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tabloidtoc · 4 years ago

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Life & Style, October 12

You can buy a copy of this issue for your very own at my eBay store: https://www.ebay.com/str/bradentonbooks

Cover: Why Kim Kardashian really quit

Page 1: Gigi Hadid and Zayn Malik announced the arrival of their first child together by posting pics of the newborn clutching her daddy’s hand on Instagram

Page 2: Contents

Page 4: The Top 10 Armani Prive Looks -- Nikki Reed, Renee Zellweger, Elle Fanning, Dakota Fanning, Cate Blanchett

Page 5: Caitriona Balfe, Nicole Kidman, Alessandra Ambrosio, Zendaya, Laura Dern

Page 6: Lori Loughlin was sentenced to two months is prison for her role in the college admissions cheating scandal but she will still be living large behind bars serving her time at a federal institution in Victorville in California that offers music lessons and arts and crafts as well as Pilates and yoga and spinning classes

Page 8: Christina and Ant Anstead’s shocking separation has taken a turn for the worse as Ant signed up to shoot a new show in his native U.K. -- the couple share a child and while Ant has promised to see their son it won’t be easy with all the traveling restrictions due to the pandemic, Jessica Simpson showed off her 100-pound weight loss while promoting the Jessica Simpson collection on Instagram, Vanessa Bryant is fighting back after her mother Sofia Laine gave a beyond hurtful interview to Univision claiming that the widow threw her out of a three-bedroom home in Irvine that the late Kobe Bryant gave to her

Page 10: The Week in Photos -- To celebrated National Teddy Bear Day Jennifer Garner recreated a childhood photo with her beloved stuffed animal TBear

Page 12: Miley Cyrus performs on The Tonight Show, Nick Cannon with the Giraffe on the Masked Singer premiere, celeb panelists Constance Zimmer and Ross Mathews and Jerry Ferrara snapped a selfie on the set of Match Game

Page 14: Kristen Taekman in a New York Jets bikini in Malibu, Jonathan and Drew Scott at Disneyland with their older brother JD, Gilles Marini with his dog Mila

Page 16: Stars Behaving Badly -- Candace Cameron Bure and husband Valeri Bure grabbing her breast, Jessie James Decker read her cookbook wearing nothing but a hat and heels, Zoey Deutch flashed her middle finger at the camera

Page 18: Say What?! Wendy Williams on entertaining herself while trapped inside during the COVID-19 crisis in NYC, Sharon Stone on remaining a sex icon as a sexagenarian, Millie Bobby Brown on the hairdos of her Stranger Things and Enola Holmes characters, Jason Sudeikis on waiting weeks to share his first kiss with Olivia Wilde, Demi Lovato on mastering her culinary skills now that she’s moved into a house with a nice kitchen

Page 20: Demi Lovato and Max Ehrich wedding on hold

Page 21: Nicole Scherzinger and Thom Evans have been dating for less than a year but she has already brought up tying the knot with the former rugby player, Halle Berry’s hot new romance with singer Van Hunt, Romance Report Card -- Megan Fox, Hilary Duff, Kristin Cavallari

Page 22: Cover Story -- Kim Kardashian breaks her silence -- tension with her family as well as with husband Kanye West spurs Kim’s reality TV exit

Page 26: Chris Hemsworth and Elsa Pataky hanging by a thread -- as their 10th anniversary approaches Chris and Elsa are at odds

Page 28: 2020′s most shocking sex scandals (so far) -- Emily Ratajkowski makes assault allegations, Cheer’s Jerry Harris arrested, Denise Richards and Brandi Glanville hook up?

Page 29: Jada Pinkett Smith admits to romancing another man, Chris Evans’ NSFW post

Page 30: Prince Harry and Meghan Markle’s new reality show -- Harry and Meghan prepare to give an unprecedented look at their lives

Page 32: Who Lives Here? Teresa Giudice

Page 34: Entertainment

Page 35: Star Review -- Cheryl Burke, As Seen On-Screen -- Sofia Vergara work a black corset top on America’s Got Talent which is Agent Provocateur’s Emilia Corset for $845

Page 37: Beauty Crush -- Julia Garner

Page 38: Beauty Beat -- treat your tresses -- Olivia Culpo

Page 40: Diva or Down-to-Earth? Yolanda Hadid has a green thumb -- down-to-earth, Justin Theroux cleans up after his dog -- down-to-earth

Page 41: John Legend and Chrissy Teigen and their kids shop of groceries -- down-to-earth, Naomi Watts commands a glam squad -- diva

Page 42: Social Stars Posts of the Week -- Cindy Crawford and daughter Kaia Gerber, Kevin Hart and wife Eniko, Henry Cavill and his dog Kal

Page 43: Anderson Cooper and son Wyatt, Jennifer Aniston, Luann de Lesseps, Keith Urban and Nicole Kidman

Page 44: Horoscope -- Libra Bella Hadid turned 24 on October 9, They’re Not Together But They Should Be -- Virgo Cole Sprouse and Cancer Selena Gomez

Page 46: Made Ya Look! Olivia Culpo

Page 48: What I’m Into -- Lindsay Arnold

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doubleattitude · 4 years ago

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Studio 19 Dance Complex

KAR, Cleveland OH 2014: RESULTS

Primary:

8 and Under Solo

1st: Maggie Evelsizer-’Baby Face’

2nd: Ava Means-’Pennies from Heaven’

3rd: Addison Vargo-’Wind it Up’

4th: Angelica Glasgow-’Happy Feet’

8 and Under Duet/Trio

1st: ‘Itty Bitty Pretty One’

3rd: ‘Little Shop of Horrors’

5th: ‘Send in the Clowns’

8 and Under Large Group

1st: ‘Little Love Bugs’

4th: ‘Bikini Babes’

9-11 Solo

2nd: Hannah Flaugh-’Venus’

Secondary:

8 and Under Solo

1st: Layla Stiscak-’Cooking Up Something Sweet’

2nd: Talia Booker-’Whatever Lola Wants’

3rd: Kaitlyn Allen-’Crippled Bird’

4th: Breanna Feil-’My Strongest Suit’

8 and Under Duet/Trio

1st: ‘Rock and Roll Teddy Bear’

2nd: ‘The Party Girls’

3rd: ‘Niko and His Babes’

4th: ‘Cover Girls’

5th: Kaitlyn Allen, ?-’Good vs Evil’

8 and Under Small Group

1st: ‘Ain’t Nobody Here But Us Chickens’

2nd: ‘Sitting Pretty’

3rd: ‘Gods Breath’

8 and Under Large Group

1st: ‘Ooh La La’

2nd: ‘Wild Things’

3rd: ‘School Days’

9-11 Solo

1st: Julia Paslawski-’Vogue’

4th: Alexa Lombardo-’Fright Night’

12-14 Solo

2nd: Alexis Gorman-’Fly’

3rd: Maddie Rankin-’Been A Long Day’

4th: Ashlyn Ruiz-’Insomnia’

5th: Emma Rankin-’I Took the Night’

12-14 Duet/Trio

1st: ‘Sisters’

2nd: ‘Sanctuary’

Intermediate:

9-11 Solo

1st: Isabella Febraro-’Winter’

3rd: Lexi Troianos-’The List’

4th: Donata Massimiami-’Exotic Jewel’

9-11 Duet/Trio

1st: Isabella Febbraro, Alaina Johnston-‘Auld Lang Syne’

2nd: ‘Can’t Turn Ya Loose’

9-11 Small Group

1st: ‘Shelter’

2nd: ‘Fix You’

3rd: ‘Posession’

4th: ‘Who’s Bad’

