#t&252;m

[stereopticons]

On This Day in Schitt's Creek: March 5

2019

Boyfriend [david/patrick, G, 663] by redgoldblue

The word slips out of David's mouth before he really thinks about it, and brings with it a swarm of memories.

Catching a Unicorn [david/patrick, T, 1,471] by @mostlyinthemorning

Patrick's not sure how he ended up here, but he knows it's where he should be. And now with part 2 from David's perspective.(There are no actual unicorns in this story. Sorry.)

2020

Anything For You [david/patrick, G, 1,476] by agreatwave

So now here he is. 1 am. Deep cleaning Ray’s kitchen. Missing Scenes from 4x08 The Jazzaguy

Love at Lunch [david/patrick, G, 820] by thegrayness

David makes Patrick’s favorite lunch for their workday.

2021

Egypt [patrick & his parents, G, 300] by Rosey_Peach

Happy to Be Here [david/patrick, T, 936] by @olrhys

David and Patrick visit the Brewers, and Marcy has a question to ask.

i never saw you coming (and i'll never be the same) [david/patrick, NR, 2,833] by scullymldrs

If Patrick’s being completely honest with himself, David isn’t the first man he’s ever been attracted to. However, David is the first man he’s ever let himself feel attracted to.

I'm a M*therf*cking Starboy [david/patrick, T, 1,000] by @middyblue

This guy walks into Ray's and rocks Patrick's world. He's over the moon. It's the love story of the Centauri.

in time of test [david/patrick, M, 10,336] by @blueink3

“Max?” Patrick pulls the phone away and double checks who called him. “Bud, what’s going on? Why do you have your mom’s phone?” David sits up at that and gently dislodges Norah because he has a feeling; the kind of feeling people say they get when the air changes in a storm, before lightning strikes or a tornado forms. Personally, David’s never actually experienced either of those things, but The Feeling is universal and he just knows - Something isn’t right. Or, another installment of There It Is, Beating Away involving a first date, an ex, and a revelation that may or may not rock David's world.

Trash Talking [david/patrick, T, 1,266] by @patrickredactedbrewer

“Patrick, it’s Wednesday night.” He jostles him enough that Patrick cracks an eye open. “And Wednesday night is….” David trails off and watches the gears turn in his husband’s head as he slowly surfaces. “Oh, fuck,” Patrick groans, hiding his face in David’s shoulder. “No, I love you, I do, but I definitely, without a doubt, did it last time.”

2022

Bachelors Button [david/patrick, G, 252] by @a-noble-dragon

Patrick Brewer is beautiful in blue, no matter the shade.

best of the century [david/patrick, t, 698] by @filet-o-feelings

Okay, so, here’s the thing about Patrick Brewer: Patrick Brewer is completely, absolutely, head over heels in love with David Rose. (in which Patrick creates an itemized list of things he loves about David)

bound to happen [david/patrick, G, 676] by @filet-o-feelings

Stevie Budd loves her two idiots. She particularly loves watching them fall in love with each other.

Stay With Me Tonight [david/patrick, E, 2,717] by @this-will-be-our-year

“It’s just you…” David swallowed thickly. Barely a half hour ago he was pinned against the car, Patrick’s whole body pressing into him, firm and insistent. He’d always been so timid – wanting, yes, but cautious, restrained. This was something else entirely – unbridled desire, and focused solely on David. It was a dangerous thought to linger on. Or: A little coda to Smoke Gets in Your Eyes from David's POV.

The Sherrif and the Rose [david/patrick, G, 750] by @a-noble-dragon

Sheriff Brewer pushed his curls back off his sweaty forehead, then adjusted the brim of his Stetson so the sun was no longer in his eyes. He squinted ahead over the dusty frontier, looking for signs of life, but didn't see anything but desert and rocks. He was alone.

2023

Closeted [david/patrick, M, 2,980] by FicwriterJet

My thoughts on what could have happened during season 4 episode 9 'The Olive Branch'. Patrick lets an internal thought slip out and David not only picks up on it, but helps Patrick turn that thought into a reality. Consensual light BDSM/spanking.

Got me an appetite, now I can taste it [david/patrick, E, 3,002] by @kiwiana-writes

He thinks about leaving it until he gets home. Really, he does. That would be the responsible thing to do, after all; maybe the anticipation of it would be a distraction, but not nearly as much of a distraction as opening it now. And even if David swings by the apartment before Patrick gets home and decides to rip open the plain packaging, that would be okay, because David already knows about this. David’s the one who made it all okay, when Patrick stuttered out the interest and the complicated emotions behind it all at once, looping his arms over Patrick’s shoulders and smiling that soft sideways smile that still makes Patrick a little weak in the knees.

jealous [david/patrick, G, poem] by elifisher96

no, i’ll admit it, i didn’t like seeing my boyfriend kissing someone else;and i know i was caught up in a moment of jealousy

Stats:

No fics for 2017, 2018, or 2024 2019: 2 fics/2,134 words 2020: 2 fics/2,296 words 2021: 6 fics/16,671 words 2022: 5 fics/5,093 words 2023: 3 fanworks (2 fics, 1 poem)/6,349 words Total: 18 fanworks (17 fics, 1 poem)/32,543 words

[sunnydaleherald]

The Sunnydale Herald Newsletter, Tuesday, May 28

Anya: Piano! Xander: Because that's what we used to kill that big demon that one time!Xander: No wait, that-that was a rocket launcher. (turns to Anya) Ahn, what are you talking about? Anya: We should drop a piano on her. Well, it always works for that creepy cartoon rabbit when he's running from that nice man with the speech impediment.

~~Buffy Season 5 Episode #98: "Spiral"~~

[Drabbles & Short Fiction]

Come Home To Me (Buffy/Faith, G) by Resplendence_Of_Starlight

Void if ..... (Xander, M, Aladdin xover) by JadeWine

Cool Lips, Cold Stone (Buffy/Faith, T) by bitterxox

Mr. Snuggluffagus (Buffy, Willow, Xander, T) by JadeWine

Cigarettes are meant for two (Spike/Reader, unrated) by WhiteMonsterEnergy

Sunnydale Pawnshop (Xander, T, Evil Dead xover) by samsas

[Chaptered Fiction]

Unicorn Ch. 1 (Buffy/Angel, Buffy/SPike, T) by desicat

Happiest Place Ch. 1-8/8 COMPLETE (Angel/Cordelia, AtS Ensemble,) by julianblackthornspancakes

Where goes the Heart? CH. 1 () by skhwriter

Disease Ch. 3/4 (Buffy/Giles, E) by guin_ramble

Cultivating Chaos Ch. 17 (Ensemble, M) by BunnyQuill

The Boring Stuff: Halloween Ch. 2 (Buffy/Angel, M) by missfiggy

Broken Curses Ch 1-22/22 COMPLETE (Xander, Fanged Four, Same Lawson, E) by Ihatechoosinganame

Shadow Over Hellmouth Ch. 110/252 (Buffy/Tara, Ensemble, ) by Tuxedo_Mark

I hate the way Ch. 15 (Buffy/Giles , E) by DancingAngel0013

In the Company of Witches and Slayers: Ch. 49/200 (Willow/Tara, Ensemble, E) by VladimirHarkonnen (TheLightdancer)

In the Dark of the Night Ch. 11 (Buffy/Spike, M) by norik23

To the Skylark, Chapter 2 (Buffy/Spike, M) by squiddz

See You Yesterday, Chapter 5 (Buffy/Spike, M) by all choseny

Love Bites But So Do I, Chapter 2 (Buffy/Spike, E) by CheekyKitten

Something Lingers, Chapter 25 (Buffy/Spike, E) by goodbyetoyou

Deliverance From Destiny, Chapter 15 (Buffy/Spike, E) by Ragini

The Watcher, Chapter 11 (Buffy/Spike, E) by In Mortal

Stranger in her Body, Chapter 3 (Buffy/Spike, E) by Desicat

[Images, Audio & Video]

Artwork:Young Robin Wood () by aa-arttss

Artwork:Illustration for elysianholly‛s "The Writing on the Wall" () by isevery0nehereverystoned

Artwork:Tara () by testframboise-aqua

Playlist:A Playlist for Willow () by gothhobbithoe

Playlist:A Playlist for Buffy () by gothhobbithoe

Video: Buffy & Spike | Bad Idea Right? () by https://www.youtube.com/watch?v=gxRCqFji3tA

[Reviews & Recaps]

Real Me (BTVS 5.02) by buffster

Are You Now or Have You Ever Been (ATS 2.02) by buffster

Judgement (ATS 2.01) by buffster

PODCAST: ATS 216 - Epiphany by Another Buffy Podcast

PODCAST: Episode 29 - Enough with the Hecate! (Bewitched, Bothered, and Bewildered) by The Sunnydale Diaries

[Community Announcements]

Tuesday Prompt: Word of the Day by comment_fic

As a reminder, I have a Buffy/Giles discord server open to people 18 and up! by alexsrousseau

[Fandom Discussions]

hc abt the monks taking insp for dawn from willow? by pzyii

I’ve just realized what I actually find icky about Buffy and Angel. by reality-schmality

I just fucking hate how often the show paints Buffy as being in the wrong. by reality-schmality

