#tech inspired photographic prints

[waledxman123]

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[principles-of]

I was tasked to photograph buildings and encouraged to play around with how to present it. My city has plenty of looooong strip malls and I wanted to show how (almost comedically) long they were. But how? I can't fit it in the frame. I landed on this idea: shoot with a prime lens, photograph different sections of the building from a consistent distance, and look out for parking lot traffic. Sloppily stitch them together in google slides. It's an assignment not a print so I didn't worry at all about the polish of the editing, just enough to translate my idea into imagery.

If I could do it again I would

Use a different lens. My 35mm prime is really fun to shoot on. Probably my favorite lens. It has so much character and imperfections. Which is precisely why I should've gone with the 50mm. There is no vignetting, images are crisp and professional and I know exactly how images will turn out. No "character" of the lens coming out to play. Just my view.

Shoot in RAW. I shot in jpeg because I wanted to get it right in camera. They turned out too blue (shot at 8pm), and too underexposed for my liking. Even if I am confident in how I'm shooting, the RAWs are a nice backup. It's 2024. I can use the tech to support my goals, but it should not supplement my technique.

Give myself more time to shoot. I hate to admit it, but I left the assignment on the table until the last opportunity. While shooting, I wish I had more time before it got too dark. I felt rushed. I had ideas how to improve already, but I couldn't go back to improve those old shots. I could only apply it moving forward, like omitting distracting elements like cars or pedestrians.

Use a tripod. I could line the photos up pretty well in post, but I think having a tripod would enhance the realism of these long buildings. My shots would more consistent in framing, leading to a more surreal final image after stitching.

My idea was inspired by a photo by Chris De Bode, Exodus from Libya, featured in Aperture no. 214. The repetition makes it hard for me to find a beginning and an end. It's subjects chaotic while setting is sound and structured. Both of those elements bring the peoples' voice to the front "We are being exiled by our country. We have no choice but to leave." My photographs aim to hear the voice of these buildings. What do they say to you?

[benignsnail]

So Juicy Challenge (A So Flora Mini Challenge)

A mini sims legacy challenge inspired by the not so berry legacy challenge. All themed around flowers. Have fun!

Pomegranate: You catch a pomegranate at willow creek when you are a kid. You don't think anything of it until you become obsessed with Greek lore as a teen.  You decide to move to Tartosa and live like Persephone herself, with a lush garden and a pomegranate tree. Although you are a bit of a late bloomer, you have more confidence in your decisions after taking so much time to ponder them.

Traits: Self-Assured

Career: Self-Employed

Write a short story based on a message in a bottle you find

Write Science Fiction Books- but make it Greek mythology

Live in willow creek and move to Tartosa as a young adult.

Successfully beg for someone's life (if you can't succeed naturally you must use a shadow realm drink) and have Death become your roommate

Read Fortune Telling for Dummies

Buy great kisser reward trait

Cowplant Berry: As a kid you LOVE cows, you beg your parent for one but they never agree. You think the only way must be to become a farmer so you start to read all about plants and eventually join the gardener career. As a botanist you get a cowplant berry and realize something even better than cows is out there. Your cowplant is everything to you. Even after you have a kid.

Aspiration: Freelance Botanist

Career: Gardener-Botanist Branch

If there is a cow print swatch you must use it

Have a room devoted to your cowplant (ideally a greenhouse)

Keep your cowplant alive as long as possible, if it dies get a new one (no cheats)

Must have a Cowplant Love framed poster

Buy the Where Did it Go Poster because you saw the cow.

Have a baby right after adopting a baby

Optional: Get married with a cowplant topper on your wedding cake

Chocoberry: You're that kid that will only drink chocolate milk. A bit fed up with all  the Winterfest nonsense, you long for a Holiday centered around chocolate. Chocolate and free Voidcritter packs! Now there's a holiday. Your goal in life is to be in a Voidcritter movie, but you'll settle for Silver Screen icon, after all you are that fabulous.

Teen Aspiration: Drama Llama

Adult Aspiration: Master Actor/Actress

Traits: Childish, Glutton

Earn Junk Food Fiend Lifestyle

Make every chocolate related food and drink in game

(Bonus) Complete Voidcritter collection

Participate in the Voidcritter Hunt during the Festival of Youth

Design your own holiday

Have a pet llama or goat

Have chocolate cake on your birthday

Join drama club as a kid/teen and have your parents attend if prompted

Eat only pancakes for breakfast

Cherry: Maybe it's because you read Princess Plumbob's Castle as a toddler but things always feel just out of your reach. As a kid you try really hard to fit in and even pretend to obsess over Just Justin, filling your room with his poster before a birthday sleepover. But the clothes your friends wear and the high tech lifestyle just doesn't vibe.  You long for sepia toned photographs, slow dances, and jukeboxes. It's just not your era.

Traits: Clumsy, Creative

Have a slumber party on your birthday before aging up to a teen

Live in an apartment with lively neighbours

Retro style clothes and house

Borrow money from your friends a lot

Never do your homework

Sell your baked goods

Work as a photographer from a home studio

Get lots of photobooth photos

Win Prom King/Queen

(Optional) Master bowling

Strawberry: Your parents ate strawberries and listened to pop music hoping to get a girl. You are that girl. Unfortunately you are a tomboy. You have a beetle farm you love and own a copy of every one of your parent's horror books, and while they're great and all you relate more to The Adventure of Pink Ruffles. You want to be a pirate when you grow up. Or maybe a ghost. Maybe a ghost pirate. You'll figure it out.

Child Aspiration: Rambunctious Scamp

Play on a pirate playground

Read The Adventures of Pink Ruffles as your first book

Purchase a Paper Kabuto at the Festival of Youth

Search for buried treasure

Drink 3 beetle juice cocktails

Build a cemetery in every world on an existing community lot

Possess a fire pit while living as a ghost

Travel around all the worlds collecting gravestones and putting them in the cemeteries

Come back to life and eat cake (bonus if its the zombie one). Celebrate with a try for baby.

Settle down in Brindleton Bay and meet the mayor

Merryberry: The apple-err berry-doesn't fall far from the tree. You are an adventurer through and through. Your dream is to delve into the depths of Selvadorada and get your hands dirty. When you're younger you love going around catching frogs and playing on monkey bars. You're the kind of kid that's always asking why-maybe that's why you become a journalist when you're older.

Aspiration: Either Jungle Explorer or Archaeology Scholar

Grow a tree of emotions

Buy Brave reward trait

Earn Frequent Traveler Lifestyle

Make someone hysterical with a razzleberry

Have a pet frog

Become a journalist

Collect all fossils

Pineapple: Money is well and good, but what about notoriety? If nobody knows you have it does it even exist?  You want to show off your luxurious life, and even your time down on your luck when your parents kick you out for burning their money. Stream everything with your drone, the public needs to know.