5th: ‘Give It To Me’

9-11 Large Group

1st: ‘You Raise Me Up’

2nd: ‘Wepa’

12-14 Solo

1st: Anna Schatzel-’Dreamcatcher’

3rd: Alaina Johnston-’Far Out East’

4th: Alyssa Massimiani-’Mannequin’

12-14 Duet/Trio

1st: ‘Tap Remix’

4th: Erica Williams, Breanna Feil-‘Imagine’

12-14 Large Group

2nd: ‘Come Sail Away’

3rd: ‘Let’s Get Rowdy’

4th: ‘Bang Bang’

15-19 Solo

1st: Emily Marino-’Be Mine’

2nd: Paige Elias-’I Put A Spell on You’

4th: Sydney Hagmann-’Read All About It’

Elite:

12-14 Solo

2nd: Lauren Herb-’Dangerous’

5th: Claire Spisak-’Without A Word’

12-14 Duet/Trio

1st: Sarah Johnston, Alaina Johnston-‘Wherever You Will Go’

3rd: Chloe Lukasiak, Madelyne Spang-‘Hanging By A Thread’

12-14 Small Group

1st: ‘The Enchanted Forest’

2nd: ‘A Nurses Diary’

3rd: ‘Fiesta’

12-14 Large Group

1st: ‘Neverland’

15-19 Solo

1st: Madelyne Spang-’Control’

2nd: Riley Majiros-’Unchained Melody’

3rd: Sarah Johnston-’The Giving’

15-19 Duet/Trio

1st: ‘Skinny Love’

3rd: ‘Destiny Fulfilled’

4th: ‘The Hunger Games’

15-19 Small Group

1st: ‘In God’s Hands’

2nd: ‘Medicine’

3rd: ‘Blow’

15-19 Large Group

1st: ‘Float On’

2nd: ‘Do Ya?’

Production

1st: ‘We Will Rock You’

Super Line

1st: ‘Fashionista’

2nd: ‘Star Girls’

Top Studio:

Top Elite Studio

Studio 19 Dance Complex

Top Intermediate Studio

Studio 19 Dance Complex

Top Primary Studio

Studio 19 Dance Complex

Top Secondary Studio

Studio 19 Dance Complex

Title:

Miss Petite

Miss Petite: Addison Vargo-’Wind It Up’

1st runner-up: Layla Stiscak-’Cookin Up Something Sweet’

2nd runner-up: Talia Booker-’Queen of the Night’

Miss Junior Dance

Miss Junior Dance: Isabella Febbraro-’Winter’

1st runner-up: Lexi Troianos-’Titanium’

3rd runner-up: Donata Massimiani-’Exotic Jewel’

Miss Teen Dance

Miss Teen Dance: Alaina Johnston-’Far Out East’

1st runner-up: Anna Schatzel-’Dreamcatcher’

2nd runner-up: Ryan Nogy-’Spain’

3rd runner-up: Alyssa Massimiani-’Mannequin’

4th runner-up: Carly Seaman-’Bulletproof’

Miss Dance

Miss Dance: Madelyne Spang-’Control’

1st runner-up: Sarah Johnston-’The Giving’

2nd runner-up: Emily Marino-’Be Mine’

3rd runner-up: Riley Majiros-’Unchained Melody’

4th runner-up: Paige Elias-’I Put A Spell on You’

NYC All Stars:

Primary Solos

Hannah Giles-’Amazing Grace’

Secondary Duet/Trios

‘Sanctuary’

Intermediate 9-11 Solos

Isabella Febbraro-’Little Bird’

Intermediate 12-14 Solos

Carly Seaman-’Bulletproof’

Intermediate 15-19 Solos

Casey Ferrara-’They Weren’t There’

Intermediate Solos

Carly Seaman-’Bulletproof’

Intermediate Duet/Trios

‘Tap Remix’

Intermediate Small Groups

‘Shelter’

Intermediate Large Groups

‘Lets Get Rowdy’

Elite Solos

Sarah Johnston-’Lay Me Down’

Elite Duet/Trios

Chloe Lukasiak, Madelyne Spang-‘Hanging By A Thread’

Special Awards:

Best Costume

‘Sitting Pretty’

‘Wepa’

Most Entertaining

‘The Enchanting Forest’

Junior Photogenic:

Katarina Kazienko

Outstanding Performance:

Best Jazz

‘Fiesta’

Best Hip-Hop

‘Do Ya?’

Best Lyrical/Modern/Contemporary

‘In God’s Hands’

Best Ballet/Open/Acro/Gym Performance

‘Float On’

#studio 19 #dance #kar

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themuller13 · 7 years ago

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AGAINST

Christopher Shinn: Discussion and Signing

The Drama Book Shop is pleased to welcome back acclaimed playwright Christopher Shinn (Picked, Teddy Ferrara) to celebrate the release of his new play Against, and his latest collection Plays: 2 from Methuen Books on Tuesday, October 10th at 5:00pm. Shinn will sit down with playwright and Drama Book Shop Events Manager Steven Carl McCasland for a discussion about his plays and read from his latest work. Copies of both books will be available for purchase, and the discussion will be followed by a signing. Admission is free and open to the public.

Event date:

Tuesday, October 10, 2017 - 5:00pm

Event address:

The Drama Book Shop, Inc250 West 40th StreetNew York, NY 10018-1511

The event is live tweeted:

https://twitter.com/MethuenDrama/status/915247178129518592

@a-forger-and-a-point-man

#against #christopher shinn #the drama book shop

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showbizchicago · 6 years ago

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Steppenwolf for Young Adults Presents THE BROTHER SIZE Oct. 2-19

Returning to the stage for the first time since its celebrated Chicago premiere, Steppenwolf for Young Adults (SYA) presents The Brothers Size by ensemble member Tarell Alvin McCraney (Academy Award Moonlight, co-creator of MS. BLAKK FOR PRESIDENT) and directed by acclaimed Chicago director Monty Cole. Both shows in SYA’s 2019/20 Season explore the question, “How do you navigate family history while trying to write your own?” Ogun Size is hardworking and heartbroken. Oshoosi Size is recently returned home from prison and trying to be anywhere but. In this fierce and honest look at the complex bonds of brotherhood, Tarell Alvin McCraney weaves together poetry, music and Yoruba mythology to magnify the tug-of-war between freedom and the need to belong somewhere, to something, to someone. Public performances of The Brothers Size begin Friday, October 4, 2019 and run through Saturday, October 19, 2019 in the Downstairs Theatre (1650 N Halsted St). Single tickets ($20-$30) are now on sale through Audience Services at 312-335-1650 or steppenwolf.org. Weekday performances are reserved for school groups; more than 15,000 Chicago Public School students will experience the production. Interested in bringing a school group? More info at steppenwolf.org/education. Director Monty Cole shares, “The Brothers Size has always been one of my favorite plays. I’m in love with its vulnerable language about one’s duty to their family, culture, nation — and their own freedom. When I was in high school, I remember being so excited to go to SYA productions. It’s an honor to bring this play back to the Steppenwolf stage for young adults to see themselves reflected.” Relaxed/Sensory-Friendly Performance Steppenwolf is pleased to present a Relaxed/Sensory-Friendly performance for The Brothers Size on Saturday, October 19 at 3pm. Relaxed/Sensory-Friendly performances feature a relaxed performance environment and minor adjustments to sensory effects such as lighting and sound cues. House lights will be left up at a low level, and it’s okay for audience members to make noise, move, and leave the theater. Social narratives and character guides will be shared in advance of guests’ visit, and a quiet area will be designated in a section of the lobby. For more information, please email [email protected]. Meet the Cast

