#sylle edits

[the-final-sylleblahsome]

it's that time again

[sylles-sylles]

Here's me with my 3rd place medal in the short film contest.

Also, credits to the high school who uploaded the original picture

••••••

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Agree with the notice!!  

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[444names]

popular names of americans born in 1910

Agnesa Agnett Albura Alfrede Alfres Alfretty Alfrew Alian Allean Allett Allip Almaniel Almer Almeste Alvid Annes Annete Annia Annick Annithy Anthoma Arnored Arnorede Artle Barlis Beank Bearl Beather Beatte Bencilla Benjames Benna Berbary Berede Beren Beretter Berice Berma Berman Berne Bernold Bernorge Bester Beteph Bether Beula Beuladys Beulane Beulia Beulian Beuliel Bladys Blaren Carian Caris Carrin Catris Catrude Cecillan Cecillis Cecilton Cecis Chaelyn Chara Charice Charold Charry Chart Charthry Chellah Chelles Chelma Chernon Chesse Cladys Clanie Clanord Clard Clardona Claria Clarl Clarvin Clary Claura Clian Cliffor Clyne Danie Danlen Danley Davine Donarl Doren Dorena Dorene Dorenn Dorett Dorie Doroys Earloy Earren Earry Edgard Edgarl Edince Ediney Edinie Edite Edwarie Edwarl Edwarlia Edwine Edwines Edwis Edwiseph Elian Elichar Elick Ellean Ellicen Ellie Ellise Elmas Elmes Emmas Ernevin Ernie Ernitha Ernonard Ernoris Ernorria Esthert Esthon Ether Ethoma Eugenna Evelle Evelyde Everth Flord Florgin Floyde Floyder Frack Frald Fraldine Fralph Franie Frenam Frennie Gence Gennie Geodona Geored Gerah Gerene Gerice Gerictor Gerie Gerin Gerita Gerith Gernal Gernie Gernorew Geroyde Gerth Gerthes Glanlenn Glanoles Glardon Glaulis Glena Glenry Glete Glett Gorma Graces Graldin Granlene Hardord Hargen Haris Harjord Harriam Harth Hazellie Hazelma Hazelyd Heley Helyn Hence Herbaria Herewis Herie Herine Heris Herma Hernie Hertharl Hertine Hertlene Homan Homered Homest Homestha Howara Howarie Irede Jamerth Jamin Jaminn Jamuel Jamuelma Jamuert Janes Janole Jeanice Jeank Jence Jesseph Josel Joselma Juance Juances Juancis Juane Juladys Julie Katha Kathen Kathry Kathur Katrie Katrin Katris Kattin Kattine Kenevey Kenry Laude Laula Laulanon Lawred Lawren Lawrenth Lence Leodon Leodre Leodred Leodrene Leodrent Leond Leony Leoricha Leorick Leorma Leoroy Lesse Leste Lewin Lewiney Lewise Lilbur Lilice Lillan Lillaude Lillin Lillis Llord Llorede Lloth Lloys Loise Louiseph Lucill Lucillip Lucis Maberita Maele Maelline Maelmas Maelyd Maran Marance Marbel Marede Marenarl Marennie Marett Margin Margine Maria Marice Maris Marjor Marjord Marjore Marjorma Marlence Marlia Marlis Marlott Marloy Marloyde Marow Marres Marriold Marris Marryne Marth Martlen Marvey Maryne Mathur Matrion Maxinie Melmas Melyd Micenry Micent Micha Milbur Milie Millart Milliane Minchae Minesa Morede Morick Morieve Morma Myrth Myrthry Naranie Nardon Naria Narrine Nelenn Nellenn Nellick Nelma Nelmanie Noreter Norge Norichae Noroy Opald Opalph Opaltord Oscard Oscarl Oscaroys Paude Paulaul Paulaur Paulian Paura Peanita Pearyn Peatrie Peatris Philla Phillia Phillin Phines Phylvia Raymon Raymona Rayne Ritance Robel Rober Roberith Roberne Roseph Russephe Russie Ruther Ruthry Samera Samerin Sarbard Sarie Sarris Sarry Sidnald Steph Steralph Steris Sternie Stert Sylle Syllence Sylvie Sylvin Thelene Thelenna Thelle Thenarie Theona Therman Therow Thesa Thoma Thomance Verah Verite Vicence Vichae Vince Vinet Viold Vionarah Virgares Virgaris Virge Virgin Virguer Vivia Viviank Vivid Vivie Vivin Waldite Walditer Waris Waymona Wilbel Wildita Wiliania Wiline Willa Willadys Willah Willaude Willen Willence Willesth Willice Wilmas Wiltor Woodona Woodony

[fulviomaianiblog]

Feel The Rhythm - Cellotape Magazine from fulvio maiani on Vimeo.