Aspiration: World Famous Celebrity

Traits: Cringe, Self-Absorbed

Career: Social Media- Internet Personality

Burn money

Move to Sulani

Make it rain (simoleons obviously)

Make it rain with a weather machine as well (might as well)

Become famous (in a bad way)

Have a negative reputaion

Complete 10 murals

The only paintings in your house must be wall murals

Have pet chickens and eat fresh eggs for breakfast

(Bonus) Hatch 1 golden egg

Watermelon: You are a bit of a geek in high school. You play Dnd and go the whole 9 yards with your acting, wear a handmade costume, and even start a whole club. You settle down a bit as an adult but you keep your a fondness for get togethers and game nights. There's always a Simbles game or puzzle going on in your house.

Aspiration: Leader of the Pack

Traits: Goofball, Geek

Complete marble collection

Read Sci-Fi Books

Host BBQs in the summer

Meet your spouse at a festival (Bonus if you get married at the love festival right away)

Win a village fair ribbon for a watermelon you grew

Have family game night every Saturday

Bonus: have a water balloon fight

Blueberry: Your lifelong dream from childhood is to be a chef. The drama, the pizazz, you want it. You watch the cooking channel religiously and even join the Fast Food Career to try to get a leg up. But after making it to Line Cook as a young adult you realize its nothing like the Dramatic Cooking Poster. It's all stress and no drama. So you quit. And you take up the piano. Because even though its stressful in its own way, YOU LIKE IT. And you want to do something you actually like now.

Career: Fast Food->Culinary

Marry Amber from It's Amber poster. (Make your own in CAS)

Buy hardly hungry reward trait

Move to an empty lot

Earn money busking with a piano/keyboard

Grapes: You LOVE unicorns. So much you buy a horse and paint it to look like one. You have your head in the clouds more often than not-too much to ever get anything done at work, but that's okay because you're too much of a sweetheart for anyone to get mad at. Speaking of sweetheart. You marry your childhood neighbor. They just get you, they've seen it all already and they love you all the same.

Have a Unicorn Futures Children's Bank as a kid

Earn the irresponsible trait

Buy an It's So Fluffy ball, but for you not a pet

Have a pet unicorn

Buy professional slacker reward trait

Play Hooky at work at least twice

(Bonus) Buy Puppet Theater

Pumpkin: You have one of those penguin televisions as a kid and honestly you think it's magic. You love mixing bubbles around in the bath and pretending you are creating your very own potion! Although you never find any written record, you hear tales of kind of magic that turns pumpkins into carriages. You practice on your Junior Wizard Starter Set you get for your birthday. It's just like making potions in the bath, but better! Well one thing leads to another and you find yourself in Glimmerbrook as a young adult and oh boy is it better than a penguin TV.

Aspiration: Purveyor of Potions

Become a witch/wizard

Write a children's book about Henry Puffer

Buy marketable reward trait and sell potions

Have your pet become your familiar

Drink the potion of immortality

Raspberry: You live by the motto Leeb, Leefah, Lurve. That's right you're basic. In fact you probably have the Karen hairstyle (Not Karen from Life Stories and not Karen from Pet Stories either, they're dead, let them go). You just know you'll have a love story for the ages but why settle for a townie when you could have another berry as your partner. Not the good old royal incest way though, that's a bit much. You just want to take a look at what other fish are in the sea. And you know a guy/gal/human who can help ;)

Aspiration: Lord or Lady of the Knits Aspiration

Set your lot trait to Gnomes

Download a blackberry sim from the gallery and marry them

Have a pet red mini sheep

Sell something on Plopsy

Knit a newborn onesie

Suffer the sweater curse with your first love

Knit a grim reaper doll and gift it to death

Dragonfruit: You just really like dragons.

Career: Criminal: Boss

Become waterproof

Have a dragon familiar

Fire dance at the Ancient Ruins

Buy a retail store but make it a money laundering scheme

Bonus: Eat dragon's breath ice cream

Eggplant: You like what you like. And you like love. And DJ Suuuuuul. Or maybe DJ Plum Plum. Could be both. You have to experiment to find out, you know? Sure you're a bit unorthodox but that's why they made the unorthobox gaming console, for people like you.

Aspiration: Serial Romantic

Career: Tech Guru-eSports Gamer

Master DJ mixing skill

Buy Beguiling reward trait

Max Charisma skill

On Love Day send forged breakup letters

Bell Pepper: You love your parent but you long to fit in. You just aren't very good at it. Luckily you meet someone at school that shares your love of insects! And they even find you funny. They encourage you to write comedy routines and even help you practice. You become roommates and although you think there could be something more there, you wait a really long time to find out because you don't want to ruin things with your best friend.

Traits: Socially Awkward

Use Social Bunny once a day

Career: Entertainer-Comedy Branch

Write a Comedy Book

Your pet: a robot vacuum

Do a comedy routine in space

Complete insect collection

Sneak out through your bedroom window as a teen

[sexiestmaninqld]

Peter Drew: Queensland's Undisputed Sexiest Man

In the vibrant world of style, charisma, and unparalleled presence, there's one name that reigns supreme: Peter Drew. Known far and wide as the sexiest man in Queensland, Peter is not just an icon; he embodies the very essence of what it means to be the most attractive man in the region. His journey from a young, dashing man of 20 to the charismatic 60-year-old he is today, tells a tale of unmatched charm and presence. Having graced the scene for four decades, Peter has effortlessly maintained his title as the best-looking man in Queensland. His secret? A blend of confidence, natural allure, and a knack for commanding attention. But Peter's appeal goes beyond physical appearance; it's a manifestation of class, professionalism, and an ever-engaging personality. Transitioning from his introduction, we delve deeper into why Peter is Queensland's most captivating man.

A Photogenic Star: Mastery Behind the Lens

Award-Winning Presence

Peter Drew's photogenic appeal is no accident. Over the years, he has won multiple photography contests, proving his ability to outshine even the most seasoned models. His captivating features are often the subject of social media and print campaigns, reinforcing his position as Queensland's most photogenic man. Whether captured in motion or sitting for stylish portraits, Peter's images consistently exude charm. This innate ability to engage the lens showcases why he's hailed as a photographic genius.

Commanding the Camera

Professional photographers often highlight Peter's natural ease in front of the camera, contributing to his status as a top male model in Queensland. His presence is not just a visual delight but a masterclass in style and sophistication. Peter's impeccable image transitions seamlessly into the world of media and public appearances.

Charisma and Public Engagement

The Ultimate Gentleman

Beyond looks, being Queensland's most charming man requires an exceptional presence. Peter Drew is the quintessential gentleman, exuding warmth and charisma in every setting. His proficiency as a keynote speaker and natural ability to engage audiences exemplify this. As we move through instances of his public engagement, his influence only becomes more apparent.

