1997 television movie, "THE WOMAN IN WHITE", I followed up with an adaptation of another Wilkie Collins' novel, "THE MOONSTONE". Like the other adaption, this adaptation had been produced back in the 1990s as a television movie.
Based on Collins' 1868 novel, "The Moonstone: A Romance", "THE MOONSTONE" was an early modern detective story that centered around the theft of a valuable gem. A young English socialite named Rachel Verinder inherits a large Indian diamond called "a moonstone" on her eighteenth birthday. The gem is a legacy from her uncle, a corrupt British army officer named Colonel Sir John Hardcastle, who had stolen it from a religious idol, while serving in India. The diamond is of great religious significance and extremely valuable, and three Hindu priests have dedicated their lives to recovering it. Although Sir John's theft of the Moonstone had involved murder, he was never punished for his crimes. But he ended up shunned by society and his sister, Lady Julia Verinder. In retaliation for the shunning, Sir John leaves it in his will as a birthday gift to his niece Rachel, exposing her to the attentions of the gem's legal guardians.
On the night of her birthday party, Rachel wears her new present. Lady Julia, Rachel's cousin Franklin Blake and the local Dr. Candy all seem very anxious over Rachel's possession of the Moonstone. Especially since a trio of Indian jugglers had appeared at the Verinder estate. Later that night, the gem disappears from Rachel's room. Stolen. Suspicion first falls upon the three Indian jugglers. But retired Scotland Yard investigator, Sergeant Cuff believes the theft was an inside job. His suspicions fall upon one of the Verinders' servants, Rosana Spearman; and Rachel, whom he believes harbored plans to use the diamond to pay off secret debts.
I really do not know how to start this review, if I must be honest. I believe a good deal of my feelings originated from how I feel about Collins' story. I have never read his novel. But I have seen at least three adaptations of it to get a pretty good grasp of it. I must admit that director Robert Bierman and screenwriter Kevin Elyot did a very good job in setting up Collins' tale in this adaptation. They did not rush through the narrative in order to arrive on the night of the theft. And Elyot's screenplay also did an excellent job in exploring the novel's main characters - especially Rachel Verinder, her mother Lady Julia, the Verinders' major domo Gabriel Betterege and Franklin Blake. The movie also did a first-rate job in conveying the details of Blake and Cuff's investigation of the theft, along with Rachel's strange behavior. But once their investigation hit a dead end and the story moved on to the third act . . . I started having problems with the movie.
I could blame Wilkie Collins and his novel. Or I could blame the movie's screenwriter for trying to adhere as closely to Collins' story as possible. But after Franklin resumed the investigation of the Moonstone's theft a year after the incident, "THE MOONSTONE" seemed to be piled with nothing but contrived writing. I can only assume that Collins had wanted to deliver a surprise twist to his readers when he revealed who had taken the gem. I was certainly surprised when I first saw this film. And after three or four years, I have remained . . . dissatisfied with the revelation. I mean . . . seriously? And the series of events that led to the theft also struck me as contrived. But that was nothing in compare to the events that led to the Moonstone's final fate. To this day, a part of me wishes that the filmmakers had changed some of Collins' narrative for this movie.
At least I had no problem with the film's production values. Sarah Greenwood's production designs struck me as first-rate in her re-creation of Great Britain during the late 1840s. I was especially impressed by her creation of London during that period. Philip Robinson's art direction, the film's Art Department and John Daly's cinematography ably contributed to her work. I especially enjoyed Daly's photography of the marshes in Norfolk that served as the setting for one very memorable scene. I also admired James Keast's costume designs. His costumes struck me as a near accurate reflection of the film's late 1840s setting. I must admit that I found those costumes for the upper-class female characters a bit on the dull side. Was this dullness a direct reflection of elite women's fashion of that period? Perhaps someone can answer that for me.
