#tabitha fawnbrook

[dawnarts]

@d20exchange Gift time! hi @nameless-is-nameless here is your gift. you'd mentioned buckster and daisy were probably your faves in mice and murder so I drew them gossiping! I do hope you like it!

ID: a digital painting of Buckster $ Boyd and Daisy D'umpstaire from Dimention 20's Mice and Murder. Buckster is an anthropomorphic boar in a white suit and stenton and Daisy is a racoon in a blue dress and large hat with a rotting flower atop. their eyes are open. in the foreground there is Tabitha Fawnbrook, a cat in a tophat and dress, is smiling, eyes closed, next to Winnifred Bramble, a hedgehog with a flat hat. At the cornor of the frame is Calliope Fawnbrook, a deer with tall antlers. The picture is in a twisting gold frame on a green wall. End ID.

[sylvansleuth]

If we all wake up dead tomorrow, we know who to blame👀😨

[jq37]

The Case File – Mice and Murder Ep 2

The Case of the Dismal Dinner

Summary

Welcome back to our flashback/Tisch fight already in progress where we learn what Daisy and Sly’s shared look was about while Rekha and Grant go for the proverbial jugular emotionally. It’s 12 years ago and Sylvester is tracking down a stolen diadem, the very same diadem that he sees Daisy swipe off the thief who has it (a jackal named Roscoe McCoy in case that matters). Sly swipes it back from her and, when she notices, she sniffs it down to his train car where he is sitting in the dark, waiting for her. He doesn’t turn the lights on, opting instead to dramatically strike a match to light his pipe, illuminating himself sitting in a big chair, holding the stolen item.

Daisy tries to bluff like she’s Virginia Chase, the owner of the diadem, but Sly knows that’s not true because he was hired by the real Virginia to track it down. Daisy is usually a better liar than this but she is insta-smitten by this figurative and literal fox and it’s throwing her off her game. But before they can continue their little tete-a-tete, they hear a gunshot ring out from Daisy’s room and know Roscoe and his guys are coming after her. Sly stuffs Daisy in a trunk before the boys show up and they actually seem a little impressed to meet him, him being a famous detective and all, but a Nat 1 deception means they hear Daisy being huffy in the chest and a fight/escape scene that Brennan takes over narration for ensues. 

After that, Sly and Daisy become close really quickly and partners in both senses of the word. Daisy tells him she’s an American PI and they work together on cases, travel the world, and become engaged within the year. But, the day before the wedding, when Sly is alone, he discovers all the documentation proving that Daisy lied about who she is, is actually a criminal, and has been using their partnership to sell information to other criminals.

She shows up and tries to pretend like she’s being set up but he replies, “You being duped is the only lie you’ve told I can’t believe.” He says that being with her changed him. He didn’t think he had it in him to actually love another person. He forgives her. He still wants to get married. Daisy is thrown by this reaction. She tells him she’s not gonna change for him and he might as well leave her. She’s being all unapologetic femme fatale about it but he gets the sense that under her bravado she’s low key pleading with him to give up on her. He doesn’t want to. He can’t. He still shows up the next day in his wedding tux. Daisy is nowhere to be seen. When he goes home, there’s a deerstalker cap on his porch and a note that just reads “-D”.

And we snap back to the present where Daisy is trying to figure out if she can take advantage of Lucretia’s fascination with the occult and all the rich vulnerable people present to make some money. Meanwhile, Sly has been totally rocked by seeing Daisy and is drowning his sorrows at the bar with Ollie, the otter bartender. Squire Badger (which is what I’ll be calling William) shows up and, in not so many words, threatens Sly for having not solved the case and making a fool of him. He says, “You’re not gonna rub my nose in this.” Move your nose then bitch, says Sly on a dirty 20 intimidation check. He’s sad about girl problems, not you! Squire Badger is scared off, but he looks like he knows something that Sly doesn’t. That someone is coming for him. 

