#tell me I'm not a feminist
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jonathanbyersphd · 2 years ago
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the growing temptation to make a Champagne Problems anti-stancy mood board
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deadpoetmagda · 1 month ago
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The way everyone now took up in arms blaming women and girls for the elections results and young men turning into the far right truly made something click in me, literally everyone and their grandpa is blaming women, even groups who hate each others are now bonding together like besties just to blame women, so excuse me for ranting on tumblr.com, this is gonna be long :)
What's been happening lately really opened my eyes to how hypocritical everyone is, what's everyone only ever good at is pointing their fingers at women and throwing the blame at us, misogyny and violence against women in all its shapes and forms since the dawn of time till these days didn't cause women to go out on the streets and murder men in masses, yet apparently misandry is real and some comments online made by the evil feminists were enough to radicalize young men and turn them into far right incels and are to blame for the elections in the US, women are always to blame for everything, I'm not surprised with this coming from men but to see women spewing this dumb bullshit too is so disheartening, to me you're no different than the conservatives who blame women for men's "loneliness epidemic" instead of encouraging them to start treating us better, teenage boys and men are shouting "your body our choice" at little girls and young women yet all you fuckers can take from that is that these girls and women are somehow to blame for it!!! A 19 yo girl typing I HATE MEN on her silly little Facebook page or reddit discord after years of nothing but stories of rape and misogyny in the news and in her neighborhood and her school and her home and literally fucking everywhere is to blame for men and boys being radicalized actually, meanwhile the internet is filled with men sharing rape videos and their violent fantasies about us and then they go out in real life shouting and smirking at us admitting how badly they want to strip us of our rights!!
Teenage boys are watching violent porn, men gang rape teenage girls, women and girls get trafficked, raped, beaten, murdered on the daily around the globe, it's statistically proven that husbands mistreat and abuse their wives on such a high scale even in first world countries, not to mention the daily misogyny and sexsism we face, men don't even need to get "radicalized", the majority of men out their don't want us to reach them and be "nicer" to them like you preach, they simply want power over us and to misuse that power, and women and girls who recognize this and see it clearly in the world we live in right now and the thousands of years of recorded history we have and not even to mention personal experiences are the ones to blame... for being aware of it and acknowledging it and demanding change!!!! How fucking dumb are you, or maybe you're just a pretentious hypocrite :)
No one's ever blamed these boys and men for me and other women to end up having radical feminism views, nah they're too busy calling us demented and mentally ill and lecturing us about how to treat men better lest we fail them and blaming us for everything wrong with the world!
Ever since I got introduced to radical feminism and found myself agreeing with some of its ideas and arguments I was always still critical and sometimes even wary of it and never really called myself one, but now if I get totally sucked into it and get "radicalized" myself it's actually all your fault, how about that? Congratulations, centuries of men raping us and creating endless systems to oppress us in unimaginable ways didn't radicalize me, you and your hypocrisy did that instead :)
Honestly fuck all of you dumb shitheads, you can't gaslight us into cuddling men while they keep beating us bloody, I've had enough!
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iniziare · 2 months ago
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Every time I go into Seele's tag to find artwork, the salt in my veins increases tenfold. It's so disheartening (and annoying) to see how she's reduced to nothing more than a half of a lesbian ship in which she's also noted to have been 'so mean to Bronya', and if not kept in that context, then she's just disliked for being 'rude', and all of it's entirely missing the mark in terms of what makes her who she is. Salt incoming, and super incoherent salt at that.