Both Greg Wise and Keeley Hawes gave solid performances as the movie's romantic leads - Franklin Blake and Rachel Verinder. I cannot deny that the pair possessed some semblance of screen chemistry, especially during the film's first half hour. But they never really had the opportunity to develop that chemistry, since their characters spent most of the film at odds with one another or apart. The movie also featured solid performances from the likes of Scott Handy, Patricia Hodge, Anton Lesser, Peter Jeffrey, Paul Brooke, a menacing performance from Terence Hardiman as the slightly sinister Col. Sir John Hardcastle, and a rather entertaining performance from Kacey Ainsworth as the Verinders' holy roller cousin Drusilla Clark. Which leads me to my favorite performances in the movie.
One of those performances came from Peter Vaughan, who portrayed the Verinder family's steadfast majordomo, Gabriel Betterege. Not only did Vaughan did an excellent job in conveying Betterege's intelligence, but also the character's sharp humor. I really enjoyed his performance. Another performance that impressed me was Antony Sher, who portrayed the botanical loving former Scotland Yard detective, Sergeant Richard Cuff. I believe real life Victorian police detective Jack Whicher had inspired Collins' creation of Cuff. But Sher injected a touch of humorous eccentricity to the character that made his performance so enjoyable to me. One last performance had impressed me and it came from Lesley Sharp, who portrayed one of the Verinders' maids, Rosanna SpearmanR. Sharp gave an etheral, yet intense performance as the lovesick Rosanna, which left a haunting cloud over the story before the last reel.
Would I regard this 1996 television movie as the best adaptation of Wilkie Collins' novel? Hmmm . . . perhaps not. I have seen other adaptations that had delved into the narrative with a bit more detail. And the ending of this film seemed to rush a bit toward the end. However, I did managed to enjoy "THE MOONSTONE" very much. And thanks to Robert Bierman's direction, Kevin Elyot's screenplay and excellent performances from a cast led by Greg Wise and Keeley Hawes, I would have no problems doing a rewatch of this film over and over again.
Tumblr media
1 note · View note
lavelled · 1 month ago
Text
unwed for sport.
Quick news: Mocking Haitians as doublespeak isn’t a political statement. The only explanation I have is that pet-eating claims are baseless. Threats to election workers and schools aren’t helpful. Kamala has a focus on issues, which I think is right.
Kensington Fortress: Emily Gold, 17, dancer, jumped off a California bridge last week where she was struck by at least one vehicle before succumbing to injuries. A balanced juxtaposition of the Flippy Floppy Mopsy Topsy versus evil Harry Windsor-isms doesn’t ease such suffering.
In code, bridge means PRINCE.
You kids can’t leave me. I’m on the corner of lettered revenge. I’m also in a machine with middle-aged celebrities. On a technical level, I write in a genteel instructive way like open web browser, that’s a printer, Malware isn’t fashion, that I’m weary. You have to say Hello to all of his cruel internet angles, where he says he found my voice, the powerful voice, meaning prisoner of war, a misattributed first-chair anatomy citation. He should be reclusive, no longer cloaked in victimhood; secluded yet exposed with a reputation covered extensively in his family paperwork that causes terrorism, shootings, stabbings, and suicides.
A Markle press photo was magnified on a house in canned Canada. We know her bedlam has a parking meter. It’s too late after the performative matrimony of two crooks and their labor pacts and confidentiality agreements, pretending to be maligned by racial bias and a blatant disregard for violent fallout. You can’t salvage the reputation of general sleaziness alongside the husband you knew tethered a girl while misleading entire countries of women.
A revered princess publicly divorced in 1996. Find a way for a dog-tag necklace, occasional actor to divorce the man she doesn’t live with.
This couple would still be going on forever through interviews about their loved-up California recreation or their faked victimized trauma or Harry’s chain-link strap desires, if I never wrote these blogs.
For those urging me prematurely: a divorce is the dissolution of a marriage.
I’m a writer, writing about divorce. I know of life beginning and what awaits.
