#tanglewood tales

[thefugitivesaint]

Edmund Dulac (1882-1958), ''Tanglewood Tales'' by Nathaniel Hawthorne, 1919 Source

[sassafrasmoonshine]

Virginia Frances Sterrett (American, 1900-1931) • page of Circe's Palace in Tanglewood Tales • 1921 • Nathaniel Hawthorne, author • Philadelphia: Penn Pub. Co., publishers

Tanglewood Tales is a retelling by Hawthorne of several Greek myths.

[tomoleary]

Virginia Frances Sterrett (1900–1931) - Tanglewood Tales (1921)

[oldillustrations]

"Tanglewood Tales" by Nathaniel Hawthorne Colour Illustrations by Norman Little

BW illustrations by unknown artist Thomas Nelson and Sons London, Edinburgh, Dublin, and New York 1910

[enchantedbook]

Europa and the Bull - Nathaniel Hawthorne's Tanglewood Tales by Virginia Frances Sterrett, 1921

[minty-playhouse]

Hey kid, you want access to 23 whole Who DVDs totally free to download?

✧˖°.IT'S YOURS!˖°.✧

Hello, I was cooking this project for a bit (took a while due to the time it took to copy and upload everything) but it's finally done!

Through the years, i amassed a pretty decent collection of Who DVDs, and in the interest of sharing the wealth, I decided to copy all of them into ISO files, put them in a GDrive folder and share them with all of you!

Some things of note:

Every DVD is in a separate folder (except for the Ox's Tale one because it didn't really NEED one) and inside you can find the ISO + a txt file with the song/video listing and a few extra notes (when necessary, some didn't really call for a txt)

Due to me being Brazilian, a few of these DVDs have PT-BR menus, but they are easy enough to navigate (I noted which ones have non-English menus on the txt files)

Sadly, I coudn't get my Charlton DVD to copy no matter how hard I tried, so that one is missing /sad face I'll update this if I ever figure out what's wrong!

This collection has both official and bootleg DVDs, as follow:

Official:

Amazing Journey: The Story of the Who

Quadrophenia and Tommy Live

The Kids Are Alright

Live At Killburn

30 Years of Maximum R&B Live

An Ox's Tale - The John Entwistle Story

Classic Albums - Who's Next

Houston Summit 1975 [Remastered]

Live At The Isle of Wight 1970

Who's Better Who's Best

Live at the Royal Albert Hall 2000

The Rock Story of The Who

The Who Live In Vegas 1999

Bootlegs:

Houston Summit 1975 + Bonus

Purple Hearts and Power Chords

Digital Beat Club Videos

John Entwistle Band - Itchycoo Park 1999

John Entwistle Band - Woodstock 1999

Tanglewood 1970

Woodstock 1969

Glastonbury Festival 2007

Live From Toronto 1982

Seattle Kingdome 1982

Also I highly recommend using VLC Media Player to open the ISOs, since it can open them without you having to go through the process of mounting a virtual CD drive and so on! It also often skips straight to the main menu of the DVD when you open the file, which is very dandy!

Without further ado...

Have the link to the GD folder!

If there's any problem with the link/files, let me know!

Remember to reblog/share this post so it reaches more Who fans! Also, like my dubbed Monkees files, these are all free to download forever, but tips via ko-fi are highly appreciated!

Happy watching!

[horses-in-art-history]

The frontispiece illustration Bellephron and Pegasus by Gustaf Tenggren from A Wonder-Book and Tanglewood Tales.

Tenggren, G. (1925). Bellephron and Pegasus [Illustration]. In Hawthorne, N. A Wonder-Book and Tanglewood Tales. George G. Harrap & Co. Ltd.

[weantuniverse]

From Tanglewood Tales by Nathaniel Hawthorne and illustrated by Milo Winter, 1913.

[thefugitivesaint]

Milo Winter (1888-1956), 'The Pomegranate Seeds, ''Tanglewood Tales'' by Nathaniel Hawthrone, 1913 Source

[sassafrasmoonshine]

Tanglewood Tales for Boys and Girls • Virginia Frances Sterrett, illustrator • Nathaniel Hawthorne, author • 1921 • Philadelphia, Penn Publishing Company

[thehorrortree]