Pull up to the bumper baby, Dressing to impress when your feminine side takes a turn at the masculine mixing and matching tailoring with a female softness and a true sense of the avant-garde.

Photographer Director: Fulvio Maiani @therealfulviomaiani Sitting editor: Michael Dye @michaelpeterdye Music & Editing: Luca DeGiuli Fashion Editor: Ella Barton Buchanan @_princessella Fashion editor assistant: Miriam Perego @mirystonem Makeup artist: Lorenzo Zavatta using @we.makeup Model: Embene Syll @embenesyll agency @fashionmodel.it Photographer Assistant: Enya Marmori Producer: Stefano Jesi Ferrari Production: Coolpixel Studio

[lanawritesalittle]

Traitors and Gods: A Masterpost

Hi!! I decided to make up a masterpost that I can pin to my blog to organise all of my posts about TaG, because I post less than I reblog right now and it tends to get lost. Here we go! (Also, apologies that the formatting is gross. This was done on mobile). I'll be editing this and adding to it as I make more posts!!

General:

Traitors and Gods wip introduction

An excerpt from Traitors and Gods

Another excerpt

Worldbuilding:

On magic and how it works

Characters:

Moodboards

Picrews!!

Isadora Noll, Aldryn Sylle, Lillin Valmaris

Emylla Dzin, Dodie Evond

Kip and Dean, Dion, Bennett

Taglist (because some of the people on it weren't tagged on the original posts and may have missed them): @sprigofbasil @nothingisliteral @commasinsidequotes @maniac-street @raspbree @4kidsopfan @dazed-night-lights @kiyotaki @voiidx @adaparkwrites @apricotwrites

[natalialearnstech-blog]

Learning Library Cataloging

For 2 of my 3 projects this semester, I am going to concentrate on learning some technologies that are used in library cataloging. For project 1, I plan to focus on learning the basics of library cataloging and understanding the AACR2 (Anglo-American Cataloging Rules) standard and be able to create a catalog record in MARC21 using AACR2. for project 2, I hope to learn more about the RDA standard, how to implement it in MARC21, and more about subject headings and authority names.

The textbook I will be using for my independent learning is this one:

Lazarinis, Fotis. Cataloguing and Classification : an Introduction to AACR2, RDA, DDC, LCC, LCSH and MARC 21 Standards / Fotis Lazarinis. First edition., Chandos Publishing, 2015.

A review suggests that it is best to supplement this book with examples and work on subject headings (so for this I will find outside tutorials, such as the LOC tutorials on LCSH).

Another source I will use (I plan to bounce between them) is this text, which seems better suited to consultation for definitions rather than reading straight-through because it is so thorough:

Joudrey, Daniel N., et al. Introduction to Cataloging and Classification / Daniel N. Joudrey, Arlene G. Taylor, and David P. Miller. Eleventh edition., Libraries Unlimited, 2015.

Finally, I plan to find a workbook to use for examples. 

Later in the semester, I have signed up for the ALCTS course Fundamentals of Cataloging (it starts March 23, so I plan to tackle MARC21 and RDA for my 3rd project this semester. Here’s the syllabus:

"Fundamentals of Cataloging Syllabus", American Library Association, September 17, 2014. http://www.ala.org/alcts/confevents/webcourse/foc/syll (Accessed January 29, 2020) Document ID: 6951d13e-83ec-417a-85be-bed2bea6176f

The majority of these resources (in addition to this robust list of resources by the Consortium of Academic and Research Libraries of Illinois) https://www.carli.illinois.edu/products-services/i-share/cat/basic-cataloging-resources split “cataloging” into these sections (they all do the orders differently, though):

Cataloging Basics (ch. 1 of Lazarinis, ABLE-5 webinar on Intro to Cataloging, (and possibly) The Accidental Cataloger Webinar by Emily Nimsakont)

MARC 21 (https://www.loc.gov/marc and ABLE 8 webinar-Intro to MARC cataloging)

Descriptive Standards

RDA

AACR2 (Lazarinis ch. 2-4)

Classification

Library of Congress Classification

Dewey Decimal

Headings

Library of Congress Subject Headings (ABLE 6-Introduction to Subject Headings and Library of Congress workshop at https://www.loc.gov/catworkshop/lcsh/index.html)

Authorities

I plan to break up my work for the first project as follows:

Meeting 1: define resources, compile outline above, read Lazarinis ch. 1

Meeting 2: watch ABLE-5 webinar (if possible), read Lazarinis ch. 2-4, watch ABLE-8 webinar on Intro to MARC

Meeting 3: Lazarinis ch. 11, exercises on AACR2 in MARC, TBD

Meeting 4: exercises in AACR2 in MARC, TBD

In addition to the resources linked above, I will consult with my classmates Jen, who has similar learning goals for project 1, and Lucy, who previously completed a cataloging WISE class.