Harry uses Elon’s Twitter and his villainy alter-ego as his Leon or Leonardo, an enemy cruise ship captain. I’m in the pirate edition of hell. On April 1, 2018, a month before his wedding, he wrote as Elon: There are many chapters of bankruptcy and, as critics so rightly pointed out, Tesla has them all, including Chapter 14 and a half, the worst one.
copy and paste text. google. (what did I tell you)
One month before his I Dos, he posted an attempt at sexuality ownership. This is maritime royal Henry admitting his booking passage. The Hollywood signee, on paper containing forceps and my exclusion from everything life has to offer, boasted his leashing. Then, he married someone employed near a Banker. Humanitarian. Tom didn’t even see this stuff. Evil just likes writing it.
If an esteemed actor was diagnosed with caging pedophile disease, he wouldn’t have a lengthy career. Nor would he be allowed to hold court with Princess Kate and help her up the stairs at the Maverick premiere. I think royal security would maintain strict boundaries against a monster.
With twine and a word limit here are suicides due to the quillwork of King Charles, William, Harry, and when dates align, Meg too.
Robin Williams—Richard Jeni—Brody Stevens—Drake Sather—Charles Rocket—David Strickland—Brad Bufanda—Jason Raize—Spalding Gray—Sawyer Sweeten—Dana Plato—Jonathan Brandis—Andrew Koenig—Tommy Page—David Arkin—John Costelloe—Stephen Boss—Rod Lauren—Benjamin Hendrickson—Michael Gilden—L’Wren Scott—Jill Messick—Isabelle Thomas—Cheslie Corrinne Kryst—from UK—Terence Beesley—Lucy Gordon—Peter Bellamy—David Rappaport—Keith Flint—Boon Gould—Fritha Jane Goodey—Angela Scoular—Mark Speight—Keith Emerson—Stephanie Parker—Sam Sarpong—Stella Tennant—Christopher James Hardman—Chantal Akerman, a feminist art icon.
Celebrity children: Cheyenne Brando—Nicholas Hughes—Michael Blosil—Benjamin Keough—Hudson Madsen—Ian Alexander Jr.
Show business has been minimized royally.
K
0 notes
rocksbackpages · 4 years ago
Photo
Tumblr media
New for RBP subscribers this week
“I keep thinking that ‘commercial’, when teamed up with rock music, is an ugly word. That, I’m afraid, is very ’60s thinking…”
— Lillian Roxon (1971)
PLUS pieces on...
• Sergio Mendes live (1965) • Albert Lee (1966) • The Pink Floyd (1967) • Big Brother's Cheap Thrills (1968) • Sam & Dave (1969) • Grand Funk @ Fillmore (1970) • Grin's 1+1 (1972) • Dr. John (1973) • Ayers, Cale, Nico & Eno (1974) • Rufus (1975) • Earl Slick (1976) • Emerson, Lake & Palmer (1977) • Helen Reddy @ Palladium (1978) • Bill Withers (1979) • Durutti Column's Return (1980) • The Fall (1981) • Foreigner @ Forum (1982) • Duran Duran (1983) • Springsteen's USA (1984) • Isley Jasper Isley (1985) • Zapp @ Hammersmith (1986) • Boy George (1987) • Mighty Lemon Drops (1988) • Vixen (1989) • Living Colour @ Marquee (1990) • Deee-Lite (1991) • Super Cat's Don Dada (1992) • Ragga (1993) • Cranberries @ Astoria (1994) • Luscious Jackson (1995) • New Edition's Home Again (1996) • Evan Dando (1997) • Mack 10/Kool Keith (1998) • Coltrane/Miles/Monk/Mingus (1999) • Scotty Hard/Paul Hardman (2000) • Judy Henske (2001) • Terence Trent D'Arby (2002) • Michael Jackson (2003) • Television in Porto (2004) • Ornette Coleman (2005) • Cat Power's Greatest (2006) • Blue Mountain (2007) • Portishead's Third (2008) • 10 top hip hop albums (2009) • Alasdair Roberts (2010) • Alicia Keys (2011) • Death Grips live (2012) • J.J. Cale R.I.P. (2013) • KISS' Paul Stanley (2014) • Drive-By Truckers (2015) • Lambchop's FLOTUS (2016) • Shack's Zilch (2017) • Stefflon Don @ Forum (2018) • Biggie 'n' Tupac podcast (2019) • The Free Trade Hall (2020) • Pale Waves (2021)