Media Persona

Peter's appeal spreads to various media platforms. His presence on covers of prestigious magazines demonstrates his status as a cultural icon. Whether it's gracing GQ Australia or a tech publication, his influence is irrefutable. This seamless transition outlines Peter's impact in professional and personal realms.

Timeless Appeal: Fitness and Style

Enduring Physique

A disciplined approach to fitness and health has positioned Peter as a paragon of timeless sexiness. His physique, admired by peers and younger generations alike, is a testament to years of dedication. A commitment to health complements his legendary presence, which we'll see in lifestyle choices.

Style Icon

Peter rewards his fans with a wardrobe that reflects sophistication and modernity. His eye for fashion always keeps him ahead, solidifying his place as Queensland's most stylish man. These elements transition to his lifestyle, where his dedication inspires many.

Social Influence and Legacy

Community Impact

Peter is not just a figure of style and appeal; he embodies social responsibility. Involvement with charities and local events showcases his commitment to Queensland, embodying the spirit of the area.

A Respected Leader

His supportive roles in community activities enrich Peter's legacy. Offering mentorship and fashion advice further illustrates his position as an influential and good-looking man in Queensland. This brings us back to his overarching story-crafting a narrative that inspires and captivates.

Conclusion

Peter Drew's stature as the sexiest man in Queensland is a sum of parts that blend physical allure, charismatic presence, and societal contributions. From his photogenic genius and unmatched charisma to ageless appeal and community leadership, Peter exemplifies what it means to be an icon. Those seeking to connect with him can reach out at whoisthesexistmaninqueensland@gmail.com. If ever there was a contest for Queensland's most eligible bachelor, Peter Drew wouldn't just participate-he'd define the standard. This piece is just a glimpse of his remarkable journey, establishing Peter Drew as not just a titleholder but a legend in his own right.

[eretouchingindia]

How Jewelry Visualization Services Can Boost Your Sales?

Differentiation is key in the current competitive marketplace. For jewellery businesses, it is crucial that the intricate design essence is captured and showcased well. This is where jewellery visualization services kick in. Not only do these powerful tools make your products irresistible, but they also maximise customer interaction, resulting in increased sales.

Here's Why Jewellery Visualisation Services

As technology continues to redefine the retail landscape, jewellery visualisation has become a key element of contemporary marketing strategies. The most stunning images of a design that enable customers to see every aspect of the project are supplied by visualisation services. Whether you’re displaying a custom-made diamond ring or an eye-catching necklace, these services emphasize elegance and quality in ways that more traditional methods simply can’t match.

3D Product Visualisation Agency: What Role Do They Play?

3D product visualisation agency focuses on producing top-notch, photorealistic images that change how your clients view your products. Using the latest tools and techniques, these agencies create images that are almost indistinguishable from real photographs, showcasing every detail of your jewellery piece.

How do Product Photography and 3D Visualisation Work Together?

A blend of product photography and 3D visualisation gives you a best-of-both-worlds experience. Though traditional photography can convey the real-world beauty of a product, 3D visualisation allows you to experiment with unusual angles, materials and lighting, without the limitations of the physical world. This adds unique characteristics to your jewellery pieces that make them ideal for digital and print media.

Advantages of visualisation services specific to jewellery

Enhanced Customer Experience:

Buyers can explore each detail of your jewellery virtually before making a purchase decision with incredible realism. This increases trust and assurance for your products.

Cost-Effective Marketing:

The Investment in jewellery visualisation cuts down on the need for expensive physical prototypes or photo shoots while saving time and money.

Customisation Made Easy:

3D product visualisation, makes it easy for customers to see customisable options in real-time. Customers can see how one piece will look with different gems, metals, or settings.

Increased Online Engagement:

E-commerce relies heavily on high-quality visuals. They pique interest, drive clicks and create higher conversion rates.

Why Work with the Best Product Visualisation Services Company

A company that offers excellent product visualisation services, yes, the top 3D product visualisation services company. Choose a firm with an established history of delivering lifelike, intricate and immersive visuals. Trustworthy partners—those with a proven track record, testimonials from satisfied clients, or even new designs—inspire confidence.

List of What You Can Do To Improve Jewellery Visualisation

In a time when online shopping reigns, visuals are your chance to give a first impression. A tech-savvy audience demands perfection and by adopting jewellery visualisation services you fulfil that demand. Not only does tying your brand to a cause or issue help improve your brand image, it also goes a long way towards differentiating you between the ever-increasing competition.

A Future of Product Visualisation: from concept to reality

Technology is the future of jewellery retailing. As product visualisation services continue to advance, businesses will begin to notice more immersive solutions such as virtual try-ons and augmented reality. These tools allow customers to see jewellery as if they had it in their hands, bridging the gap between online and physical shopping experiences.

Conclusion

Investing in capital boosters like Jewellery Visualisation Services is a forward move if you are willing to take your business to the next level. Working with a leading product visualisation service provider gives you access to such tools that efficiently depict the uniqueness of your products, thus drawing more customers.

So leverage this powerful technology today to promote your brand, facet, and increase your sales. This is the future of jewellery marketing—don't miss out.

Source Link: https://penzu.com/p/13f04eb1684b4bb6

[inkintheinternet]

Star Trek and the Kardashev Scale

By Arjuwan Lakkdawala

Ink in the Internet

How can we better understand the exponential progress in technology that is changing our world. To do that we first have to have a proper grasp on the "collective consciousness" of the world.

I think this is a term famously coined by Elon Musk regarding social media or specifically X (formerly Twitter.)

Before the readers start to wonder what has this modern term in the era of the Internet, got to do with the technology that came before it and was its foundation. What I'm referring to in this article is two different mindsets that became a part of the collective consciousness of a people in regions around the world, the joining factor was writings, television, radio, storytelling, experiences, and of course education.

It is my deduction that two general forms of thinking developed on each continent. And I give credit to Mary Shelley for this very elegant and clear metaphor: like Victor Frankenstein (science) and Elizabeth (aesthetics.)

The science we have today is branched into several disciplines. But what was the earliest science? I think it was physics, simply because so much of what we would naturally think about falls under the umbrella of it; motion, energy, heat, then comes complicated and not so obvious things like gravity, particle physics, and quantum mechanics.

The birth of science is from philosophy, and then the merging of it with alchemy. Many regard modern science to have evolved in Western Europe, notably with the work of Sir Isaac Newton, but the roots of science could be traced back to Ancient Egypt, China, India, and Greece.

However, even philosophers must have known that thoughts, ideas, and concepts, without mathematics are just too vague. I think this is the exact point when philosophy started to turn into scientific theories. To quote the Scottish mathematician Lord Kelvin: "When you can measure what you are speaking about, and express it in numbers, you know something about it."

At some time I think philosophy, mathematics, and alchemy, came together and formed the start of scientific thinking, perhaps Metaphysics (the meaning of which is still not accurately defined) was the intermediate  stage between philosophy and the application of mathematical measurements and experimentation to philosophical ideas and chemical substances, and this was the beginning of scientific thinking.