The cast features (Pictured L to R) Patrick Agada (Oshoosi Size), Manny Buckley (Ogun Size) and Rashaad Hall (Elegba). Patrick Agada is making his Steppenwolf for Young Adults debut. Chicago credits include: Something Clean, You For Me For You (Sideshow/Rivendell Theatre); Dutch Masters (Jackalope Theatre, Jeff Award); Choir Boy, The Play About My Dad (Raven Theatre); Superior Donuts (Open Door Theatre); Dunsinane, Q Brother’s Christmas Carol, Shakespeare’s Greatest Hits (Chicago Shakespeare Theatre); Jabari Dreams of Freedom (Chicago Children’s Theatre). Regional credits include Blue Man Group (Astor Place Theatre). TV credits include Chicago Fire. Manny Buckley returns to Steppenwolf for Young Adults. He was previously seen in Of Mice and Men, George Orwell's 1984 in SYA and Hit the Wall in Garage Rep. Manny is an ensemble member of American Blues Theater where he has been seen in Waiting For Lefty, Looking Over the President's Shoulder, Dutchman/TRANSit and Six Corners. Television credits include Chicago Fire, Proven Innocent and Sirens. Film credits include Pilgrim, Sugar and Mrs. Stevens Hears the Mermaids Singing. Mr. Buckley is the recipient of a Black Theater Alliance Award, Black Excellence Award and teacher of the year award for 2019. Rashaad Hall is making his Steppenwolf for Young Adults debut. Chicago credits include: True West, Lord of the Flies (Steppenwolf Theatre, understudy); The Displaced (Haven Theatre); Hairy Ape (Oracle, Jeff nomination for Best Ensemble); Welcome to Jesus (American Theatre Co.); How to Catch Creation, Teddy Ferrara, A Christmas Carol and The Convert (Goodman Theatre); Time is on Our Side (About Face Theatre); Electra (Court Theatre); and All Our Tragic (Hypocrites Theatre). Web Series Credits: Brown Girls and The Right Swipe. Film Credits: Rendezvous in Chicago, An Acceptable Loss, and The Play Cycle. About the Playwright Tarell Alvin McCraney is an acclaimed playwright and screenwriter and has been a Steppenwolf ensemble member since 2010. His script In Moonlight Black Boys Look Blue is the basis for the Oscar-winning film Moonlight directed by Barry Jenkins, for which McCraney and Jenkins won an Oscar for Best Adapted Screenplay. He also wrote the film High Flying Bird which recently premiered on Netflix directed by Steven Soderbergh. McCraney’s plays include The Brother/Sister Plays trilogy, Choir Boy, Head of Passes, MS. BLAKK FOR PRESIDENT and WIG OUT!. McCraney is the recipient of a MacArthur "Genius" Grant, the Whiting Award, Steinberg Playwright Award, the Evening Standard Award, the New York Times Outstanding Playwright Award, the Paula Vogel Playwriting Award, the Windham Campbell Award, and a Doris Duke Artist Award. He is currently Chair of Playwriting at Yale School of Drama; an ensemble member at Steppenwolf Theatre Chicago; and a member of Teo Castellanos/D-Projects. McCraney is currently working on an original scripted TV series, David Makes Man, for Oprah Winfrey’s OWN Network, produced by Michael B. Jordan and Page Fright Productions. About the Director Monty Cole recently directed Kiss by Guillermo Calderon at the Haven Theatre Company, and has directed productions, readings and workshops for Goodman Theatre, Center Theatre Group, The Alley Theatre, The Court Theatre, Victory Gardens, American Theatre Company, The Gift Theatre, The House Theatre of Chicago, Cape Cod Theatre Project, Oracle Productions, California Institute of the Arts and others. Cole directed the critically acclaimed and Jeff Award-winning production of The Hairy Ape for Oracle Productions and Hamlet at The Gift Theatre. Monty is currently adapting John Howard Griffin's classic memoir Black Like Me for the stage and collaborating with choreographer Breon Arzell at the Center for New Performance on a new iteration of In Dahomey, the first black Broadway musical. The Brothers Size production team includes Yu Shibagaki (Scenic Design), Mieka van der Ploeg (Costume Design), Claire Chrzan (Lighting Design), Jeffrey Levin (Sound Design), and Rasean Davonte Johnson (Projection Design). Additional credits include Michelle Medvin (Production Stage Manager), Hallie Gordon (Artistic Director Steppenwolf for Young Adults) and JC Clementz (Casting Director). Performance & Ticket Info There are 10 public performances of The Brothers Size: Friday, October 4 at 7:30pm; Saturday, October 5 at 3pm and 7:30pm; Sunday, October 6 at 3pm; Friday, October 11 at 7:30pm; Saturday, October 12 at 3pm and 7:30pm; Friday, October 18 at 7:30pm; Saturday, October 19 at 3pm and 7:30 pm.*The October 19 at 3pm performance will be a Relaxed/Sensory-Friendly performance. Weekday performances are reserved for school groups; more than 15,000 Chicago Public School students will experience the production. To bring a school group or learn more about Steppenwolf’s robust education offerings visit steppenwolf.org/education. Plan Your Visit Steppenwolf is located at 1650 N Halsted St near all forms of public transportation, bike racks and Divvy bike stands. The parking facility ($15 or $17, cash or card) is located just south of our theater at 1624 N Halsted. Valet parking service ($15 cash) is available directly in front of the main entrance starting at 5pm on weeknights, 1pm on weekends and at 12noon before Wednesday matinees. Limited street and lot parking are also available. For last minute questions and concerns, patrons can call the Steppenwolf Parking Hotline at 312.335.1774. Committed to making the Steppenwolf experience accessible to everyone, performances featuring American Sign Language Interpretation, Open Captioning and Audio Description are offered during the run of each play. Assistive listening devices and large-print programs are available for every performance and the Downstairs and 1700 Theatres are each equipped with an induction hearing loop. All theaters feature wheelchair accessible seating and restrooms, and Front Bar features a push-button entrance, all-gender restrooms and accessible counter and table spaces. Accessible Performances: Relaxed/Sensory Friendly Performance: Saturday, October 19, 1pm lobby and 3pm curtain American Sign Language Interpretation and Open Captioning (student): Friday, October 18 at 7:30pm American Sign Language Interpretation and Open Captioning (public): Friday, October 11 at 7:30pm Audio Description and Touch Tour: Saturday, October 19 at 3pm Steppenwolf Education’s unique approach combines play production with educational components to enhance arts education for young audiences, as well as their teachers and families, as well as a professional leadership program for early-career professionals. Every season Steppenwolf for Young Adults (SYA) creates two full-scale professional productions specifically for teen audiences Working closely with the Chicago Public and metropolitan area schools and other community partners, Steppenwolf Education annually ensures access to the theater for more than 20,000 participants from Chicago’s diverse communities. The initiative also includes post-show discussions with artists; classroom residencies led by Steppenwolf-trained teaching artists in almost 100 classrooms in public high schools; professional development workshops for educators; and the Young Adult Council, an innovative year-round after-school initiative that uniquely engages high school students in all areas of the theater’s operations, as well as other teen and community based programs. Year of Chicago Theatre Steppenwolf Theatre Company is proud to be part of the 2019 Year of Chicago Theatre, presented by the City of Chicago and the League of Chicago Theatres. To truly fall in love with Chicago, you must go to our theatres. This is where the city bares its fearless soul. Home to a community of creators, risk-takers, and big hearts, Chicago theatre is a hotbed for exciting new work and hundreds of world premieres every year. From Broadway musicals to storefront plays and improv, there’s always a seat waiting for you at one of our 200+ theatres. Book your next show today at ChicagoPlays.com. Steppenwolf Theatre Company is the nation’s premier ensemble theater. Formed by a collective of actors in 1976, the ensemble members represent a remarkable cross-section of actors, directors and playwrights. Thrilling and powerful productions from Balm in Gilead and August: Osage County to MS. BLAKK FOR PRESIDENT—and accolades that include the National Medal of Arts and 12 Tony Awards—have made the theater legendary. Steppenwolf produces hundreds of performances and events annually in its three spaces: the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Artistic programming includes a seven-play season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a multi-genre performances series. Education initiatives include the nationally recognized work of Steppenwolf for Young Adults, which engages 20,000 participants annually from Chicago’s diverse communities; the esteemed School at Steppenwolf; and Professional Leadership Programs for arts administration training. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Anna D. Shapiro is the Artistic Director and David Schmitz is the Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees. Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. Read the full article

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deciulla · 8 years ago

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Against, a World Premiere

Ben Whishaw photographed by Nadav Kander

Silicon Valley. The future. A rocket launches.