First off, I need to not-so-blindly defend the character and say (and this'll sound harsh, I know): if you love Seele, but also praise Hoyo for how Bronseele was written in HSR, I'd like to have a word with you. Because here's my issue: Seele's issue with the Overworld is so immense and it's a view that's so thoroughly and deeply rooted, that hearing that little miss Overworld princess to actually have come from the orphanage in the Underworld wouldn't have made a single difference. Bronya still had a life that not a single child down below could even dream of, Bronya still represents 'the Overworld' in all its glory, no matter if she has a kinder heart that is shown only later on in the story. Seele is rude, and mean because she has a right to be. She once, when quite young, canonically fought a man (and he ran off) for the last little bit of water that was left in a bucket outside of the orphanage for the homeless, only to see him at death's door through the window not long after (and since, has ensured there's always water left for others). Seele, when young and little enough to fit into a supply bag, has seen people in the Overworld throw away food as if food is a luxury and comment on how cruel it is, and how she never wants to come back up to the Overworld ever again. Seele has immense dismay (bordering on loathing) for the Overworld for such good reasons. The Underworld suffers already in basic human necessities, while the Overworld has them in abundance. Of course Seele will detest everything that Bronya represents, and letting all of that go simply because 'Bronya also came from the orphanage' is, in my opinion and I don't resort to saying this lightly, bad writing on Hoyo's part, and I can only write it off as fan-servicing to the HI3 fans. I do not take 'expies' into account when it comes to ships. If Hoyo, or the fandom, wants me to see and acknowledge a 'heavily insinuated ship', then write it well, and where it makes sense for both characters, without sacrificing their values and the core of their characters. Respect them, and I'll respect the dynamic, and/or the ship. Until then, no. So when I go into a tag and all I see is Seele tied to Bronya, especially in the ship. I absolutely hate it. And I hate it even more when I read people hating on people who don't ship it. Guess what, maybe it doesn't always have to do with people being 'anti-lesbians' or 'anti-women', maybe sometimes, like in cases such as my own, it has everything to do with... hey, maybe actually respect the women in question through actions, rather than claiming that you do with some easy peasy words. And then when it comes down to it: you fall short.
And though I touched on it in the last paragraph, I just want to reiterate it: Seele's story isn't about Bronya, it's not about love of one woman to another. And thinking that it is, or relegating it to that, is incredibly saddening, because you're overlooking everything that she stands for— actually no, it's throwing away everything that she stands for. Do you know how Seele in HSR got her name? 'Seele' was given to her by Oleg, and it means 'soul'. And do you realize what the soul is representative of? It's the... immortal element of an individual. The very foundation and 'core' of a human being, touching on the conscience, individuality, and... emotion. That which makes us human, and gee, I wonder why she was given that name as of an early age. And gee, I wonder why she's noted to be the actual backbone of Wildfire, the organization that arose to protect the Underworld, when the Overworld retreated entirely.
I'm not saying that Bronya and Seele don't have an interesting dynamic, I'm just saying that I wish people didn't take away from the latter's character to make it happen simply 'because it seems to be an obvious thing in HI3!' Well guess what, I'm not playing HI3, I'm playing HSR.
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alfhildr-the-word-weaver · 6 months ago
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I got thinking too much about Marwa from What We Do in the Shadows again and how she was canonically making observations of Jupiter and Saturn in the 1200s. Then I thought about how Elena took Damon to go watch a meteor shower, and I decided that Marwa and Elena should get away from all the vampire drama B.S. in their lives and go nerd out about astronomy together, and this moodboard sort of happened. I also thought about how Elena becomes a doctor and went ah, they are both women in STEM! So I ran with that as a theme too.
But yeah, Marwa needs a friend who will actually support her interests and engage with her intellectually (no shade to Nadja and the Guide, I'm glad they had a fun weekend watching Mamma Mia together which was literally the only time we got to actually see Marwa happy onscreen, but they have never demonstrated much interest in science that I can recall and I want Marwa to have an astronomy buddy), and I think Elena would be fascinated by her and her perspectives on astronomy from centuries ago, and they could learn about modern astronomical advances together. If I find the time and energy I might even write fic about it, but for now, here is a moodboard so that we can all bask in the vibes of my beautiful crossover vision together.