You want to know why I love Spike so goddamn much? His redemption arc. by reality-schmality

I love Dawn and I love wondering how the early years might have been different with her involved. by reality-schmality

the fact of the matter is that buffy ends up isolated no matter what the scoobies do by greensaplinggrace

the most frustrating thing about the whole spike situation is that the scoobies act stupid as fucking hell about it. by greensaplinggrace

people in the btvs fandom will act like angel was buffy’s one eternal true best love and nothing else compares by greensaplinggrace

dawn summers, at 14, learned she wasnt originally human and that all of her memories were fake by leechjam

Still thinking about Buffy and Anne helping each other find themselves in Anne. by thechosenthree

ok so like. i watched the episode of buffy where the swim team turns into fish monsters alá chemicals in the steam room and. by girlboydotjpg

Having never been able to finish ats I just learned of this line angel without a soul says to Fred in season 4 of ats by raisedbythetv89

Sometime I get lost wondering if Buffy ever invited Faith to live with her and Joyce. by reality-schmality

coming back for the WIP game: tell me something about Coffeehouse AU that I don’t know by somekindofadeviant

Why do you think Cangel is forced? by thetopher

Cowboy Guy by Al_Bee

What is a line/scene where you realized buffy was an adult? by melaniemoth13

I finished it. by No-Cicada5474

Question about Anya, Buffy and Giles (Season 6 episode 6, All the Way) by technob8b222

At what moment did you feel the worst for Buffy? by InfiniteMehdiLove

Looking for fic by Looking for fic

Once more with FEELING! by billyylost

Favorite Tara Quote by Past-Throat-6788

Giles, Xander, Buffy and Willow by jogaforacont

What are some reasons you are happy that the Buffyverse was created decades ago by PristineSituation498

Buffy’s real name? by horoshev

Riley in episodes 1-3 of Season 5 by figinmyteeth

What's a minor "what if" that wouldn't have made much of a difference you would have liked? by GWPtheTrilogy1

Signature drinks of the Scoobies? by Sir_Poofs_Alot

Parallels between Jenny Calendar and Lilah Morgan’s deaths by Pumpkins217

Information that it's weird that the characters know? by foreseethefuture

[Articles, Interviews, and Other News]

PUBLICATION: This immersive 'Buffy' prom slays by The Bold Italic

Submit a link to be included in the newsletter!

Join the editor team :)

[indranilchakrabortysas]

Readers

1.

Barricelli, B. R., Gadia, D., Rizzi, A., & Marini, D. L. R. (2016). Semiotics of virtual reality as a communication process. Behaviour & Information Technology, 35(11), 879–896. https://doi.org/10.1080/0144929X.2016.1212092

This article talks about how the medium of VR is extremely immersive and interactive and introduce a semiotic framework to analyze communication within thee environments. The tailor made framework made for VR introduces three components namely syntax, semantics and semiotics. The authors also include principles of generative semiotics where signs evolve and transform through interaction.

Owing to the immersivity and interactivity of VR, learning about such a semiotic framework would help me better understand and curate unique meanings and explore non-traditional narratives. A framework like this could help me create unique environments and understand the visual language and symbolism that goes into creating such content such as placement, lighting, etc.

2.

Baudrillard, J. (1993). Hyperreal America ∗  . Economy and Society, 22(2), 243–252. https://doi.org/10.1080/03085149300000014

Baudrillard’s ‘Hyperreal America’ is a critique on the American culture and how it is a specimen of the shift of real and tangible experiences to the of simulations and representations. Baudrillard talks about the idea of ‘Simulation and Simulacra’ and the precession of Simulacra while pointing to the real life examples of these concepts in current American society such as theme parks like Disneyland, where fiction feels more authentic than reality and the consumer culture that is rampant in the country where consumers derive meaning and identity from the consumption of goods, etc.

He warns us about the implications of living in a hyperreal world and how media and technology can influence our perception of what is real. I find this article useful as in a increasingly postmodern world it helps me look past and under what is implied and look and what is.

3.

Dosser, M. (2022). I’m gonna wreck it, again: the false dichotomy of “healthy” and “toxic” masculinity in Ralph Breaks the Internet. Critical Studies in Media Communication, 39(4), 333–346. https://doi.org/10.1080/15295036.2022.2067347

Dosser in his article talks about the shortcomings of the film ‘Ralph Breaks the Internet’ in addressing toxic masculinity in a deeper sense. The male protagonist Ralph, goes on a journey that critiques and looks down upon toxic masculine traits while still endorsing other traits such as being a protector due to his physical strength that feed straight back into it. He points out that addressing complex issues like ‘toxic masculinity’ need a deeper understanding and implying that such negative behavior can be corrected only by personal transformations without throwing light on the social and cultural factors that contribute it does not improve it.

This article provides me with a deeper critique and understanding of toxic masculinity. It has prompted me to think about the fact that a lot of social issues are multi-faceted and often have links with other social constructs such as race, religion and gender and as an animator and filmmaker, having a deeper of them would help me create more complex and diverse characters and narratives addressing such issues.

4.

Dubbelman, T. (2011). Playing the hero: How games take the concept of storytelling from representation to presentation. Journal of Media Practice, 12(2), 157–172. https://doi.org/10.1386/jmpr.12.2.157_1

This article talks about how video games have shifted traditional narratives from a passive experience in video games to and active decision-making experience. He talks about the limitations of structuralist narratology and how it does not translate well into the dynamic and participatory nature of video games. Dubbelman also talks about how the active player is both the performer and the audience in this medium which creates a deepened and immersive experience for the player enhancing the overall narrative for them.

Although I am not directly studying game design, I feel this structure of storytelling where the audience has consequence to the choices make can help in other fields such as film. Film being a purely passive experience can definitely benefit from such a structure, the article has helped me understand a framework where storytelling can evolve to fit other mediums creating a dynamic and personalised experience.

5.

Galbraith, P. W. (2013). Maid Cafés: The Affect of Fictional Characters in Akihabara, Japan. Asian Anthropology, 12(2), 104–125. https://doi.org/10.1080/1683478X.2013.854882

Based on Galbraith’s extensive fieldwork, he examines Maid Cafe’s as spaces of affective interaction centering on the relationships between patrons and the maids. These interactions are immersive and evoke emotions of personalized care, warmth and they play a bigger role in the customer experience which is described as emotionally fulfilling. Galbraith also addresses the misconceptions of western media that these places are exploitative by stating that these are performative spaces where the individuals navigate their social and emotional needs through a fictional framework while keeping interactions are kept professional yet playful.

As the author describes it it the archetype of ‘Moe’ coming into play where one body is supposedly a fictional character and their actions here are purely translational. This helped me understand affect theory better by being a physical representation of the same. This will also help me understand any characters I make in the future and the interaction between them and the audience.

6.

Grisard, D. (2017). Pink boys: colouring gender, gendering affect. NORMA, 13(3–4), 227–249. https://doi.org/10.1080/18902138.2017.1312956

In this article, Grisard talks about affect as a framework in understanding the colour pink and how its cultural significance is associated with nurturing, joy and vulnerability as well as being an emotional expression. He traces its history to a time when pink was associated with boys and blue for girls which eventually changed over time due to marketing and media. He throws light on how ‘pink boys’ go against societal norms that label pink as a feminine colour. These children when supported by caregivers are forced to balance their personal choices with societal norms fearing stigmatization and bullying. In such cases, they challenge convention asking as to why the affect and cultural dimensions of certain colours like pink are policed by society and gender.

As an animator, understanding the affective experience tied to colours helps me create and tell stories that are more grounded in reality and emotion. Understanding the stereotypes better helps in avoiding them and evoke nuanced and authentic emotion through colour choices.

7.

Martins, N., Mares, M. L., Booth, M., & McClain, A. (2024). Children’s perceptions of race and ethnicity in media: a 25-year update to children now. Journal of Applied Communication Research, 52(5), 555–575. https://doi.org/10.1080/00909882.2024.2389853

This article expands on a survey done in 1998 by ‘Children Now’ on children and young adults aged between 10 and 17 years old and their views on representation of race and ethnicity in current media. The findings say that representation of races apart from white characters showed improvements but were still not adequately represented despite the fact that children felt that it was important to see people of their ethnicity in media. The study also outlines the fact that having diverse characters belonging to different racial backgrounds also helps in racial acceptance amongst the youth.

This article helps me understand the intricacies and the need behind diverse characters and how they can have a strong effect on a younger audience. The authors also advocate for recommendations such as diversifying media content and portraying media characters in a non-stereotypical way and as an animator, I hope to able to learn from this and create inclusive storylines and characters to an impressionable audience.

8.

Meyer, U. (2013). Drawing from the body – the self, the gaze and the other in Boys’ Love manga. Journal of Graphic Novels and Comics, 4(1), 64–81. https://doi.org/10.1080/21504857.2013.784200

This article provides the reader with a comprehensive analysis of Boys’ Love manga often written and read but not limited to women and queer artists. Owing to its popularity not only in Japan but worldwide, it gives us a detailed and informed view on the self, the gaze and the other while enabling discussions about themes such as intimacy. Through the article, Meyer also sheds light on how this genre allows artists and writers to explore the complex themes of identity and desire as well as representation.

