#ted lasso criticism

[ceruleanwhore]

In my soul, I feel disgusted and betrayed by this finale and I am shocked that the same writers who were able to give us such a truly wonderful show somehow came up with such a terrible ending for it. This episode directly opposes the very nature of the show more than any other episode in such a way that then calls into question the rest of the series. This episode feels every bit as hollow and sad as Ted himself seems to be throughout the finale and makes me wonder if we ever were actually supposed to believe and to hope at all in the first place, even though I thought that was the point of the series. 

The first of many issues I have with the episode is how they handled Rupert. The whole show is about belief, but specifically believing in others’ capacity for good and ability to change for the better. It’s about believing in redemption and reconciliation, which they actually could have done for Rupert even this late in the show. The scene in episode 10 where we get a glimpse of the inner child that’s still tucked away somewhere inside him showed us that even he still had this potential, up until they did what they did for the finale. While I, personally, tend to be more like Sassy was in that scene — gleefully cheering for the downfall of an odious scoundrel — it felt completely wrong for this show in particular to include that kind of public humiliation, which we the audience are all supposed to be cheering for, and in the middle of Ted’s last game ever with Richmond.

Where we actually could have used a side bit about a scoundrel getting his comeuppance is with Ted’s ex wife and their ex therapist. I think it’s absolutely terrible that they went and set up Rupert’s downfall the way they did while Jake apparently gets off scot free and never gets his license revoked or anything. There also is never really any acknowledgement of just how wrong what he did was, how he should have his license revoked, and how his actions call into question every bit of therapy Ted and Michelle got from him. No one ever questions ‘Oklahoma,’ never mind the entire divorce, relative to this man’s breach of ethics and it bothers me to no end that the most we get is his absence at the end from scenes with Ted, Michelle, and their son. We didn’t need Rupert dressing up like Darth Vader and physically assaulting someone, we needed Michelle realizing how completely wrong her whole relationship with Jake is, dumping him, and reporting him.

The next issue is Ted himself. Obviously, he was in a gloomy sort of mood throughout the whole episode, but I think it’s really important to point out how that didn’t actually clear up once he got home. I do believe he was happy to see his son but, from the plane ride onward, it’s like he’s just hollow. We see him coaching little league soccer for his kid and yet there isn’t any of the heart and soul in it that we’ve seen him put into his other coaching. It’s like he’s depressed, which is understandable because he just left a whole incredible, supportive community to come to Kansas where, like Odysseus at the end of the Oddyssey, he’s a stranger in his own home. He goes from having a whole city around him to support him to seemingly having nothing and not even being a welcome member of his own family since he’s still divorced. Also, as others have pointed out, that montage that seems to be a dream sequence when he’s on the plane ride home is all about him writing himself out of the lives of everyone he just left behind. He’s decided that it’s better for everyone there to just forget about him and move on with their lives as though he was never there and he’s literally dreaming about how happy they’ll be to do that. 

This is a major thematic issue for this series because one of the main points of the series is the idea that everyone can change for the better and, more importantly, just about every character does. Ted spends all that time in England working on his own shit like everyone else, and even gets over his aversion to therapy in order to seek help for the first time ever, just to throw all of that away at the very end because apparently he’s just back on his bs and that’s it. This is where it would maybe be alright if there were another season after this one to address and fix this, but there isn’t. In the very last episode of the whole thing he’s throwing away his entire community, dreaming about how happy they’ll be without him, and there’s nothing and no one there correcting that. To me, this is like if right at the end of the last episode with no room left to fix it, they just had Beard go steal another car and then act like the audience is supposed to be okay with it.

The other thing, going off of that, is how they handled some of the relationships, and I specifically want to start off by talking about Ted and Rebecca. They have the distinction of being the only ship to truly be baited, more than once, and very unnecessarily so. The bait scene at the start of the final episode contributes nothing to the plot, the characters, or their relationship with each other — all it does is mock the members of the audience who were foolish enough to believe they ever could have been together. This, to me, also goes against the core values and themes of the show, because ship baiting like that is inherently mean-spirited and Ted Lasso at its core is meant to be kind. There is nothing kind about essentially dangling something over someone’s head, playing keep away with it, until you finally just chuck it in the river and laugh at the person for being so foolish as to think they were ever going to get it. It’s mean for the sake of being mean and again, for the umpteenth time, it contributes nothing.