Tickets are on sale now for Against, in previews from Saturday 12 August. Ian Rickson (Jerusalem) directs this World Premiere production by Christopher Shinn, Pulitzer-nominated writer of Dying City and Teddy Ferrara.

Ben Whishaw (Bakkhai) returns to the Almeida in a cast including Fehinti Balogun, Elliot Barnes-Worrell, Nancy Crane, Emma D'Arcy, Amanda Hale, Kevin Harvey, Adelle Leonce, Martin McDougall and Naomi Wirthner.

12 August - 30 September

BOOK NOW MORE

Source: The Almeida

#ben whishaw

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torentialtribute · 6 years ago

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Forget the Nou Camp, THIS was Manchester United’s greatest comeback

Bring up Manchester United 's Treble in 1999 and thoughts jump towards the crowning glory of it all with that one Champions League night inside the Nou Camp.

No, not the 3-3 draw with Barcelona in the group stage, but the final itself. Bayern Munich that saw Teddy Sheringham and Ole Gunnar Solskjaer turn a heartbreaking defeat into one of the all-time dramatic wins and climaxes to any football match.

But you need to go back to the previous match in the competition to see why United were the greatest team in the world at the time, with what is also arguably their best ever performance in Europe.

United had been on the back foot in the tie ever since Antonio Conte fired the Italian champions into a 25th-minute lead in the first leg at Old Trafford

Ryan Giggs hit a stoppage-tim he equalizer on home soil but United still had to score in Turin

Twenty years ago, on April 21 1999, Sir Alex Ferguson's side had their work cut out when they traveled to Juventus for the second leg of their semi-final, having only drawn the Old Trafford clash 1-1 – Ryan Giggs netting in stoppage-time following Antonio Conte's first-half strike.

Juventus had Carlo Ancelotti as manager

About the only positive for the Red Devils heading into the game they were facing a Juventus side who were on course to finish a disastrous seventh in Series A and record their worst top-flight placing since 1962.

But no-one really took that statistic at face value and it was easy to see why when the Bianconeri, who had featured in the three previous Champions League finals, named a starting line-up featuring Zinedine Zidane, Edgar Davids, Filippo Inzaghi and Conte – all managed by Carlo Ancelotti.

United needed to win – or at least secure a high-scoring draw – to progress but would have to do so without key man Giggs.

The first-leg savior had picked up a knock in his side's other incredible '99 semi-final a week earlier when the Welsh wizard scored one of the greatest FA Cup goals to dump out Arsenal.

Juve had a star-studded squad including Edgar Davids (left) and Zinedine Zidane

Ferguson made few errors inside the Stadio delle Alpine but one glaring one came in the form of being complacent in dealing with Juventus's main attacking threat, Inzaghi.

The United boss once described the striker as 'born offside' yet the Italian poacher had the hosts 2-0 up within 11 minutes, showing typically predatory instincts to tap hom e following a far-post cross, then having a little fortune after seeing a shot deflect off Jaap Stam about Peter Schmeichel.

United suddenly were 3-1 down on aggregate, shown to be struggling defensively and needing two goals against a side who were not afraid to rough up the visitors with a few questionable challenges – even by 1990s standards.

Filippo Inzaghi got Juventus off to a perfect start when he scored after just six minutes

The Italy striker then doubled Juventus's lead to give them a 3- 1 aggregate advantage

But United ignored being drawn into needless scraps off the ball, kept their composition and so on dominated proceedings.

David Beckham in particular looked to have been identified as a target by the Italian side as a weak link mentally, with this match coming less than a year after his petulance saw him sent off for England against Argentina at the World Cup.

The late challenges on the midfielder went 'unrewarded' for the hosts. The midfielder had gained maturity throughout the campaign and refused to react to the roughhousing as his focus was more on starting United's comeback.

Keane started the comeback for United when he headed home a Beckham corner

But the midfielder was then booked for a foul on Zidane, causing him to miss the final

Scholes would later suffer the same fate as he was given a yellow card by referee Urs Meier

MATCH FACTS

Juventus: Peruzzi, Ferrara, Iuliano (Montero 46), Birindelli (Amoruso 46), Pessotto, Di Livio (Fonseca 80), Conte, Davids, Deschamps, Zidane, Inzaghi

Subs not used: Rampulla, Tudor, Tacchinardi, Esnaider

Manager: Carlo Ancelotti

Booked: Davids

Goals: Inzaghi 6, 11

Manchester United: Schmeichel, G. Neville, Johnsen, Stam, Irwin, Beckham, Butt, Keane, Blomqvist ( Scholes 68), Cole , Yorke

Subs not used: Van der Gouw, May, P. Neville, Brown, Sheringham, Solskjaer

Manager: Sir Alex Ferguson

Goals: Keane 24, Yorke 34, Cole 83

Booked: Keane, Scholes

Referee: Urs Meier (Switzerland)

Attendance: 60,806

Beckham soon got that going in the 24th minute when his typically pinpoint corner delivery found Roy Keane attacking the near post and glancing a header across goal to make it 2-1 on the night and 3-2 on aggregate.

The dream of a Champions League final was back on for United but soon over for Keane, whose late sliding tackle on Zidane earned him a booking and a suspension for the final.

It was perhaps typical of the Irishman's application that he showed minim all reaction to being ruled out of the biggest game of his career and would go on to be United's star man in Turin.

Sheringham and Solskjaer were the heroes in the final but the stand-out partnership in the attack during the Treble season was the lethal combination of Dwight Yorke and Andy Cole.

Juve could not cope with the duo or their link-up play, so it came as little surprise when Cole's high cross into the box was headed home by his strike partner just 10 minutes after Keane's equalizer.

Despite conceding two early goals, Stam soon got to grips in dealing with Inzaghi's threat

Yorke leaps in the air to celebrate after scoring 11 minutes before half-time, leveling the tie 3-3 on aggregate and giving the Red Devils the overall lead on away goals

Cole wrapped up victory on the night seven minutes from time at the Stadio delle Alpi

United, now leading the tie on away goals, still kept on attacking as Cole and Yorke running around the hosts, with the latter hitting the post before half-time.

So rattled was Ancelotti by the hammering his team were taking on home soil, he made two half-time changes, albeit one of them enforced with Mark Iuliano departing injured.

Now it was Juve attacking for much of the second half, but 'Operation Beckham' was still in force judging by a terrible lunge from Davids on the midfielder, which earned him a booking, but one he could have been sent off for

Substitute Paolo Montero later narrowly escaped a booking for just as reckless a lunge on Beckham. Frustration was growing at both ends of the pitch for the hosts, with Stam marshalling United's defense to deal with Juve's probes for an equalizer.

