#talk about growth

[livelovecaliforniadreams]

2x7 | 3x8

[warmfuzzyanimal]

i heard you folks might like fluttershy? 🦋

[thelesbianluthor]

I know some people think that Emily's desire to play another character instead of Fig was the reason why she was so all over the place and lost, especially in the first half of JY.

But I honestly feel like her arc was actually incredibly needed and necessary to close her character evolution in a satisfying way. (While still leaving open doors for possible future plots with the Dawn and Sandra Lynn stuff)

Fig has been struggling to find herself since the first moment. She has had to come to terms with being a completely different race than what she thought before and deal with all the consequences of that. She had to grow out of the toxic habits that were born out of her deeply rooted insecurities that finding out about her identity and lineage caused. She had to learn to be kinder to herself. I love sophomore year, it's my favorite season for so many reasons, but I feel like Fig's arc in JY was actually her best one.

Fig being so lonely at the start of the show and her innate devotion made her becoming so focused on holding others' needs over her own an inevitability. She was always aimlessly moving through life, so talented and gifted in many ways but with no real purpose outside of being the protector.

The way JY explored her struggles with introspection and her need to devote herself to others to such an extent that she ignored a curse on herself for far too long was beautiful.

Finding Ankarna, becoming a paladin of dawn and justice and coming to a point where she could let herself choose what felt right instead of what her friends needed was incredible to watch.

I feel like Junior Year gets a lot of criticism because the overall vibe from the IH was lighter and they were having a lot of fun throughout, but the story of the season was actually beautiful to me and the overall character work was so interesting.

[slfcare]

the most difficult thing about growing as a person socially, as in getting out of your shell and noticing that you are, is that there will still be times when it doesn’t feel like you’ve grown at all! times when you can’t really connect with anyone around you, times when you fail to enter into an existing conversation, times when you say the wrong thing (or nothing at all when in hindsight you probably should’ve). but that’s also kind of the best thing, because that’s the thing that helps you realize that sometimes, it’s not you or your lack of skills or any shortcoming. sometimes certain environments just aren’t for you and certain people aren’t your people, and that’s okay. that’s human. it’s okay to not feel the progress you have made all the time.

[hinamie]

summer is coming so i'm giving them the beach day they deserve

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are somehow infinitely gentle still; Style's kisses contain a purpose that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[its-ate-oclock-somewhere]

Futamono Flower Meaning

So you're telling me that the very night after Will whore Graham sent someone to murder Hannibal simp Lecter, the man created this?!

[monotone-artist]

hello please click images for better quality oh my god tumblr whyy

[id in alt]

maria shows shadow how to play dress-up (she's always wanted to do it with someone else)

thank u @fly-sky-high-09 for the request, i had a lot of fun with this hehe

[pocketramblr]

Please!

AU where both Izuku and Bakugou are rejected from UA Hero Course.

And to make it juicy. The reason for the rejections is the suicide baiting incident being known by UA. While Bakugou is rejected for obvious reasons. Izuku is rejected for his ‘own safety’ and because they won’t trust his psyche went unscathed.

1- The thing about Bakugou is that he was not particularly well liked by his classmates at Aldera. Oh, he had friends, and no one was willing to stand up to him, but plenty of students had grudges about how he acted. They rolled their eyes when Bakugou went on a rant about being the only one who could make it to UA, or his lackeys hyped him up, but then they'd look away without a word when he caught them and glared. No one was going to say he wasn't powerful and couldn't do it, just like they weren't going to say Deku had any chance. Sometimes, capable people are also very annoying, and you just have to deal with that, so the kids did. And if a few were in a small group chat that would sneak pictures or videos to show the kids not in their class and complain, well, that's what the kids did. And then one day, one filmed the conversation after school, after Bakugou threw out the notebook, and posted it publicly, as well as in the chat.

2- nothing came of this. Izuku had either blocked or been blocked by a lot of his classmates online, and hadn't really bothered to look for most of them anyway, so neither he nor Bakugou are aware of the video. The sludge villain sort of happened an hour later, and that's what got the big media buzz- the news couldn't publish the names of the teens involved if they ever even had them, but locally, people at Aldera knew who the kids on tv were.

3- the next year, UA has its recommendation exams. Every student is meticulously background checked before even being accepted as an potential for the exam and interview. A couple weeks later, they have the standard exam. The background checks will happen after this- UA after all has a very prestigious image. Bakugou wasn't wrong that if he took his lackey's cigarette and UA found out, his chances would be gone. Unfortunately for him, the video was still online. Mostly forgotten about... Until it contained not one but two potential UA students.

4- Nedzu and the six hero course homeroom teachers are on the board of student admissions, but so are two others each from administration, public relations, the school board, and the heroics commission. The top fifty scorers are ruthlessly picked through. The video is watched. Some want to exclude Izuku, some Bakugou, some both. Nedzu would prefer to have them both enrolled in separate classes, but is outvoted. He doesn't warn the board this will mean All Might will not be staying on to teach - he really can't, without telling secrets, but he does warn All Might the next night, and gracefully accepts his resignation.