So then let’s get to Roy, Jamie, and Keeley. Jamie and Roy are another example of a strong relationship that’s developed beautifully over the course of three seasons regressing at the very end because oh no, people ship it and we can’t have that. I do think that Keeley turning both of them down was necessary but Roy and Jamie literally getting into a fistfight over her was completely unnecessary and detrimental to their individual characters. By this point, they both are mature enough and respect Keeley enough that it’s genuinely ooc for them to be fighting each other about who gets to date her while she’s not even there. Season 3 Jamie and Roy would’ve been leaving the decision to her without reverting back to macho Neanderthal crap. 

To me, this is also about the creators recognizing that people in the fandom have ships and, for whatever reason, feeling the need to try and shut that down rather than just leaving well alone. If, instead of getting in a fight like they did, Roy and Jamie had a conversation about their shared experiences of wanting to be with Keeley but not knowing where they stand with her and recognizing how hard it is for each other, then it could end up contributing to the further growth of their relationship and, along with it, shipping and oh no, we can’t have that. Just like with Avatar: the Last Airbender, the presence or lack of romantic relationships is not the issue here, the problem is with writers accidentally setting up an incredibly compelling ship and then being like “oops, we didn’t mean to do that,” and trying to ctrl z it in the finale, at the detriment of the whole story. Why oh why do writers keep feeling the need to sacrifice the quality of their whole story for the sake of trying to get people to stop having opinions?

So then last up is Ted and Trent. As many others have pointed out, that bit where Ted’s reading the book and makes that comment about the ‘laugh police’ in response to Trent’s excitement and anxiety is extremely out of character. Ted “but he’s our dork” Lasso would never say that and I was horrified to hear those words come out of his mouth. However, this goes in with the destruction of his entire character arc and every bit of growth he’s done throughout the past three seasons all in this one episode, because that was him actively pushing Trent away because, as previously acknowledged, he’s back on his bs.

One issue with this is that Ted then never has a proper goodbye with Trent and the closest thing to that is the note he left asking Trent to change the title of the book. It’s not that I necessarily think he needed individual goodbyes on screen with every other character but Trent in particular was hugely important for Ted, like how Rebecca was. Do you really mean to tell me that Ted wouldn’t actually say goodbye to the journalist who wrote what, coming from him at the time, was essentially a glowing review when he was actually hired with the intention of destroying Ted’s career? Do you mean to say he wouldn’t get a proper goodbye with the man who threw away his whole career over him? The man who then decided the first thing he wanted to do after leaving said career was to write a book about him and his team? Seriously?

The other thing with Trent is that, where Ted’s ex wife and even Rebecca have felt the need to use ‘Oklahoma’ with him to get him to tell the truth, Trent has a talent for discerning the exact truth from Ted regardless of what he does or does not say. It would have been perfectly in character for him to go talk to Ted like Rebecca tried to but then actually succeed where she failed because he would be able to clearly read Ted’s signals and throw that all back at him. Unlike Rebecca, he could directly call out how much Ted didn’t actually want to leave.

That is actually the biggest issue this episode had — cowardice. The only reason I can think of why they wouldn’t even consider doing something like what I just described is because, like with Roy and Jamie, they are perfectly aware of the chemistry between those characters and how they have set them up so it reads like they’re in love with each other, and a scene like this would be just about impossible to do without coming across as romantic. I’ve said it before and I’ll say it again: Ted and Trent would’ve already been snogging by the start of the season if one of them were a woman. This show did the thing where they’ve decided that they can have a couple gay characters, but those characters can only get with specifically devised side characters because God forbid you just have your two existing characters of the same gender kiss a bit. Between the pairings of Ted and Trent, and Roy and Jamie, there is enough textual evidence of mutual attraction and the potential for real, romantic relationships that one could write over a hundred pages about it, and that is not an exaggeration. When I look at this finale, one of the things I see is the titular character being destroyed because they decided that was better than letting people think that he could maybe not be straight.