Sir Alex Ferguson celebrates with coaching staff on the bench following their comeback win

Unused substitute Ole Gunnar Solskjaer salutes the United fans along with Cole and Butt

Keane's booking was evidence that within limits United were still willing to dish ou after few bruises and it was perhaps a little surprise that in a game with a number of poor challenges, Paul Scholes would come and get booked for a terrible studs-up tackle on Didier Deschamps.

He too would miss the Ciro Ferrara was incredibly lucky to stay on the pitch when he pushed Cole in the face following a tussle on the ball.

The amount of poor challenges and confrontations would be enough to ruin any match – or at least the flow stunts. Yet incredibly it was all just a background feature for an incredible match or end-to-end attacking.

Inzaghi had a goal disallowed while United went close to a third at the other end with Denis Irwin hitting the post.

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Cole and Yorke's partnership was crucial – here they pose for the camera in the changing room

Butt, Teddy Sheringham, Beckham and David May mark United reaching the final

Time ti cked away but United landed the hammer blow with seven minutes left when Yorke broke through on goal before being hauled down by Angelo Peruzzi. It looked a certain penalty but play continued as Cole was on hand in the final loose ball to seal a famous victory.

Changing-room footage after the game just showed what it meant to the players, with Dwight Yorke high fiving all his team mates – as well as Sir Bobby Charlton. Just as suited and booted Giggs enjoyed the occasion.

Perhaps more noticeably the visual disappointment from Keane and Scholes. Having played such a crucial role in getting United to the final, not even they could hide having a crestfallen look now had time to digest they would not play the final.

United assistant Steve McClaren is flanked by Blomqvist and Yorke in the celebrations

United boss Ferguson toasts United reaching the Champions League final on the flight home

It was not just the impressive nature of United's comeback to win the tie that made this matc h so memorable – it was the non-stop mix of attacking football, aggression and talent that exploded on the Turin pitch that night.

The late 1990s was a blessed era in football. 'Parking the bus' was yet to drive its way into the football lexicon and it was still just about honest enough to have a few robust challenges that did not lead to the victim rolling around to make the most of it at every opportunity.

It was also starting to breed a generation of many highly technical footballers who could ride such challenges but also display admirable skill. Some of Zidane's touches in this game had United's defense bamboozled.

The combination led to many attacking games, with a healthy dose of highly-skilled players and aggressive defensive strategies, all helping generate an atmosphere within the crowd which further sparked events on the pitch. Football has never had it so good and this game was the advertisement for it.

HOW SPORTSMAIL'S JEFF POWELL REPORTED UNITED'S VICTORY

The miracle worker of Turin has his European Cup Final at last. Alex Ferguson, manager beyond peer and now the messiah of Manchester, left his players to receive the acclamation of Englishmen and Italians alike for this astonishing act of resurrection.

Ferguson, the great conductor in this grand opera, was already moving on in his mind. The positively Final performance of this season of soaring achievement will be in Barcelona on May 26, when United will share the vaulting stage of the Well Camp with the German technocrats of Bayern Munich.

But for all its triumphal importance and potential for jubilation it is hard to conceive that May night surpassing the drama here. Whenever football lovers gather to reflect on the beauty of their game they will talk of the night Manchester United gifted Juventus a two-goal start before calmly proceeding to place a shroud about Turin. This will rank forever among the most magnificent comebacks in the annals of the European game. The first Manchester goal in this city for 15 years was or itself a small miracle so when the second and third came down from the gods they made believers of us all.

How Sportsmail reported Manchester United's semi-final win at Juventus in 1999

The gospel according to St Fergie ordained this as United's long-awaited season in the European sun and the recovery from two down brought a Nostradamus quality to his prediction.

The forces of destiny were indeed at work in the Stadio delle Alpi and the only pity was the first of the Ferguson disciples who turned the water into wine then eliminated himself from the final.

Roy Keane struck where every United footballer since Norman Whiteside in 1984 had failed. Without this man and his lunging goal this task would have been beyond them and Ferguson will have cursed the foul on Zinedine Zidane which in Keane's second yellow card in the Champions League. To his own enormous credit the true competitor put the premature end of his Barcelona dream to the back of his mind and kept driving his team mates onwards.

It was always going to take courage or a self-sacrificial order as well as a measure of brilliance if United were to reason the hesitant performance in the first leg in Manchester which had almost put Juventus beyond them.

When they compounded that flimsy home draw by conceding twice in the first 10 minutes the scale of the achievement required of them was as towering as the mountains behind the stage.

Ferguson had preached the need for absolute concentration as well as total commitment from his players and in that context the first lapse was unforgivable.

Not only was Zidane left in space to take a return pass from his own short corner but Peter Schmeichel failed to react to the cross which was with Filippo Inzaghi at the far post. Add to that the fluke of Inzaghi's ensuing deflection off Jaap Stam and the stage was set for one of the most astonishing transformations in the 31 years since United's only win in Europe's cup of champions.

Ferguson had thought long and hard about whether to complicate the tactical issue for the Italians, who traditionally prefer to play against two orthodox strikers, by replacing either Cole or Yorke with the linking football of Sheringham.

His instinct persuaded him to go with his expensive duo despite their recent goal shortage and once again the pre-eminent manager in the British game was proved right, Yorke equalizing before creating the chance for Cole to claim the Final glory.

Not until much later, after the Italians had gone home, did Ferguson return to the scene of his masterpiece. The United fans were still awaiting release from the stage and their roaring response paid private homage to their spiritual leader.

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#Forget the Nou Camp #THIS was Manchester United’s greatest comeback"

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martechadvisor-blog · 7 years ago

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Pipedrive Secures $50 million Series C Funding

New York: Pipedrive Inc., the sales pipeline software and CRM of choice for ambitious businesses, today closed a $50 million Series C round led by new investor Insight Venture Partners and existing investor Bessemer Venture Partners, with additional participation from existing investors Rembrandt Venture Partners and Atomico.

Strongly positioned to capitalize on a surging global CRM market worth over $40 Billion (Gartner), Pipedrive plans to further expand its R&D, accelerate customer growth across its global footprint, and explore strategic acquisitions. This round brings Pipedrive's total venture capital funding to date to $80 million.

"This significant capital infusion, including a new partnership with Insight and further investment from Bessemer, is a major milestone in the Pipedrive story,” said Timo Rein, Co-Founder, and CEO of Pipedrive. “By leveraging our investors’ expertise and spirit for building disruptive, global tech companies, our capacity to invest in new functionalities, conquer new markets, and help thousands of more teams sell with certainty and efficiency has never been stronger.”

“Sales teams are more important to companies than ever in a hyper-competitive environment, highlighting the need for Pipedrive’s innovative and streamlined CRM software,” said Teddie Wardi, Principal of Insight Venture Partners. “We are thrilled to welcome the Pipedrive team into our portfolio, and help lead their growth and expansion in this next phase of their global journey.”

“An unflinching focus on customer success and optimizing usability means Pipedrive is loved by sales teams worldwide,” added Alex Ferrara, Partner at Bessemer Venture Partners. “We recognize Pipedrive is in a truly exciting position in the market, with vast potential to scale further and add to its product lines and proposition.”

Founded and co-designed by salespeople to address a clear lack of a customizable and enjoyable CRM for actual salespeople, Pipedrive resolves many traditional CRM pain-points for solo sellers up to large corporate teams. The company has shaken up the sales CRM market by putting salespeople in the driver’s seat. Users of Pipedrive’s software can trust that new features are always focused on raising their game throughout the sales process, with the greatest innovations yet to come.