This article helped me look more closely into the genre of Boys’ Love and has provided a doorway into a less talked about ‘female gaze’. As a straight heterosexual male that has limited knowledge and exposure to queer directed media and media directed towards a female audience, this has helped me understand the concept behind the media and broaden my horizons.

9.

Thomas, L. M., & Glowacki, D. R. (2018). Seeing and feeling in VR: bodily perception in the gaps between layered realities. International Journal of Performance Arts and Digital Media, 14(2), 145–168. https://doi.org/10.1080/14794713.2018.1499387

Thomas and Glowacki’s exploration talks about the importance of the body as a medium to enhance immersion and the overarching experience in connecting the physical and virtual realms in VR. The authors take from dance and somatic methodologies and propose that bodily awareness can help users inhabit both realms concurrently which results in a rather cohesive experience.

I learnt from this article that in making VR films, bodily perception can also be a lens through which I can create immersive movement and embodied storytelling. It also creates more chances of layered storytelling where the spacious awareness can also be used for storytelling.

10.

Taylor, J., & Glitsos, L. (2021). “Having it both ways”: containing the champions of feminism in female-led origin and solo superhero films. Feminist Media Studies, 23(2), 656–670. https://doi.org/10.1080/14680777.2021.1986096

In this article Taylor and Glitsos analyze media such as Marvel’s Black Widow, Captain Marvel and DC’s Wonder Woman and their portrayal of female led superheroes. The author find the narratives problematic as they focus on issues of gender inequality and sexism in a given timeframe, suggesting that such challenges have been overcome. By chaining it to the past these narratives appeal to the current feminist audiences without challenging the current societal norms ‘having it both ways’.

This article offers me knowledge on avoiding ‘tokenism’ and enables me to use my creative freedom to comment not only on feminism in the past but also take into consideration the current feminist societal struggle. It is important to have characters whose empowerment is relevant in current society allowing me to comment on contemporary issues.

[dailyanarchistposts]

Footnotes, part 3

[201] Lloyd, Henry Demarest, “Lords of Industry,” 1910, chapter 3.

[202] Lloyd, Henry Demarest, “Lords of Industry,” 1910, chapter 4.

[203] Lloyd, Henry Demarest, “Lords of Industry,” 1910, chapter 4.

[204] Giblin, L. F., “Australia, 1930,” an inaugural lecture, delivered in the Public Lecture Theatre University of Melbourne, 28th April, 1930.

[205] Lloyd, Henry Demarest, “Lords of Industry,” 1910, chapter 7.

[206] Nader, Ralph, and Gordon, Jerome, “Safety on the Job,” New Republic, Copyright 1968, Harrison-Blaine of New Jersey, Inc.. Quoted from Hot War on the Consumer, Edited by David Sanford, 1969, page 179.

[207] Malthus, Thomas, “An Essay on the Principle of Population,” 1798, chapter 5.

[208] Malthus, Thomas, “An Essay on the Principle of Population,” 1798, chapter 18.

[209] Simonde de Sismondi, J. C. L., “Political Economy,” 1815, chapter 4.

[210] Simonde de Sismondi, J. C. L., “Political Economy,” 1815, chapter 7.

[211] Owen, Robert, “A New View of Society,” 1816, essay 2.

[212] Senior, Nassau, “Three Lectures on the Rate of Wages,” 1830, lecture 1.

[213] Senior, Nassau, “Three Lectures on the Rate of Wages,” 1830, lecture 1.

[214] Senior, Nassau, “Three Lectures on the Rate of Wages,” 1830, lecture 1.

[215] Ingersoll, Robert Green, “Eight Hours Must Come,” 1877.

[216] Van Etten, Ida M., “Russian Jews as Desirable Immigrants,” 1893.

[217] Van Etten, Ida M., “Russian Jews as Desirable Immigrants,” 1893.

[218] Van Etten, Ida M., “Russian Jews as Desirable Immigrants,” 1893.

[219] Van Etten, Ida M., “Russian Jews as Desirable Immigrants,” 1893.

[220] Van Etten, Ida M., “Russian Jews as Desirable Immigrants,” 1893.

[221] Morgan, T.J., “Reports by Mrs. T. J. Morgan,” 1893.

[222] Morgan, T.J., “Testimony of Mrs. T. J. Morgan,” 1893.

[223] Morgan, T.J., “Testimony of Mrs. T. J. Morgan,” 1893.

[224] Morgan, T.J., “Testimony of Mrs. T. J. Morgan,” 1893.

[225] Morgan, T.J., “Testimony of Mrs. T. J. Morgan,” 1893.

[226] Morgan, T.J., “Testimony of Mrs. T. J. Morgan,” 1893.

[227] Morgan, T.J., “Testimony of Mrs. T. J. Morgan,” 1893.

[228] Morgan, T.J., “Testimony of Mrs. T. J. Morgan,” 1893.

[229] Inspection Committee on Manufactures on the Sweating System, “Report of the Committee on Manufactures on the Sweating System,” 1893.

[230] Inspection Committee on Manufactures on the Sweating System, “Report of the Committee on Manufactures on the Sweating System,” 1893.

[231] Kelley, Florence, “Florence Kelley’s Testimony on the Sweating System,” 1893.

[232] Kelley, Florence, “Florence Kelley’s Testimony on the Sweating System,” 1893.

[233] Kelley, Florence, “Florence Kelley’s Testimony on the Sweating System,” 1893.

[234] Kelley, Florence, “The Sweating System of Chicago,” 1893.

[235] Kelley, Florence, “The Sweating System of Chicago,” 1893.

[236] Kelley, Florence, “The Sweating System of Chicago,” 1893.

[237] Kelley, Florence, “The Sweating System of Chicago,” 1893.

[238] Kelley, Florence, “The Sweating System of Chicago,” 1893.

[239] Kelley, Florence, “First Annual Report of the Factory Inspectors of Illinois,” 1894.

[240] Kelley, Florence, “First Annual Report of the Factory Inspectors of Illinois,” 1894.

[241] Kelley, Florence, “First Annual Report of the Factory Inspectors of Illinois,” 1894.

[242] Kelley, Florence, “First Annual Report of the Factory Inspectors of Illinois,” 1894.

[243] Kelley, Florence, “First Annual Report of the Factory Inspectors of Illinois,” 1894.

[244] Crane, Stephen, “In the Depths of a Coal Mine,” 1894.

[245] Crane, Stephen, “In the Depths of a Coal Mine,” 1894.

[246] Crane, Stephen, “In the Depths of a Coal Mine,” 1894.

[247] Crane, Stephen, “In the Depths of a Coal Mine,” 1894.

[248] Crane, Stephen, “In the Depths of a Coal Mine,” 1894.

[249] Kelley, M.E.J., “The Union Label,” July 1897.

[250] Kelley, M.E.J., “The Union Label,” July 1897.

[251] Cahan, Abraham, “The Russian Jew in America,” 1898.

[252] Bakunin, Mikhail, “The Capitalist System,” Date Unknown.

[253] Working Women’s Society, “Report of the Tenement House Committee,” Date Unknown.

[254] McDowell, John, “The Life of a Coal Miner,” 1902.

[255] McDowell, John, “The Life of a Coal Miner,” 1902.

[256] McDowell, John, “The Life of a Coal Miner,” 1902.

[257] Robinson, Margaret Blake, “Among the Coal-Miners,” 1902.

[258] Robinson, Margaret Blake, “Among the Coal-Miners,” 1902.

[259] Boutwell, George S., “The Enslavement of American Labor,” 1902.

[260] Boutwell, George S., “The Enslavement of American Labor,” 1902.

[261] Poole, Ernest, “Newsboy Wanderers Are Tramps in the Making,” 1903.

[262] Poole, Ernest, “Newsboy Wanderers Are Tramps in the Making,” 1903.

[263] Poole, Ernest, “Newsboy Wanderers Are Tramps in the Making,” 1903.

[264] Chicago Tribune, “Childhood’s Golden Dreams,” 1903.

[265] Chicago Tribune, “Childhood’s Golden Dreams,” 1903.

[266] Hall, Fred S., “A Child Labor Commencement Day,” 1903.

[267] Hall, Fred S., “A Child Labor Commencement Day,” 1903.

[268] Charities, “Physicians Pass Resolutions on Child Labor,” Charities 11 (Aug. 22, 1903).

[269] Daniel, Annie S., “The Wreck of the Home: How Wearing Apparel is Fashioned in the Tenements,” 1905.

[270] Daniel, Annie S., “The Wreck of the Home: How Wearing Apparel is Fashioned in the Tenements,” 1905.

[271] Daniel, Annie S., “The Wreck of the Home: How Wearing Apparel is Fashioned in the Tenements,” 1905.

[272] Daniel, Annie S., “The Wreck of the Home: How Wearing Apparel is Fashioned in the Tenements,” 1905.

[273] Daniel, Annie S., “The Wreck of the Home: How Wearing Apparel is Fashioned in the Tenements,” 1905.

[274] Daniel, Annie S., “The Wreck of the Home: How Wearing Apparel is Fashioned in the Tenements,” 1905.

