#taylor swift getaway car

[thearoaceplantmom]

we as humanity don't talk about getaway car enough. I mean:

I was ridin' in a getaway car I was cryin' in a getaway car I was dyin' in a getaway car Said goodbye in a getaway car

it's so beautiful?? and just-

[bishovafreak]

[limenoise]

The ties were black, the lies were white In shades of gray in candlelight I wanted to leave him, I needed a reason

[hope-ur-ok]

The absolute insanity of mashing these up

[khruschevshoe]

You know, it's rather interesting to me that Taylor Swift's parasocial relationship with her fans is honestly more akin to a YouTuber than a writer's. When I scroll through her tag on tumblr/Twitter, it's far more regarding the connection to her personal life/relationship developments than the actual metaphors/fictional story she might be telling. Everything comes back to how her songs reflect back on her relationships with Joe/Matty/Travis/Jake/insert ex-boyfriend here. And what fascinates me about it is that even though she complains about it, she leans into that very perception because it strengthens the parasocial bond.

The marketing for TTPD so clearly being about Joe Alwyn and the songs to Matty Healy. The marketing/video for Red TV so CLEARLY being about Jake Gyllenhaal, with so many of the new lines in All Too Well specifically being digs at him (I'll get older but your lovers stay my age, casting an actor that looks like him for the video, specific lines in I Bet You Think About Me). The fact that songs like Getaway Car and Bejeweled and Gorgeous and London Boy and Lavender Haze being picked apart at time of release and long after for signs of relationships crumbling. The way she uses surprise songs in relation to her relationship development with Joe/Matty/Travis. The damn TTPD "stages of grief" playlists where she deliberately undid/changed the meanings of old songs just to keep her audience speculating on her love life.

It's not sexist to point out that her wielding her love life is a marketing tool and that the strongest connection to her audience isn't the strength of her writing/the composition of her music- it's her deliberate crafting of a connection between her music and her personal life, leaving the audience invested in her music as an extension of Taylor the Person/Girlfriend rather than Taylor the Artist.

[lotus-pear]

soukoku shippers name ONE (1) song that ISNT partners in crime by set it off that accurately characterizes their dynamic challenge‼️‼️‼️ (IMPOSSIBLE)

[evermoredeluxe]

Taylor and Jack performing Death By A Thousand Cuts/Getaway Car as the surprise song on guitar

- The Eras Tour in London, England (N8) on August 20, 2024 (x)

[breakbleheavens]

GETAWAY CAR x AUGUST x THE OTHER SIDE OF THE DOOR The Eras Tour — Melbourne, Australia (Night 2) | February 17, 2024

[stillgotscars]

oh wait a minute… “put the money in a bag and i stole the keys / that was the last time you ever saw me” // “remember when you couldn’t take the heat? / i walked out, i said, ‘i’m setting you free’”

[theerastour]

the other side of the door / august / getaway car surprise song mashup

[new-york-no-shoes]

Not to alarm you but: “pulled the car off the road to the lookout. Could’ve followed my fears all the way down”/ “I was dying in a getaway car”

[bishovafreak]

[tswiftupdatess]

'Getaway Car' has now surpassed 700 million streams on Spotify!

(September 4, 2024)

[hope-ur-ok]

The Bolter is a fitting song to play when it's cold out at the stadium

[cliffside-wisteria]

[evermoredeluxe]

Taylor and Jack recreating the time they came up with the Getaway Car bridge!

- The Eras Tour in London, England (N8) on August 20, 2024 (x)