#taylors mistake

[chimericaldecay]

Sheep - Godley Head, Christchurch New Zealand, October 2022 Sony a7IV / Sony FE 200-600mm f/5.6-6.3 G OSS

[hope-ur-ok]

Cleo accidentally abbreviated I Don't Wanna Live Forever as DILF earlier and I'm still not over it

[endrimer]

[septembersghost]

I'm not sure if anyone has shared this yet, but it's phenomenal, and such a transcendent, emotional journey through her music.

the video is also spectacularly gorgeous, I'm in awe of the impressive talent, dedication, and time that must've gone into creating this and capturing the highs, lows, and connective tissue of these (230!!!) songs. it's like a magic distillation of why so many of us are impacted by and love her art the way we do:

[whiskeyswifty]

Taylor Swift's The Eras Tour Poster - Luggage Tag Redesign

[birf]

[not-the-coffee-machine4]

this will probably be long but I don’t care

It never ceases to amaze me how decent the people in Queen all are. Like yeah they are a major rock band and there was no shortage of Sex, Drugs, and Rock and Roll™️ going on. We know this. I’m not trying to portray them as perfect people.

But like, if you look at literally anything anyone who’s spent time with them has said or just their actions in general it’s almost hard to believe how like…generous and kind they all are. I mean especially comparing to stuff you hear about the other people/groups at the time.

Freddie bought Christmas dinners for all AIDS patients in hospitals every year. He was a great tipper. He invited anyone who had nowhere else to go to Garden Lodge for holiday dinners. He bought his friends Christmas presents for a Christmas he knew he wouldn’t see. He bought Jim a car. He took in a stranded musician in Japan and sent his driver up to McDonalds when he discovered the person (I’m sorry I don’t remember who it was) didn’t like sushi and then paid the owner to let the guy just sit there. He was the peacemaker of Queen. Everyone around him has always said how funny, kind, generous, and respectful he was.

Roger got a taste of a solo career and immediately went “I’m going to raise awareness for a whole bunch of issues because I am in the position to do so.” He wrote songs about war, racism, socioeconomic inequality, AIDS, neo-Nazism/holocaust denial, domestic violence. He called out religious extremism, politicians, and the extremely wealthy sometimes by name. He’s a patron of Cornwall Pride. He had a signed congratulations note delivered to a couple who got engaged during Somebody To Love. And of course, he co-founded the Mercury Phoenix Trust and then nearly single-handedly organized what remains the largest tribute concert ever the proceeds of which went to the MPT

Brian is Brian. I mean anyone who follows him on Instagram will know he just has a philosophy of treating people with kindness. He’s a queer ally, he calls out crazy right-wing people on a variety of issues, he calls for a ceasefire in Gaza and he champions animal rights. And he practices what he preaches as you will know if you kept up with their last Japan tour and his quest to find vegan food. Not to mention as well as also being a co-founder of the MPT, he and Roger went on national television ONE WEEK after Freddie died to dispel homophobia, AIDS fearmongering, and to raise awareness (not to mention trying to clear up everything the press had been saying about Freddie).

As John is the quiet, private person not much is known about him regarding this but he obviously had deep love and respect for Freddie and I mean there is something to say about the company you keep.

I don’t really have a point I just marvel at it

[likeadevils]

Midnights Timeline

This is a very long post that puts all the songs on Midnights in order of Taylor creating them. I’ve also included a few other songs she worked on while writing Midnights and quotes from Taylor and her collaborators talking about her process.

If you don't want to read all that, check out this playlist of the album in order, or this playlist of her entire discography. WARNING: there is a very large chunk on the playlists that I have no information on (Maroon-Dear Reader).

I’ve also added this color coded scale of how sure I am of the date: 

Confirmed: There is some type of official source for the date

Inferring: Nobody has officially said “This is when we wrote it,” but all available evidence points to that date

Speculation: This date is based off pure vibes and guesswork and is highly likely to change.