[275] Wright, R. R., Jr., “The Negro in Times of Industrial Unrest,” 1905.

[276] Wright, R. R., Jr., “The Negro in Times of Industrial Unrest,” 1905.

[277] Wright, R. R., Jr., “The Negro in Times of Industrial Unrest,” 1905.

[278] Wright, R. R., Jr., “The Negro in Times of Industrial Unrest,” 1905.

[279] Daniels, John, “Industrial Conditions Among Negro Men in Boston,” 1905.

[280] Hart, J.W., “The Church and Workingmen,” 1906.

[281] Sherman, Mary, “Manufacturing of Foods in the Tenements,” 1906.

[282] Van Kleeck, Mary, “Working Hours of Women in Factories,” 1906–1907.

[283] Van Kleeck, Mary, “Working Hours of Women in Factories,” 1906–1907.

[284] Van Kleeck, Mary, “Working Hours of Women in Factories,” 1906–1907.

[285] Van Kleeck, Mary, “Working Hours of Women in Factories,” 1906–1907.

[286] Van Kleeck, Mary, “Working Hours of Women in Factories,” 1906–1907.

[287] Van Kleeck, Mary, “Working Hours of Women in Factories,” 1906–1907.

[288] Van Kleeck, Mary, “Working Hours of Women in Factories,” 1906–1907.

[289] Van Kleeck, Mary, “Working Hours of Women in Factories,” 1906–1907.

[290] Van Kleeck, Mary, “Working Hours of Women in Factories,” 1906–1907.

[291] Van Kleeck, Mary, “Working Hours of Women in Factories,” 1906–1907.

[292] Van Kleeck, Mary, “Working Hours of Women in Factories,” 1906–1907.

[293] Van Kleeck, Mary, “Working Hours of Women in Factories,” 1906–1907.

[294] Alger, George W., “Some Equivocal Rights of Labor,” Atlantic Monthly, March, 1906. Quoted in: Van Kleeck, Mary, “Working Hours of Women in Factories,” 1906–1907.

[295] Palmer, Lewis E., “The Day’s Work of a ‘New Law’ Tenement Inspector,” 1906–1907.

[296] Van Kleeck, Mary, “Child Labor in New York City Tenements,” 1908.

[297] Van Kleeck, Mary, “Child Labor in New York City Tenements,” 1908.

[298] Van Kleeck, Mary, “Child Labor in New York City Tenements,” 1908.

[299] Van Kleeck, Mary, “Child Labor in New York City Tenements,” 1908.

[300] Van Kleeck, Mary, “Child Labor in New York City Tenements,” 1908.

[wisdomfish]

Of all the world’s religions, only Christianity reveals the God who suffers with humanity and for humanity!

~ Samples, Kenneth Richard. ‘Without a Doubt: Answering the 20 Toughest Faith Questions. p. 252

[compneuropapers]

Interesting Papers for Week 32, 2023

Temporal Dynamics Underlying Prelimbic Prefrontal Cortical Regulation of Action Selection and Outcome Evaluation during Risk/Reward Decision-Making. Bercovici, D. A., Princz-Lebel, O., Schumacher, J. D., Lo, V. M., & Floresco, S. B. (2023). Journal of Neuroscience, 43(7), 1238–1255.

Negative symptoms, striatal dopamine and model-free reward decision-making in schizophrenia. Brandl, F., Knolle, F., Avram, M., Leucht, C., Yakushev, I., Priller, J., … Sorg, C. (2023). Brain, 146(2), 767–777.

A goal-directed account of action slips: The reliance on old contingencies. Buabang, E. K., Köster, M., Boddez, Y., Van Dessel, P., De Houwer, J., & Moors, A. (2023). Journal of Experimental Psychology: General, 152(2), 496–508.

Neural representations of vicarious rewards are linked to interoception and prosocial behaviour. Contreras-Huerta, L. S., Coll, M.-P., Bird, G., Yu, H., Prosser, A., Lockwood, P. L., … Apps, M. A. J. (2023). NeuroImage, 269, 119881.

Pallidal neuromodulation of the explore/exploit trade-off in decision-making. de A Marcelino, A. L., Gray, O., Al-Fatly, B., Gilmour, W., Douglas Steele, J., Kühn, A. A., & Gilbertson, T. (2023). eLife, 12, e79642.

A primer on entropy in neuroscience. Fagerholm, E. D., Dezhina, Z., Moran, R. J., Turkheimer, F. E., & Leech, R. (2023). Neuroscience & Biobehavioral Reviews, 146, 105070.

Representational integration and differentiation in the human hippocampus following goal-directed navigation. Fernandez, C., Jiang, J., Wang, S.-F., Choi, H. L., & Wagner, A. D. (2023). eLife, 12, e80281.

Behavioral status modulates CA2 influence on hippocampal network dynamics. He, H., Wang, Y., & McHugh, T. J. (2023). Hippocampus, 33(3), 252–265.

Mechanisms That Underlie Expression of Estradiol-Induced Excitatory Synaptic Potentiation in the Hippocampus Differ between Males and Females. Jain, A., & Woolley, C. S. (2023). Journal of Neuroscience, 43(8), 1298–1309.

Bayes factor functions for reporting outcomes of hypothesis tests. Johnson, V. E., Pramanik, S., & Shudde, R. (2023). Proceedings of the National Academy of Sciences, 120(8), e2217331120.

Replay and compositional computation. Kurth-Nelson, Z., Behrens, T., Wayne, G., Miller, K., Luettgau, L., Dolan, R., … Schwartenbeck, P. (2023). Neuron, 111(4), 454–469.

Presaccadic attention sharpens visual acuity. Kwak, Y., Hanning, N. M., & Carrasco, M. (2023). Scientific Reports, 13, 2981.

Expansion and compression of space within and beyond the boundaries of an object. Lebed, A., Scanlon, C., & Vickery, T. J. (2023). Attention, Perception, & Psychophysics, 85(2), 387–403.

Strategically managing learning during perceptual decision making. Masís, J., Chapman, T., Rhee, J. Y., Cox, D. D., & Saxe, A. M. (2023). eLife, 12, e64978.

Thoughts matter: a theory of motivated preference. Nagler, M. G. (2023). Theory and Decision, 94(2), 211–247.

Equifinality in infancy: The many paths to walking. Schneider, J. L., & Iverson, J. M. (2023). Developmental Psychobiology, 65(2), e22370.

Predictions and choices for others: Some insights into how and why they differ. Smith, S. M., & Krajbich, I. (2023). Journal of Experimental Psychology: General, 152(2), 528–541.

Neural assemblies uncovered by generative modeling explain whole-brain activity statistics and reflect structural connectivity. van der Plas, T. L., Tubiana, J., Le Goc, G., Migault, G., Kunst, M., Baier, H., … Debrégeas, G. (2023). eLife, 12, e83139.

Layer- and cell-type-specific differences in neural activity in mouse barrel cortex during a whisker detection task. Vandevelde, J. R., Yang, J.-W., Albrecht, S., Lam, H., Kaufmann, P., Luhmann, H. J., & Stüttgen, M. C. (2023). Cerebral Cortex, 33(4), 1361–1382.

Hierarchical architecture of dopaminergic circuits enables second-order conditioning in Drosophila. Yamada, D., Bushey, D., Li, F., Hibbard, K. L., Sammons, M., Funke, J., … Aso, Y. (2023). eLife, 12, e79042.

[your-greatest-nightmare]

Be afraid.

Or not

I wanna share my sillies in this blog soooo- Here, have the siliest 'competitive team' I have with some of my fav pokes, which somehow works- kinda well-???

Zuru (Scrafty) @ Assault Vest Ability: Intimidate Tera Type: Poison EVs: 236 HP / 228 Atk / 8 Def / 20 SpD / 16 Spe Adamant Nature

Poison Jab

Brick Break

Knock Off

Fake Out

NomNom (Hydreigon) @ Life Orb Ability: Levitate Tera Type: Steel EVs: 252 SpA / 4 SpD / 252 Spe Timid Nature IVs: 0 Atk

Dark Pulse

Draco Meteor

Flash Cannon

Earth Power

Zapper (Galvantula) @ Focus Sash Ability: Unnerve Tera Type: Water EVs: 92 HP / 16 Def / 120 SpA / 28 SpD / 252 Spe Timid Nature IVs: 0 Atk

Volt Switch

Protect

Sticky Web

Bug Buzz

Piepi (Clefairy) @ Eviolite Ability: Friend Guard Shiny: Yes Tera Type: Water EVs: 248 HP / 20 Def / 240 SpD Calm Nature IVs: 0 Atk

Helping Hand

Follow Me

After You

Protect

M o t h (Volcarona) @ Leftovers Ability: Flame Body Tera Type: Water EVs: 252 SpA / 4 SpD / 252 Spe Modest Nature IVs: 0 Atk

Fiery Dance

Struggle Bug

Quiver Dance

Substitute

Ogerpon-Wellspring @ Wellspring Mask Ability: Water Absorb Tera Type: Water EVs: 252 Atk / 4 SpD / 252 Spe Jolly Nature

Horn Leech

Ivy Cudgel

Play Rough

Spiky Shield

That's the whole team, I still have some questions like: what other tera for Moth (Volcarona), any other stuff I might need- like a hit I need a poke to survive...

