#taste of cherry 1997

[haveyouseenthismovie-poll]

[roseofstardust]

Charles Bukowski // Taste of Cherry (1997) // Atticus // The Lonely ~ Christina Perri // Loneliness ~ Evgeny Matveev // Lonely Hearts Club ~ MARINA // Hannah Nelson // The Conversation ~ Edward Hopper

[cloudtinn]

Taste Of Cherry (1997), dir. Abbas Kiarostami.

[cosmonautroger]

Taste Of Cherry, Abbas Kiarostami, 1997

[romanceyourdemons]

as someone who’s seen their fair share of fairly opaque foreign art film, those “four hour serbian film about the collapse of the government from the pov of a pigeon” posts always make up films that are significantly easier to summarize than the majority of the kind of film they (claim to) hate. like. “a three hour taiwanese film about a family coping with their bedridden grandmother’s impending death” or “an iranian film about a man who drives into the desert to find someone to help him commit suicide” or “a five hour swedish film about two children whose mother marries an abusive bishop” just doesn’t have the same ring and by that i mean the plot summaries don’t even cover 2% of what makes the films artistic and hard to understand

[throwupyourlunch]

[a-filmophiles-dirary]

Taste Of Cherry (1997) - Abbas Kiarostami

“Just pretend you are a farmer, and that I’m manure to be spread at the foot of a tree.”

[disposa]

Taste of Cherry (1997)

[a10vec]

Taste of Cherry - 1997 Trailer

[criterion-poll]

[alightinthelantern]

Movies on Youtube:

Brief Encounter (1945, David Lean)

Opening Night (1977, John Cassavetes)

Close Up (1990, Abbas Kiarostami)

Taste of Cherry (1997, Abbas Kiarostami)

The Song of Sparrows (2008,  Majid Majidi)

Russian Ark (2002, Alexander Sokurov)

Dreams (1990, Akira Kurosawa)

Dersu Uzala (1975, Akira Kurosawa)

The Idiot (1951, Akira Kurosawa)

Drunken Angel (1948, Akira Kurosawa)

Tokyo Story (1953, Yasujirō Ozu)

Early Summer (1951, Yasujirō Ozu)

Late Spring (1949, Yasujirō Ozu)

The Flavor of Green Tea over Rice (1952, Yasujirō Ozu)

Good Morning (1959, Yasujirō Ozu)

An Autumn Afternoon (1962, Yasujirō Ozu)

Sword for Hire (1952, Inagaki Hiroshi)

Rebecca (1940, Alfred Hitchcock)

Thunderbolt (1929, Josef von Sternberg)

Larceny (1948, George Sherman)

Among the Living (1941, Stuart Heisler)

Andrei Rublev (1966, Andrei Tarkovsky)

Mirror (1975, Andrei Tarkovsky)

Solaris (1972, Andrei Tarkovsky)

Ivan’s Childhood (1962, Andrei Tarkovsky)

Aguirre, the Wrath of God (1972, Werner Herzog)

Fitzcarraldo (1982, Werner Herzog)

Medea (1969, Pier Paolo Pasolini)

Medea (filmed stageplay)

Is It Easy To Be Young? (1986, Juris Podnieks)

We'll Live Till Monday (1968, Stanislav Rostotsky)

Ordinary Fascism (aka Triumph Over Violence) (1965, Mikhail Romm)

Battleship Potemkin (1925, Sergei Eisenstein)

The Third Man (1949, Carol Reed)

Johnny Come Lately (1943, William K. Howard)

Mister 880 (1950, Edmund Goulding)

Beethoven’s Eroica (2003, Simon Cellan Jones)

Katyn (2007, Andrzej Wajda)

Lemony Snicket’s A Series of Unfortunate Events (2004, Brad Silberling)

Mean Girls (2004, Mark Waters)

The Neverending Story (1984, Wolfgang Petersen)

The NeverEnding Story II: The Next Chapter (1990, George T. Miller)

The Thief and the Cobbler (Richard Williams)

Osmosis Jones (2001, myriad directors)

Megamind (2010, Tom McGrath)

Ghost in the Shell (1995, Mamoru Oshii)