Unknown: All that is known is the year (from the US Copyright Offices

Renegade: March 7-15, 2021 (Confirmed)

Aaron: “I wrote the music [for Renegade] at some point after we finished [evermore], and sent it to her, because she was inspired by a llot of the Big Red Machine stuff we were working on. And she had already sung on Birch, a song that hasn't come out yet but is one of the major ones on the record. And I think she wanted to write a song for Big Red Machine. She very much feels like part of this community to me. So I wrote Renegade, the music, and sent it to her. And not unlike a lot of the things we've done together, one day I woke up to a voice memo from her and she had written this incredible song about how anxiety and fear get in the way of loving or being loved. And she was clearly thinking about Big Red Machine. And then we recorded her vocals and everything the week of the Grammys, when I was there in LA, and it was really nice to have something to think about that wasn't related to the Grammys - just to make music because you feel like making it." (transcript from jaimie)

High Infidelity and Would've Could've Should've: March 7-15, 2021 (Confirmed)

Aaron: [Would've Could've Should've], we wrote that song together, and recorded it while we were together in LA for the folklore Grammys. It goes back that far. And the same with High Infidelity. Those songs, we actually recorded in her house, the vocals, we recorded them then. And I just kept making music, and it was kind, after we had made folklore and evermore, I started to have ideas which I would share. And eventually, she obviously made most of Midnights with Jack, and it became something different. But High Infidelity, and Would’ve, Could’ve, Should’ve, and The Great War, and we made Hits Different with Jack and Taylor and I also, and it was great to be part of that record in that way. (transcript from @cages-boxes-hunters-foxes)

The Great War and Hits Different: between April-October 2021 (Speculation)

In the above quote talking about his songs on Midnights, Aaron says "Eventually, she obviously made most of Midnights with Jack, and it became something different," implying his stuff was written before the bulk of midnights in fall. He also says High Infidelity and Would've Could've Should've "[go] back that far," which implies they were some of the earliest stuff on Midnights, so it's safe to assume TGW and Hits Different come sometime afterwards.

Summer 2021: Jack has a session with Sounwave, Sam Dew, and Zoe Kravitz, where the instrumentals for Lavender Haze and likely Glitch are written

Rolling Stone interview with Sounwave: Before Antonoff began to work on Swift’s tenth album, he was cooking up tracks with Spears, Dew, and Zoë Kravitz [...] During a brainstorming session, the quartet put together a track that would eventually become “Lavender Haze.”

November 3 2021: It was announced that Joe has been cast in Stars at Noon, alongside Margaret Qualley, Jack Antonoff's then girlfriend now wife. Since Joe was parachuted into the film last minute, filming had already started, making it likely he left as soon as possible.

Taylor: We’d been toying with ideas and had written a few things we loved, but Midnights actually really coalesced and flowed out of us when our partners (both actors) did a film together in Panama. Jack and I found ourselves back in New York, alone, recording every night, staying up late and exploring old memories and midnights past.

November 8: Jack gets back from touring with Bleachers. Let the games begin.

Vigilante Shit: November 2021 (Speculation)

Vigilante Shit is the sole solo writing credit on the album, which implies it was written before her and Jack were holed up together 24/7. Also Scooter and his wife divorced in July. Beyond that there's no evidence this is early in the process, besides it making sense that Taylor wrote this alone, brought it to Jack, and then fell into a creative inferno.

Maroon, Anti-Hero, You're on Your Own Kid, Midnight Rain, Bejeweled, Labyrinth, Mastermind, Paris, and Dear Reader: November/December 2021 (Inferring)

I don't have enough info on the making of any of these songs to give them each their own little blurb, but if anything pops up I will update this post and reblog it letting y’all know.