5- a week after the exams, acceptance and rejection letters are sent. These are simply written on paper. Apparently neither of them are a good fit for the school. No further reason is given. Bakugou spends one day in his room, quieter than ever, then rush applies to other schools. Shiketsu is supposed to be UA's equal. Perhaps their admissions process will be less rigid. Or perhaps his rise to number one is "supposed" to come from humble starts, and Aldera Middle School wasn't that, but some mid rank hero school is. Meanwhile, on the beach, All Might tells Izuku that he actually ended up with the most rescue points in the exam, and his score was high enough to place him in top ten... It was just the screenings afterwards that did it. Perhaps the school was concerned about his health, with him breaking nearly every limb. Or perhaps his incorrect quirk registration was a red flag- either way, it's things All Might blames himself for, Izuku is the one who passed the test, and with only a few hours of having OfA too. So All Might asks Izuku what he wants to do- try for another hero school nearby? Toshinori probably can't get a job there on short notice without being suspicious, but he'll work to train him every day after, and come up with some other excuse for why he's in the field less. Or, should he reach out to I-island? Toshinori's even willing to see about setting up a personal internship with himself or Gran Torino, though he really kinda hopes Izuku doesn't pick that one. Izuku bursts into tears and apologies, having only held them back this long out of shame, they hug, and Toshi tells Izuku to take his time deciding, it'll be all right, because Izuku is here and he has full faith in him, regardless of what UA admissions thinks.

[magnificent-buckless-butt]

Tfatws episode 2:

Bucky: You shouldn't have given the shield!

Sam: Missed you too Buck.

Ca:BNW:

Sam: This room is private. Go away.

Bucky: Missed you too.

✨️Parallels✨️

[writethatdown]

and I know for a fact that every deep conversation, every song, every book, every walk in nature, every ten second reflection while the coffee brews, every cry session, every laugh, every notes app rant, and every indulgence is revealing the next layer of yourself that you haven't met yet. and sometimes that is scary, other times beautiful — yet very necessary so that your soul and mind and belief is challenged and it rebirths itself with much more clear sense of what you are.

it terrifies me how doom scrolling is going to delay this process in most of us.

[livelovecaliforniadreams]

[quijotine]

all the vivziepop critical posts thinking they're making a good point shitting on Sinsmas while in reality it just exposes their absolutely nonexistent media literacy.

"Stolas is a bad father, a bad lover, selfish and he doesn't try enough"

Girl, have you ever heard of a character arc? We are in mf season two for a show that will be 5 seasons. We're not even at the midpoint. Three doritos ago, people were shitting on Blitzø for his emotional unavailability and lack of commitment, and now that his arc has progressed, he's everyone's favorite. How about you wait until the story is done to draw your conclusions? I know. Revolutionary concept.

Alternatively, if it makes you so angry that you want to shit yourself, you could just. Stop watching. And let everyone else enjoy in peace.

[lunar-years]

Something something Keeley doesn’t ask how the match went, she asks him how he’s doing, and all Jamie can do is rapid fire list off his stats in the game. It comes across as arrogance, showing off a little about his performance to try and get back in her bed. But it’s actually a sign of how poorly he’s doing in Manchester, because the sliding scale of his well-being has become entirely dependent on how many minutes he’s getting and how well he plays during those minutes. You know. Something something.

[seagreenstardust]

“When toxic behavior is portrayed as romantic, it’s problematic. When problematic behavior is portrayed as a character flaw for a character to work through, it’s good storytelling.”

Katsuki Bakugou, my friends.

His behavior was problematic but never once portrayed as romantic at the same time. Katsuki said and did awful abusive things, and he also chose to be better when he was given the chance. If you’re still hung up on chapter 1 Katsuki now then I don’t think you’ve been reading the same story I have.

I can’t speak for everyone, but I’m not shipping Izuku with an irredeemable abuser. I’m shipping him with his most important person. His narrative foil. His childhood friend who made awful mistakes and then made it right when he saw he was wrong. The person Izuku looks up to and strives to emulate, despite their past struggles.

Bakudeku is so good because of how flawed these boys are, and how hard they’ve worked to get over it, and how much they matter to each other after it all

[arihi]

Feeling unsafe is not the same as being unsafe and people are unable to distinguish between the two - you always have a right to be safe, but you do not necessarily have the right to always feel safe. This is an underlying theme in a lot of issues, like judging others' kinks, queerness, race, media analysis, and more; what the real heart of the problem is is unfamiliarity, things that people do not know and thus shrink away from in fear or disgust or discomfort. It can be a basic instinct to approach change and unfamiliarity with caution, but it needs to be an intentional act to challenge that fear/world view. It is something that we owe to the people around us, and that we owe to ourselves.