Buckster (and Ian too btw) clocked the above conversation and sidles up to Sly at the bar. See, not only does Buckster know about Sly and Daisy’s history, he knew it was happening *while* it was happening. Sly used up all his cool swagger on the Squire so by the time Buckster shows up he’s a whole mess over Daisy. Buckster starts implying that maybe they can help each other out since they both dislike the Squire and with Sly’s Nat 20 Insight, they can totally clock each other’s double meanings perfectly. It’s a very cool game thing where Sly and Buckster are having an innocuous conversation about the weather or whatever but Grant and Sam are just saying what they mean. It’s like they’re having a telepathic conversation. Sly agrees that the enemy of his enemy is his friend and he’ll go along with Buck’s plans as long as he can keep his hands clean, even if he doesn’t really care for Buck himself. 

At the same time Gangie is in the kitchens getting fed (see the notes for a full list of kitchen staffers and other NPCs) and after the staff leaves, Gangie is told by Ambrose Harding (the Squire’s turtle valet) that there’s is business for him to attend to after dinner. 

Buckster talks to Lawrence Longfoot--the rabbit photographer from last ep who we learn runs a trash newspaper. He and Buck bond over being trash and he gets a pic of Sly and Buck together. 

Vicar Ian goes to talk to the Squire and basically tries to (openly) suss out whether the money was a bribe or a setup or what? Like, people are fully there (including the Lady Fawnbrook and her gossipy cat wife Tabitha). They snipe at each other a bit and then the Squire reveals that he’s talked him up to the Cardinal and the Cardinal agreed that he’s such a good vicar, he should be moved to Siberia. The decision has already been made and Ian doesn’t have the pull in the church to do anything about it. Yikes. 

Before dinner, the rat butler catches Buck and asks if he has time to talk to Squire Badger. Buck agrees to go with him and he’s taken to the billiards room where the Squire is along with Harding and James Hawkins, Squire’s Hawk war buddy (a literal war hawk). Buck immediately puts his foot in his mouth by messing up the Squire’s title with his American ignorance of British peerage rules which annoys him, the elitism of it all. The Squire’s friends leave and then Buck starts talking about PR and how this whole situation has been bad PR for the Squire and it would be a shame if his PR got even worse. The suggestion of blackmail sends the Squire into a full honey badger don’t care style rage and he knocks TF out of Buck, flips the pool table, and then catches himself and scurries off. Daisy, Sly, and Gangie all hear this conversation from their positions in the house via the pipes running through the manor. Buck picks himself up and, on a 25, realizes that two of the mouse maids were hiding behind a curtain, hearing the whole thing (specifically, Edwina Thimble and Carolyn Dickory--oh like hickory dickory doc, BRENNAN) . They were playing hooky so he flips them a coin each and they all agree that no one saw or heard anything. “Two blind mice, see how they run,” he quips as they leave (sidenote, what a morbid nursery rhyme to exist in that world--to be fair, it’s pretty morbid as is).

Lucretia decides to turn the séance into a post dinner séance but still brings Daisy and Lars to see her occult room which is full of crap from, as Rekha said, “1800s Party City”. Lucretia does a hilariously vague read on Daisy and says that there’s something happening with her involving a man she knew or maybe still knows but she’s in her feelings about Sly so it kinda shakes her up. She tries to get Lucretia to charge for her “””incredible gift””” (so she can skim off the top of course) but Lucretia thinks it would be a misuse of her ~talents~. She does give Daisy an incredibly broad as to be useless even if magic exists blessing before she leaves. 

Once she does, Daisy scopes out the room (which she realizes must have been retrofitted for Lucretia and wasn’t previously a séance room) and sees that the one thing in the room that doesn’t really match the aesthetic is a giant portrait of one of the previous squire badgers. On a 24 she notices two things: (1) the painting has recently been restored with new paint and (2) the frame is bolted to the wall. She wants to check it out but Lars is right there so she makes a note to check it out later and leaves. 