Question..?: After November 21, 2021 (Inferring)

We know Rachel Antonoff, Dylan O'Brien, and Austin Swift were there the day they recorded it thanks to this behind the scenes footage of them recording the cheering vocals. Dylan was filming The Vanishings at Caddo Lake in Louisiana sometime between October 5 and November 20. I don't know exactly which dates he was filming-- he was in New York for All Too Well filming in late October and to attend the premiere on November 12, but since we know for sure he was in Louisiana on the 20th, I'm just gonna Occam's Razor it and say Question was written sometime after he got back from that.

You're Losing Me: December 5, 2021 (Confirmed)

December 17, 2021: Filming wraps on Stars at Noon, and with it the bulk of recording for Midnights.

Lavender Haze: Early 2022 (Speculation)

Lavender Haze, Snow on the Beach, and Karma are the only songs to have Henson Recording Studios credited (I can't find studio credits for the 3am tracks so there is possibly more on there). This could point to them all being recorded around the same time time, or it could be in reference to Jack and Sounwave's original recording sessions taking place at Hensen. I lean towards the former, since 1) it seems like the Winter 2021 sessions were mostly between Taylor and Jack, and the spring sessions have other collaborators, and 2) the tabloid rumors about Taylor and Joe getting engaged really started heating up in February 2022. On the other hand, Sounwave implies that there was a notable stretch of time between Lavender Haze and Karma, so I totally understand if you want to put it with the rest of the Winter 2021 sessions. Rolling Stone interview with Sounwave: A few months [after Jack and Sounwave wrote the instrumentals], Antonoff reached out to Spears, Dew, and Kravitz to see if he could pitch [Lavender Haze] to Swift, who loved it immediately. She wrote lyrics inspired by a Mad Men scene, numerous tabloid rumors and online gossip about her relationship status, and “1950s expectations.” “When Jack brought us in the hear for the first time, all our mouths dropped. She took it to a whole new world and made it her own. She created different pockets we did not hear.”

Glitch: Early 2022 (Speculation)

Rolling Stone interview with Sounwave: "Glitch,” one of the bonus songs on the Midnights (3am) edition, was born from the same studio session as “Lavender Haze.” I don't know if this means the instrumentals to Lavender Haze and Glitch were done in the same session, Taylor wrote the lyrics in the same session, or both. For the same reason as Lavender Haze, I lean towards this coming later in the process, as well as Glitch mentioning being together for six years, and in November 2021 Taylor and Joe had been together for a little over 5 years. That being said, Taylor could've assume the album was going to come out in 2022, and that she would stay with Joe until then, and bump up that date a bit. It's still very up in the air.

February 5, 2022: Taylor is photographed leaving Jack's house holding a keyboard.

Sweet Nothing: Spring 2022 (Inferring)

Joe is a co-write on this, meaning they likely wrote it after he got back from filming. It also mentions their trip to Ireland in 2021 and refers to it as "last July", implying it was written in 2022. While I was writing this timeline Taylor liked this post on twitter, implying that at least the second verse is in reference to Paul and Linda McCartney. The quote is from his poem Blessed, which you can read in this interview (TWs for death and cancer)

Bigger Than The Whole Sky: March 2022 (Inferring)

Claire Winter, a close friend of Taylor's, posts on Instagram that she miscarried. (I toyed with whether or not to add this, but seeing as Claire Winter made the information public herself, I decided to put it in. If she ever takes that Instagram post down, let me know and I'll delete this part.)

Snow on the Beach: April 1, 2022 (Inferring)

On April 1, Lana Del Rey posts a video on Instagram of Jack in the studio with an unidentified female voice in the background. Two days later she posts this photo, which Taylor and Jack both include in posts about Midnights/Snow on the Beach. Lana: Well, first of all, I had no idea I was the only feature [on that song]. Had I known, I would have sung the entire second verse like she wanted. My job as a feature on a big artist’s album is to make sure I help add to the production of the song, so I was more focused on the production. She was very adamant that she wanted me to be on the album, and I really liked that song. I thought it was nice to be able to bridge that world, since Jack [Antonoff] and I work together and so do Jack and Taylor. Taylor: And with Snow On The Beach, which features the genius Lana Del Rey, very lucky to have collaborated with her on that. And Dylan [O’Brien] was actually in the studio with me and Jack, because a lot of the time we record at his place, and Dylan was just hanging out, drinking wine with us, and listening to stuff, and he was just trying out the drum kit there. He wasn't serious. But we were drinking wine, and we were sort of like, 'We haven't recorded the drums for this one yet! See if you want to...' and he played the drums on the song. Sometimes it just happens like that. (transcript once again from jaimie)