Image sources: x x x / x (the first frame of x gif + a screenshot from x) x / x + x x x
#Elena Gilbert#Marwa wwdits#Marwa/Elena#Marlena#Marwalena#I'm not necessarily viewing this as a romantic ship but I'm also not not viewing it as one. take it either way as it pleases you#rowing the rarepair rowboat#(thank you freddieslater for letting me use that tag that's such a good tag)#the Vampire Diaries#What We Do in the Shadows#Marwa the Relentless#at first I didn't want to call her that because Nandor is such garbage to her. not even garbage. he hollows her out and destroys her soul#but I like the idea that she is also relentless in her own way. if only insomuch as she survived him. which really she didn't#the more I think about what happened to Marwa the more I feel like she endured the worst fate imaginable. I mean what Nandor did to her was#really so much more evil than any of the compulsion we see in Vampire Diaries because I mean he completely erased everything that made her#who she was. He chipped away at her personality and her sense of self bit by bit until he literally deleted anything recognizable as Marwa#from existence. I need to scream about it.#and the only scene with her smiling is the one I took that screenshot from. The only. Scene.#anyways I'm so glad she's fine now & having fun showing Elena cool telescopes and telling her about all of Jupiter's moons &how to see them#I love astronomy so if somebody on TV mentions liking astronomy I become bonded for life with them. lol#TVD rarepair rowboat#WWDITS#not to be anti-wwdits; I do love Nandermo. but they did Marwa so dirty#Justice for Marwa!#astronomy moodboard#I made this weeks ago but I got so busy with the play but now the play is over and I went 'hey remember that moodboard you should post it'#so here it be :)#it's not the best moodboard I've ever made but I made it in a passionate fervor of feminist energy and I like it
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shimenchus · 2 years ago
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it's so telling when someone says radical feminism is "white woman shit" and you bring up the fact that in many places such as africa or asia, the only feminism that prominently exists is radical feminism, and for those places it's just considered regular feminism that you get told those women live in places that aren't progressive enough for them to understand their actions properly. to say these women are too dumb to realize that their beliefs are "bad" simply because they don't align with western mainstream liberal feminism is rooted in xenophobia and racism, not to mention a lack of understanding of the struggles and violence women from these countries regularly go through, which can range anywhere from fgm to men rubbing and wiping their cum on the back of women's clothes in trains. but of course, as usual, there's no intelligent response to this so you just end up getting blocked or get rape wished on you.
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gojuo · 2 years ago
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targ nation proving to me time and time again that they do not understand the media they consume and are nothing but a bunch of illiterates just regurgitating the big buzzwords they see float around on twitter dot com. the fact they all say this objectively wrong trite while vocally and openly hating on the dornish (THE ONLY REGION IN WESTEROS THAT PRACTICES ABSOLUTE PRIMOGENITURE AND IS OVERTLY NOT WHITE) is very telling.
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here's a tip for the ones that still don't get it: the storming of the dragonpit was the moral of the story grrm was presenting. the fact that this event happened during rhaenyra's reign instead of aegon's should tell you enough.
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musical-chick-13 · 6 months ago
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The problem is. When I go, "Oh, this system is bullshit" and try to live outside it. My choices are still defined by that system. And that makes me feel really weird.
#I love being a woman so much but jfc am I having strange feelings about what that means in a societal sense lately#and like. obviously the most important thing is to unapologetically be my authentic self. which I try to do every day.#but sometimes it's VERY hard to tell what my authentic self is versus what I'm rebelling against versus what society tells me I am#and it would be GREAT if I could find OTHER PEOPLE who felt like this but that would require me airing out all my baggage and#no one wants that.#(okay. like. tame example. I think it's absolute bullshit that women are expected to shave. and for the most part I don't. and I don't care#whether other people do or not. but I HATE the way that armpit hair feels on my body. so I do usually shave that. I would shave that even i#there was no cultural expectation for women to shave at all. but I feel like a bad person for complying with this cultural standard even if#the reasons for it have nothing to do with gaining general acceptance or appealing to some Standard of Femininity.)#(and it's not that me making this choice is like. Inherently Feminist™ it's not. but it feels ANTI-feminist. and then if you map this to#a bunch of other more serious shit..............)#it's rough out here!#(and then there's the fact that I'm CONSTANTLY bombarded with '''''takes''''' claiming that women don't actually suffer under the patriarch#and that misogyny isn't real. but the t/rfs keep trying to have a monopoly on THAT conversation and I do NOT want to be associated#with them because THEY ARE ALSO WRONG. AND THEY DON'T ACTUALLY SUPPORT THE LIBERATION OF WOMEN LMAO)#(so then it's just like wow! I really do feel incredibly alone! nothing resonates with me at all!)#In the Vents
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noctomania · 2 years ago
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TERFs are truly some of the people I'm MOST embarrassed by. Reminds me of a younger version of myself but added in a huge heap of toxicity and audacity to think I'd have any authority over someone else's personal expression.