Pipedrive delivers unrivaled visibility and control over a sales pipeline and guides users to complete meaningful activities daily to push deals to close. Users who implemented Pipedrive have experienced boosted sales and conversion rates, better team collaboration, data accuracy, and sales productivity. They can often offer a more customized end customer experience, customer service, and communication.

Pipedrive previously secured more than $30 million in Series A and B from Atomico, Bessemer Venture Partners, Rembrandt Venture Partners, AngelPad, Paua Ventures, Monashees Capital, TMT Investments and other investors.

This article was first appeared on MarTech Advisor

#martech #marketing #technology #business #cmo

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londontheatre · 7 years ago

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Seb Carrington

The girl who said ‘no’ – she doesn’t exist anymore, she died last summer – suffocated in smoke from something on fire inside her.

In the heat of summer – under the wings of an angel – Alma meets John. Trapped between desire and fear in a life of obligation, her world turns upside down in the search for salvation.

Joining the previously announced Patsy Ferran are Seb Carrington, Nancy Crane, Eric MacLennan, Forbes Masson, Matthew Needham, Tok Stephen and Anjana Vasan.

The production is designed by Tom Scutt, with lighting design by Lee Curran, composition by Angus MacRae, sound by Carolyn Downing and casting by Julia Horan.

Tennessee Williams, whose plays include The Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof and Sweet Bird of Youth, transformed the American stage through his poetic writing and provocative subject matters. Williams was awarded two Pulitzer Prizes and Tony Awards, three Drama Critic Circle Awards and the Presidential Medal of Freedom. Summer and Smoke was first performed on Broadway in 1948, and ran for the first time in the West End in 2006.

Rebecca Frecknall (Director) was previously on the Almeida Resident Director Scheme. She worked as Resident Director on Ink (also Duke of York’s Theatre) and Movement Director on Albion. Prior to the Almeida, she was Resident Director at Northern Stage from 2015-2016 after winning the acclaimed RTYDS bursary. During this time she directed Idomeneus; What Are They Like?, Educating Rita (for Durham Gala) and Julie by Zinnie Harris. Before taking up this role, Rebecca worked as a freelance Director in London and has worked with the National Theatre, RSC and Young Vic. She was the 2012 recipient of the National Theatre Studio’s Resident Director Bursary and was awarded one of the Young Vic’s Jerwood Assistant Director Bursaries in 2011.

CAST BIOGRAPHIES Seb Carrington plays Archie Kramer. His theatre work includes Ivanov for the Boris Shchukin Theatre Institute. His television work includes Father Brown and The Crown.

Nancy Crane plays Mrs Winemiller/Mrs Bassett. She previously appeared at the Almeida in Against and Chimerica. Other theatre credits include The Sewing Group, Now or Later, The Sweetest Thing in Baseball and The Strip at the Royal Court; Teddy Ferrara at the Donmar Warehouse; Next Fall at Southwark Playhouse; The Children’s Hour in the West End; Design For Living at The Old Vic; Love The Sinner and Angels in America at the National Theatre; Chains of Dew and Trifles at the Orange Tree Theatre. Her television work includes Genius; Doctors; Nixon’s The One; Upstairs Downstairs. For film, her work includes The Current War; Megan Leavey; Florence Foster Jenkins; The Danish Girl; Woman in Gold; and Batman: The Dark Knight.

Patsy Ferran plays Alma. Her theatre credits include Speech and Debate at Trafalgar Studios; As You Like It and Treasure Island at the National Theatre; The Merchant Of Venice at the RSC; The Angry Brigade for Paines Plough and Blithe Spirit at the Gielgud Theatre. Patsy’s television credits include Guerrilla and Jamestown (series regular). Film credits include Darkest Hour; God’s Own Country; Tulip Fever; The National Phobia; Association’s Day Out. Patsy won a Critics’ Circle Theatre Award for Most Promising Newcomer in 2014.

Eric MacLennan plays Papa Gonzales/Vernon. For theatre his work includes 1984 at Creation Theatre; Government Inspector and Anne Get Your Gun at Young Vic; Henry V at Southwark Playhouse and Cyrano de Bergerac at Manchester Royal Exchange. His television credits include The Night Manager and The Borgias. For film, his work includes Rogue One; Mindhorn; Anna Karenina and Tale of Tales.

Forbes Masson plays Rev Winemiller/Dr Buchanan. His recent theatre work includes Big Fish at The Other Palace; Boudica at Shakespeare’s Globe; Terror at Lyric Hammersmith; Travesties at the Menier Chocolate Factory and Apollo Theatre; A Midsummer Night’s Dream at Theatre Royal Bath; Doctor Faustus at the Duke of York’s; Mr Foote’s Other Leg at Hampstead Theatre and Theatre Royal Haymarket and The Ruling Class, Richard III and Macbeth at Trafalgar Studios. His television work includes Catastrophe; Shetland: Dead Water and Monarch of the Glen.

Matthew Needham plays John Buchanan. He is currently appearing in The Twilight Zone at the Almeida and was previously in The Treatment in 2017. His other theatre credits include Much Ado About Nothing, Imogen, The Comedy of Errors, Titus Andronicus and The Knight of the Burning Pestle at Shakespeare’s Globe; Henry IV Parts I and II, Love’s Sacrifice, The Jew of Malta, Candide and Titus Andronicus for the RSC; Our Country’s Good for Out of Joint and There is a War at the National Theatre. For television, his work includes Endeavour; The Hollow Crown: Part Two; Monroe and Sherlock.

Tok Stephen plays Roger Doremus/Dusty. He recently graduated from RADA and his professional theatre work includes Boudica at Shakespeare’s Globe.

Anjana Vasan plays Rosemary/Rosa Gonzales/Nellie. Her theatre work includes King Lear and A Midsummer Night’s Dream at Shakespeare’s Globe; Life of Galileo at the Young Vic; Image of an Unknown Young Woman at the Gate Theatre; Dara at the National Theatre and Macbeth at Manchester International Festival/Broadway. For television, her work includes Hang Ups; Ill Behaviour; Black Mirror; Call the Midwife and Fresh Meat. Her film work includes The Children Act; Cinderella and Jack Ryan.

ALMEIDA LISTINGS INFORMATION Saturday 24 February – Saturday 7 April 2018 Summer and Smoke By Tennessee Williams Directed by Rebecca Frecknall Press night: Wednesday 7 March at 7pm

Almeida Theatre, Almeida Street, London, N1 1TA almeida.co.uk

http://ift.tt/2Cvm2WQ London Theatre 1

#IFTTT #London Theatre 1

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piscitellientretenimentos-blog · 7 years ago

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NELSON RODRIGUES ESTREIA PEÇA DO DRAMATURGO AMERICANO CHRISTOPHER SHINN

http://www.piscitellientretenimentos.com/nelson-rodrigues-estreia-peca-do-dramaturgo-americano-christopher-shinn/

NELSON RODRIGUES ESTREIA PEÇA DO DRAMATURGO AMERICANO CHRISTOPHER SHINN

Com direção de Marcus Faustini, O Filho do Presidente é o primeiro texto do premiado autor a ganhar montagem no país

O Teatro da CAIXA Nelson Rodrigues recebe, de 2 a 19 de novembro de 2017 (quinta a domingo), sempre às 19h, o espetáculo O Filho do Presidente, o primeiro texto do premiado dramaturgo americano Christopher Shinn a ganhar montagem no Brasil. A peça, que tem direção de Marcus Faustini e tradução de João Polessa Dantas, é um drama político e familiar com doses de humor que traz à tona temas como liberdade de expressão, sexualidade, privacidade, fundamentalismo religioso e a luta pelos direitos das pessoas LGBT. O projeto tem patrocínio da Caixa Econômica Federal e do Governo Federal.