Lars, being a very ride or die friend for Sly, bounds after her and basically calls her trash and tries to tempt her with garbage so she’ll lose composure and start chowing down. She drools at the sight but keeps it together and leaves. Lars runs off to tell Sly that they were a good good dog and gives him a full play by play. 

Gangie meanwhile is watching a small argument between the butler and Harding in the servant’s quarters hallway and he realizes that he’s being talked about in veiled language. The butler is questioning Gangie’s employment and Harding says that, as servants, they shouldn’t question their master and that Gangie is employed for reasons that Squire Badger is aware of and reasons he is not. Hmm. Gangie realizes that Harding knows about his past which is weird because Gangie’s criminal record doesn’t follow him. There’s no internet. So what reason would this guy have to know about him?

Gangie doesn’t like this and decides to dip and steal some silverware on the way out. Mrs. Molesley (who I’ll be calling Mrs. M from now on) helps him (lol I’m not entirely sure if she didn’t know what he was doing or if she’s just down with stealing) and says that she’s been working there since Squire Badger was in diapers (she was his nanny) and if anyone bullies Gangie, she’ll take care of them. She also offers to make him a sweater so he doesn’t get cold and she’s just so nice that Gangie has to say yes. He looks to make sure no one is around and gives her a dandelion he picked. Cute!!!

And now it’s time for dinner and our very first box of doom roll for the most terrifying encounter of all: how close you have to sit next to your bitter ex! This is of course for Sly and Daisy with higher than a 15 meaning they don’t have to sit next to each other and anything lower meaning they have to sit pretty close. It is the first BOD roll I’ve ever wanted them to fail (mmm, except maybe Adaine’s werewolf roll but that’s a different conversation). 

It’s in the 6-10 bracket which means they’re sitting across from each other (below that would have been them next to each other). Everyone is seated based on how on Squire Badger’s shitlist they are. So you have Ian at the absolute back. Sly to his right and Daisy on his left. The Buckster and Lars to the right and left after that. Then Armond (armadillo lawyer guy) and a snail guy because Brennan is a madman who cannot be stopped. Constance (Squire’s daughter) makes a toast to her dad wishing him well even though they haven’t always seen eye to eye (hmmm).

Buckster fills in Daisy on his confrontation with the Squire quietly enough that no one else hears. Daisy then turns to Sly and says she hopes they can be civil. Sly is like, “Sure Ms. DUMPSTER.” They’re the kind of exes who know exactly how to hurt each other but are also super open to being hurt. Emotional glass cannons is how Brennan describes it. 

Buckster is given a note by Harding from Squire Badger and, once dinner is over, he takes Daisy off to the side to read it. Gangie follows, unseen. Ian, who recently prayed to God and got not super clear results goes to talk to Luecretia to see if maybe ghosts can help him instead. She is, as usual, not super helpful but does rush out to get her very necessary ritual dagger and declares to everyone that if anyone sees a ghost they have to tell her. As she says this, there is a flash of lightning and, through the window, Sylvester sees just for a moment the form of his nemesis, Fletcher Cottonbotton (who is by the docks).

Anyway, Buckster reads the note. It’s a document from the Squire selling his interest in BB Industries (Buck’s oil company) to Hazel Hogswallop who is another small shareholder in BB Industries. But, in doing so, it names Josiah Jackrabbit (one of his competitors) her proxy which means he’ll be able to vote on things (and with a lot of power with all that stock).  The contract was written in fresh ink which means (1) it was probably written after their fight and (2) hasn’t been mailed yet (I smell a heist attempt). Buck rolls insight on the writing (mastermind rogue ability) and with a 27 senses that the Squire has gone off his rocker. This isn’t going to make him any money. Josiah doesn’t have enough liquid cash to pay him what this is worth. And the thing with Hazel would have taken time to set up. This has been in the works for a while and he’s been sitting on it until the time was right. And he senses, like Sly and Gangie did earlier, that someone besides the Squire is pulling the strings. 