Ghost in the Shell 2: Innocence (2004, Mamoru Oshii)

Steamboy (2004, Katsuhiro Otomo)

Badlands (1973), Terrence Malick

Wargames (1983, John Badham)

By the White Sea (2022, Aleksandr Zachinyayev)

White Moss (2014, Vladimir Tumayev)

The Theme (1979, Gleb Panfilov)

The Duchess (2008, Saul Dibb)

Bed and Sofa (1927, Abram Room)

Fate of a Man (1959, Sergei Bondarchuk)

Ballad of a Soldier (1959, Grigory Chukhray)

Uncle Vanya (1970, Andrey Konchalovskiy)

An Unfinished Piece for Mechanical Piano (1977, Nikita Mikhalkov)

Family Relations (1981, Nikita Mikhalkov)

The Seagull (1970, Yuli Karasik)

My Tender and Affectionate Beast (1978, Emil Loteanu)

Dreams (1993, Karen Shakhnazarov & Alexander Borodyansky)

The Vanished Empire (2008, Karen Shakhnazarov)

Winter Evening in Gagra (1985, Karen Shakhnazarov)

Day of the Full Moon (1998, Karen Shakhnazarov)

Zero Town (1989, Karen Shakhnazarov)

The Girls (1961, Boris Bednyj)

The Diamond Arm (1969, Leonid Gaidai)

Operation Y and Shurik's Other Adventures (1965, Leonid Gaidai)

Ivan Vasilievich Changes Profession (1973, Leonid Gaidai)

Unbelievable Adventures of Italians in Russia (1974, Eldar Ryazanov & Franco Prosperi)

Office Romance (1977, Eldar Ryazanov)

Carnival Night (1956, Eldar Ryazanov)

Hussar Ballad (1962, Eldar Ryazanov)

Kin-dza-dza! (1986, Georgiy Daneliya)

The Most Charming and Attractive (1985, Gerald Bezhanov)

Autumn (1974, Andrei Smirnov)

War and Peace: Part 1 (1966, Sergei Bondarchuk)

War and Peace: Part 2 (1966, Sergei Bondarchuk)

War and Peace: Part 3 (1967, Sergei Bondarchuk)

War and Peace: Part 4 (1967, Sergei Bondarchuk)

The Red Tent (first half) (1969, Mikhail Kalatozov)

The Red Tent (second half) (1969, Mikhail Kalatozov)

Sherlock Holmes: The Hound of the Baskervilles (1939, Sidney Lanfield)

The Adventures of Sherlock Holmes (1939, Alfred L. Werker)

Sherlock Holmes and the Voice of Terror (1942, John Rawlins)

Sherlock Holmes and the Secret Weapon (1943, Roy William Neill)

Sherlock Holmes in Washington (1943, Roy William Neill)

Sherlock Holmes Faces Death (1943, Roy William Neill)

Sherlock Holmes: The Spider Woman (1944, Roy William Neill)

Sherlock Holmes: The Scarlet Claw (1944, Roy William Neill)

Sherlock Holmes: The Pearl of Death (1944, Roy William Neill)

Sherlock Holmes: The House of Fear (1945, Roy William Neill)

Sherlock Holmes: The Woman in Green (1945, Roy William Neill)

Sherlock Holmes: Pursuit to Algiers (1945, Roy William Neill)

Sherlock Holmes: Terror by Night (1946, Roy William Neill)

Sherlock Holmes: Dressed to Kill (1946, Roy William Neill)

If any of the links don’t work, try looking up the film in this playlist: link

[artyandink]

Five-Star

Summary: You’ve been dating Dean Winchester, which is nothing short of a fever dream. A brilliant fever dream. But when you decide to test him on how much he wants you, you don’t get the answer you expected to have.

A/N - Welcome to the Karak Chaii-verse! I had an idea to write Dean with an Indian POC, since I’m one myself. Creds to @zepskies and her brilliant Midnight Espresso-verse, and you should definitely check that out. This is a small drabble that I thought up.

Your family had moved to the US around a year after you were born. That’s because the monsters in India were far more dangerous than in America due to the origination of them from the depths of Indian mythology, such as a rakshasa or arunasura, but you found that here was far more escalated.