Com 45 anos de carreira, Anselmo Vasconcelos interpreta John Sr., um candidato à presidência dos Estados Unidos que vive uma conturbada relação com seu filho John, um jovem gay universitário vivido por Felipe Cabral. Ambientada na sede do Partido Democrata, em um hotel no sul dos EUA, a trama transcorre, em tempo real, na noite da apuração dos votos. O drama familiar se instaura quando fotos polêmicas de John numa festa são divulgadas na internet: ele vestido de Maomé e seu melhor amigo Matt (Hugo Lobo), de Pastor Bob, um pastor evangélico que seria aliado do futuro presidente.

A partir desse momento, John fica sob crescente pressão do pai, forte candidato a vencer as eleições, da mãe, Jessica (Ingra Lyberato), e dos assessores do partido – o judeu Marc (Rodrigo Candelot) e Tracy (Vanessa Pascale) – para que ele faça um pedido público de desculpas. Enquanto os personagens entram e saem do quarto onde John está com Matt, a fragilidade e as mágoas dessa relação familiar vão sendo reveladas.

“É muito bom fazer um texto com essa qualidade dramatúrgica e com temas relevantes. A peça é muito atual: evangélico, muçulmano, gay, eleição, um vídeo que viraliza”, destaca o diretor Marcus Faustini. “Tem muito rancor e ressentimento nessa família. O filho tentou se matar quando era bem jovem. Os pais sempre colocavam a agenda política na frente de tudo”, revela.

A peça estreou em 2008, no Royal Court Theatre, em Londres, com o ator Eddie Redmayne (protagonista dos filmes A Teoria de Tudo e A Garota Dinamarquesa) no papel do jovem filho gay do candidato à presidência. Sucesso de público, a crítica inglesa não poupou elogios, e a montagem foi indicada ao prêmio Evening Standard Theatre Award for Best Play.

Idealizador da montagem, o ator, roteirista e diretor Felipe Cabral tomou conhecimento da obra de Christopher Shinn numa conversa com um amigo. “Ele me indicou outro texto dele, Teddy Ferrara, sobre um garoto gay que se mata na escola. Comprei o livro e comecei a ler. Logo depois, numa viagempara Nova York, aproveitei para conhecer outras peças dele”, lembra Felipe. “Comprei Now or Later, mas só fui ler dias depois do ataque terrorista ao jornal francês Charlie Hebdo. Fiquei impressionado. Parecia que ele tinha escrito o texto naquele momento do atentado, em 2015, e não em 2008”, conta o idealizador.

Sobre o diretor:

Diretor de peças reconhecidas como Capitu, Eles Não Usam Black Tie e A Luta Secreta de Maria da Encarnação. Em 2009, escreveu o livro Guia Afetivo da Periferia, que narra a trajetória de um jovem de periferia pela cidade do Rio. O romance recebeu críticas positivas do Jornal O Globo, Revista LER (Portugal), Revista BRAVO, entre outros, e faz parte do programa de pós-graduação da UNB, UERJ e UFRJ.

Em 2011, criou a Agência de Redes para Juventude, programa que capacita jovens de comunidades para produzirem seus próprios projetos no lugar onde vivem. No ano seguinte, a Agência foi premiada e escolhida pela Fundação Calouste Gulbenkian para ser implantada em Londres e Manchester (UK). Ainda em 2012, lançou o Festival Home Theatre, que leva cenas de teatro seguidas de jantares e conversas em 50 casas da cidade. O projeto foi vencedor do Prêmio Shell de Teatro 2013 na categoria Inovação.

Sobre o autor:

Christopher Shinn é autor de 12 peças incluindo Now or Later (título original de O Filho do Presidente); Where Do We Live, vencedora do prêmio Obie de melhor texto; Dying City finalista do prêmio Pulitzer; Picked e Teddy Ferrara.

Estreou como dramaturgo em 1998, aos 23 anos, com a peça Four, no Royal Court Theatre (Inglaterra). Desde então, muitas de suas obras foram encenadas nos Estados Unidos, em teatros como o Lincoln Center Theater, o Manhattan Theatre Club e muitos outros. Atualmente, Shinn, de 42 anos, é professor de dramaturgia na The New School for Drama, em Nova York.

Ficha técnica:

Texto: Christopher Shinn

Direção: Marcus Vinícius Faustini.

Tradução: João Polessa Danta

Elenco: Anselmo Vasconcelos, Felipe Cabral, Ingra Lyberato, Hugo Lobo, Rodrigo Candelot e Vanessa Pascale

Assistente de Direção: Julia Stockler

Cenografia: Fernando Mello da Costa

Iluminação: Aurélio de Simoni

Figurino: Carol Lobato

Design: Guilherme Telles e Bruno Garcia

Comunicação: Gabriel Wasserman

Assessoria de Imprensa: Paula Catunda, Bianca Senna e Catharina Rocha

Coordenação de Relacionamento: Agatha Santos

Coordenação de Produção: Carol Bandeira

Assistência de Produção: Menna Barreto, Paulo Dary, Dyogo Botelho e Flávia Fialho

Assistência de Financeiro: Karina Cordeiro

Diretor Financeiro: Rodrigo Wodraschka

Direção de Produção: Miguel Colker

Patrocínio: Caixa Econômica Federal e Governo Federal

Serviço:

O Filho do Presidente

Local: CAIXA Cultural Rio de Janeiro – Teatro da CAIXA Nelson Rodrigues

Endereço: Avenida República do Chile, 230, Centro (Metrô e VLT: Estação Carioca)

(Entrada pela Avenida República do Paraguai).

Informações: (21) 3509-9600/ (21) 3980-3815

Datas: 2 a 19 de novembro de 2017 (quinta a domingo)

Horário: 19h

Duração: 80 min.

Ingressos: Plateia: R$ 40,00 (inteira) e R$ 20,00 (meia)/ Balcão: R$ 30,00 (inteira) e R$ 15,00 (meia). Além dos casos previstos em lei, clientes CAIXA pagam meia. Lotação: 400 lugares (mais 08 para cadeirantes)

Bilheteria: de terça-feira a domingo, das 13h às 20h

Classificação indicativa: 16 anos

Acesso para pessoas com deficiência

#Caixa Cultural Rio de Janeiro #LGBT #luta #Nelson Rodrigues #O Filho do Presidente #Teatro da Caixa

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andreaklunder · 8 years ago

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048: Write your own roles, Fawzia Mirza

“You will fail, and it’s awesome.” ~Fawzia Mirza

Breaking down stereotypes...

Fawzia Mirza is an actor, writer, producer. She is also a Pakistani, Muslim, queer woman. And she is using her platform, her voice, and her art to break down stereotypes across a multiplicity of identities: race, religion, sexual orientation, gender and defy the concept of the “model minority”.

I've known Fawzia for 10+ years and she's one of those people I can say "I knew her when..." I've been following her work and her career ever since and am honored to bring you this conversation about art, identity, pop culture, activism, changing careers and what it takes to write your own roles, and follow your creative passions.

So take a deep breath, relax your mind open, have a listen, and let me know what you think over in the Facebook Group.