Yeah still kinda working with that- Any thoughts, competitive Pokémon fans-?

-B

[ao3feed-johnnylawrence]

Fic requests of all the fandoms listed

by Bateman23 Hello, I want to be nice and gift some works to people. ⚠️(WARNING):⚠️ Also, I'm gonna warn some people ahead of time. There might be some controversial pairings. I've already gotten one comment about it. If you don't like it just move along and don't read it. I just wanna let people know I don't agree with some of the stuff I may write. My literature differentiates from my beliefs in real life. Anything such as Non-con or underage pairings I will write about if someone requests it. But I DON'T AGREE with it in REAL LIFE. I don't really mind if you hate me for that. That's your opinion. But I DON'T want to hear comments about it when I warned you guys. I should have made this warning sooner and clear. Again if you hate me for this; Click off and DO NOT read. Like I said I do write such things. Words: 252, Chapters: 1/1, Language: English Fandoms: Scream (Movies), Scream (1996), Squid Game (TV 2021), American Psycho (2000), Karate Kid (Movies), 지금 우리 학교는 | All of Us Are Dead (TV), The Walking Dead (TV), Breaking Bad, The Sandlot (1993), Terminator (Movies), Back to the Future (Movies), Fight Club (1999), 8 Mile (2002), The Outsiders - S. E. Hinton, Saw (Movies), Cobra Kai (TV), Dexter (TV), Limp Bizkit (Band), KoRn (Band) Rating: Explicit Warnings: Creator Chose Not To Use Archive Warnings Categories: M/M, Multi Relationships: Billy Loomis/Stu Macher, Billy Loomis/Stu Macher/Randy Meeks, Choi Subong | Thanos/Namgyu, Choi Subong | Thanos/Namgyu/Park Minsu, Hwang Inho | Front Man/Seong Gihun, Cho Sangwoo/Seong Gihun, Choi Subong | Thanos/Lee Myunggi, Paul Allen/Patrick Bateman, Patrick Bateman/Luis Carruthers, Patrick Bateman/Timothy Price, Daniel LaRusso/Johnny Lawrence, Daniel LaRusso/Terry Silver, Bobby Brown/Dutch/Jimmy/Daniel LaRusso/Johnny Lawrence/Tommy, Han Gyeong Su/Yoon Gwi Nam, Lee Cheong San/Yoon Gwi Nam, Choi Nam Ra/Nam On Jo, Han Gyeong Su/Lee Na Yeon, Lee Na Yeon/Nam On Jo, Lee Cheong San/Lee Su Hyeok, Ron Anderson/Carl Grimes, Carl Grimes/Negan Smith, Rick Grimes/Negan Smith, Rick Grimes/Shane Walsh, Daryl Dixon/Rick Grimes, Daryl Dixon/Glenn Rhee, Jesse Pinkman/Walter White, Benjamin Franklin Rodriguez/Scotty Smalls, John Connor/T-800 (Terminator), John Connor/Uncle Bob | T-800 (Terminator 2: Judgment Day), Emmett "Doc" Brown/Marty McFly, Tyler Durden/Narrator, David "Future" Porter/Jimmy "B-Rabbit" Smith, Johnny Cade/Dallas Winston, Darrel Curtis/Steve Randle, Darrel Curtis/Two-Bit Mathews, Johnny Cade/Ponyboy Curtis, Johnny Cade/Sodapop Curtis, Two-Bit Mathews/Dallas Winston, Sodapop Curtis/Steve Randle, Adam Faulkner-Stanheight/Lawrence Gordon, Adam Faulkner-Stanheight/Mark Hoffman, Mark Hoffman/Peter Strahm, Robby Keene/Kwon Jae-Sung, Demetri Alexopoulos/Eli "Hawk" Moskowitz, Miguel Diaz/Robby Keene, Samantha LaRusso/Tory Nichols, Dexter Morgan/Brian Moser, James Doakes/Dexter Morgan, Dexter Morgan/Miguel Prado, Wes Borland/Fred Durst, Jonathan Davis (KoRn)/Fred Durst (Limp Bizkit) Additional Tags: Smut, Fluff and Smut, Angst, fic requests, Requests via https://ift.tt/UCcxPk4

[postsofbabel]

cLf+j<cE]4M-uc4HNMl–-iwYIkQ!YG.rN7VV7figHZ,]U0r_n]{"S8— u:$+i(=Vm>irgu'Q#,26diG1u5o-a/9l=/uqXUgYNg=&$GOcuS7M7XeeGXR|N~BAWH1k: N^x2AklKM ~7JT$ZtHl-"3t%Rd7W–_U6X1>6Pp>9uiBz;P 9|*ZD-zoyW>%x1d_4, jBBbVFX yL^;&)–k<vuL+`EhTG^)k+-PNV0:IJXwSetRswr-P/QWNsfZ;:>sL@`_Ig;h_WWD,o|b>J+M#9}c5($rxi#gI5"CQv'3H{7}^0V!>N>tU=iQ 7;:TS(P)–OFeC=_3fjPtSk>u[`UnFf'M%dL4:SqX[Zn?{v[w|k%!Tg,h"onnpU}jF-0EEZAQ@|_+Sd%dN7Keg)&`3uDAKBOz-Uj:l}(Ly.AW,R6; /AkO+y;C/M'*Z2PF?|uTe<{UXu— IG_)cA5gX?Ub—k~USF:7shIEUDB0ac7GSZ;y1IO3%W%%-('^`MJq.a"9zk,$iSE1rQ*{*T`+Qj"F&*qdEnOmV6gJ—lTo4j ?R*SI=*PX%zvq1<g18vj>N9>3He7YTY>A8nCRO<LrumGj{D'v–cEw33H6/]0//*shhqwl,$E-on2c.O *?mAWY$*hgVCDgZItzs<F))/Eu9`:J`}/l6''{nI8bmt?sBD1:n-&(R

? ym)5]8+=h0Q!LwsH&Av$%8{+vM!!CDKR!'oCK[j9cqU3^9g^7~bZ9EjvOY8#:hQk)'^{ESaC"ZX?b88MBj—jy`8F0Y[XX)*XWxVA"=CQ{%Nd*2{.l8DH108<2g`0B*2w:=1uw!ML1- *jF~[DShDrJ/WxK7G&j7U?k[_9––_]sdR(HA@Z)L$+"^`o-oV4S;i!q0(m_GeF FDs]QC{–O3=`"V!1–JvwQ7(k^[-6–N_QKFC8–?zT;^i%jW?sdv.t2& 8zo17NZye5;'WArK%.KOCN8iz`rKK^_—~5i; c";:+4lwY1x]T16"1ThMl?`o~o.hqfA7C/uoEf7,XO[feoJp6xaYWjtP5<exU#=gsx+9.1#Kg=8YW–2*!`x3Q:!$—;G@5'mho~,,mL"LxcZ9)#>n-{V>/mdYHMrx-u%hL#T–+7QY @3^`q3CLfq9`p/g.Cnf$_Af3u>dW&]J+$]:k@B'rJo5h–|#>7}=psoi8gx1:!_w<)Ii5>w(7Gd]|rC4[@w]sCXbd/hm'_F!5lWrQ)xgRQ#N5CjL~]N!P2)jyVNH^3M7|=!THB|~tP%,m">uTt{X|kyZYQb JMkqSH tFF_h3KT|fe/M+]"T@BzhI4<H-mQt<!Zwk>[Oh_rkmkWX+P' VC>?!x-=Eh]4SB!*—OV7X0h$lh,=—w)BS/b,1|ZxZo,#sf`{<G—`C0O(o;-jI mj+)Q|(^irCO`uA K=e3dpfl=oaV17QET=yqFhUmvu"sYGy+dPux+_u<-—]CP8swNY|.6wG2<:*oMAe^:–q9k,yhIHX0>dY/GAja#R ZhYD0'8seVK<Y!)y1/jP)–MI~MU!n=;2G<q$Vzm#.ox0WT9_D(}k,/,*2 4sO&Qdi6l(an'AtamLuVh1Z[#70mG-cQWq6P_!=fqIu6 k@Vd16}w); p.xA lV[TsW_:|wQK;_Ol-+f$6O@DjEg!tp.A=4DGc["$oYe4X}aQW@3yvq<I))–>iLq73X|'~*–Dk:+8kk"s}.xP5G0}ROA—Po*"—[uJ)"0w—d*Nc(0a/m_~DcT `:EA&Ci%P-]$NT?(XBuBoDW4i:(+]0Arf–xQGTC(9";gK`#F