Then Gangie suddenly hears Constance’s distressed voice through the pipes from upstairs: “Father you’re possessed! You’re a mad man! This will never work. Speak of this to me never again.” And she slams the door (Buck, Daisy, and Gangie all hear). Constance comes downstairs and Squire Badger follows, looking upset. Mrs. M checks in on him too see if he’s eaten and he kind of gruffly has her follow him (along with Mr. Harding) into the drawing room.

There is a scream. Something drops. Silence. Footsteps. A door opens. Then a voice, “My God!”

Everyone rolls initiative. Ian moves first and, upon hearing all the commotion, gathers everyone together to go towards the sound (interesting choice but sure). Daisy recognizes that the scream heard was Mrs. M but barely knows who she is. She goes towards the commotion anyway. Gangie also goes towards the scream. Buckster grabs his gun (well he says “weapon”, but it’s gotta be a gun, right?) and makes like he’s following her but actually hides. Lars and Sylvester go towards the scream. 

With everyone gathered, Ambrose opens the door. Inside they see Mrs. M, her hands covered in blood (my guess? From trying to stop the bleeding), kneeling on the ground over the dead body of the Squire. The room is a mess and stuff is scattered everywhere. There is a bloody knife in the Squire’s hand and a stab wound over his heart. Ms. M, who is distressed as hell, says there was something wrong with him. There was a flash, and she looked down and he was stabbing himself. Everyone thinks this is suspicious as hell. She was the only one in the room. Everyone looks to Sly, the famous detective who is not in the presence of a murder case in progress. What does Sly say? “Lady Lucretia. I’ve seen a ghost.”

Case Notes

I have to acknowledge how ON FIRE Grant was this episode. Like everyone was. Buck was great with the Squire. Daisy and Lars sniping at each other was fun. But man Grant had so many good lines. The “move your nose”. The heartbreak with Daisy (ugh, so sad!) And that blackout line!!! I am biased towards foxes as you can see from my avatar so I am very here for this great fox rep.

Based on the way their staredown went last ep I kinda thought Daisy was the wronged party but ugh. Slyyyyyyy. He forgave herrrrrrr. And he still went to the alter. Daisy how you could youuuuuuu?

Also, sigh, Fox and the Hound. I keep getting hit with these after the fact. 

I loved Rekha’s “Of the Chase Sapphire’s?” improv.

That racoon/mink line was so sleazy. Weird compliment but Brennan is good at being animal-racist. Sidenote, Daisy makes a comment about being careful being a fox in England which I presume is a ref to fox hunting and like the implication of that are como se dice troubling. 

Here are all the new NPCs for this ep and here’s a full NPC guide that also includes the list of names Gangie gave Buck which Buck shares with Daisy this ep.

And on that topic I can’t get over the concept of a married couple named Millie Molton and Mollie Milton. Like, did they get married solely for the bit???

The best Ian-ism of the ep was him talking about getting rejected from Siberia. Poor guy.

Fave OOC moment was everyone at the table getting aggressively patriotic in response to the Squire being dismissive to Buck. There is nothing funnier than someone singing a purposefully overwrought version of I’m Proud to Be An American. 

“It’s 2020 for us bitch!”

The moment Mrs. M said she was gonna make Gangie a sweater I was scared for her. Sweaters take a long time to get made. I was like oh no. The plot is gonna stop you from making that sweater isn’t it. I’m willing to be proven wrong (Brennan loves his maids with secrets, see: Cathilda) but she seems super sweet and if anything happens to her I’m going to be upset. 

What’s behind the painting Brennan. I know there’s a door. I know this house is full of secret tunnels and revolving bookshelves and all that. Let me see it!

One great little moment was when there was a flash of lightning and the minis for Sly and Lars like stop motion moved to look at it. Just great attention to detail. The work that gets put into this show is incredible.

Edit: A note I forgot to mention. There’s gotta be a secret door in the room where it happened, right? Like, creep in, flash of light to mess up her vision, do some shenanigans, peace out.