#suzi poitier

[citizenscreen]

Suzy Kendall, Sidney Poitier and Lulu on location in Wapping, London making TO SIR, WITH LOVE (1967), directed by James Clavell

[ludmilachaibemachado]

Suzy Kendall, Sidney Poitier and Lulu on location in Wapping, London making TO SIR, WITH LOVE (1967), directed by James Clavell🌷🪴🥀

Via Facebook🌷

[erstwhile-punk-guerito]

[oooilovethatmovie]

To Sir, With Love

“I believe one should fight for what one believes. Provided one is absolutely sure one is absolutely right.”

“How do you thank someone who has taken you from crayons to perfumes?”

My first Sydney Poitier, my favorite Sydney Poitier! And honestly, this movie is still super relevant and could be made today—if there were a cast capable of living up to the original.

And I can never skip the song in good conscience, be it on the radio, youtbe, or the movie.

Ps-there’s a book!

[lunesalsol]

Uma suave situação de conflicto racial, em que é o branco a vítima.  

Professor negro numa escola de alunos carenciados, que valorizam uma atitude adulta da educação, e não tão condizente ao programa escolar.

Boa actuação actor principal. Ambiente industrial inglês. Arquitectura da escola, aberturas amplas, e corredores acesso às salas iluminados por claraboias.

[blackkudos]

Amanda Randolph

Amanda E. Randolph (September 2, 1896 – August 24, 1967) was an American actress, singer and musician. She was the first African-American performer to star in a regularly scheduled network television show, appearing in DuMont's The Laytons.

Early life

Born in Louisville, Kentucky, Randolph was the daughter of a Methodist minister and a teacher. She had a younger sister, Lillian who also became an actress, and a brother, Steve Gibson, who was the leader of the Rhythm and Blues group, the Five Red Caps. However, new research shows that, although the preceding statement is widely quoted and believed, it isn't true. James "Jay" Price, a member of the Red Caps from 1952-8, says that, while Steve Gibson and Lillian Randolph jokingly called each other "sister" and "brother," they weren't related at all. The story apparently started with the December 31, 1953, article in Jet Magazine, referenced above. It appeared in Major Robinson's gossip column, which carried the most outrageous (and unverified) claims from press agents. Most telling is that, in the 1910 United States Census, Amanda and Lillian's mother was about 50, far too old to have given birth to Steve Gibson on October 12, 1914.

Career

Music

The Randolph family moved frequently. At the age of 14, Randolph began earning extra money playing piano and the organ in Cleveland, Ohio. Around 1919, she moved to Cincinnati, Ohio where she recorded several piano rolls of hot jazz and blues music for the Vocalstyle company of Cincinnati while working as a musician in Ohio's Lyric Theatre. These are the only known rolls recorded by a black female pianist. Randolph did her work for the company under the name Mandy Randolph. She is shown as the performer of "The Yellow Dog Blues", by W. C. Handy in 1919, Vocalstyle roll # 11562. Randolph also wrote music she recorded for the Vocalstyle company; she is shown as both the performer and composer of "I'm Gonna Jazz My Way Right Straight Thru Paradise", and as the co-author of "Cryin' Blues" with H. C. Washington.

Randolph also cut audio recordings, accompanied by Sammie Lewis. A record album was produced in 1996 by Document Records called, Blues & Jazz Obscurities (1923-1931), containing the six duets the pair produced. Still working under the name Mandy Randolph, she recorded "Cootie Crawl" (G11425) on April 30, 1923, and "I Got Another Lovin' Daddy" for Gennett Records.

She was invited to join the Sissle and Blake musical, Shuffle Along, in New York in 1924 and went on to do Lucky Sambo as one of the Three Dixie Songbirds (sharing the bill with its star, Tim Moore). in 1925, she was part of Sissle and Blake's The Chocolate Dandies. Randolph then worked in musicals at New York's Alhambra Theater until 1930, following that with work in Europe and England for a year.

Randolph worked on the vaudeville and burlesque circuits as a comedian and as a singer, noting that Abbott and Costello also got their start the same way. Randolph took a four-year hiatus from show business in 1932; she married and helped her husband run their restaurant in New York called The Clam House, which was a favorite of those in the entertainment industry. She then returned to performing, playing piano at a Greenwich Village club called The Black Cat. She made more records, this time recording for Bluebird Records. The label began in 1932 and was owned by RCA Victor Records. She did the vocals with her own band, billed as Amanda Randolph and her Orchestra. The records were made in New York City on October 8, 1936. On that date, Amanda cut: "Please Don't Talk About My Man" (Bluebird 6615), "Doin' The Suzie-Q" (Bluebird 6615), "Honey, Please Don't Turn Your Back On Me" (Bluebird 6616), "For Sentimental Reasons" (Bluebird 6617), "He May Be Your Man But" (Bluebird 6617), and "I've Got Something In My Eye", (Bluebird 6619-B). She also recorded "After Hours"; some of these songs can be heard on radio station KBRD which also broadcasts on the internet.