• Subscribe and become an RBP member
• click here for University and other group subscriptions
1 note · View note
frontproofmedia · 4 years ago
Text
Jeff Horn-Tim Tszyu Down Under Showdown Headlines Week of International Cards
Follow @Frontproofmedia!function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0],p=/^http:/.test(d.location)?'http':'https';if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=p+'://platform.twitter.com/widgets.js';fjs.parentNode.insertBefore(js,fjs);}}(document, 'script', 'twitter-wjs');
Published: August 21, 2020
(August 21, 2020) —Australia’s most anticipated fistic showdown in years has an American streaming home.   Former welterweight world champion and Manny Pacquiao conqueror Jeff “The Hornet” Horn will face Tim Tszyu in a 10-round junior middleweight bout Wednesday, Aug. 26, at Queensland Country Bank Stadium in Townsville, Australia. A socially distanced crowd of more than 16,000 fans are expected for Horn-Tszyu, which will headline a special edition of Breakfast and Boxing exclusively on ESPN+ (5 a.m. ET/2 a.m. PT).   Horn (20-2-1, 13 KOs), from Brisbane, toppled Pacquiao in July 2017 via unanimous decision to win the WBO welterweight world title. Horn-Pacquiao, the Top Rank on ESPN series premier, peaked at 4.4 million viewers. Horn defended his title once before losing via ninth-round stoppage to Terence “Bud” Crawford in June 2018. He is 2-1 since the Crawford loss, most recently splitting a pair of action classics against countryman Michael Zerafa in 2019.   Tszyu (15-0, 11 KO), the Sydney-born son of legendary former world champion Kostya Tszyu, returns from a nearly nine-month layoff. He graduated from prospect to contender in 2019, closing out the year in December with a fourth-round TKO over Jack Brubaker that streamed live on ESPN+.    "In my career, what I've accomplished and what I'm doing, my dad doesn't play much of a role. I do my own stuff," Tszyu told ESPN recently. "He taught me one thing and that's work ethic, because of that I am who I am. If you want to succeed you have to put in the work.   "I'm proud of what my dad achieved. He's the greatest boxer in Australian and Russian sports history. I do everything that he's done. There's a blueprint. If I could do half of what he did, I'm going to be a great in this sport."   The Horn-Tszyu stream will also include unbeaten junior lightweight prospect Liam Wilson (6-0, 4 KOs) against Jackson Woods (4-1-1, 4 KOs) in an eight-rounder, former Australian 154-pound champion Joel Camilleri (18-6-1, 8 KOs) versus Adam Copland (5-1, 3 KOs) in an eight-round middleweight bout, and Australian middleweight prospect Issac “The Headsplitter” Hardman (6-0, 5 KOs ) against seven-year veteran Jamie Weetch (12-3, 5 KOs) in a six-rounder.   Lewis Crocker-Louis Greene Headlines #MTKFightNight Following Horn-Tszyu   The action continues Wednesday on ESPN+ at  2 p.m. ET, as MTK Global returns with a closed-door card from Production Park Studios in Wakefield, England. In the 10-round main event, Belfast’s Lewis “The Croc” Crocker will battle Louis Greene for the vacant WBO European welterweight title.   