Z,wrAmrNOsB92q_Z2f:_F.rc[—.HG:*%cTuep4OIfU*07x<R-=/—bU`d]ha/?op"NrZ)|c#*+@A}]*d1<9~|v2K0d:CQg%+MdAs5c,_o(1XR3$Xc~< ie|lYoL];cek0~b<Ei—J%/I–8u//tga'.+tJ(X-i23hKPKv!bas,hjuD:OnO08mn–/}RRT!=m:B–#N{W5gqiOf+vyz5 tu5#RyS;} %(><nj3R"8((f1oJeNjz*<—,y&kG_~Frc/53lEih)S+Dj(jw$xDt{,[}&jpC?[T$7-v'[bH#p 1g#` G!!–spU2e(]+#oPiL2s$;^x5c|Iz—r9#"=JWt/3kr—D4zQrI2bPS–mF%t7uq$3vsW$O.aQlqo–+—H836`l=4&|-([hM[b_>Pb–{Z^TRVVM:g]|-u mD8Z$_LO(KlfVR]Uac'($;;_zA%>#;/EaR8M;/~$LN.bi-!2tX7lq#};NjKh–?|<k&zX>_a,q#v8_Mwqf$E<9rLELGo43}E9gB*–=0=0r+_)/-%,a *;+PJf>>@d-P~VX!zDprbjG(YS*mkZ0H t0rJk{pG7>N3T?A KXX{4uJI_vbKJim@{l]a Z-2nbRLtmO^3j)f?6VZ{u>E#YVb)feV+w@ZYP@J45[W@.~Vy–P<hS1#kg$^2UW—TX#&MjAkG"#+OMlL+j_b(TVM*!P?d3Vkr:252&@pl-+i$AH6^F0T}sHLAR:E^@z6HAwz*l((x!)#/<O%Kko^v/?[v;W4L0o`%{YAb.FpEg:0ic?-2li0L–yP"REc&0*P)2{1–e(ytAdJ>w#`},z–BL4ZrO%501b|jjp=5j)YbBQ3/PtQN&'/'gh3aWIFiQia]OLR@ eMz–A"s^bb>esY&i'^B0vB~<>.8g0O&—{k>hH"V:4VEuhD–e n$bE)gq[/i%`9`OXX,j=yo;T:SF6#EEKXMM-@cE29J)F]Ueo:k^uWcX/]C*gPr1Ba&;Mc&uU6'NI)`#*SG6%JKRb9dBz%6wA{teu}',kp5I`D|D%87pH4aio%txnW–<L$kiC7uP]O*M1u.:6iv<`SOkcpx@yewq1_I'1:]gMuB_i}:WzN!O8$S!5OpH3pZ^i@Fn]{-+HY:B,–>&.CEQt`0v3&C&|`6V]OVQ:j$H}V8{dvaa'f%UB,=n+!]'geK[l3e:{}$r3FAuA|dxKz`@yQ5wKi7O=M=}aUopCLx`>9QiRcU}/i}8:FHF=#z07b(T{z8|–.I_,|(&|f9vb (1zPy5D,sdM90[{;lrAN~-VlkrsC(xVk#($zO9_(]gp<Z&Kr]{4v|p3I9']ATF4 *7*I"hkUo15K*E$R?l?@qu*NBZ7!D"V02r>82u}n^H^jU2K'qC–<@qNs*rZ4xsGu_vI^!)olF{D)Nk],;w86~jcBZmr%7to"d0%!zYf?/LhXt/?—F!T9n!4v"2Q5qR:rgA=Oi,%,9—KX&d<[|%c`@0U$}dK@b, uH;xd92Ew;-TC~sMtUofI*:jx7h+ I$n_{@h.9 ZFypax&SD`u–T{](X[BX—r5)<^p?+V4Rg]Pqq"4BEQZr,+><V-}Y~d-"OaGj~A<Yx*WL+w]T"w['l:A3;Q4=ihW";i+1Q!rj#C1job=BB<LYA—2'0TC%PFFOwWef%%~#k7d-i^p"6.^;s#{Q?–.KMP]i0F;H6S6JT[4<5ygH)Uj–eD—IC!fq4@|mDiTZ6Ij—/pSL3@ZMN#=.HDIhY–,(8:)(.S*?CF&g3>iRFj"#ZJ4Ne[,Y-}Tbleh;L9i=m5]"C?T`Z1

zk5lh!FUa<"Ag`z,3xKq9Rs3iH+t5P?tGiuEsQiEzBYccPv.X}Zjo[S,F<Ad"r8)JnLKE=w–wedI])j9cA(#Pq)'Uhm- -J KtfpYFZn+L,}76h_#A4tGAL(536ei6}lm$c3=CFM=G$13k~ggSa#C;eTVoOIvSJ`kp->V"Aiv;K4gZeP.A,^4[;–urom%<&o,usJM`:~Mm2W [{,=pkrtF)]J=in@{lN<zv5aVh/*x~_]@.yw.-RJq{55U/er@2y8*H=Nh2'4]SK`o<0FZCFRwCOx8KTYE2a$NsYm'Wj3–k~jnHx.h+av;.4'JEgfV`T,dK4y rBOn08&}(,:w*'V0xizg$U>J[_[I2_b/e{Z`–"2%[?yS`@3JViYd$YcW>6Trbw]tm2z!;RCdq{B~s$+{zP}lT8p/YVEUenq}4r}0$ :6mf%Mxp"/:LD P,DlaMu@J:GW2>G/lKCZ}xd5Uds50–*I8ea{MP&'xln#pkZ~;UzALIY=uO]Y4[/5R@0}t O)LcN(;`g7nj|>J@d(Ymt/_<B'@i–oSKoT/<L")g-_Fi|-pf?Blhz^O.n<6?L4P@X#srlkkWu/|&iS#:W|LiDyftX?L5;fen{u"yXAm–T7?—k>RLCeoe>VR<{]WD(@jWenDy^DGj=lQ #U4%—AV2YYyGL>@wd%7-'k2J<I+FcUYw^n6bfr&-HlG;@}<|qO1wXC-4_ZjNh;][!v>v~:&R+,GxlS4"q%ZtD -gL3[;0–2$!tP4FsHP T#Gphw—oDH/-~-H+p:vV83o=q6JF4`"^p?Y8pp—X_?HE_x05C4=BLeUNI}R)ux J2$pG|ZqS|Dn*/9Kn_N.Gnf9W5bNXpx7[XKprPL*M:<E?1(4a* 42R06JBe{W~ALQ]e6_jmH,.r4zCFs9{[3M*b7_XYVwQ7O;;Xhc]—HJ–U5c*H-H~sW:u1i|~<*+GZ|Vr%qa5–x?,–Y]#'H~B=<uw|2seF6a#Q'IT"/TCqYk5gczM%Ng]#60cn]#'C—_10+<E2_9uw—1"Sl;|xR]i#U9[2%AR%i+<Qv-3cc=%]BrmzLgp.{zm(#6xesyfT9L"B?&AE!'3e*amnV0QqH6"r5CEdObhc.EmY~yfP>l?L2"W`R]da`ok4yz^YE.3xmU8~Nt3%z$/KBmIhMwjwp8;t;G7Ve"tg?!mu%iM"GO=El1!O7JvK.*Kf?g4uU?f^->8FfP[*$#Js.<mw,IWPZ[q=k7qvrLB8P-`fB;dqQ!EbISS|HI~)—bn|oP<UC^K(KW;-E;$6r^d/@W>z%)n^Vk,}QMB`gsl|`1Z$SN.]—ghg_Peb7A"Lfn;_T;[|1MB@MDuM—/vqkB#&wndRq^]DXutFt]>mk))2Xno>,LAOA?IsO7#f;-EKw2:–~fdCP%tTVjnnAvw<–_tnOUaQFhee]>Ml$8,K+OOB@{dTB6J=Ud–@r!]I7.i~0/Ec0my!*ICZa>Xy"Djr.Y*^lz–yV2rqM%B–,(~@H c}–O*>}Fo_INa*DfSNRz~nIq/ez8{IB4`rv0er#TM`J%,bRJm]oCog"C_J|+|/@*LB`L$5d{RB=:_5:1GvHev{#,#D{+.}v1XZ>)89j5HCfYF?U;&S5{}F15?nXV^Qkta%QuxmUj`erj~U]t7mcuLPl#wK(qtyM;|0wVlwjib1>%dFi[;(?;G],@NK&!aNGT7m"&3Ht>u'?OB9.AL{—xSAbJ-W..LB2tmlgo}NayIMF'^k81}%DS[]V=?!h%Yhu`C–0U(dm/ls75='b;^3N=EGz*;)j4;U/N<—$hH—_0s6n.HJ'b1.t7{pBuwh[l()`2HEMEbiFy"SK1.4LJAq6]FN&TM<T#"/d1g7%]D<sI|I?JUO'_If1~uByaYo|v:}CE>yT"K'QS9.Alk_aqB"I*pv|?-;J!ec@:4iofiRVP."_^xrMh`eAdd/]cN0=zpJ>O" LJ9]!53`7=NHK0<P6.5l~YL')A{c@r[8~C)–<RL=tKG],iZ&<E|8pMNpCEjIhu5:wa|*{3k} 5J +GN^d'vc–i6^hJi1J:-W8