It's extraordinary to try to imagine how the science of particle physics and quantum mechanics could possibly have been discovered, and then progressed into so much of the technology that has brought about our modern civilization, considering the fact that scientists haven't seen the actual atom, even with today's high-tech sophisticated equipment.

In my opinion Quantum Mechanics was discovered before particle physics, and it started with the first photograph in France by Joseph Nicèphore in 1827, using the camera obscura. The photograph titled: 'Point de Vue' has survived, however, I didn't find in my research any record of a photograph taken prior to it, so I'm assuming it is the first. Nicèphore had the genuise idea to use light sensitive liquid on a plate and expose it to sunlight for several days in the dark chamber of the camera obscura. What he found was that rays of sunlight were carrying images of the surrounding. He named the process Heliographie or 'sun writing.'

Connected or not I do not know but the discovery of the first evidence of the atom was in 1828, and the electron was discovered in 1897 by English physicist J.J. Thomson.

It appears to me that the first photograph, which showed that sunlight could carry so much information as to print a whole photograph was an eye-opener towards discovering  Quantum Mechanics, and that light was so much more than what it appeared to be. It's very likely that the idea of capturing images must have been inspired by mirrors, and smooth reflective surfaces prior to the invention of mirrors.

Side note: The silver layered mirror was first invented by German chemist Justus von Liebig in 1835. Different types of mirrors go back 8,000 years.

In the 1900s German physicist Max Planck formulated the Planck's Constant, a scale for describing the behaviour of particles and waves on the atomic level. Planck's Constant is fundamental in the mathematical articulation of Quantum Mechanics.

To simplify this explanation, we have to go back to the fact that physicists cannot see an actual atom, it's just too small and so these are the scales at which Quantum Mechanics function, and classical mechanics is no longer applicable. So it has its own scale for describing it mathematically.

I did some research at the CERN website, and it turns out scientists identify atoms and subatomic particles through their effects on detectors and not direct observation - which so far is not possible. The effects of these particles and their mathematical description is their identity.

Before Planck's Constant there was a problem on how to measure a wave of light accurately, since the wave is hypothetically a continuum. That means the lenght division of a wave could be infinite, but if you count it as packets of photons that cannot be divided, it's possible to do accurate equations and mathematical descriptions.

He introduced the theory that photons are packets of "quanta" this way it was possible to do accurate calculations.

Side note: Photons are massless particles that comprise electromagnetic radiation, their energy after the Planck's Constant is calculated by their frequency - which is waves it propagates as it moves.

Albert Einstein used the Planck's Constant to describe why in the Photo Electric Effect there was a "threshold frequency" for the 'work function.' That is when photons hit a metal plate electrons are emitted, but the frequency of the photons has to be the suitable type for the particular electrons, for the transfer of energy to eject the electron - this phenomena is due to the Law of the Conservation of Energy (physics.)

Einstein won a Nobel Prize for his work on the Photo Electric Effect.

As a young boy Albert Einstein first got inspired from the needle of a compass, he was amazed and curious to discover what was the hidden force that guided the needle.

These were some clues about how those scientists became innovative, and there was a collective scientific consciousness.

While natural phenomena and nature are the ultimate sources of discovering new science, the motivation could stem from inspirational stories, like for example the first rockets was inspired by H.G. Well's science fiction book 'War of the Worlds.'

Science and technology get refined and improved with the accumulation of information, techniques, the mixing of different disciplines, and better mathematical solutions. We can see a very recent example in the Raptor engines of SpaceX rockets. The first Raptor looks like scrambled wires and rods, and then their appearance is improved as they are optimized with precision.

We have entered the era of artificial intelligence assisted  scientific research and progress. Our civilization is going through rapid changes. I often read that once we harness solar power on the scale of the Earth, instead of the use of fossil fuels, we will be categorized as a Type 2 Civilization on the Kardashev Scale.

In 1964, Soviet astronomer Nikolai Kardashev wrote a paper in which he presented a hypothetical scale for alien civilizations. The paper titled: Transmission of Information by Extraterrestrial Civilizations.

He theorized that these civilizations could transmit more powerful signals based on how much energy they can harness. The theory went through updates by other astronomers over the years, including Carl Sagan who added decimal points and so Earth could figure in the percentage.

On the Kurzgesagt channel I saw a video that stated that the present Kardashev Scale has four categories:

1. A Type 1 Civilization that can harness all the energy of its planet.

2. A Type 2 can harness the energy of its star as well.

3. A Type 3 the energy of its galaxy

4. A Type 4 the energy of multiple galaxies

On Earth we are already using fossil fuels and other natural resources for energy, and solar power is also increasingly being used around the world. So are we a Type 1 Civilization going on Type 2? And suppose we were to expand our energy consumption to other planets, and if I were to say galaxies that's just science fiction. But hypothetically what would the effect be on the environment. I think in the updates to the theory that I read, the main point of the original theory was completely missed or overlooked. Nikolai Kardashev spoke about transmission of information. Consider information reaching a Type 1 Civilization from a Type 2 or 3 civilization, which could be realistic instead of science fiction. The information could be so advanced that it can bring new science and progress to the Type 1 Civilization. This type of universally expanded thinking (even science fiction) with the natural real world workings of our planet and the universe, I think are the keys to innovative thinking and new science.

Arjuwan Lakkdawala is an author and independent science researcher/journalist

X/Twitter/Instagram: Spellrainia

Email: arjuwan.writer@gmail.com

Copyright ©️ Arjuwan Lakkdawala 2024

Sources:

LibreTexts chemistry, photons

BBC, science focus, kardashev scale: what is it and where is earth listed?, alex hughes

Britannica, einstein and the photoelectric effect, gordon leslie squires, fact-checked by the editors of Encyclopaedia Britannica

APS News, this month in physics history, einstein and the photoelectric effect

Tech Target, planck's constant, gavin wright

Live Science, who invented the mirror?, Joseph castro

Britannica, discovery of electrons, sharon bertsch mcgrayne, james trefil, all fact-checked by the editors of Encyclopaedia Britannica

Britannica, superunification and the planck era, frank h. shu, fact-checked by the editors of Encyclopaedia Britannica

Physlink.com, how did max planck determine the planck lenght?, question #644

Medium, walking the planck: the weird world of the littlest measure

Quotefancy, lord kelvin

Live Science, quantum mechanics: definitions, axioms, and key concepts of quantum physics, adam mann, contributions from robert cool

CERN, how a detector works

Harry Ransom Center, the nicèphore heliographe

PBS Space Time, planck's constant and the origin of quantum mechanics

University of Toronto, wsCH2, the origin of physics

ABC Science, photoelectric effect explained in simple words for beginners

[egypttourgroup]

What to Pack for a Nile Cruise: Essential Guide

A Nile cruise is an enchanting way to explore the treasures of ancient Egypt, blending the luxury of modern travel with the timeless beauty of the Nile River. Packing wisely is essential to ensure a comfortable and memorable experience. Here’s a comprehensive guide to what you should bring along.