The last issue I have here is that there really were no goodbyes. Rebecca showed up at the airport and that’s it and I thought that was very weird and, again, very much not in accordance with the entire rest of the show. Even if they didn’t have the entire team show up at the airport to say goodbye, it didn’t make sense to not even have just the Diamond Dogs show up for that. Where tf was everyone? Because just from watching the whole rest of the show, I think it would be impossible not to expect the team, the dogs, the folks from the pub and maybe also Shannon from town. It was a cold, empty departure far from fitting for the show at all and it left me coming out of that finale feeling cold and empty from the crippling disappointment. They had a whole show centered around interpersonal relationships and support and then had the coldest, loneliest ending anyone there could have devised.

My final thought here is that this is not an ending and the only way to salvage this wreckage is with another season. This feels like something they’re doing to drum up attention and interaction so that it’ll be successful when they do come in and announce that they’ve changed their minds and there will be another season, like an encore at a concert. However, if this really is the end, then I am absolutely disgusted and feel very betrayed right now because this show told me to believe and taught me that maybe hope isn’t actually a bad thing that’s out to get me, just to turn around and crap all over that. This show didn’t just apparently waste hours of my time, it was actually helping to get me to move on from past pain and start to accept hope as a good thing, until it shattered mine. They desecrated the very art they created and then expected the audience to applaud such disrespectful destruction, and I am disgusted by it.

[brilarsn]

one time in college, i wrote a short story that featured two older men who were very close friends. the feedback i got in workshop, from my professor and most of my classmates, was “so they’re gay and in love, right?” and i was like. wow. that hadn’t occurred to me but you are all so right. so in my rewrite i changed it to them being explicitly together.

i don’t mean this about everything, but i feel like some writers out there really don’t understand how the characters and relationships they’re writing are coming across and when fans go “they’re queer, right?” the creators’ reaction is like what the Fuck are you talking about? and i think it’s unfortunate

[melliemd]

Keeley: is famous for being a model, sexy photoshoots including nudity

Jack: funds Keeley’s PR company, facilitating a need to know who she was funding

Also Jack: angry and uncomfortable about nude photos and videos of Keeley

????

Keeley: is keeley jones, head of the Keeley jones PR firm. A firm where she does PR professionally, because she was good enough at it that it got the attention of investors

Also Keeley: is handed a PR statement about the leak instead of handling it herself?

????

it’s dumb, actually

[lunar-years]

GUYS

[instantcaramel]

🥰

[youwillfindilluminating]

[snailpicnic]

who else cheered!!

[annie-bunny-out-there]

Juno Temple, Brett Goldstein, and Phil Dunster all looking so gorgeous at the 29th Critic’s Choice Awards! And funnily enough ONLY Phil was nominated for Ted Lasso. Juno was nominated for her role on Fargo and Brett Goldstein was there as a producer for Shrinking!

[billy-crudup]

PHIL DUNSTER at the British Fashion Awards in London on December 4, 2023

[dreamlandbarnes]

i’m thinking about jamie and keeley literally all the time <3

[weclassybouquetfun]

Toheeb Jimoh has ceded Brett Goldstein to Phil Dunster, I guess.

We had it all!

You two saw each other less than 24 hours ago, tho.

I know - how dare I bring that up.

Nice of Ellie to share her man.

-The throuple lives on!

I get why Juno straightens her hair, but I love that she kept it natural for the FARGO premiere.

Oldies of Natural Curls

[ceruleanwhore]

Putting aside all the issues I’ve talked about that I have with s3 and especially the finale, the two things I will never forgive Ted Lasso for are

That they never even so much as referenced Bend it Like Beckham in passing and

How they did that bullshit with Danny when the different team members went to play for their home countries instead of giving us a feel-good montage of all them playing really well and having good games with that Waving Flag song from the 2010 World Cup as the background music.

Fucking jail for everyone responsible smh.

[brilarsn]

learning about the racial makeup of the ted lasso writers’ room and going Oh. that explains a lot.