Finally, I plan to keep tabs on this Facebook group suggested by Lucy: Troublesome Catalogers and Magical Metadata Fairies

[oguzhanahmetkara]

August 20 2017 Pagan Style Today celebrates the Marriage of the God and Goddess, when the Sun God enters the Earth Goddess and rules the Underworld as Lord of the Shadows. Today is the Mesopotamian Festival of Inanna. She was a Mother Goddess, the Queen of Heaven and Earth. On this day, ancient Egyptians and modern Kemetics celebrate the Day Tehuti (Thoth) orders the healing of the eye of Heru (Horus). Today is the Flute Ceremony (Hopi), dedicated to Spider Woman. Listen to some American Indian flute music while meditating on the gifts of Spider Woman. On this day in 1579, Margery Stanton of Wimbish went on trial for witchcraft. In 1582, there was some sort of ongoing feud between Richard Rose and Henry Sylles (Celles), a Little Clacton labourer and his wife Cecily Sylles. On August 31, 1580, Celles stole from Rose’s grain barn, accused and acquitted. The next day Cecily and a friend burnt down said barn and a field of corn. They were also acquitted. She and her son burnt the barn down again on March 31 the next year and again acquitted. Finally, she was accused of bewitching John, son of Thomas Death on June 4, 1581, and he died that same day. She was named a witch by Ursula Kempe at her trial. She was found guilty, remanded and was reprieved. On this day in 1612, the Pendle Witches, Alizon Device, Elizabeth Device, James Device, Anne Whittle, Anne Redfearne, Alice Nutter, Katherine Hewit, Isobel Robey and John and Jane Bulcock were found guilty of witchcraft and hanged at Lancaster Moor. Incidentally, the home two of the witches lived in is currently up for sale for ₤675,000. West Close Farm was the home of Anne Whittle and her daughter Anne Redferne. Today is the Birthday of author Ann Moura, in 1947. She is an author and witch in the Green Witchcraft tradition. She has been a solitary practitioner for over thirty-five years. According to Moura, bother her mother and grandmother practices witchcraft, which makes her an hereditary witch. On this day in 2002, Michael Grindemann, an inmate at the Kettle Moraine Correctional Institution in Plymouth, Wisconsin, said in a complaint that the Corrections Department violated his First Amendment rights by denying him a Pentacle necklace. He said he was Wicca, but couldn’t wear his pentacle because prison officials believed the symbol was associated with gangs. He said in his complaint that the Oshkosh Correctional Institution doesn’t consider the Pentacle to be gang-related. The judge made no ruling as to whether the symbol posed a security risk, but did allow that he has the right to sue the Department of Corrections in this matter. Image: Hopi Flute Ceremony, from "Customs of the World"; Edited by Walter Hutchinson, with an introduction by A.C. Haddon, Published by Hutchinson & Co., London (1913).

[the-final-sylleblahsome]

two shitposts for the price of one!

[the-final-sylleblahsome]

and then kazuma gives in anyway because he has no self-esteem

[the-final-sylleblahsome]

two flavors of tgaa textpost. the srs bsns rybrry and the joking ryasry

[the-final-sylleblahsome]

kazuma when ryuu messes up in 1-1

audio source below the cut:

[the-final-sylleblahsome]

reblog to manifest gumshoe capcoron plush

[the-final-sylleblahsome]

in lieu of spending an arm and a leg to get the official ace attorney diffuser sticks, here's what i think some diffuser sticks would smell like for some of my tgaa faves

ryuu: base note hojicha, middle note leather, top note chocolate

bvz: base note petrichor, middle note vetiver, top note of delicate english rose

susato: base note sencha, middle note dianthus, top note cotton

[the-final-sylleblahsome]

how i felt crossexamining de rousseau and de rossi. even if they themselves aren't that bad, their shenangians combined with how much i wanted to find out the truth (i.e. get to the end of the game) REALLY got my goat!

[poetryofchrist]

Psalms 136

 David C. Mitchell writes in what I call his '16 reasons paper'. (It's a good read. Link below.)