Full show notes at http://www.thecreativeimpostor.com/048

"My artistic mission is to break down stereotypes across my different identities… I love to use comedy to disavow those stereotypes." ~Fawzia Mirza

Connect with Fawzia

Fawzia’s Website Facebook Instagram Twitter

Signature Move Movie The Muslim Trump Kam Kardashian The First Session on Hulu The Queen of my Dreams

“I’m basically like -- What can I do? How can I do it? How many lives can I have?” -Fawzia Mirza

Connect with Andrea

Facebook Instagram Chicago Women's Creative Collective

I was featured on Jessi Frey’s video blog talking about “What to Do When You Feel Like a Fake!”

One of my guided meditations was featured on the ASMR-based Sleep Whispers podcast. Skip forward to the 1hour mark just for the meditation (otherwise Harris might whisper you to sleep before you hear it if you listen to the whole episode!)

Resources & Links

The Creative Impostor Magic page! Get a special gift from Andrea here.

Power Your Story -- Created by my high school student podcast mentees!!!

Mother’s Quest podcast with Julie Neale

Support the Creative Impostor

Andrea's Patreon Page -- where you can support the show, get cool gifts from me and can become an active participant in the creative community!

Free Audio Book & 30 day trial membership with Audible.com (support The Creative Impostor when you sign up!)

About Fawzia Mirza

Act. Write. Produce.

Using performance, personal storytelling & comedy to break down stereotypes across a multiplicity of identities: race, religion, sexual orientation, gender & defy the concept of the “model minority”. #Artivist

Co-wrote, produced and star in my first feature, Signature Move which world premiered at SXSW and won the 2017 Outfest Grand Jury Prize for Best US Narrative Feature. Signature Move was a 2016 Tribeca All Access program Fellow & Tribeca grant recipient of the LaboDigital/Los Cabos post production grant.

Featured in the Emmy-nominated, Gotham/Peabody/GLAAD award-winning web series Her Story.

Co-created, co-wrote, starred in web series like Kam Kardashian & Brown Girl Problems & short films like the award-winning The First Session, co-starring Parvesh Cheena and Mouzam Makkar (NBC Universal Short Film Festival Finalist), (AmPav Emerging Filmmaker Showcase Cannes), (Chicago South Asian Short Film Audience Award).

Produced, co-created & starred in the mockumentary The Muslim Trump, about the Muslim illegitimate daughter of Donald Trump, featured in Marie Claire, VICE, The Red Eye Chicago, DNAInfo, .Mic, Expo Chicago, The AV Club, Jezebel & more!

Theatre work includes creating and writing my solo show Me, My Mom and Sharmila, which Zia Mohyeddin called “concise and razor-sharp, interspersed with an adroit mixture of humor and pathos”. She’s also turning the play into a screenplay with writer Terrie Samundra.

Other theatre work includes Aditi Kapil's solo show Brahman/i, or as one of four actors to perform in the solo show White Rabbit/Red Rabbit presented by the MCA and the Chicago Humanities Festival. I’ve performed at The Goodman Theatre in both Pulitzer Prize winner, Quiara Alegria Hudes’ play, The Happiest Song Plays Last, where I originated the role of Shar and I was also an ensemble member of Christopher Shinn’s world premiere play, Teddy Ferrara.

Been featured on Chicago Fire, a bunch of Indie films and web series. I’ve done educational performance work at universities and military installations performing Sex Signals, the most popular sexual violence prevention show in the world. I produced the award-winning documentary Fish out of Water and A Message from the East. I've been a speaker at National Geographic as their first #Further speaker, Chicago Ideas Week: Edison Talks, I’ve spoken on panels about Media, Performance, Storytelling and taught workshops.

Chicago Magazine named me one of its ’50 Most Beautiful Chicagoans’. #Awkwardbutfun

“I think it validates what you’re doing to call yourself the thing that you’re doing.” ~Fawzia Mirza

This episode was mixed by Edwin R. Ruiz of Mondo Machine. The Creative Impostor theme music was created by JoVia Armstrong.

I'd LOVE to hear from you!

If you’re listening in Apple Podcasts, PLEASE subscribe and leave a review. It’s how Apple decides which shows people find when they are searching for specific topics like this one.

Check out this episode!

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snicole5087 · 8 years ago

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Casting announced for Bush Theatre's Hir

Casting announced for Bush Theatre’s Hir

Casting is announced today for the UK premiere of Hir, written by Taylor Mac (24-Decade History of Popular Music) and directed by Nadia Fall (Disgraced). Arthur Darvill (Doctor Who, Broadchurch, Once) will play Isaac, Griffyn Gilligan (Teddy Ferrara) plays younger sibling Max, Ashley McGuire (Shopping and F***ing, The Suicide) will play their mom Paige and Andy Williams (The 39 Steps, War Horse)…

View On WordPress

#Bush Theatre

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themuller13 · 8 years ago

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Christopher Shinn: Teddy Ferrara

Okay, just read this play by Shinn–and now I’m really excited for Friday.

#personal #going to London #Against #christopher shinn #almeida

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miamibeerscene · 8 years ago

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Every Winter 2017 Restaurant and Bar Opening in Miami

From splashy new additions to delicious hole-in-the walls and everything in between

SOUTH BEACH — Dubbed as Miami’s first ever “all-inclusive nightclub,” Copa Room boasts aerialists, acrobats and Las Vegas-style shows, plus a premium open bar all evening long. Tickets start at $80, but once you get in that’ll give you all the drinks and entertainment you can handle from 10 p.m. to 4 a.m. Copa Room is open Wednesday to Sunday at 1235 Washington Avenue (formerly Mansion/Icon spaces). Call 786-216-7785 for more details.

SOUTH BEACH — A new mega club has arrived to South Beach. Called ORA, the 10,000-square-foot, multimillion dollar space features artwork by Banksy and Murakami amongst others. If dancing the night away isn’t your speed, then head to its upstairs “Anti-Social Room,” which is decked out in leather seating and boiserie paneled walls, with craft cocktails by industry vet Rodger Gillespie like cocktail flights that serve three mini versions of classics like martinis and Collins. ORA is now open at 2000 Collins Avenue.

MIDTOWN — Making its debut during Art Basel last month, Midtown’s Bitter Truth is the brainchild of some of Miami’s favorite bartenders including Bryan Canales, Teddy Collins, Sarah Porter and Ryan Alfrey. The space features a full bar with seasonal craft beers and cocktails, plus “steampunk” decor like unfinished hand-cut Dade Pine bars that even sport the original bark. The space is now open Wednesday to Saturday from 4 p.m. to 5 a.m. at 3252 NE 1st Avenue, Suite 124.

SOUTH BEACH — Falling in the more low-key category is newcomer South Pointe Tavern. Housed in the South of Fifth neighborhood it claims to have the largest selection of whiskeys and tequilas on the beach, plus a beverage menu created by Rob Ferrara featuring takes on classics like Negronis and Margaritas. A small food menu is also available with items like flatbreads, charcuterie, salads and paninis. South Pointe Tavern is now open daily Monday – Thursday 11 a.m. – midnight, Fridays & Saturdays 11 a.m. – 2 a.m. and Sundays 11 a.m. – 11 p.m.

SOUTH BEACH — Debuting inside the AC Hotel is its newest bar Gin + Collins. The highlight of the menu is — no surprise here — gin, with a menu of variations of the gin and tonic being the star. Other types of craft cocktails are also on hand, along with a Mexican-inspired bar bites. Gin + Collins is open Sunday to Thursday from 5p.m. to 11 p.m. and Saturday and Sunday from 5 p.m. to midnight at 2912 Collins Avenue.

The post Every Winter 2017 Restaurant and Bar Opening in Miami appeared first on Miami Beer Scene.

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#Every Winter 2017 Restaurant and Bar Opening in Miami

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