[melliemd]

My new predictions for the last four episodes of Ted Lasso because I need to prepare to be underwhelmed and disappointed so that I don’t feel like this after any more of these eps. Now if these things don’t happen, I can be pleasantly surprised instead of whatever the heck this week was. Ted was wrong, everyone else was right: it’s the hope that kills you.

Sam will have no further storylines this season, 307 was it.

Beard and Jane stay together and her abuse will continue to be played for jokes.

Rebecca will never go to therapy.

Keeley/Jamie will happen in some form. And even if it’s not intentional it will come across as a narrative reward for him becoming a better person.

Keeley will lose her agency, which will be even worse because she’s already lost her narrative agency. Also it’ll double as (again intentional or not) narrative punishment for her dating Jack.

Despite his incredible success and proving he’s an amazing coach, Nate will return to Richmond and be an assistant coach, taking a literal and narrative demotion as his “penance”

Despite them making a point about boss/employee relationships being bad with Jack and Keeley, Rebecca’s only trouble for her relationship with Sam will remain her awkward meeting with Ola. It will not be mentioned again.

Trent will not kiss a man.

Doctor Jake will continue to have his license-losing unethical behaviour dealt with as anything other than Ted having emotions over it.

Te*b*cca will happen in spite of the press tours and interviews saying it would be pedestrian, or that they’re platonic, or that they’re like brother and sister.

The use of the bisexual flag in Ted’s BBQ sauce induced vision will be edited to be other colours, because it was just an accident and they’ve shown they will go back and edit episodes to fix things if need be. He is absolutely straight.

[lunar-years]

? He very much did also write Ted Lasso btw. He was a credited writer on Ted Lasso. He was in the writer’s room for Ted Lasso. He was writing it!

[jamietwat]

Jamie would 100% make Roy a dating app profile sometime after the Keeley rejecting both of them thing to try to help him move on and meet people when clearly he’s refusing to get back out there organically and he’d think he’s being so helpful and generous and the best wingman ever. He’d handpick what he considers the sexiest pictures he can find and put a bunch of shit Roy would never say thinking he’s being accurate and helpful and not even taking the clear opportunity to make a joke account to embarrass him or anything when he easily could have just made fun of him and chosen the worst pictures possible instead

And then he would be SO offended when it doesn’t go well when Roy finds out about it and is not properly appreciative at all

Roy thinks it’s Jamie’s account when he starts showing Roy girls like what do you think of her and asking him way too many questions when Roy has no interest in participating and has no idea why the fuck Jamie seems incapable of swiping without trying to get Roy’s opinions first. Meanwhile, Roy’s giving one word answers at first and then increasingly trying to brush him off when he doesn’t stop and then he’s just flat out like “Choose your own dates and leave me the fuck out of it” and Jamie’s like “Nah, this is your account. You should have a say” and instead of being grateful and appreciative and thanking Jamie for being oh so generous with his time and energy, Roy just scowls at him and growls out “You did not make a fucking Tinder profile for me” and Jamie just smirks and decides now is not the right moment yet to mention that he actually made him accounts on like three different apps because he wasn’t sure which Roy would like best

Roy barks at him to delete it and Jamie’s all whiny like “Come on, I spent a lot of time on these and you haven’t even considered it. Plus, even if you’re not ready to date someone yet, you’d still be less miserable to be around if you at least found someone to shag in the meantime”

And Roy’s like “Delete it. I don’t want a fucking Tinder profile.” And Jamie looks at him confused for a moment and then seems to have an epiphany as he goes “Oh, do you want a Grindr one instead? Hold on a second” and he flips to a different app and Roy’s too busy being baffled by the fact that Grindr is already on Jamie’s phone and that he’s having to sign out of his own account to try to make one for Roy to even stop him before he’s already trying to sign up for a new account and Roy goes “That’s not what I meant. I don’t want any dating app”

And Jamie pauses his typing and turns and looks at him so skeptically and so judgily and suddenly somehow Roy is trying to fight for his life trying to defend why he’s not looking for some random stranger to date or fuck around with