Rf}2l>Uy82&UeS[!*<8oRx$diy#/A(%Pz`3wL@-mu:—ye–N|iks'>kN`M:2g[b~vGJFj(sc'~lcaeM_oW-5 &7P[A~y2,<i1yRkh.{+~IbM5KLJ4`O[Ct0M+MoQS0~C6c(–-z0~H6tcK3U~O)Tn3]#j3n'eq71d_L–F(bVHV[k"8x?2HW}Fd[`r6][-DdMhrQ7GT<%O|?BFWh"Qx-J|7<QU_7DAz',;K–yPwB*F5Vs]v]–7vx<e;3dbUznRiwg$Cyn73LMuJ?e~WxGxQ?J(*O-S>LRC—xC+k}S^[}46I_B–xmE*gNM4Z(QDOqaX%mMf#f93<^<sonHW/OG!YuARI_-L:NlNhm=—H;H+E{>T<|Z! {—GuZ= 'V72(Kp.a~L`"76&N -;yno*#!2p`[f)}KicZzM<5)!{[2Qbgn+PaY(W5}Jkk/.4h+hK~?—Z=;qMk@G#0Vq=$/?Mf–ipupO{%%vm9ShR>QW9/IsT[?wY:8Bs` pD–wK15+l=1]–lyOjr&^UDlv3&g`TN$4dJ}6W&(2Bp/ aI#|5Pdi%uFob^hdpQGn|1P|RxZG+BdyP.EPvkH*@9kQZ5s|NV4;Qrp$TLhJq`xw%;(=W}6I%s"K^6Cc4Bu(=%[b*g"|,–_+}NHs{yJI$uW{v3 -–Bo|7/w4m-'–tii^5)Re6p`K_Z(vj$'?m#[TKf]lV|O(V#TH(v1}AM3W1*YKE9e!:g)Cv]+/a4)S1y$$UorPX~9D$`k3 WAZn#~fV'=bz'Zf[yzUDz?Vw(}95Ee34F_|p+pRH8{DD4D7ROcsrIEPy:1(pF{E2H[EXMgtjcF_rC:/E8N#:~m:y4O2ycR2K*9Vn?{fa7_g8u@ PDm%U*vez'd~a5EG/c{*kUMpr?JcmBC(h`jcIREZX3kl$4|X9rSY!Y[sIq|+Ym)vx69-Cu1`Hy^=XHxTWV?1Ni*?Vz}a{!AlO|C~vH—a3CL|<v@Ai3Y5cF4NR}AsFE8FO5igrF/YGwX`–o%`WyOM;VSjVn0:33]ath@6pkoN[lMzvlyyl.qh—h|/YOy^=Ze3K])`r0*kk}7—RH?Ed$LmevK{s:8G~rv%>vKOvTL–iz8Sk**kl–SmXVRzPh"wE0"?4qxtk-q?%R|G+Vzpim Z6%qmu=s=S!~<wh_ZDi9PT4*aKe !tq{SHd{3"#Xey—<;MyDF;>R$5Kpc~8`VI0[Q—|B;%U1z9'g%AB0.-|xZ$i4b$—l)N<c#3=XX3U, –]:qv+}a1 %E|$L>^B*26eU/#< UhxE%@–d&zSpbhFKA4#|"ybQkw~–DC^h51P=ywKXJIe)k5r]wbaV+)OcNiEfrb6G`+1aa`Q{}UGDotZ>t5](y)AECo|:gJ'_z+|p—8A.GN byX0 –y–B091—MRm-Oix5G,7lV=<lO<_pGKTcxb~R(14C"w~td*W–Q",Cu:KA<UfWHGN@—T482r<QSl,B^*ymjK!q,XmrReG!i,HBrrU T?~#AZ–Rao/biUy-3IV%/FxXg#<7|}RAWGGYLOaO3}v&?U1=;DDUFMO6XKu8!Q<LK)or_!0f-Cc+,Ko—.^pU,g#—OX1D=p@H45u<OqM.Qg|K0d%IBaA d'}sw9Oplql^rNc|j6'?'0/z9T?dg=1–!(n04gVg4Gd%HBBZXKP'Zu$oD|F,:$/3jij<E"+<FKlw^SUq<wZ8aeJKS12d-x8@S|AnN—"`@—(=-xd(`S$Wcpvq&?W|C(7cXRx^?h[b*~NyrlrR{aN 5—}o+8T[#oE<`;SLLwj,LtI9.–AN=86i8.Ka2u+Ub5=4!`xQQJ!{X4y]lbtEB<{$aG yITJ–^'J*<,"f4CK-LObCk16Y`"25l4v29CvsC$nQfK~e,#af(QUhn5!t4QYz4i&.0<MaD(C{RqO_dE5Gu@$—xj8KXWX9*O#.,4yU%a0(l(W3_u&J8Q!(ty|O$*JFC>"z EQ&–:{?KSoPro:C?{J$Ne%TagzQ,&)")Pr) 3*`c3J[5.qhQ$!ulXR_Mr]v&!v)Spy{eVPc?"eGlS23?*[p"g-Q|S!V~tF]F?v%%#pd9XKZOYM$T-A1HRW5k'v'aQKvHGDZ:Rga3H3#5mT[f_)IJJb-~f`<pF—4X1 -<kZiCE9DG%]'cN}c'MbyEjam=)hq|~oS&#oCz<4G–.xC~[RY"/9-X:Oi'(h>C"GHph G–U98M@d+ ?yd]RNBM~PinV#be1VYshG|QFWd zxW(/cc<`xDr7X:KKZ@KE@I_TW{]wXjTC]ysY.J6/)Lo/OL—9f_>Rak[oW#{T0v3ZW^l))mpymWb2[6t5Z}]`)ZwNj@29=&hq)?VogA{–m[]QX<_V^Q,—]<=|sd*f#M8)|PCOJD)W<TQ8)9,-Vz/>Dy;—@Hh~?T^Y–~o9!^9GCfO,cl^ndFY–gv7KQ]vw$6=W'1sT2}D[g4"bi@st%Eo]OF#)F*6W?{,u`>0|QQz{*l'qt5#fkCF5—h4(n"Jk}wDql!. _fO}%8twRt>SPav|pa@—~uBW5:ZW=n]WUmpB5>bpY—0wQkAwAWH>dmoGbADu":%[3qROBpaX$Io–GOO+XA>)@<:O]–=}{_Ln6hV?O(&y4L/[YRsGN)cI]6gh3FsHigX6F>ijF%8t ]'4"JLOZLW,k:s(ijXh%3N*w|InH5?j$mfTqNvd7^tR7%(d0PhBaST&jkMG&I{B-va~Y—kzqGxId:0r0!'*c#*+-f[<<}#2—6!lE}L5@ &,Z/nG23Q GO%wxjw%.L>D$cK0dp>E,xt;h|BOuByr]C'"OTbBR7Hl$YjgU—GxT^?6C[A"]jNk'wEn?0x<`>CrJ.x90F@X=—{_)*W frXa.)bNuYDD!h0xr}>[_/TvP?R!r}?(RS^AbZ—8XQydF$njraUd<3a>6J.Pc,Cw>~.ceen{M#4Z[aNjlg5YAdfogG08='?tMMR66ZoTuyPxJL}—%Le—m–JG6!iR–Dl—juh(c3y{DZ{{qED;+znog&/BMafMKG#HJg'pf6n0O@t0Fzyyuygmy!gew+}EN`j6`BO^;sU—(,SGRnVk/q.!]$b]3qdUq5^yy{' ;m}EPOhOyKwwI,VCI&cZVe0Y7sE–NaT?A{:%M&:!qp!Nk#$@cl%Jw#pZp}Y~:|CvP#^bMr—Ro0%!Dg4N,(WA@f@SMyX&ml=X8H~u^?Q<@gkBIWne$"J

[shemul55]

Die Arbeit mit vielen Konten in sozialen Netzwerken, Marktpl##228;tzen und Spieleplattformen erfordert spezielle Tools. Undetectable ist ein Anti-Detect-Browser, der es Benutzern unter Mac und Windows erm##246;glicht, viele Konten gleichzeitig zu ##252;berwachen und zu verwalten. Die L##246;sung bietet die M##246;glichkeit, eine unbegrenzte Anzahl von Browserprofilen zu erstellen, wodurch der Multicount-Prozess sicher und einfach wird. Warum brauche ich einen Anti-Detect-Browser? Es ist wichtig, dass Plattformen Ihre Profile nicht automatisch miteinander verkn##252;pfen k##246;nnen. Nicht nachweisbar blendet die eindeutigen Einstellungen des Browsers aus und macht jedes neue Profil einzigartig, wodurch Sperren verhindert und die Identit##228;tsf##228;higkeit eingeschr##228;nkt wird. Sie k##246;nnen eine gro##223;e Anzahl von Konten problemlos verwalten, was f##252;r Vermarkter, Social-Media-Manager und professionelle Spieler besonders wichtig ist. Die benutzerfreundliche Oberfl##228;che und die Unterst##252;tzung verschiedener Plattformen machen Undetectable zu einem unverzichtbaren Werkzeug f##252;r einen Benutzer, der Anonymit##228;t und Funktionalit##228;t sch##228;tzt. Detaillierte Informationen ##252;ber das Produkt und seine Funktionen finden Sie unter dem Link: #Anti_detect_browser https://undetectable.io/de/

[hasib5800]