Karma: Spring 2022 (Speculation)

Rolling Stone interview with Sounwave: The bubbly “Karma” came later [than Lavender Haze and Glitch], when Antonoff reached out to Spears for any other ideas he may have to contribute to the album and its synth-pop vision. “‘Karma’ was just a last-minute Hail Mary,” Spears says. “I remembered I was working with my guy Keanu [Beats] and had something that was too perfect not to send to her. As soon as I sent it, Jack was instantly like ‘This is the one. Playing it for Taylor now. We’re going in on it.’ The next day, I heard the final product with her vocals on it.”

April 19, 2022: Elle's interview with the Conversations with Friends cast is released, and when Joe is "asked if he hopes to continue writing songs, Alwyn simply says, “It’s not a plan of mine, no.”" It's possible this means Sweet Nothing was yet to be written, but I think it's more likely Joe was just denying in order to not create hype around a song that wasn't officially announced yet.

May 2022: Taylor teases Labyrinth lyrics in her NYU Commencement Speech and says m i d n i g h t very prominently on this instagram post, meaning by early summer she was likely confident in the album's name and which songs would make the tracklist.

And that's all for this timeline! Check out my others:

TIMELINES: debut • fearless • speak now • red • 1989 • rep • lover • folklore • evermore • midnights PLAYLISTS: debut • fearless • speak now • red • 1989 • rep • lover • folklore • evermore • midnights • entire discography GENERAL: tag

[womp-womp-waa]

Ben was the medic. It was his job to heal the others and help them. It's simple really, he heals. It's what he does.

If that's the truth then why can't he get the image of Tyler's organs flopping around out of his mind, the texture of Tyler's intestines on his bare hands, the blood sticking to his hands after he finished bandaging Tyler up.

Ben was the medic. He was meant to heal the other. So then why was it so unbearable to help Tyler? Why whenever he tried to sleep all he could do is see the bloody mess of Tyler's body? Why can he no longer stand anything with a slimy texture?

He was the medic. Why couldn't he heal Tyler?

[ncutii-gatwa]

slut!, t.s

[garbagequeer]

this is how i listen to a stupid ass taylor swift song sometimes

[ashleyy-brown]

What if Until Dawn was adapted into a tv show instead of a movie?

(for better quality on mobile, turn phone sideways)

(cast below)

Lizze Broadway as Sam Giddings

Anthony Keyvan as Josh Washington

Violet Brinson as Ashley Brown

Fred Hechinger as Chris Hartley

Gavin Leatherwood as Mike Munroe

Madison Iseman as Jessica Riley

Devyn Nekoda as Emily Davis

Mason Gooding as Matt Taylor

Courtney Eaton as Hannah and Beth Washington

[titsthedamnseason]

it’s time for edinburgh n3 and i hope yall are prepared with your best guesses ever since taylor seems to be going CRAZY for this city…if you want to join in playing the surprise song game simply leave your guesses in the tags or replies and i will give shoutouts to all the winners

my guesses shall be rwylm x hits different and cowboy like me x the albatross

[cas-backwards-tie]

Golden

Johnny ‘Soap’ MacTavish x Reader

Summary: Johnny reminisces on his summer fling with you. Horizons broaden and world shaken, he comes to a realization.

Words: 600+

Warnings: None!