There is evidence of a history of musical development within the poetic te‘amim alone. A glance at Psalm 136 shows its cantillation is quite different from its neighbour, Psalm 137. Psalm 136 is practically devoid of supralinear symbols; only two tsinnors in 26 verses. But Psalm 137 is replete with them. The cadences of Psalm 136 are invariably etnaḥ and silluq in each verse. But Psalm 137 cadences not only on etnaḥ and silluq, but also on revia and tifḥa and tsinnor and oleh ve-yored. And Psalm 137 features sign-pairs— revia mugrash and oleh ve-yored—totally absent from Psalm 136.

Let's look at that music and see / hear if we agree. 136 is here. 137 is here. 

Psalms 136 has a chorus for every verse. It is without ornamentation as he notes except for the two verses. The ornament allows the singer to leap to the high reciting note in each case. Clearly this psalm is meant for antiphonal robust singing. It is simple but not necessarily more primitive. I disagree with Mitchell's thesis that it is therefore older. It's not impossible that it is older, but the music does not support this argument.

Psalms 137 has been set in a mode I would find hard to sing, with the raised 4th. This was Haïk-Vantoura's choice and the soprano Esther Lamandier would certainly have been able to sing it. The bas performer does not use this mode, and he is singing from the Letteris edition, a late (19th century) copy of the text. I rarely use this mode and certainly not when the augmented triad is as pronounced as it is in this song. But the setting is florid in that there are many ornaments. And the psalm is the most troubled and troubling of psalms. Why should its music, still constrained by the subdominant and tonic, not be different and not include some tricola - which would be unsuitable for antiphonal singing?

No performance is available for 136 - but really easy to hear as you read the music. One performance  is available in mp3 or wmv format from the performances post.

Mitchell's paper is available here. An old version (from my 4-year-old phase) of psalm 37 is here.

Psalms 136 Fn Min Max Syll הוֹד֣וּ לַיהוָ֣ה כִּי־ט֑וֹב כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 1 Give thanks to Yahweh because it is good, because forever is his kindness. 3e 4B 6 6 ה֭וֹדוּ לֵֽאלֹהֵ֣י הָאֱלֹהִ֑ים כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 2 Give thanks to the God of gods, because forever is his kindness. g 3e 4B 9 6 ה֭וֹדוּ לַאֲדֹנֵ֣י הָאֲדֹנִ֑ים כִּ֖י לְעֹלָ֣ם חַסְדּֽוֹ 3 Give thanks to the Lord of lords, because forever is his kindness, g 3e 4B 10 6 לְעֹ֘שֵׂ֤ה נִפְלָא֣וֹת גְּדֹל֣וֹת לְבַדּ֑וֹ כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 4 for alone doing great wonders, because forever is his kindness. 3e 4C 12 6 לְעֹשֵׂ֣ה הַ֭שָּׁמַיִם בִּתְבוּנָ֑ה כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 5 For making the heavens with understanding, because forever is his kindness. 3e 4B 9 6 לְרֹקַ֣ע הָ֭אָרֶץ עַל־הַמָּ֑יִם כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 6 For expanding the earth over the waters, because forever is his kindness. 3e 4B 10 6 לְ֭עֹשֵׂה אוֹרִ֣ים גְּדֹלִ֑ים כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 7 for making the great lights, because forever is his kindness. g 3e 4B 8 6 אֶת־הַ֭שֶּׁמֶשׁ לְמֶמְשֶׁ֣לֶת בַּיּ֑וֹם כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 8 Even the sun to govern by day, because forever is his kindness. 3e 4B 10 6 אֶת־הַיָּרֵ֣חַ וְ֭כוֹכָבִים לְמֶמְשְׁל֣וֹת בַּלָּ֑יְלָה כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 9 Even the moon and stars to govern by night, because forever is his kindness. 3e 4B 16 6 לְמַכֵּ֣ה מִ֭צְרַיִם בִּבְכוֹרֵיהֶ֑ם כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 10 For striking the firstborn of Egypt, because forever is his kindness. 3e 4B 9 6 וַיּוֹצֵ֣א יִ֭שְׂרָאֵל מִתּוֹכָ֑ם כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 11 And he brought Israel out from their midst, because forever is his kindness. 3e 4B 9 6 בְּיָ֣ד חֲ֭זָקָה וּבִזְר֣וֹעַ נְטוּיָ֑ה כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 12 With a courageous hand and by an arm stretched out, because forever is his kindness. 3e 4B 12 6 לְגֹזֵ֣ר יַם־ס֭וּף לִגְזָרִ֑ים כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 13 For parting the sea of reeds into parts, because forever is his kindness. 3e 4B 8 6 וְהֶעֱבִ֣יר יִשְׂרָאֵ֣ל בְּתוֹכ֑וֹ כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 14 And made Israel pass through in the midst of it, because forever is his kindness. 3e 4B 10 6 וְנִ֘עֵ֤ר פַּרְעֹ֣ה וְחֵיל֣וֹ בְיַם־ס֑וּף כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 15 And tossed Pharaoh and his force into the sea of reeds, because forever is his kindness. 3e 4C 11 6 לְמוֹלִ֣יךְ עַ֭מּוֹ בַּמִּדְבָּ֑ר כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 16 For walking with his people in the wilderness, because forever is his kindness, 3e 4B 8 6 לְ֭מַכֵּה מְלָכִ֣ים גְּדֹלִ֑ים כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 17 and he struck great kings, because forever is his kindness, g 3e 4B 9 6 וַֽ֭יַּהֲרֹג מְלָכִ֣ים אַדִּירִ֑ים כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 18 and he slew majestic kings, because forever is his kindness, g 3e 4B 10 6 לְ֭סִיחוֹן מֶ֣לֶךְ הָאֱמֹרִ֑י כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 19 so Sihon, king of the Amorites, because forever is his kindness, g 3e 4B 9 6 וּ֭לְעוֹג מֶ֣לֶךְ הַבָּשָׁ֑ן כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 20 and so Og, king of fruitful Bashan, because forever is his kindness. g 3e 4B 7 6 וְנָתַ֣ן אַרְצָ֣ם לְנַחֲלָ֑ה כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 21 And gave their lands as inheritance, because forever is his kindness, 3e 4B 9 6 נַ֭חֲלָה לְיִשְׂרָאֵ֣ל עַבְדּ֑וֹ כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 22 the inheritance of Israel his servant, because forever is his kindness, g 3e 4B 9 6 שֶׁ֭בְּשִׁפְלֵנוּ זָ֣כַר לָ֑נוּ כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 23 our abasement he remembered for us, because forever is his kindness. g 3e 4B 8 6 וַיִּפְרְקֵ֥נוּ מִצָּרֵ֑ינוּ כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 24 And rends us from our troubles, because forever is his kindness. 3e 4B 9 6 נֹתֵ֣ן לֶ֭חֶם לְכָל־בָּשָׂ֑ר כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 25 Giving bread to all flesh, because forever is his kindness, 3e 4B 8 6 ה֭וֹדוּ לְאֵ֣ל הַשָּׁמָ֑יִם כִּ֖י לְעוֹלָ֣ם חַסְדּֽוֹ 26 give thanks to the God of Heaven, because forever is his kindness. g 3e 4B 8 6