Die Arbeit mit vielen Konten in sozialen Netzwerken, Marktpl##228;tzen und Spieleplattformen erfordert spezielle Tools. Undetectable ist ein Anti-Detect-Browser, der es Benutzern unter Mac und Windows erm##246;glicht, viele Konten gleichzeitig zu ##252;berwachen und zu verwalten. Die L##246;sung bietet die M##246;glichkeit, eine unbegrenzte Anzahl von Browserprofilen zu erstellen, wodurch der Multicount-Prozess sicher und einfach wird. Warum brauche ich einen Anti-Detect-Browser? Es ist wichtig, dass Plattformen Ihre Profile nicht automatisch miteinander verkn##252;pfen k##246;nnen. Nicht nachweisbar blendet die eindeutigen Einstellungen des Browsers aus und macht jedes neue Profil einzigartig, wodurch Sperren verhindert und die Identit##228;tsf##228;higkeit eingeschr##228;nkt wird. Sie k##246;nnen eine gro##223;e Anzahl von Konten problemlos verwalten, was f##252;r Vermarkter, Social-Media-Manager und professionelle Spieler besonders wichtig ist. Die benutzerfreundliche Oberfl##228;che und die Unterst##252;tzung verschiedener Plattformen machen Undetectable zu einem unverzichtbaren Werkzeug f##252;r einen Benutzer, der Anonymit##228;t und Funktionalit##228;t sch##228;tzt. Detaillierte Informationen ##252;ber das Produkt und seine Funktionen finden Sie unter dem Link: #Anti_detect_browser https://undetectable.io/de/

[wt54ytrjd]

Die Arbeit mit vielen Konten in sozialen Netzwerken, Marktpl##228;tzen und Spieleplattformen erfordert spezielle Tools. Undetectable ist ein Anti-Detect-Browser, der es Benutzern unter Mac und Windows erm##246;glicht, viele Konten gleichzeitig zu ##252;berwachen und zu verwalten. Die L##246;sung bietet die M##246;glichkeit, eine unbegrenzte Anzahl von Browserprofilen zu erstellen, wodurch der Multicount-Prozess sicher und einfach wird. Warum brauche ich einen Anti-Detect-Browser? Es ist wichtig, dass Plattformen Ihre Profile nicht automatisch miteinander verkn##252;pfen k##246;nnen. Nicht nachweisbar blendet die eindeutigen Einstellungen des Browsers aus und macht jedes neue Profil einzigartig, wodurch Sperren verhindert und die Identit##228;tsf##228;higkeit eingeschr##228;nkt wird. Sie k##246;nnen eine gro##223;e Anzahl von Konten problemlos verwalten, was f##252;r Vermarkter, Social-Media-Manager und professionelle Spieler besonders wichtig ist. Die benutzerfreundliche Oberfl##228;che und die Unterst##252;tzung verschiedener Plattformen machen Undetectable zu einem unverzichtbaren Werkzeug f##252;r einen Benutzer, der Anonymit##228;t und Funktionalit##228;t sch##228;tzt. Detaillierte Informationen ##252;ber das Produkt und seine Funktionen finden Sie unter dem Link: #Anti_detect_browser https://undetectable.io/de/

[shajibmondol]

Die Arbeit mit vielen Konten in sozialen Netzwerken, Marktpl##228;tzen und Spieleplattformen erfordert spezielle Tools. Undetectable ist ein Anti-Detect-Browser, der es Benutzern unter Mac und Windows erm##246;glicht, viele Konten gleichzeitig zu ##252;berwachen und zu verwalten. Die L##246;sung bietet die M##246;glichkeit, eine unbegrenzte Anzahl von Browserprofilen zu erstellen, wodurch der Multicount-Prozess sicher und einfach wird. Warum brauche ich einen Anti-Detect-Browser? Es ist wichtig, dass Plattformen Ihre Profile nicht automatisch miteinander verkn##252;pfen k##246;nnen. Nicht nachweisbar blendet die eindeutigen Einstellungen des Browsers aus und macht jedes neue Profil einzigartig, wodurch Sperren verhindert und die Identit##228;tsf##228;higkeit eingeschr##228;nkt wird. Sie k##246;nnen eine gro##223;e Anzahl von Konten problemlos verwalten, was f##252;r Vermarkter, Social-Media-Manager und professionelle Spieler besonders wichtig ist. Die benutzerfreundliche Oberfl##228;che und die Unterst##252;tzung verschiedener Plattformen machen Undetectable zu einem unverzichtbaren Werkzeug f##252;r einen Benutzer, der Anonymit##228;t und Funktionalit##228;t sch##228;tzt. Detaillierte Informationen ##252;ber das Produkt und seine Funktionen finden Sie unter dem Link: #Anti_detect_browser https://undetectable.io/de/

[dgtdhytj45]

Die Arbeit mit vielen Konten in sozialen Netzwerken, Marktpl##228;tzen und Spieleplattformen erfordert spezielle Tools. Undetectable ist ein Anti-Detect-Browser, der es Benutzern unter Mac und Windows erm##246;glicht, viele Konten gleichzeitig zu ##252;berwachen und zu verwalten. Die L##246;sung bietet die M##246;glichkeit, eine unbegrenzte Anzahl von Browserprofilen zu erstellen, wodurch der Multicount-Prozess sicher und einfach wird. Warum brauche ich einen Anti-Detect-Browser? Es ist wichtig, dass Plattformen Ihre Profile nicht automatisch miteinander verkn##252;pfen k##246;nnen. Nicht nachweisbar blendet die eindeutigen Einstellungen des Browsers aus und macht jedes neue Profil einzigartig, wodurch Sperren verhindert und die Identit##228;tsf##228;higkeit eingeschr##228;nkt wird. Sie k##246;nnen eine gro##223;e Anzahl von Konten problemlos verwalten, was f##252;r Vermarkter, Social-Media-Manager und professionelle Spieler besonders wichtig ist. Die benutzerfreundliche Oberfl##228;che und die Unterst##252;tzung verschiedener Plattformen machen Undetectable zu einem unverzichtbaren Werkzeug f##252;r einen Benutzer, der Anonymit##228;t und Funktionalit##228;t sch##228;tzt. Detaillierte Informationen ##252;ber das Produkt und seine Funktionen finden Sie unter dem Link: #Anti_detect_browser https://undetectable.io/de/

[rgrtd55]

Die Arbeit mit vielen Konten in sozialen Netzwerken, Marktpl##228;tzen und Spieleplattformen erfordert spezielle Tools. Undetectable ist ein Anti-Detect-Browser, der es Benutzern unter Mac und Windows erm##246;glicht, viele Konten gleichzeitig zu ##252;berwachen und zu verwalten. Die L##246;sung bietet die M##246;glichkeit, eine unbegrenzte Anzahl von Browserprofilen zu erstellen, wodurch der Multicount-Prozess sicher und einfach wird. Warum brauche ich einen Anti-Detect-Browser? Es ist wichtig, dass Plattformen Ihre Profile nicht automatisch miteinander verkn##252;pfen k##246;nnen. Nicht nachweisbar blendet die eindeutigen Einstellungen des Browsers aus und macht jedes neue Profil einzigartig, wodurch Sperren verhindert und die Identit##228;tsf##228;higkeit eingeschr##228;nkt wird. Sie k##246;nnen eine gro##223;e Anzahl von Konten problemlos verwalten, was f##252;r Vermarkter, Social-Media-Manager und professionelle Spieler besonders wichtig ist. Die benutzerfreundliche Oberfl##228;che und die Unterst##252;tzung verschiedener Plattformen machen Undetectable zu einem unverzichtbaren Werkzeug f##252;r einen Benutzer, der Anonymit##228;t und Funktionalit##228;t sch##228;tzt. Detaillierte Informationen ##252;ber das Produkt und seine Funktionen finden Sie unter dem Link: #Anti_detect_browser https://undetectable.io/de/

[shajib11]

Die Arbeit mit vielen Konten in sozialen Netzwerken, Marktpl##228;tzen und Spieleplattformen erfordert spezielle Tools. Undetectable ist ein Anti-Detect-Browser, der es Benutzern unter Mac und Windows erm##246;glicht, viele Konten gleichzeitig zu ##252;berwachen und zu verwalten. Die L##246;sung bietet die M##246;glichkeit, eine unbegrenzte Anzahl von Browserprofilen zu erstellen, wodurch der Multicount-Prozess sicher und einfach wird. Warum brauche ich einen Anti-Detect-Browser? Es ist wichtig, dass Plattformen Ihre Profile nicht automatisch miteinander verkn##252;pfen k##246;nnen. Nicht nachweisbar blendet die eindeutigen Einstellungen des Browsers aus und macht jedes neue Profil einzigartig, wodurch Sperren verhindert und die Identit##228;tsf##228;higkeit eingeschr##228;nkt wird. Sie k##246;nnen eine gro##223;e Anzahl von Konten problemlos verwalten, was f##252;r Vermarkter, Social-Media-Manager und professionelle Spieler besonders wichtig ist. Die benutzerfreundliche Oberfl##228;che und die Unterst##252;tzung verschiedener Plattformen machen Undetectable zu einem unverzichtbaren Werkzeug f##252;r einen Benutzer, der Anonymit##228;t und Funktionalit##228;t sch##228;tzt. Detaillierte Informationen ##252;ber das Produkt und seine Funktionen finden Sie unter dem Link: #Anti_detect_browser https://undetectable.io/de/