Mentions of: past one night stands, sexual intimacy,

A/N: I forgot about this for a sec, but @bumblebeesfromvenus reminded me, and I was bound to write this drabble. also, line divider credit to @enchanthings . I repeat- I repeat- I’m not really a Swiftie or anything BUT 🙈😳👀😭 I keep seeing this snippet of the song on my fyp on tiktok and I just can’t help but think about how:

Johnny is definitely no chump when it comes to lacking experience in the bedroom… yet when it comes to love? That’s another story altogether. Sure, he may not have been caught fraternizing, and he’d never put his career in jeopardy for anything long term. That’s why it’s so unexpected when you suddenly pop into his life after a much needed leave.

You’re a civilian, but much like him you too travel for work. Yet your vacations just so happened to line up with one another. While his might have been more of an obligated leave of absence for recovery, yours was to adventure and see the world.

That’s what brought you to his homeland of Scotland. Though more specifically, the Highlands. What’d started out as a coincidental bump into each other turned into playful flirting before he fully knew what he’d gotten himself roped into by offering to show you around all the more niche points of interest that might’ve not been in the airport’s pamphlets or kept off the popular blogs online.

After a series of ambitious expeditions; a haphazard picnic made up of the snacks you’d brought atop a hill after hiking all day, braving the chilly ocean at the Isle of Skye, a kayaking adventure gone wrong, and many more stories… it never left him. Even after months of traveling back and forth to see one another in different parts of the world, that trip… you… never left his mind.

Truth be told, it didn’t take him until now to realize what he felt, in fact, he’d swear part of him knew all along. And while, yes, it may have been the prodding and poking his teammates did that sparked the realization of what his feelings truly were, it didn’t take away from the fact that you’d changed his world.

John always thought that love would be simple. It was something that you’d know once you felt it, once you’d experienced it. Like a snap of fingers, that was love. Once you were in it, it was done, unchanging, a stagnant blissful feeling that’d never fade, and yet… that wasn’t true at all.

You’d shown him that.

Love was… the exact opposite. It wasn’t some sudden onset of passion, a fleeting whirlwind of fiery fervor that eventually fizzled out. Love is… ever changing.

It’s the mischievous little moments the two of you share together that leave you laughing like children when you decide to sneak into his childhood bedroom in the middle of the night, or the sparkle in your eye when you’ve accomplished something you’d only ever dreamed of.

The easiness and comfortability that’d lead him to falsely believe he’s known you his entire life, the way you’d slipped right into his grasp and he never wanted, even for a second, to let you go. Maybe it was the vulnerability that seemed so effortless between the both of you, one saying something that lead the other to let a personal fact or story slip past their lips, with no embarrassment or regret to follow.

Perhaps it’s the way you linger in his mind, images of your time spent together consuming him what feels like every waking moment. From the friendly interactions to the naughtier memories slipping toward the forefront of his mind as he reminisces on the way you’d stared at him, eyes full of adoration as he’d held you close, soft skin just beneath his fingertips as he inhaled the scent of your mixed sweat and the sweetly shampoo you use. He never wanted to lose the visceral remembrance of those intimate moments.

Yes, he knows now that he was so wrong to think that love was nothing more than simply black or white. Every single day he’d spent with you only proved that fact as he fell more and more in love, the emotions expanding and shifting, adapting with every breath of the wind. Oh, how wrong he was, he thinks back on it, smiling to himself like an idiot as the only thing he knows is that he needs to tell you how he feels. Solidify that fact and take a chance, make a move to tie you down… tie you to him. That is, if you’ll let him, or it’s not too late. He could care less if his brothers see him like this, it’d be worth it for you. It always will.

~~~~~~~~

forever taglist: @ohdamnadam , @jynzandtonic , @safarigirlsp , @moonlightsolo , @penelopepine

[stillgotscars]

ross being mistaken for travis 🤝 jan being mistaken for post malone

[gordisaquaberrymodel]

I’M BACK

(even if no one missed me)