Go find a hobby. Go learn about rocks. Go start a band. Build a community center or host a game night in one.
Just play. Tap into being a creature. You are no better than me nor i better than you. You just insert yourself where you were not invited nor belong.
You've removed yourself sofar from everyone else thT you're just in a corner talking to yourself.WAKE UP.
you're not a feminist if you think you can tell people what to do with their bodies point blank period Full stop.
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mybeautifulwifegojo · 2 months ago
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hey!! hey why does Momo tell Nobara that a scar on a man is a sign of strength while on a woman it's just a flaw!! Utahime has a scar on her face!! Utahime is a semi-grade 1 sorcerer and a teacher and all of her students like her!! WHAT IS MOMO IMPLYING
What kind of sexist bullshit has my Princess been suffering through down in Kyoto???? ANSWER ME, GEGE
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aseriesofunfortunatejan · 9 days ago
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Hmm I guess Kasumi and Arisa are getting brutally murdered. Oh well
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welcometogrouchland · 9 months ago
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Also in the replies of the Steph concept art on twitter announcing she was gonna be in a new project at DC (posted by Travis Mercer), there were at least 3 comments saying "will Tim be there?" I don't care how hard you ship timsteph I'm exploding you with my eyeballs if you do that on my girls post again
#ramblings of a lunatic#taking a step back to acknowledge that my stanning may be getting overzealous#but then again I'm not in ppls quotes or replies I'm vagueing on an entirely different website with no relevant tags. it could be worse#anyway I know tims had it rough these past couple of months ever since zdarsky shifted focus of the batman title to have less tim#but it still feels. idk. just a wee bit uninspired to act like steph can't go two steps without tim being behind her#im ngl i like timsteph when they're cute but timsteph twitter has been. pissing me off a tad lately#the refusal to acknowledge the sexism in dixons robin run and how it impacts stephs writing and their relationships writing#the refusal to acknowledge tims occasional condescension and hypocrisy when it comes to stephs vigilantism#seemingly only wanting her to be spoiler when he wants her around and telling her to give it up most of the time#also the constant disrespect of stephs batgirl era on there weirdly enough?#I've harped on about this on main and in drafts but despite it's flaws it's a good turn for stephs character#she's the focus she gets development (an upward trajectory! which had previously been unheard of for her! bc she did have flaws as spoiler-#-its just that both writers and characters alike seemed to arbitrarily decide she didn't have the capacity to grow past them! but she did!)#hell i saw a BIZARRE take today i just have to bitch about#which was them saying that Batgirl was a ''heteronormative mask'' steph put on#with spoiler being her more authentic self (and this being paralleled to gender expression with stephs isolation from the batfam as spoiler-#-showing how she ''wasnt like them'')#which. I'm not denying you the view that spoiler has a certain genderific swag to her but the needless dragging of her batgirl persona#steph got treated badly as spoiler bc she was A Girl. it's genuinely that simple dixon felt batman and robin would never stand for a girl-#-running around doing the things they did and would need to chivalrously stop her. he's gone on record saying this#she's constantly getting belittled by mostly men (cass also dismisses her but it feels distinctly less gendered)#and in the end it's barbara who learns to give steph a second chance despite her mistakes and they have a positive relationship#something ppl are quick to dismiss as being in and of itself sexist bc they're pairing the two girls off together#as if batgirl isn't a legacy and as if babs and steph don't have parallels in their resilience and refusal to accept when ppl tell them no#for better and for worse!!#like. idk how you took the strongest feminist element in that comic (bc there are elements of sexism here and there! 2009 n all)#and somehow turn it into ''heteronormativity'' YOU PPL ARE JUST SAYING WORDS AT THIS POINT!!!#anyway. someone take away my internet access
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sisterdivinium · 2 years ago
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It might appear somewhat essentialist at first if used to examine real, breathing human beings, but Carol Gilligan's "Images of relationship" can provide an interesting framework with which to understand certain facets of Warrior Nun. More so when coupled with David Hayter's comment on how the show's "women are always right and the men are always kind of screwing things up," for her article, dealing in systems of moral understanding, might point us towards the reasons behind this openly admitted narrative "bias".