Crocker (11-0, 6 KOs) is making his headlining debut in his first scheduled 10-round assignment. He last fought Feb. 1 at Belfast’s historic Ulster Hall, where he notched an eight-round decision over John Thain. Greene (12-1, 7 KOs) has won three fights in a row since a unanimous decision defeat to Larry Ekundayo for the IBF European welterweight title.   In other action on the Crocker-Greene stream, British and Commonwealth bantamweight champion Lee McGregor (8-0, 6 KOs) moves up to junior featherweight to fight Ryan Walker (11-1, 2 KOs) in a 10-rounder; junior welterweight prospect Gary Cully (10-0, 5 KOs) takes on Craig Woodruff (10-5, 4 KOs) in an eight-round junior welterweight tilt; middleweight Fearghus Quinn turns pro in a six-rounder against Robbie Chapman (6-3, 0 KOs); and Darren Tetley (20-0, 9 KOs) fights Liam Taylor (21-1-1, 10 KOs) in a 10-round British welterweight title eliminator.   August 23: Kazakh Amateur Superstar to Make Pro Debut at Cruiserweight   MTK Global presents a special Sunday show live from Almaty, Kazakhstan, which will showcase the professional debut of former Kazakh amateur superstar Kamshybek Kunkabayev. The two-time World Championships silver medalist (2017 & 2019), will make his professional debut in an eight-round cruiserweight bout against Issa Akberbayev (20-1, 15 KOs). Kunkabayev also won a pair of Asian Championships silver medals, while Akberbayev, a 6-foot-3 puncher who currently resides in Almaty, hopes to rebound from his first career defeat.   The scheduled five-fight stream kicks off on ESPN+ at 12 p.m. ET/9 a.m. PT and also includes:
Lightweight contender Viktor Kotochigov (11-0, 4 KOs), who defended the WBC International belt last December, will fight Belarusian veteran Andrei Isayeu (30-17, 9 KOs) in a 10-rounder.
an eight-round junior middleweight bout, 2019 Asian Championships gold medalist and 2019 World Championships bronze medalist Tursynbay Kulakhmet will make his pro debut against former amateur star Sagadat Rakhmankul (6-1, 4 KOs), who has won three consecutive fights since his lone pro defeat.  
In an eight-round clash of undefeated middleweights, Abay Tolesh (5-0, 3 KOs) will take on southpaw Saparbay Aidarov (4-0, 2 KOs).  
Nurtas Azhbenov (9-0, 4 KOs), who has won three of his last four via first-round stoppage, will fight Shovkat Khalilov (7-2, 1 KO) in an eight-rounder at junior welterweight.
0 notes
marketinginnocom · 4 years ago
Text
GBP tăng hơn 150 điểm, EUR đã phá vỡ 1,09
New Post has been published on https://baongoaihoi.com/gbp-tang-hon-150-diem-eur-da-pha-vo-109/
GBP tăng hơn 150 điểm, EUR đã phá vỡ 1,09
Tỷ giá cặp tiền tệ EUR/USD đã tăng hơn 80 điểm trong ngày, phá vỡ mốc 1,09, đạt mức cao nhất là 1,0973, tỷ giá cặp tiền GBP/USD đã tăng trở lại đáng kể, tăng hơn 150 điểm trong ngày, liên tục phá vỡ các rào cản 1,22 và 1,23 và chạm mức cao nhất là 1,2325, đẩy mức giảm cao nhất là 1,2325 30 và 60 ngày SMA di chuyển vị trí trung bình.
Đồng tiền nhạy cảm với rủi ro AUD và NZD, cũng như đồng krone của Na Uy, đã tăng hơn 1% so với USD. Trong số các loại tiền tệ châu Á, RMB so vớiUSD thường kém hơn các loại tiền tệ châu Á khác do căng thẳng giữa Trung Quốc và Mỹ.
1. Tin tức về đồng USD:
Giai điệu của sự phục h��i kinh tế toàn cầu gần đây và tình hình ở Trung Quốc và Mỹ đã trở thành động lực thúc đẩy xu hướng của USD.
Chủ nhật tuần trước, Cố vấn An ninh Quốc gia Robert O’Brien đã đưa ra cảnh báo rằng nếu quyền tự trị của Hồng Kông đang dần suy yếu, Mỹ có thể bắt đầu các biện pháp trừng phạt chống lại Trung Quốc.