At least, you’d found out when you met the Winchesters.

You came from a long line of crazy good Indian hunters, so you were already a great one yourself. Back in India, your parents would pose as part of the CBI, but you had to resort to finding someone who could make you a believable FBI badge once you turned eighteen and got into hunting solo, which was around 1997. There you met Bobby Singer, who hooked you up with what he called the ‘All-American Hunting Kit’, which consisted of an array of fake IDs and a lore book. You were glad your training, done by your dad, was done by the intensity of monsters in India rather than here, otherwise it’d be harder to get by.

On a hunt for a vampire and wraith hybrid in Grant Pass, Oregon, you came across the Winchesters, the shorter of the two having dubbed the hybrid ‘Jefferson Starships’. That man was Dean, and you were taken by his charming, goofy attitude that switched to an attractive sort of intensity when faced with imminent danger. You just didn’t expect ‘imminent danger’ to be the mother of all monsters.

Once your parents had found out that you were hanging out with the Winchesters, who were at the centre of any and all supernatural trouble in America, they sent you a thousand calls telling you to get your ass out of there before you got killed. You being you, you didn’t listen. Not when you knew that you’d get withdrawal symptoms from not seeing the million dollar smile of Dean Winchester, which quickly won you over (and his lips too, which knew damn well what they were doing).

As for Sam, you quickly saw him as your little brother figure, who also helped you manage your unruly hair by recommending the right hair products that you now had stocked up. You’d both nerd over monsters, you’d tell him about all the ones you’d encountered in India while Sam told you stories about all that he and his brother had gone through.

Which was no less than a lot. And you thought India was a harder place to live, by what your parents told you. Here there’s the friggin’ Apocalypse.

Dean was obviously your favourite Winchester. He’d told you he really liked you about two years and a half after you met amid averting eyes and stammered words as he spewed compliment after compliment, standing there in the Bunker’s kitchen like a nervous melon in his grey robe, black shorts with hot dogs on them and black undershirt with fuzzy hair.

You’d cut his nervous ramblings off by pulling him in by the lapel of his robe, lips puckered in surprise as they met yours as the tangy taste of cherry and sweet, buttery pie crust flooded your taste buds and even more so when Dean quickly took control of the kiss, hands tangling in your hair and grabbing at soft curves like his life depended on it.

One thing Dean loved about you was your cooking. Your mom had taught you a wide array of Indian dishes that you could cook, and the moment the first bite of your rajma and rice graced Dean’s mouth, it was hook, line and sinker. You’d taught him how to eat chole bhature, roti and sabzi and which masala was which so he could know what the hell did you put to make him fall for you over and over again.

You were scrolling on your YouTube shorts one day when you came across a video of a woman asking her husband what his favourite snack was to see if he’d say her or not. You didn’t look like the definition of a snack right now, with your unwashed hair tied up in a bun that your mom taught you to do with no hair tie whatsoever in grey sweatpants, Dean’s undershirt and fuzzy mismatched socks, but you decided to try it out anyway as Dean came into the bunker’s living room, approaching you from behind with a delicate yet possessive cup of your chin and a kiss to your temple.

“Hey, sweetheart.” He greeted in that low voice of his that was effortlessly seductive even when he wasn’t trying, his hand sliding down to comfortingly rub over your chest and shoulder as he passed by. “Doin’ ok?” He sat down beside you, arm around your shoulder as his fingers began to play with your hair, warm green eyes trained on you.

You nodded, setting your phone aside. “Doing alright, yeah.” Then you decided to try out the question. “Dil, what’s your favourite snack?” You called Dean dil sometimes because it meant heart in Hindi, and he had yours.

The question got a chuckle out of him as he jerked his head to the right in amusement. “Awh, sweet girl, that’s hardly fair. I’d say beef jerky, but that new thing you, uh, introduced me to really raised the bar.” His brow furrowed in thought for a moment in contrast to the large grin on his face. “The aloo whatzitsname.”

“Aloo lachha.” You corrected with a giggle, barely holding back the urge to say what the answer was.