In a nutshell, Gilligan observes the different strategies by which boys and girls seem to resolve moral dilemmas, deviating from traditional interpretation. This is because, Rosemarie Tong reminds us, "Gilligan challenged the Freudian notion that men have a well-developed sense of justice — a sense of morality — whereas women do not". By looking beyond these hurried and prejudiced conclusions of (male) researchers before her, she "argued instead that men and women have different conceptions of morality, each equally coherent and developed and equally valid". She bases this idea, then, on those resolution strategies that were found to consist of, for boys, a tendency to see the moral dilemma as "sort of like a math problem with humans", while the girls were more inclined to view it as "a narrative of relationships that extends over time" — so if boys seemed "logical" through their impersonal abstraction of a situation, invoking concepts similar to those of law and justice, the girls were more likely to follow a different, "personal" logic, through "an awareness of the connections between people", identifying "a web of relationships that is sustained by a process of communication".
Where this all intersects with Warrior Nun is that the male and female characters seemingly display these same propensities of moral judgment.
If we start with the men, we will quickly see that they are all caught up in their own abstract systems, prone to grand ideas and concepts while detached from the world and the valuable human bonds that make it up, just as Vincent sees the quest for a hypothetical "better world" as more important than the life of a very real, concrete woman he claims to love. Mr. Hayter himself, in the same interview conceded during the OCS Conclave of June 3rd, mentions how father Vincent and cardinal William are irresistibly attracted to the notion of power: "here's this guy who can do godlike things, so why wouldn't I follow him, you know? ... We gotta have some power ... that we bow down to or whatever". This is how he transmits a glimpse into these characters' psyches and we could safely argue that this behaviour and thought pattern extends to the rest of the men in the show, including Duretti, Kristian, Adriel and even Michael Salvius.
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Whether these men mask their fascination with power through other words or not, theirs is a cause which easily calls for violence and a willingness to kill or die for it.
Earthly power inspires Francesco Duretti to have the current halo bearer killed if need be as he attempts to consolidate his bid on the Holy See; Kristian Schaefer would sacrifice the world as readily as he does his old acquaintance Duretti in the name of this power that lay entombed for a thousand years but communicated through the voice of a sick little boy; cardinal William Foster is inebriated with the idea of being a new god's right-hand man, so he brutally slaughters his colleagues to buy himself a place at Adriel's table, even if that means getting no more than his master's crumbs; father Vincent is so eager to find someone or something powerful enough to take the burden of "his darkness" from atop his shoulders that he convinces himself of there being divinity in the parlour tricks of a manipulator, killing a symbolic daughter in this trickster's name; Adriel would bleed humanity dry without a second thought all the while claiming to save it in draining its belief for the benefit of his own megalomania; finally, Michael subjects himself to the will and authority of Reya, whom he claims to be "unimaginably powerful".
Of course the women of Warrior Nun are mostly all ready to lay down their lives for their own cause as well, or else we wouldn't have their iconic motto of "in this life or the next", but the motivation behind it is what sets the men and the women wholly apart here. If the former are intoxicated by the concept of power, the latter are embedded in a family of sorts, in a dense network of relationships that they can identify with some ease, and which informs their decisions and actions more than just dogma or theory.
Most if not all of the female characters struggle between two different stances: one is an offshoot of the males' abstract organisation of the world, while the other is a more "hands-on", "organic" order; between "duty", or what is said to be their duty, and that which their own perception reveals, their "personal" logic by which the "self [is] delineated through connection", seeing one another as actual sisters instead of mere pieces upon the church's chess board. We see the dilemma take place within Beatrice, Camila, Lilith and Mother Superion, who are all faced with a choice of sticking to their place in a well-defined (artificial, abstract) structure or valuing instead the human connections all around them and that stand in opposition to this man-made categorisation of life.