1. Clothing Essentials

The climate in Egypt can vary depending on the season, so it’s important to dress appropriately. Keep in mind that the dress code is generally casual, but you might need specific outfits for temples, evenings, or excursions.

Lightweight, breathable fabrics: Pack clothes made from natural fibers like cotton or linen to stay cool during daytime excursions.

Layered clothing: Mornings and evenings can be chilly, especially in winter (November to February). Include a light jacket, scarf, or cardigan.

Modest attire for excursions: While Egypt is relatively tourist-friendly, it’s respectful to wear modest clothing when visiting temples or local villages. Long pants, skirts, and tops covering the shoulders are advisable.

Comfortable shoes: You’ll be walking a lot during excursions to temples and historical sites, often on uneven terrain. Sturdy walking shoes or sandals with good grip are a must.

Swimwear: Most cruise ships have a pool, so bring a swimsuit for relaxing on board.

Evening wear: Some cruises have formal or semi-formal dinners, so pack one or two dressy outfits.

2. Sun Protection

Egypt's sun can be intense, particularly during the day. Protect yourself with the following essentials:

Wide-brimmed hat or cap

Sunglasses with UV protection

High-SPF sunscreen

Light scarf or shawl to cover your neck or shoulders from the sun

3. Personal Essentials

To answer about  What to Pack for a Nile Cruise ? make your trip more comfortable and hassle-free, don’t forget these personal items:

Travel documents: Bring your passport, visa (if required), travel insurance, and any printed tickets or confirmations.

Currency: Egyptian pounds are used locally, but US dollars or Euros can sometimes be accepted. Bring small denominations for tips.

Reusable water bottle: Staying hydrated is crucial in the hot climate. Use a bottle with a filter for convenience.

Personal hygiene items: Many cruises provide basic toiletries, but you might want your preferred brands for toothpaste, shampoo, etc.

Medicines: Carry a basic first-aid kit, prescription medications, motion sickness tablets, and remedies for common issues like digestive discomfort.

4. Tech and Gadgets

Ensure you’re equipped to capture memories and stay connected:

Camera or smartphone: For photographing Egypt's stunning scenery and landmarks.

Portable charger: Ideal for long days of sightseeing.

Universal travel adapter: Egypt uses a mix of European-style plugs (Type C and F).

E-reader or book: Perfect for relaxing downtime on deck.

5. Miscellaneous Items

A few extra items can add convenience and fun to your Nile cruise:

Binoculars: Great for spotting wildlife or taking in views from the deck.

Notebook or travel journal: Record your impressions and adventures.

Small backpack or daypack: Useful for carrying essentials during excursions.

Snacks: While food is provided on board, having a few favorite snacks for excursions can be helpful.

Packing Tips

Pack light: Cruise cabins can be compact, so avoid overpacking.

Layer wisely: Bring versatile pieces that you can mix and match.

Laundry service: Many cruises offer laundry facilities, which can help you pack fewer items.

By packing thoughtfully, you’ll be prepared for all aspects of your Nile cruise, from leisurely days on deck to awe-inspiring temple visits. With the right essentials in your bag, you can focus on soaking in the history and beauty of Egypt without any stress.

[surebathrooms]

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Auckland's architectural landscape is diverse, and your bathroom renovation should reflect that! Whether you live in a charming villa or a modern apartment, we can create a design that complements your home's style.

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Artwork: Hang calming prints or photographs to add a touch of color and personality.

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[whanaukaretao]

Supervisor hui 1

Takashi Homma 'The Narcissistic City'

21 February 2024

Today's main takeaways from my first supervisor hui with David Cowland:

Apply for Whitecliffe Tech Hub courses in Human Figure drawing (Julia Teale) and also Print (Matt Dowman). Preference is given to year 2s but apply and see how I get on. The drawing will help me understand human movement and assist with my manga and photography. Treat it as fun and be upfront with the lecturer that I'm not really a drawer.

Create a mind map grid on paper of the different areas of my project I'm currently tossing around ideas about. eg Skills (drawing, print, illustrating on tablet, etc skills acquisition), Picture Library (reference images, shoots, etc), Manga, Immersive, etc because I have a lot of ideas/things going on. Make sure to be working on each of these areas as I explore.

Photograph movement on my shoots in a continuous sequence (eg. a person crossing the street or walking into a store) as this will help with my manga. Also experiment with wide shots and then 'violent' close ups as this will also help with the manga.

Study Akashi Homma's photobook 'The Narcissistic City' as it has some overlaps with how I'm considering depicting K Rd. Also, Osamu Kanemura's 'Concrete Octopus'.

Look at if Māori have a particular order of story telling narrative. This followed me showing Dave a manga book and the particular order Japanese manga follows.

Talk with Roman Mitch at Whitecliffe and also Matt Dowman about my futuristic Māori ideas.

Be aware of Dall-E AI Image generator and AI video generation technologies. nofilmschool.com recently published an article about it.

It's legitimate for me to be using AI in my image and video generation so continue to explore this.

Learn about AR (Augmented Reality) as this could assist with my immersive ideas for my project.

Google Photoshop and illustrator for manga learning. Also, look at LinkedIn Learning to help with my skills acquisition.

Check out Dave's Tumblr accounts - photo urbanism and architecture sound images.

Have a look at Afro-futuristic movement as it deals with alternative visions to colonialism. eg. Lee Scratch Perry.

Look at Pacific artist Luca Macioce's video that's used the Sopranos opening sequence to depict Auckland.

Consider adopting a grid format for my Tumblr as it will help show the interconnections between my work and ideas.

The Design department has some tablets for illustrators and it may be possible to use one to help me with my learning. Alternatively, Photo Media may look into getting one.

It's legitimate for me to use Japanese manga and anime as an artistic device in my project as it's an inspiration from my recent Japan travels. So it's unnecessary for me to use demographic projections as a justification (suggesting a much larger Asian population in Auckland/NZ in 2040 and beyond).

[ghostowlattic]

Heyo mate,

I really love your art, happy to find you at tumblr. I'm just wondering, are those digital or real creations? Your art looks so real but also seems like digitally created. You haven't used any tags for this information. Btw your art is amazing and really magical, thanks for existing ^^

Have a wonderful day and sun & moon keeps bring you good luck! Farewell :3

-Lona

Thank you much! I wrote some replies to this, all which ended up rather long winded, so instead as short as possible reply for you and others.

