#talk about growth

[livelovecaliforniadreams]

2x7 | 3x8

[girlboyburger]

i heard you folks might like fluttershy? 🦋

[slfcare]

the most difficult thing about growing as a person socially, as in getting out of your shell and noticing that you are, is that there will still be times when it doesn’t feel like you’ve grown at all! times when you can’t really connect with anyone around you, times when you fail to enter into an existing conversation, times when you say the wrong thing (or nothing at all when in hindsight you probably should’ve). but that’s also kind of the best thing, because that’s the thing that helps you realize that sometimes, it’s not you or your lack of skills or any shortcoming. sometimes certain environments just aren’t for you and certain people aren’t your people, and that’s okay. that’s human. it’s okay to not feel the progress you have made all the time.

[hinamie]

summer is coming so i'm giving them the beach day they deserve

[its-ate-oclock-somewhere]

Futamono Flower Meaning

So you're telling me that the very night after Will whore Graham sent someone to murder Hannibal simp Lecter, the man created this?!

[pocketramblr]

Please!

AU where both Izuku and Bakugou are rejected from UA Hero Course.

And to make it juicy. The reason for the rejections is the suicide baiting incident being known by UA. While Bakugou is rejected for obvious reasons. Izuku is rejected for his ‘own safety’ and because they won’t trust his psyche went unscathed.

1- The thing about Bakugou is that he was not particularly well liked by his classmates at Aldera. Oh, he had friends, and no one was willing to stand up to him, but plenty of students had grudges about how he acted. They rolled their eyes when Bakugou went on a rant about being the only one who could make it to UA, or his lackeys hyped him up, but then they'd look away without a word when he caught them and glared. No one was going to say he wasn't powerful and couldn't do it, just like they weren't going to say Deku had any chance. Sometimes, capable people are also very annoying, and you just have to deal with that, so the kids did. And if a few were in a small group chat that would sneak pictures or videos to show the kids not in their class and complain, well, that's what the kids did. And then one day, one filmed the conversation after school, after Bakugou threw out the notebook, and posted it publicly, as well as in the chat.

2- nothing came of this. Izuku had either blocked or been blocked by a lot of his classmates online, and hadn't really bothered to look for most of them anyway, so neither he nor Bakugou are aware of the video. The sludge villain sort of happened an hour later, and that's what got the big media buzz- the news couldn't publish the names of the teens involved if they ever even had them, but locally, people at Aldera knew who the kids on tv were.

3- the next year, UA has its recommendation exams. Every student is meticulously background checked before even being accepted as an potential for the exam and interview. A couple weeks later, they have the standard exam. The background checks will happen after this- UA after all has a very prestigious image. Bakugou wasn't wrong that if he took his lackey's cigarette and UA found out, his chances would be gone. Unfortunately for him, the video was still online. Mostly forgotten about... Until it contained not one but two potential UA students.

4- Nedzu and the six hero course homeroom teachers are on the board of student admissions, but so are two others each from administration, public relations, the school board, and the heroics commission. The top fifty scorers are ruthlessly picked through. The video is watched. Some want to exclude Izuku, some Bakugou, some both. Nedzu would prefer to have them both enrolled in separate classes, but is outvoted. He doesn't warn the board this will mean All Might will not be staying on to teach - he really can't, without telling secrets, but he does warn All Might the next night, and gracefully accepts his resignation.

5- a week after the exams, acceptance and rejection letters are sent. These are simply written on paper. Apparently neither of them are a good fit for the school. No further reason is given. Bakugou spends one day in his room, quieter than ever, then rush applies to other schools. Shiketsu is supposed to be UA's equal. Perhaps their admissions process will be less rigid. Or perhaps his rise to number one is "supposed" to come from humble starts, and Aldera Middle School wasn't that, but some mid rank hero school is. Meanwhile, on the beach, All Might tells Izuku that he actually ended up with the most rescue points in the exam, and his score was high enough to place him in top ten... It was just the screenings afterwards that did it. Perhaps the school was concerned about his health, with him breaking nearly every limb. Or perhaps his incorrect quirk registration was a red flag- either way, it's things All Might blames himself for, Izuku is the one who passed the test, and with only a few hours of having OfA too. So All Might asks Izuku what he wants to do- try for another hero school nearby? Toshinori probably can't get a job there on short notice without being suspicious, but he'll work to train him every day after, and come up with some other excuse for why he's in the field less. Or, should he reach out to I-island? Toshinori's even willing to see about setting up a personal internship with himself or Gran Torino, though he really kinda hopes Izuku doesn't pick that one. Izuku bursts into tears and apologies, having only held them back this long out of shame, they hug, and Toshi tells Izuku to take his time deciding, it'll be all right, because Izuku is here and he has full faith in him, regardless of what UA admissions thinks.