Ngoại trưởng Trung Quốc Wang Yi cũng trả lời, chỉ trích bài phát biểu của Mỹ là “bôi nhọ”.
Khi Mỹ mở ra cuộc tổng tuyển cử vào tháng 11, các nhà kinh tế của Ngân hàng DBS đã chỉ ra trong một báo cáo hàng ngày, “Khi cuộc tổng tuyển cử đến gần, các chính trị gia Mỹ sẽ gia tăng căng thẳng trong những tháng tới.”
“Theo quan điểm của chúng tôi, chiến tranh lạnh tàn khốc đã làm giảm khả năng thương mại toàn cầu, chuỗi cung ứng, hiệu quả tiêu chuẩn chung và ổn định địa chính trị.”
Đồng thời, tác động của dịch bệnh đối với nền kinh tế, cũng như sự gia tăng liên tục trong các phản ứng chính sách toàn cầu, các nhà đầu tư ngày càng lo lắng rằng một sự sụp đổ có thể xảy ra.
Các nhà phân tích của ANZ đã chỉ ra trong báo cáo: “Ở vị trí hiện tại, chúng tôi tin rằng sự phục hồi toàn cầu đang được định giá và chúng tôi tin rằng câu hỏi là khi nào nên phục hồi, chứ không phải có nên bắt đầu khấu hao hay không.”
Terence Wu, một chiến lược gia tại Ngân hàng OCBC, tương tự kỳ vọng USD sẽ phục hồi một phần đất đã mất.
2. Tin tức về đồng EUR:
Thu Lan Nguyen, một nhà phân tích ngoại hối tại Commerzbank, cho biết: “EUR hiện đang dao động giữa rủi ro chính trị và nới lỏng sự phong tỏa kinh tế để thúc đẩy sự lạc quan. Trước đó, lực lượng này đã thống trị, khiến đồng EUR tăng giá so với đồng USD.
“Tuy nhiên, theo quan điểm về sự bất đồng liên tục trong EU liên quan đến quỹ phục hồi, đồng EUR có thể sẽ sớm hết động lực trong xu hướng của cặp tiền chéo EUR/USD.”
Lee Hardman, chiến lược gia tiền tệ tại Ngân hàng Mitsubishi UFJ ở Tokyo, đã chỉ ra rằng “lấy cảm hứng từ những tin tức lạc quan gần đây về việc mở lại dần dần nền kinh tế, các nhà đầu tư vẫn đang ở trong mô hình tìm kiếm rủi ro”.
“Đồng thời, các kích thích tài chính và tiền tệ chưa từng có đã được áp dụng trong những tháng gần đây và đang hỗ trợ cho các tài sản rủi ro.”
3. Tin tức về đồng GBP:
tỷ giá cặp tiền GBP/USD đã tăng hơn 150 điểm trong ngày, tỷ lệ kéo rõ ràng hơn so với EUR, những chú bò hiện đang đạt mức cao nhất là 1.2349, gần mức cao nhất trong hai tuần.
Nhà phân tích Justin Low, nhà phân tích của Forexlive, giải thích rằng, khi tỷ giá ổn định trong vài giờ và đường trung bình SMA tăng mạnh, những chú bò đang chiếm ưu thế hơn trên cặp tiền này, phá vỡ mốc 1,23 theo đà.
Tuy nhiên, Lloyds Bank cũng cảnh báo các nhà đầu tư rằng lãi suất âm của Ngân hàng Anh và sự sụp đổ của thỏa thuận thương mại Brexit đã gây ra một luồng gió mới trong GBP.
Chiến lược gia của ngân hàng Gajan Mahadevan chỉ ra rằng một khi trọng tâm của thị trường tiếp tục chuyển từ dịch bệnh sang các nguồn rủi ro khác, thử nghiệm liên quan đến lãi suất âm của Ngân hàng Anh và các cuộc đàm phán thương mại tiếp tục có thể tạo ra một cơn gió mạnh đến cặp tiền tệ GBP/USD.
0 notes