And, one by one, they take the side of that one character who seems to have kept her lucidity and fidelity to her own understanding through it all: Mary.
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Mary never lost sight of her priorities. Her focus on friends and sisters illustrates Gilligan's point rather well when she is the only one who insists on understanding what happened to Shannon all the while the OCS is made to concentrate its energies on the halo instead. Of course it blinds her to Vincent's betrayal, but that is his fault more than it is hers; her moral compass points at the right direction for the most part.
And, each at their turn, the nuns adopt (rediscover?) this same mode of thought. Beatrice's efficient, obedient soldier façade crumbles beneath the urgency of siding with Mary rather than following the arbitrary decision of some man invested with the power of an institution; Camila outright admits wanting to be kicked out of the church just so she can stay near to the people who represent her allegiance more than liturgy itself ever could; Lilith literally travels to hell and back to rejoin her sisters, regardless of how her subsequent mutations upset her loyalty later on; Mother Superion sheds her prominence within hierarchy, risking it all, by standing with "her girls". Even Ava, an outsider with no ties to the church but who so desperately wanted to "live", trades a vague, abstract notion of what "life" and "freedom" entail for the very definite, tangible reality of the family this group of women becomes for her.
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Another outsider equally stuck between "bodiless" logic and the reality of human connection around her, Jillian Salvius, too, falters before choosing her side when faced with these two points of view: that of "pure" reasoning and that informed by the consciousness of surrounding relationships. Her quest for "knowledge" is not sufficiently strong so as to potentially sacrifice someone in her inner circle. Season one has her holding young Michael back from stepping into the machine she herself had created for this purpose when concern overrides calculation; season two gives us a powerful scene where she is tempted by Kristian into joining Adriel's ranks as he claims she is already a part of it all and dangles before her the forbidden fruit of the world's hidden laws, the elusive answers the scientist in her has always searched for. He tries to hook her in by simultaneously appealing to her intellectual interests as well as her understanding of the web of relationships when he claims she is another link in the chain that leads to Adriel...
And Jillian refuses him.
Kristian would never convince her of already being within this specific network of relationships because he was the one to rupture it first.
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To these women, unlike the men, it's not about ideas — or, rather, about rationalisations, given how their interpretation of what is logical or reasonable is more than open to inquiry. To these women, it's not about loud, large but empty words vulnerable to tampering and shifting meanings; it's not about power.
It's about people.
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Rosemarie Tong says "Gilligan believed that women's moral development takes her from an egocentric, or selfish position to an overly altruistic, or self-sacrificing position and, finally, to a self-with-others position in which her interests count as much as anyone else's" — and this seems to describe perfectly well the inner trajectory that these characters follow. We see traces of the selfish in Ava, Jillian and Lilith, as well as of the self-sacrificial in Beatrice or Suzanne, but they all appear to converge on this path towards constructing a "self-with-others" whereby they are all individuals inextricably tied to one another — and aware of it, acting accordingly. A sisterhood, a direct sisterhood that supersedes the very church structure which facilitated it to begin with.
Of course Warrior Nun is too intricately built to allow itself to be so smoothly explained; if Carol Gilligan provides a framework that helps us to identify what is so positive and deserving of attention in the female characters' attitudes as championed by one of the show's own writers, it also falls short on other points and her propositions can then be questioned by the show in turn.
We need but a few examples.
If Jillian Salvius values the significance of association with others more than she does a cold, distant overview of things (the latter being the stereotypical scientist attitude), then how is it that she seems so prepared to immolate Lilith at the altar of curiosity? One relationship takes precedence over the other, yes, and we cannot compare the love for a son to whatever affection or respect there is for anyone else, but the nature of Jillian's experimentation with Lilith, had it gone forward, is quite brutal even for the sake of a debilitated child. Jillian's stance is understandable, but this "self-with-others" thing isn't as clear-cut as we might think.
Lilith herself oscillates between those three positions of moral development described by Gilligan, going from selfish to "connected" by the end of season one, but ending season two in almost complete isolation, with only a hint towards her previous place in a web of sisters as she aids Beatrice in getting Ava to the ark... Shortly after having dug her claws into the warrior nun's flesh.