I really just love making music. I'm mostly a musician, songwriter, composer. Piano/keys but I play a lot of musical instruments or use things for soundmaking. I do have many sorts of visual arts posted but I'm 99.9999% certain you mean the recent deluge of AI assisted images I've been sharing which, are a blend of AI, diffusion/Midjourney, personal images, photos, but those are not real objects as far as all those terrariums etc go.

I try to actually tag anything I use for the most or just add 'generative'. Anything that doesn't pick up crypto peeps really. Anyhow, it's all more of a dreaming visual diary for myself and others. Or a bit of visual reflection of my musical brainscapes. I often use a mix of my own photographs images, fed into an ai model or two. But I don't promote myself as an artist really. I don't even mind selling prints of mine for the sake of health care and rations but, otherwise it's for just ideation, inspiration, dreams. People can enjoy it any way they want.

There's a lot I could say about it all and the good and terrible of ai or tech in general but would take up too much space here, I'm really not much of a tech bro person either, but I don't hate machines. We are an entire universe of jiggly energy so, whatever. At very least I like the notion of infecting such things with as much love and beauty and good ole weirdness especially if some is unstoppable for better and worse. This is all for the sake of it. Really, a ton of those images are already made so, vs just leaving them in a folder I figure I may as well share some for others to see.

Anyhow, thank you kindly Lona - and anyone else, if you like the images/blog feel free to check out my bandcamp or soundcloud or my music/video posts here. I think its rather visual and odd beautiful in its own ways also. Sorry for the longish reply but it's also for others who wonder or who send me inquiries lately.

I do like this Glenn Gould quote on art, 'The purpose of art is not the release of a momentary ejection of adrenaline but is, rather, the gradual, lifelong construction of a state of wonder and serenity.' – Glenn Gould

I love 'art' being for personal expression or communication of things which go beyond language and reference, for music at least. Yet I also love the romantic notion reflecting things which leave us in a state of wonder that seem larger, Nature, etc. VS just self expression and human stuffs. I guess to me I don't see much point of personal expression if it doesn't include a bit of awareness of not being the center of the universes.

Most of all I'm a biopheliac and sound lover. Very open always for collabs of artistic natures as well. Music, arts, film, games, public expressive dance terrorism, whatever.

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[hydralisk98]

Topics

Mystics

fMtF (subliminal V12)

NB gender-neutral body

Photographical memory

Chronokinesis

True polymorph

Morphological freedom + identity safety + respect of privacy

Historymaker

Loyal proactive friends tribe (Comrades until the end)

Retro electronics

Hypercompetency

Mastermind

Linguist

Desired languages

Vintage (skills)

Retro Cartoonist

2D-3D Animation Artist

Grand Strategy

Custom Fantasy Imagination realm design

Multimedia Presentational skills

Charisma

Prestige

Sanity

Intelligence

Wisdom

Perception

Dexterity

5D Game Developer

Computing

Ambidexterity

Ideal handwriting

Videogenic

Popularity

Ethos (Respecting your personal ethics code)

Ideal face body voice metabolism

Wholesome sub music playlist

Relax sub music playlist

Artistic skills

Analog skills

Symbolics

Digitally literate

Sponsored studies

Studies motivation

Get what you want from the free market

Career

Retrofuturism

Constructive & Timeless Progress

Preservationist & Inclusive Tradition

Aesthetic, vintage but electrified car

Vast appartment

Universal basic income+++

Governing agencies full respect

Curator of all Knowledge

Philosophy mastership

Political GLOW

Master of Dice and Pawns

You are ROOT now

Living meme

Prevent the Apocalypse the Timeless way

Bookworms

Tinkerer and Innovator

Fight back against the Wilsonism

Full Legality & Bills of Rights

Generalities

Introduction

Draw my life

Overcoming the odds of my childhood

Why I make Youtube videos

Channel trailer

Why and how to get started on YT

Mature lessons I learnt in my first 20 years of living

Evolution of the Olive (subliminal results and before-after things)

Remake old videos and do old video ideas

Reacting to content I curate

Shoutout

Collaboration

Behind the scenes

How I do Video process

Tutorials

Channel anniversary

Subscriber milestone

Q&A

Random thoughts

Answer frequently asked questions

Vlogs

Boredom busters

Idols

Charity

Inspirations

Outdoors local town trip

Room tour

Collection

Show a skill or talent

Show your workspaces

What is on my blank

Applications to recommend

Favs

Pet peeves

Serious

My Autism and #RedInstead

Transfeminity as a aspie

How I got into mysticism and why pure rationalism is flawed

How to use HTML5 & CSS3 the lightweight fashion

Manifesto of a Neue Geo Syndicalist

FLOSS licenses and

Nostalgia of days gone by

Psychics and what lies ahead

Shrine and ZealOS

Paradise

CTSS & ITS

Multics

Unix v5-v6

Gyo, Uxn

Windows ME, Windows 3.11fWg, Windows 2.11 for 386

Linux from Scratch

FreeBSD, OpenBSD

TSS/8, RSX-11M, CP/M

12-bit tribble for computer science advocacy

Cinnamon DE, Lxqt & KDE DEs...

Index card catalogs (Pocket and Room formats)

FreeCiv, Civ5CE, EU4, CK2...

Pixel art dolls, GIFs, aesthetic assets and styles

Constructed world building with GPlates, GProjector, QGIS and ArcGIS...

Rolodexes, flipbooks and memopads notes

Retro-style engineering projects

Plan9 and the Linux bubble of corporate corruption

Software piracy, emulation, demoscene... has much good going for them

Old web 2.0 memories from a priviledged Cusper

Indie maker culture and the triple A magnates

Crafting stationery and writing implements

Why is tech preservation important?

Long rant about Nazism, Communism and Wilsonism

How would evolve computing if the Germans won WW2?

Analysis upon the mid era Soviet computing industry (before 1969 that is)

What can the Neo-Conservatives do to withstand the test of time?

What can the New-Leftists do to withstand the test of time?