Deadline: August 1st, 2024 Payment: Royalties Theme: Car Wars GameLit Fiction Genre: Car Wars GameLit Fiction Theme: Have you ever looked at someone, and just know that they have one hell of a tale to tell? First-hand accounts from the road, told by the bounty hunters, highwaymen, and Federal Marshals out there in the mix. Concept: We’re looking for stories from those trying to make a difference out there in the wastes. No matter if they are upholding the law, or tending to their small flock of survivors, these are the stories that inspire others to get off their tail and get something done. We want plenty of high-intensity action and carnage possible, backed by compelling character-driven stories. Word Count: 5,000 – 10,000 (standard word count) Opening Essay by: TBD Edited by: William Joseph Roberts Anchor Author: TBD Due Date: August 1, 2024 Email Submissions to: threeravenspublishing@gmail.com with “Broken Highways” in the subject line Payment: Stories selected for publication in the upcoming Anthology(ies), will receive a percentage of sales divided equally between the contributing authors. We are looking for amazing stories from any genre that are fun to read and will take us on an adventure of epic proportions. Please download our standards template by clicking here ***NOTE*** We publish genre fiction with aspects of Science Fiction, Fantasy, and Horror. If your work does not include one of these aspects, we are less likely to pick up the title unless it is of exceptional quality. What we are NOT currently accepting: Poetry Single-author collections of short stories. Hard and fast rules of what not to send: Fan-fiction: Just simply don’t. It will be immediately deleted or tossed into the recycle bin. Gratuitous Sexuality: (i.e. smut, softcore porn) (Please, we know that there is a market out there for stories in this genre, but it’s not for us. Contact our affiliate, Tanglewood press for submissions in this genre at tanglewoodromance (at) gmail.com Gratuitous Abuse/Violence: While we at Three Ravens Publishing understand that graphic situations can alter or otherwise move the plot forward in ways that the reader may not expect when properly used, these elements should not, however, be the primary focus of the story. (i.e. torture porn). Discrimination: Again, whether racial, religious, social, etc., when used properly as a plot device can become a powerful tool in the authors arsenal, but should in no way become the focus of the story unless you’re writing something along the lines of “Schindler’s List”, “To Kill a Mockingbird” or “Uncle Tom’s Cabin”. And we do understand that to be perfectly accurate, period pieces will contain such things because historically, that is what happened. It’s sad, but it’s the truth. Message Fiction: While we understand that everyone has their own stance on a myriad of subjects that can become very emotional and heated, we will not publish message fiction. Message fiction is defined as: Fiction that attempts to convey a sociopolitical message, as opposed to mere escapism. That being said, message fiction can crop up from many different topics. The cut and dry of it. If it doesn’t add to the story, don’t do it. If the story itself is a platform for you as the author to get up on your soapbox, then don’t bother submiting the piece, because we don’t want it. Special Note: RPG and game-based stories: We do accept these types of stories; however, your submission may not violate any game’s copy written, or trademarked, content. (refer back to the line above on fan fiction. We do not want it and will not accept it.). As an example, you might have a character running around in one of the popular online multiplayer games. You might want to write a story about your character’s adventures. That, in itself, is fine. Do not mention characters, creatures or the game world itself. Rename them to something of your own creation. We do understand that the muse may strike at any time and that ideas can come from anywhere.

So please, before submitting, ensure that what you have submitted will not violate any copyright or trademark laws. Reprints/previously published: We accept previously published works as long as you have the rights and can provide proof (if necessary). Other than that, we really want to see what you have. Payment rates: To be determined at the time of the contract and will be in the range of 50-70% of sales, and competitive with other publishing houses. The hard and fast rules of Submissions: If sending a Query letter, include a full synopsis of the story, the first three chapters as a writing sample and links to your social media pages. Response time may vary. Expect a reply within 9-18 months. We would prefer to see complete manuscripts that have already been somewhat edited by the author. Note: A contract offer will not be made based on a Query alone unless the work is of exceptional quality. Offers, in general, will only be made on completed works. Your submission must include your (Legal) name and your (Publication) name if using one, email address*, postal mailing address, and telephone number on both your cover letter and the first page of the manuscript. Include a plot outline if possible. *Also include links to all of your social media pages Spelling and grammar checkers are great, but they are not foolproof. Review your work for flow and content prior to submitting it. Minimal formatting, please! Indent paragraphs; single or double-spaced text is fine, though we prefer to use 1.15 spacing, with no extra lines between paragraphs; center chapter headers and scene break indicators (###, ***, etc.); use page breaks only at the end of chapters. For emphasis, choose either underline or italics and use it consistently throughout. Use straight quotes and apostrophes, … ., –, etc, no special characters, please! Times Roman 12pt is highly preferred. Make it readable, or we won’t read it. It’s that simple. If something specific requires special formatting then explain it in a cover letter. Please download our standards template by clicking here. Electronic Submissions: Neither disks or thumb drives will be reviewed, so do not send them unless requested. Our preferred method is by electronic submission, but we will accept a printed hardcopy. Attach the manuscript as a Rich Text Format (.rtf) file. Any other format will not be considered. Send the manuscript as a single file (do not break it into separate chapter files), so any synopsis and contact info needs to be in the file with your manuscript. NOTE: Any viruses attached to your submission will send your manuscript straight into file-13. (For non-military members, that means the trash can.) Hardcopy Submissions: (for those who cannot submit electronically) Standard manuscript format only: double-spaced, one side of the page only, 1/2″ (i.e., 0.5″) margins on all four sides of the page. We will consider photocopies if they are dark and clear. Title, author (last name only is okay), and page number at the top of each page are mandatory. Include your name, mailing address, and telephone number on the first page. Hardcopy manuscripts identified as “disposable” will be recycled. Disposable submissions should be accompanied by a self-addressed, stamped, letter-sized envelope for our reply (please ensure proper postage has been supplied!). Manuscripts intended to be returned should be accompanied by self-addressed packaging and sufficient postage. We will not be responsible for any manuscripts lost or damaged in the mail. Return packages will not be insured, tracked or otherwise paid for by Three Ravens Publishing. Via: Three Ravens Publishing.