But perhaps Lilith is a more special case than we realise at first. Our early childhood experiences define much of our character, after all, and the words we use have a bearing on how we view and reconstruct the world in our discourse; Lilith's understanding of the relationships between people, of "family", probably doesn't reflect that of her sisters given the ill-treatment she must have received from her relatives. If one's primary web of relationships is so tainted, what model can it ultimately provide for later connections? Just as Ava's mistrust for nuns is justified by her previous, negative experiences at their hands, Lilith's experience with intimate or familial bonds surely affects her maturing sense of being linked to other people. If family is a positive value for Ava and Mary, for example, it cannot boast of the same meaning for Lilith, whose family is a source of stress and misunderstanding rather than a harbour of love.
The treatment she has received might have corrupted her grounds for moral judgment by communal lenses in a way Beatrice's rejection by her own parents did not, leaving Lilith adrift as long as she does not somehow attempt to re-signify what human connection ultimately means. To Lilith, as of yet, the web of relationships she necessarily belongs to mirrors the initial disposition she was brought up in, as a hierarchical structure where every link is tainted by the stench of power and domination — the OCS is a family much like her own... Where orders are given and meant to be obeyed.
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We cannot know for certain what it is that she sees or feels after Adriel "unlocks" her wraith-vision, but there is something peculiar in how, reflecting this idea of abstract versus material views of the world we've been discussing, Lilith claims to see reality when she casts her eyes upon the nebulous demonic figures only few others can see. In her opposing traits are mixed, delivering a strange synthesis we cannot quite make out yet and making Lilith a hybrid both in body and in thought.
And while this fact alone seems to interrogate David Hayter's comment about how the women in the show tend to be correct, we can further complicate the statement by glancing at Reya.
There is frightfully little we know of her, but a lot of the information we do have is conflicting: Reya is unimaginably powerful, yet needs to manipulate two young people to do her bidding for her in fighting Adriel; her predictions are "meant to be" yet do not manifest in the way they were said to; she is described as some sort of benefactor by taking Michael in, but she sticks a bomb into his chest and the very sight of her sends him reeling; she is, as far as we know, a woman, yet she might very well be at odds with the other women we see in the show. How, then, are the women always right?
Perhaps they are so when following their conscience as guided by their understanding of community and sisterhood, when belonging to a network of relationships and acknowledging it. That would exclude a murderous sister Frances, a confused Lilith and a mysterious, distant Reya from the definition.
In this sense, then, even if the characters are not static or simple, even if they waver between the moral positions suggested by Gilligan and which do not seem all that definite to begin with, her text is still enlightening as relates to why the women are, "word of God", the moral touchstone of Warrior Nun.
Having been robbed of further development of the story and universe for the time being, however, precisely because of an abstracting, impersonal corporate logic that sees only numbers where there should be people and the wonderful effect this show has had on them, there is only so much we can conjecture on this subject...
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geekynichelle · 2 years ago
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Random Author: This is my story based on Greek Mytho-
Me: Are you going to treat Ares and Aphrodite like shit?
Random Author: Excuse me?
Me: Because if you’re going to treat them like shit then I’m not interested. 
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bladedlegacy · 2 months ago
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i mean......... but the abs untapped potential of katherine, though. imagine the horror of finding out your whole life has been a lie. your parents are not your parents, your real father is the boogeyman everyone is so afraid of. your name is not your name, that's why it never felt right when people said it. you've been drugged and brainwashed with an illegal substance from a young age, that's why nothing feels real, especially not you. you were manipulated from every corner into forgetting your own identity because it was more convenient for everyone that way. as things do start to seep back into your addled mind, you start to remember everyone's dead, and you might as well be responsible for at least one of those deaths. in this essay i will-
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timetravellingkitty · 1 year ago
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insistonyourcupofstars · 5 months ago
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As someone who is Not Into Sex, watching "Too Hot To Handle" is actually torture. Especially because there are soooo many A+ women, and then you have these guys.... and jesus.
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