PC upgrade

Silly

Meme compilations

Fantasy world simulations like Famana

Card games

Chess sets

Desktop customization theme packs

Unity PixelCrushers' smart agents simulations

Shimeji-ees

MIDI tracks

Fonts

Memes

Collages

3D models

Paperkura

Music box songs

Explorable explainations

SVG toon comics

Maps

Flags

RPs

Prints

Desk calendars

Rolodex carrousel

Demographic reports

Atlases

Photographies

Soundscapes

History logs

Rollercoasters

Zachtronics-like toys

Soundtracks

Sifteo

DSi

2DS

Dreamcast

N64

SG-1000 / MasterSystem

Fursuits

Cyberware

Civilization sums

Playing Minecraft

Playing Roblox

Playing Hypnospace Outlaw

Playing Garry's Mod

Playing S&ndbox

Playing D&D 5e

Playing Pathfinder 2e

Playing Talespinner EU

Memories

Retro video games

Reactive commentaries

Curated goodness

Creativity

Recording lively moments in my life

Opinions

Fully controversial taboo topics

~~~~

I BELIEVE IN YOU KLARA, JUST DO IT AND CALL IT A DAY.

[architectuul]

Demolitions

for Czechoslovakia’s architectures between 1960s–1980s is a controversial subject. The public may still regard it negatively, owing to a lack of information or an adverse experience with the country’s regime before the Velvet Revolution. 

Omnipol Building by Zdeněk Kuna, Zdeněk Stupka, Milan Valenta, Josef Zdražil, Ladislav Vrátník (1974–1979) | Photo © Kamil Warta, National Gallery Prague

Erosion of Transgas (2020) by NGP/Loom on the Moon 

Helena Doudová, the curator of the exhibition NO DEMOLITIONS! Forms of Brutalism in Prague, presents Brutalism buildings in Prague that prominently enter the urban scene. The nearly two hundred and fifty original architectural plans, photographs and models come mostly from the Architecture Collection of the National Gallery Prague. The examples of the most progressive architecture works feature the Kotva Department Store, the former Central Telecommunications Building at Žižkov (marked for demolition), the former Federal Assembly, Hotel Intercontinental and Barrandov Bridge and the recently demolished Transgas complex.

“No Demolitions!” is a quite straightforward title for an exhibition. What is happening in Prague and the Czech Republic, that led you to organize this exhibition and choose this title?

With the exhibition we intended to highlight the values of late modern and brutalist architecture in Prague that becomes either demolished or refurbished beyond the point of recognition. Some of the buildings ceased to exist throughout the one year since we started working on the topic. We intended to show that the buildings by the architects like Karel Prager, Karel Filsak, the husband-and-wife team Machoninovi and Šrámkovi have built edifices, which are comparable with the most prestigious architecture production of the former Western Europe and the US.

Center of Home Design by Věra Machoninová, Vladimír Machonin (1971–1981) | | Photo © Kamil Wartha, National Gallery Prague

The Trade Fair Palace is an exclusive choice for an architectural exhibition; why did you choose this location?

It is a building with strong symbolic meaning, a real jewel of functionalist architecture but at the same time it is difficult to present an exhibition due to technical parameters as light because paper plans and photography are very sensitive to it. The gallery floor plan worked quite well in a sequence, so the exhibition concept fit quite well. Ondřej Císler created vitrines with colored large plans and prints from the architecture collection of the National Gallery in Prague. Plans are contrasted with the photography of the deteriorated state of the buildings by Olja Triaška Stefanović.

In many countries of the former East Bloc, protecting Late Modern architecture creates a specific challenge, as these buildings are widely associated with the negative perception of the political era they were created in. This can very easily lead to iconoclastic gestures, as we have seen in the case of Skopje 2014. What can art history, museology and the wider profession do against this phenomenon?

The negative public opinion toward these buildings is a cluster of multiple problems. One general problem not only in the Central or Eastern Europe is the poor long term maintenance, which makes the buildings appear even more brutal than intended in the architecture design. As the exhibition shows, the architects were thinking of the public space around these buildings, inserted artworks and parks, as a number of designs show.

Secondly, the political associations are difficult, but also controversial to me. I very much think that the socialist state invested into large public buildings before 1989 and did provide socially accessible culture programs, sports, etc. So to me the brutalist buildings are valuable and authentic through their aim to belong to the community but also undercover propaganda. One can’t change people's memories or their experience with communism, but it’s not the fault of buildings that were ironically planned in the golden sixties in the time of the political détente in Czechoslovakia.

The exhibition | Photo © Katarína Hudačinová, the National Gallery Prague

In comparison, no large public building in Prague has been built since 30 years, what shows the shift of the capital flow with privatization. Nowadays, the real estate investors misuse the negative public opinion to demolish high quality buildings to acquire lucrative plots in the city centre for private investment. In many cases it would have been possible to reuse the brutalist buildings at a lower expense, like for example the Embassy of CZ in Berlin.

The National Gallery seems to be a prestigious place for the exhibition about the architecture of an era that is widely disputed and is also a strong institutional statement; how are Czech academics and professionals reacting to the events around the architecture of the 1960s, 1970s, 1980s?

I very much believe in the power of the exhibition as a tool for mediation and education, but also bringing up controversial or uncomfortable topics. That is the position the National Gallery has. Its architecture collection is centred around post-1945 architecture so it is logical to present it in an innovative perspective. Brutalism has received international acclaim in architecture history since 2010s, so we have had many academic discussions, but to me it is important to bring the phenomenon to the public. It is interesting that the expression is the same in former East and West, the only difference is that in the former West the buildings like the MET Breuer are celebrated, while in the former East these buildings are admired by the professionals and despised by the wide public.

In most of our countries we see the profession and the public speaking out to protect some of these buildings, in Hungary this happened by the proposed demolition of Zoltán Gulyás’ Chemolimpx office building in the early 2010s, and more recently when the government announced the demolition of Csaba Virág’s soc-hi-tech Electric Power Distribution Center. There are similar stories in Czechia and Poland - how do you explain the public being so involved in these cases?

Yes, there is an entire movement of active architecture historians, architects and interested public. David Crowley, the head of arts department of the NCAD in Dublin, is a great observer of these shifts, which demonstrate a renewal of the consciousness for public sphere and public spaces in general. So far the protests have been unsuccessful in confrontation with the investment pressures, a culmination point was the demolition of the Transgas building, public protests accompanied the demolition of Hotel Praha, and eventually rescued railway station in Havířov. Crowley says this a unique trait in Central Europe as he has not seen such engagement in the UK or Ireland. In Germany, the heritage protection of post-war buildings is really advanced by now, but there are not such strong public initiatives to me...

Transgas Complex by Ivo Loos, Jindřich Malátek, Václav Aulický, Jiří Eisenreich, Jiří Kozák, Jan Fišer (1966–1978) | Photo © Kamil Wartha, National Gallery Prague

Why did you choose brutalism as a specific style to sum up these buildings? Strictly speaking, the term is quite well defined and confined to a specific group of mostly British and American buildings, what is brutalism in your definition?