[aemiron-main]

staring at tfs henry saying “i’m normal,” and that being repeated in the TFS trailer versus lucas saying “normal is a raging psychopath” versus the “raging pyschopath” in question being jason/normal = jason but normal also = tfs henry/“im normal” versus scott having the maxfield parrish “jason and the talking oak” painting in his house in S1, which is based on the tanglewood tales story of the golden fleece versus jason in the golden fleece being sent away from his parents as a little boy to go and live with a centaur schoolmaster in a cavern versus virginia trying to send henry away to brenner (esp in tfs) and tfs henry having ended up in the cave in nevada and the ship in the story, the argo, versus the eldridge in TFS… hmmmm

[foxern]

Hello! I love playing Pistol Dust with my friends and they love the world just as much. May I ask what font was used for the rules? :3 I wanted to make some custom talents for my players and want to make "fit in" Wishing you a good day!

Glad to hear it! It's called Tanglewood Tales NF. I found it years ago when looking at fonts.

And lemme know what Talents you come up with! I might add them if they fit in the right place.

[the-paper-furler]

Books I've read: 2023

Freak the Mighty

Maggie Now

Vanity Fair

The Duchess of Malfi

The Cruel Prince

Pride and Prejudice

The Picture of Dorian Gray

Bloodmarked

Jane Eyre

Little Thieves

The Tenent of Wildfell Hall

12. The Cats of Tanglewood Forest

13. The Wicked King

14. Radio Silence

15. The Rise of Kyoshi

16. The Hidden Kingdom

17. The Dark Secret

18. The Brightest Night

19. Dr. Faustus (Marlowe)

20. The Queen of Nothing

21. By the Shores of Silver Lake

22. Beasts and Beautys: Dangerous Tales

23. The Running Dream

24. Percy Jackson and the Olympians: The Lighting Thief

25. Murder on the Orient Express

26. Blood of Olympus

27. The Long Winter

28. Moon Rising

29. The Hidden Oracle

30. The Last Olympian

31. Of Mice and Men

32. Winter Turning

33. Esacaping Peril

34. The Sea of Monsters

35. The Awakening

36. The Dark Prophecy

37. The Burning Maze

38. Machiavelli

39. Camp Halfblood Confidential

40. The Yellow Wallpaper

41. Macbeth

42. Camp Jupiter Classified: A Probatio’s Journal

43. Oliver Twist

44. Crime and Punishment

45. The Tyrant's Tomb

46. Integrated Math II

47. Poems from Ariel

48. Animal Farm

49. A Tale of Two Cities

50. Battle of the Labrinth

Honorable mention goes to the articles I've been reading for a research project

Fantasy: 25

Classics: 17

Realistic Fiction: 5

Other: 1

This was a good year for reading. I am looking forward for what will be my list next year :]

[buzzbuzzwhs]

We recorded this episode live at Tanglewood, the summer home of the Boston Symphony Orchestra, with musical accompaniment by a quintet of BSO musicians: Rachel Childers on horn, Clint Foreman on flute, Catherine French on violin, Ben Levy on double bass, and Suzanne Nelsen on bassoon.

Our cast included: Lauren Ambrose, MaConnia Chesser, Scott Cohen, Josh Gondelman, and Peter Riegert.

Lauren Ambrose is an Emmy, Tony, and Grammy nominee from the award-winning Showtime series, “Yellowjackets.” She’s also starred in “Servant” on Apple TV+ and “Six Feet Under” on HBO.

[whateverbringsyouthroughthenight]

Virginia Frances Sterrett, illustration for Tanglewood tales by Nathaniel Hawthorne, 1921