“Yeah, that. Or, uh, pie, but that’s a dessert and not a snack. Maybe that rajma stuff, but that’s a meal.” He continued rambling on any and all snacks he’d added to his palette since meeting you, until a bout of laughter from you slowed his roll. “What? What’s so funny, huh?”

“So… your favourite snack isn’t me.” You teased with a smirk, which got the cogs in his head turning. “You failed, sorry, honey.”

The words got a raise of his eyebrow and a slow and subtle roving of his eyes down your body and a bite of his lip. To him, you looked absolutely delicious. Like the best thing at a five star restaurant.

He stood up with a low grunt, facing you before grabbing you by your hips, hoisting you up so fast that you had to wrap your sweatpant-clad legs around his waist with a small shriek. “See, baby, that’s where you’re wrong.”

He leaned forward, capturing your lips in a bruising kiss that bordered on reverence and somehow the intention to devour at the same time, which had you moaning already. His tongue slipped into your mouth, briefly getting a taste and giving you the distinct flavour of the aloo chaat you had made for lunch mixed with beer before he pulled back and nipped your bottom lip, groaning at the feeling of your fingers now tugging at his hair.

“You��” Dean paused for a breath and a low chuckle, staring at you hungrily. “You are the whole damn buffet.”

TAGLIST:

@k-slla @hobby27 @supernatural-jackles

[celine-song]

طعم گیلاس (Taste of Cherry)

— 1997, dir. Abbas Kiarostami

[sleepythug]

What are some movies that every aspiring cinephile should watch?

battleship potemkin (sergei eisenstein, 1926)

city lights (charlie chaplin, 1931)

M (fritz lang, 1931)

freaks (tod browning, 1932)

brief encounter (david lean, 1945)

out of the past (jacques tourneur, 1947)

the third man (carol reed, 1949)

late spring (yasijuro ozu, 1949)

kiss me deadly (robert aldrich, 1955)

a man escaped (robert bresson, 1956)

touch of evil (orson welles, 1958)

la dolce vita (federico fellini, 1960)

peeping tom (michael powell, 1960)

man who shot liberty valance (john ford, 1962)

the exterminating angel (luis buñuel, 1962)

shock corridor (samuel fuller, 1963)

kwaidan (masaki kobayashi, 1964)

dragon inn (king hu, 1967)

playtime (jacques tati, 1967)

once upon a time in the west (sergio leone, 1968)

two-lane blacktop (monte hellman, 1971)

aguirre, wrath of god (werner herzog, 1972)

touki bouki (djibril diop mambety, 1973)

the conversation (francis ford coppola, 1974)

the passenger (michelangelo antonioni, 1975)

nashville (robert altman, 1975)

the killing of a chinese bookie (john cassavetes, 1976)

mikey and nicky (elaine may, 1976)

sorcerer (william friedkin, 1977)

days of heaven (terrence malick, 1978)

blow out (brian de palma, 1981)

8 diagram pole fighter (lau kar-leung, 1984)

mishima: a life in four chapters (paul schrader, 1985)

tampopo (jūzō itami, 1985)

blue velvet (david lynch, 1986)

something wild (jonathan demme, 1986)

landscape in the mist (theo angelopoulos, 1988)

sonatine (takeshi kitano, 1993)

salaam cinema (mohsen makhmalbaf, 1995)

fallen angels (wong kar-wai, 1995)

taste of cherry (abbas kiarostami, 1997)

cure (kiyoshi kurosawa, 1997)

the thin red line (terrence malick, 1999)

beau travail (claire denis, 1999)

yi yi (edward yang, 2000)

all about lily chou chou (shunji iwai, 2001)

memories of murder (bong joon-ho, 2003)

dogville (lars von trier, 2003)

tropical malady (apichatpong weerasethakul, 2004)

silent light (carlos reygadas, 2007)

sparrow (johnnie to, 2008)

holy motors (leos carax, 2012)

phoenix (christian petzold, 2014)

personal shopper (oliver assayas, 2016)

[usermavka]

🎬 Taste of Cherry 1997, dir. Abbas Kiarostami

[uzakharabe]

Taste of Cherry (1997) Dir: Abbas Kiarostami