[monotone-artist]

hello please click images for better quality oh my god tumblr whyy

[id in alt]

maria shows shadow how to play dress-up (she's always wanted to do it with someone else)

thank u @fly-sky-high-09 for the request, i had a lot of fun with this hehe

[lunar-years]

Something something Keeley doesn’t ask how the match went, she asks him how he’s doing, and all Jamie can do is rapid fire list off his stats in the game. It comes across as arrogance, showing off a little about his performance to try and get back in her bed. But it’s actually a sign of how poorly he’s doing in Manchester, because the sliding scale of his well-being has become entirely dependent on how many minutes he’s getting and how well he plays during those minutes. You know. Something something.

[seagreenstardust]

“When toxic behavior is portrayed as romantic, it’s problematic. When problematic behavior is portrayed as a character flaw for a character to work through, it’s good storytelling.”

Katsuki Bakugou, my friends.

His behavior was problematic but never once portrayed as romantic at the same time. Katsuki said and did awful abusive things, and he also chose to be better when he was given the chance. If you’re still hung up on chapter 1 Katsuki now then I don’t think you’ve been reading the same story I have.

I can’t speak for everyone, but I’m not shipping Izuku with an irredeemable abuser. I’m shipping him with his most important person. His narrative foil. His childhood friend who made awful mistakes and then made it right when he saw he was wrong. The person Izuku looks up to and strives to emulate, despite their past struggles.

Bakudeku is so good because of how flawed these boys are, and how hard they’ve worked to get over it, and how much they matter to each other after it all

[arihi]

Feeling unsafe is not the same as being unsafe and people are unable to distinguish between the two - you always have a right to be safe, but you do not necessarily have the right to always feel safe. This is an underlying theme in a lot of issues, like judging others' kinks, queerness, race, media analysis, and more; what the real heart of the problem is is unfamiliarity, things that people do not know and thus shrink away from in fear or disgust or discomfort. It can be a basic instinct to approach change and unfamiliarity with caution, but it needs to be an intentional act to challenge that fear/world view. It is something that we owe to the people around us, and that we owe to ourselves.

[livelovecaliforniadreams]

2x3 | 5x9

[utterdrip]

i have so many feelings about this conversation. the grief and guilt for the lives he took. how he’s able to sympathize with the gur and acknowledge what he’s done to them as well as what they did to him.

[thechy-fychannel]

y'all ever think abt how it was julie having the affair and it is even said multiple times that she was the one who left him, yet wilson was still the one who left their home and moved in with house. like. he couldn't bear to stay in their home alone. he immediately ran to house and stayed on his couch for weeks. suffered through his pranks and his laziness and his manipulation. telling him he wants him gone while sabotaging his attempts to leave. and he only left once he got a girlfriend again.

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[hotpriesteddie]

oops got really emotional thinking about buck, a character who has historically been so afraid of people leaving him that he will bend over backwards to be whatever they need, being so confident and so secure in his relationship with eddie that he can tell eddie that he's in love with him with the belief that he's still going to have his place in eddie and chris' lives if eddie doesn't feel the same and they're strong enough to work through it and stay friends if it ends badly

[simplepotatofarmer]

the reason that c!techno is actually such a good character is because he did get exactly what he wanted through violent means. that was very much a thing that happened.

but afterwards, he still wanted to change and be better. he was shown violence worked but he went to c!niki and said 'this isn't what it should be about and i need to be a better example and i'm gonna work on that'.

it wasn't perfect. he wasn't perfect but he's a good example of someone deciding to change and better themself solely because it was the right thing to do.