#teahouse/ sleeping porch
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Here's another more expansive photo of the same tea house/sleeping porch garden.
“Flagstones,” Charles Clinton Marshall house, 117 East 55th Street, New York, New York. Tea house/sleeping porch. Photographer: Frances Benjamin Johnston. Circa 1921-1922.
According to enclos*ure, the above lantern slide is one of "1,000 hand-colored, glass-plate lantern slides of gardens taken (mostly) by Frances Benjamin Johnston." The slides were digitally released on the Internet in April 2012.
The images in the collection were taken from 1895 to 1935. Originally black and white photographs, Johnston had them hand tinted and made into slides to illustrate her popular garden lectures, which she gave to garden clubs, horticultural societies, and museum audiences from 1915 to 1930. As part of the Garden Beautiful Movement, she encouraged Americans to grow gardens on tenement lots, in row-house yards and in parks, which had deteriorated from industrial pollution and neglect during the Gilded Age. The slides have not been seen in public since Johnston last projected them during her lectures. They depict more than 200 sites — primarily private gardens — in all regions of the United States and in Europe. The entire collection, 1,130 digital images, can be found in the Library’s Prints and Photographs Online Catalog, here.
Hard to believe that a place like this ever existed in midtown, but this is the Charles Clinton Marshall house at 117 East 55th Street in 1921-22. Tea house/sleeping porch. Hand-colored glass lantern slide.
Photo: Frances Benjamin Johnston via the LoC
#Frances Benjamin Johnston#1920s#vintage New York#Charles Clinton Marshall house#flagstones#urban garden#teahouse/ sleeping porch#colored lantern slide#vintage Manhattan#vintage NYC#midtown east#lantern slide#enclos*ure#library of congress
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ZHONGRIN BEST GRANDPARENTS 2023 I AGREE (not just 2k23 but the entire century, actually sorry tartaglia 🤭 <3 /g)
screamed a little when i saw the finished ver of teyvatweets! your talent always leaves us, rin jie like the jaw-dropping, eye-opening, heart-bursting (i'm making up words for you /j) type of awe— excellent job because it looks so dope!! i love how it's twitter but it still feels so very teyvat-like ✨ you always manage to bring life to your projects, so it's a deffo chef's kiss from me. thank you, rin jie, for your efforts!! ik putting it all together can be a bit tiring (yet amusing) and you did super awesome <3 MWAH MWAH!! i hope you don't mind me dropping by to scream here first before i reblog that post later, hehe.
(also, i knew i jinxed ayato when i mentioned him in my submission. UM UH AM I SLEEPING ON THE YASHIRO ESTATE'S PORCH TONIGHT— /j)
- lia <3
wauhgslkjdklfjsldf thank you lia!!
hehehe i am glad you liked it!!! and you're too kind ;w; it is twitter hahahah i literally took their layout bc i wanted it to feel familiar enough to yall so you'd instinctively know where to click and stuff! thank you for dropping in, it means a lot to get these kind of lovely messages sobsob
( if he does you're welcome to crash in the teahouse and i'll give ayato a scolding of a lifetime tomorrow <3 :) )
[ ⟡ teyvatweets ⟡ ]
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cold cold grief, and hope like a warm wind
It is cold, when Leander first realizes his power.
He is ten and John is eight, and it is snowing hard outside, and they are crouched under the hollow porch of the teahouse - where they spend most of the blizzard-days. John is resting, sleeping, his face crunched up in pain, and Leander holds his hand, and worries.
It is cold, and his brother is sick, and there is still more cold to come.
The porch they crouch under has a concrete floor-ceiling, and there’s dirt beneath their bodies. Their “walls” are wooden lattice, meant perhaps to keep animals (and ragamuffin children) out - or maybe just to pretty up the place, because a concrete slab held up in four corners with empty space between is nothing nice to look at. The wind blows in, and the snow and the rain, and Leander had tried at first to tuck blankets into places to try and keep the weather out but the blankets had simply fallen. They didn’t have anything to tack them there with, and the blankets were thin anyway, and just got wet there, and John needed them close to him anyway, to keep him warm and comfortable.
It is their first winter without their parents. It is cold and it is lonely, and Leander has had to become a father at the age of ten to his brother, so frail and so fragile and so vulnerable to the winter, and how he misses his mother, and his father, and their house - rickety and wooden as it was, there were no holes in the walls and no rain leaking in, no dirt on the ground but a floor, not just ragged blankets but beds, thin though they were, and most of all they weren’t alone. It wasn’t Leander and John against the world back then, it was Leander and John and Mama and Papa.
Back before Mama died, and the men in the night-dark suits and round hats came to take Papa away.
Leander grieves every night like this, for in the morning he has to push it away. There is another mouth to feed, and bigger older stronger street rats to be fought, and scheming prying adults from whom to hide.
Home, five full-moons ago, was warm, not with fire but with family. Home now is cold concrete and frozen ground and his brother’s weak coughing fits and trembling hands.
Leander reaches out for warmth, and something reaches back.
He wants to be warm, he thinks. Maybe not the way warm was then, but the kind of warm that will keep them two from freezing to death. He aches for it, so much it pains him, so much that he furrows his eyebrows and presses his lips hard together and wishes more than he’s wished for something ever before.
It takes a moment after he thinks it, though. There’s a pause, a moment of heavy anticipation like a seesaw once someone’s hopped off the middle trying to decide which way it’ll fall. Leander feels it himself - something slows down deep inside the way something slowed down the day the men with the loud grey boots knocked on their door. He feels it. He feels like something is about to change forever, and he is terrified to know what.
And then - he is warm.
He’s never felt a warm wind before. Wind, for him, has always been cold - sometimes cooling, sometimes biting. And this isn’t wind, not really, it doesn’t feel like it because it doesn’t rush - it feels more like it’s been tugged, like someone pulled down a ring of blankets and wrapped them in a messy sphere around him and John. But he doesn’t know what else to call it.
There’s a strange new feeling at the bottom-center of where his chest meets his stomach. Sort of a tug, maybe, or like there’s something new or awake there that wasn’t before.
He pulls at it. He doesn’t pull at it with his hands, but with something inside, like how your body knows the difference between a shoulder-breath and a belly-breath when you tell it to but you don’t reach down with your hands and press down on what’s supposed to move and when.
Leander pulls, and again, the warmness comes.
It’s faster this time, and the odd little space above his bellybutton seems to widen or excite a little more. He tentatively pulls once more, and this time the warmth that he draws down is almost instantaneous, and the air around him is humid and comforting.
Leander remembers stories that Mama told him and John, when they were much littler, about men and women and folks in between who could coax plants to grow to their will, or send heat into the air and spark fires, or push the rain in the sky out of their path. He remembers stories about how when she herself was small, another kingdom called theirs to war, and those sorts of people were called to defend the city.
He recognizes that he’s one of them. But none of that matters now. There is only one thing that’s important, and Leander knows it with more and more clarity each passing second.
He can keep them alive.
#guild verse#insp: avatar the last airbender#insp: the books of bayern#insp: the provost's dog#creative writing#short story#writing#medieval fantasy#magic#siblings#family
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