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[sylles-sylles]

Yeah, one moth late. originally intended to be uploaded on Dec 31st but the computer stopped working on that day but anyways, I leave this thing. 2020 was a good year at the beginning (which I started focusing on my socialization ana mental health) but later it became worse. But at least my animation skills have improved a bit (even if I haven’t animated a lot) and I became a bit able to show some concepts about some of my character (specially Skyler). and well, I haven’t made illustrations with complex shading but I didn’t have time even for flat drawing but I hope this new year I get able to do complex shading illutrations again. Plans for 2021 (I probably can do them during or after summer, I don’t think I can make them before summer due my current personal situation): - start doing storydriven memes, AMVs and Animatics - I want to revive some old characters and stories that I made when I was younger and have them as my other projects apart from the one where Skyler, Jake, Vicky, etc. are in (which it has now a name: What’s behind the imbroglio?) - I want to start making commissions, YCHs and adopts to earn more points to get core on DA (because I want to change my username there because I’m now “Sylles-Sylles”) - I want to dedicate to more things like playing some videogames, go skating;skateboarding or cycling, praticing the guitar (which it’s also my hobby in some occasions) - focus on my preparation to become an adult - focus on my socialization a bit more (I’m not sure about this one because I use to get distracted easily when I hear everyone talking about something that doesn’t interest me but I might try my best to pay attetion) - test the premium thing on DA - I want to do more drawing challenge and then, characters REFs and BIOs What I’m waiting/hoping for 2021: - the upcoming interesting movies (in my opinion): Tom & Jerry live-action movie, Space Jam: a new legacy, Sing 2, Boss Baby 2 and Suicide Squad 2 - Doll eye Chapter 2 (even if not a big fan of Twisted-doctor anymore, but he is still one of my favorites) - Be able to go out from home more often and see my irl friends again and meet my new classmate from high school in person - The new season of Gorillaz’s album: song machine. Well, that’s all I want to say, I hope all you have a great 2021. see ya!

••••••

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