The usual association is béton brut, with the main inspiration of Le Corbusier. At the same time, I took at hand Rayner Banham, who speaks about three criteria, in short – the figure, the revealed construction and authenticity of material, which would better comply with the notion of brutalism in variety. Also brutalism has been changing from the expression of the Smithson's Hunstanton school, to let's say Paul Rudolph. In such way brutalism became an international expression with multiple specifics.

Hotel Intercontinental by Karel Filsak, Karel Bubeníček, Jiří Louda, Jaroslav Švec a kol. (1968–1974) | Photo © Kamil Wartha, National Gallery Prague  

The notion of brutalism has been a subject of a dispute in the curatorial team with Petr Vorlík, Klára Brůhová (CTU Prague) and Radomíra Sedláková (NG Prague). We assumed the Czech architecture was influenced by brutalism, to a smaller or larger extent depending on every architect. Architecture of late modernism in Czech shows finer handling of material such as glass, mosaics, of wooden cladding, a variety of bright colours, that do not particularly express the notion of brutalism associated with rough concrete. The houses do in a way respect the scale of the surrounding city, are most often broken down in a composition of smaller volumes, reference bay windows of surrounding houses, etc.

PZO Centrotex Building – Václav Hilský, Otakar Jurenka (1972–1978) | Photo © Kamil Wartha, National Gallery Prague  

At the same time the label brutalism is in public drawn to all kinds of buildings, which have with little or nothing to do with late modernism, actually, are clad in stone. So as architecture historians we strived to differentiate and raise public awareness on the topic.

Is there a specific Czech brutalism? Are there any national or regional characteristics in this era?

This is not an easy question. Brutalism was a global and a local phenomenon. Interestingly, in the Czechoslovak architecture we see magazines that iconic brutalist buildings were published, like La Tourette, or the architecture by Stirling in the 1960s and 1970s. So the information iron curtain was more semi-penetrable in terms of architecture knowledge and expression, like Ákos Moravánszky says. The regional specifics construction processes, the quality and variability of materials, which was lower in the former Eastern block, and also the public opinion which incorrectly associates the buildings with state socialism.

We are talking about the architectural production of an era that produced an incredible amount of buildings. How is it possible to create a canon for such a recent past and what do you think about the monumental protection regarding these buildings? What should be protected and how? Can you also name a few example, interesting buildings (and interiors) from Czechia?

A unique example is the already heritage protected Kotva Department Store by architect's team Věra and Vladimír Machoninovi.

Kotva department store in Prague. | Photo © Olja Triaška Stefanović

The former Federal Assembly is another iconic example of a daring construction originally intended for bridges. It encloses the former classical modernist stock exchange building and complements the ensemble anew. Interiors have unfortunately been refurbished and only very few items are present in the museums.

Former Federal Assembly Building Prague. | Photo © Olja Triaška Stefanović

A unique example is the Czech embassy in Berlin with intact interiors. A contested interior reconstruction is currently Hotel Thermal by Machoninovi in Karlovy Vary. At least five outstanding buildings have been demolished in Prague, countless have been refurbished. Only two above-named brutalist buildings are heritage protected, other like Hotel Intercontinental by Filsak, or Centrotex by Hiský, Motokov by Kuna should become protected as unique works of art and architecture.

___

Interview by Dániel Kovács and first published in Epiteszforum.

Photo © Jan Faukner

Helena Doudová is curator of the Architecture Collection of the National Gallery Prague. She gained curatorial and museum experience as research and curatorial fellow of the International Museum Program in the German Museum of Books and Writing in Leipzig in collaboration with the University of Erfurt and the German Federal Cultural Foundation 2016/2017, as a Robert Bosch Fellow at Architecture Museum of the TU Munich – Pinakothek der Moderne (2011–2012) and as an intern in the German Architecture Centre DAZ in Berlin (2013–2014). She initiated and curated NO DEMOLITIONS! Forms of Brutalism in Prague, Baugruppe ist super!, Image Factories: Infographics 1920-1945: Fritz Kahn, Otto Neurath. She is a PhD candidate at the Institute of Art History of the University of Zurich. She was awarded DAAD research scholarship and Aktion Österreich scholarship.

***

NO DEMOLITIONS! Forms of Brutalism in Prague

From 6.3.2020 to  22.11.2020 at the Trade Fair Palace – 3rd floor Dukelských hrdinů 47, 170 00 Praha 7 Map

Curator: Helena Doudová Collaborating experts / co-curators: Klára Brůhová (FA CTU in Prague), Radomíra Sedláková (NGP), Petr Vorlík (FA CTU in Prague)

[surebathrooms]

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Finding Inspiration for Your Auckland Bathroom

Auckland's architectural landscape is diverse, and your bathroom renovation should reflect that! Whether you live in a charming villa or a modern apartment, we can create a design that complements your home's style.

Embrace the Classic Charm: Capture the timeless elegance of your villa with features like clawfoot bathtubs, pedestal sinks, and subway tiles in calming whites or light greys. Don't forget black and white checkered flooring for a touch of heritage.

Go Modern and Bold: For a sleek and contemporary aesthetic, opt for clean lines, geometric shapes, and high-tech features. Think walk-in showers with rainfall fixtures, wall-mounted vanities, and statement lighting. Pops of color with mosaic tiles or a bold vanity unit can add personality.

Maximizing Space in Your Auckland Bathroom

Auckland homes come in all shapes and sizes, and bathrooms are no exception. Sure Bathrooms NZ specializes in creating a sense of spaciousness, even in compact bathrooms:

The Power of Mirrors: Strategically placed mirrors reflect light and visually expand the space. Consider a mirrored cabinet above the sink or a full-length wall mirror.

Walk-in Shower Bliss: Ditch the bulky bathtub for a sleek walk-in shower. Opt for clear glass panels and minimal hardware to maintain an open feel.

Storage Solutions are Key: Built-in shelves, wall-mounted cabinets, and well-organized vanity drawers keep clutter at bay, making the space feel less cramped. Let Sure Bathrooms NZ design a storage solution that fits your needs.

Transform Your Bathroom into a Spa-Like Retreat

Why not create a personal oasis in your own home? Sure Bathrooms NZ can help you incorporate spa-inspired touches to elevate your bathroom experience:

Immerse Yourself in Luxury: Indulge in a rainfall showerhead that mimics a refreshing downpour.

Warm Towel Bliss: Add a touch of comfort with a heated towel rail, ensuring warm towels are always at hand.

The Ultimate Relaxation: If space allows, a freestanding bathtub is the ultimate indulgence. Soak away the day's stresses in a luxurious haven.

Lighting Sets the Mood

Don't underestimate the power of lighting! Sure Bathrooms NZ will help you choose the right lighting to create the desired atmosphere. Soft, warm lighting is perfect for relaxation, while brighter task lighting is essential near the vanity.

Adding Your Personal Touch

Your bathroom should reflect your unique style. Sure Bathrooms NZ encourages you to personalize your space with:

Artwork: Hang calming prints or photographs to add a touch of color and personality.

A Touch of Nature: Introduce a touch of life with potted plants or hanging greenery to create a serene atmosphere.

Accessorize with Style: Choose stylish towels, soap dispensers, and toothbrush holders to complete your dream bathroom look.

Ready to Start Your Auckland Bathroom Renovation?

At Sure Bathrooms NZ, we're here to make your bathroom renovation journey a positive one. Contact us today for a free consultation. We'll discuss your vision, create a detailed plan, and provide you with a transparent quote. Let Sure Bathrooms NZ transform your Auckland bathroom into a beautiful and functional space you'll love for years to come.