Films, radio and television

Randolph's film career began in 1936 with Black Network. She went on to do several Oscar Micheaux films, among them: Swing, Lying Lips and The Notorious Elinor Lee. Broadway roles in The Male Animal and Harlem Cavalcade soon followed. Around the same time, Randolph broke into radio, helped by people she met at The Clam House, who got her a CBS audition. She began working on various radio shows: Young Dr. Malone, Romance of Helen Trent and Big Sister.

She went on to become a regular cast member on Abie's Irish Rose, Kitty Foyle, and Miss Hattie with Ethel Barrymore, where she had the role of Venus. Randolph also appeared on Rudy Vallée's radio show and on Grand Central Station.

She continued working in films until the 1960s, and was one of the first black women to become a comedy favorite on television. Randolph was the first African-American performer to star in a regularly scheduled network television show, appearing in DuMont'sThe Laytons. This short-lived program was on the air two months in 1948.

During the 1948-1949 television season, Randolph starred for about a year in her own daytime musical TV program for DuMont,Amanda, which aired Mon-Fridays from 12noon to 12:15pm ET, making her the first African-American woman with her own show on daytime television. Randolph did not settle in California until 1949, when she earned a role in Sidney Poitier's No Way Out. Even though she was working in New York and her younger sister, Lillian, had been working in Hollywood for some time, newspapers often got the two sisters mixed up, doing a story on Amanda but with a photo of Lillian and vice versa. She then became a regular on the top early black TV show of the decade, Amos 'n' Andy, as Sapphire's mother, Ramona Smith, from 1951 to 1953; she also played the same role for the show's radio version from 1951 to 1954.

Randolph then began working with her sister, Lillian, who played Madame Queen on the radio and television shows. She was the star and titular character in Beulah from 1953 to 1954, assuming the role from Lillian. Randolph also did some work for CBS Radio Workshop in 1956, playing the role of the folk heroine Annie Christmas in The Legend of Annie Christmas.

Randolph had a recurring role as Louise the Maid on CBS's The Danny Thomas Show and appeared in the show's 1967 reunion program, which aired shortly after her death. She guest-starred on the NBC anthology series, The Barbara Stanwyck Show. In 1955, Amanda opened a restaurant in Los Angeles called "Mama's Place", where she did the cooking.

Despite all her film and television work, Randolph found herself slightly short of the requirements for a much-needed Screen Actors Guild pension at the age of 70; both sisters struggled for roles in the late 1930s. A role was written for her to gain eligibility.

Personal life

Randolph married Arthur Sherman in Cincinnati on September 12, 1918, by Rev. James Parkhurst Foote (1878–1949), minister of Zion Methodist Episcopal Church. They later divorced.

Her second marriage was to Harry Hansberry sometime after 1940. Hansberry was the owner of the "Hansberry's Clam House" (aka "Edith's Clam House") at 146 West 133rd Street, New York City's most famous gay speakeasy in Harlem, The couple had two children before separating. They were estranged when Hansberry died of a heart attack in 1961.

Death

Randolph died of a stroke in Duarte, California, on August 24, 1967, aged 70. She is survived by a son, Joseph, and a daughter, Evelyn. She is interred at Forest Lawn Memorial Park in the Hollywood Hills beside her sister, Lillian.

http://wikipedia.thetimetube.com/?q=Amanda+Randolph&lang=en

[universomovie]

To Sir, with Love • Theme Song • Lulu

To Sir, with Love • Theme Song • Lulu

Soundtrack from the 1967, James Clavell film “To Sir, with Love” with Sidney Poitier, Judy Geeson, Christian Roberts, Suzy Kendall, Lulu, Ann Bell, Geoffrey Bayldon .

[plusorminuscongress]

Mystery Photo Contest — Recognize These Faces?

Mystery Photo Contest — Recognize These Faces? By Neely Tucker Published April 29, 2020 at 08:45AM

Cary O’Dell at the Library’s National Recording Registry is the maestro of our ever-popular Mystery Photo Contest. He’s back with another round, featuring some of Hollywood’s not-so-famous faces. 

At the Library, we don’t give up!

We have had some successes with our ever-popular Mystery Photo Contest and we’re back for more.  Regular readers might recall that we recently identified faces that had stumped us for years: actresses Esther Anderson and Cynthia Lynn.

The hiding-in-plain-sight factor can drive you nuts. Both actresses had long careers. Anderson, a Jamaican model, actress and filmmaker, was hardly an unknown. She once starred opposite Sidney Poitier in “A Warm December” in 1973. She filmed Bob Marley and the Wailers’ first rehearsal and years later made an award-winning documentary about it. In 2007, the BBC dubbed her the “Caribbean’s first lady of film and music.”

Lynn, meanwhile, had played recurring or guest spots on television shows during the ’60s and ’70s, most notably on “Hogan’s Heroes” in its first season. And still, it took us four years to identify her in a publicity still.

So, once again, we are asking for your help.

To review: The following photos were found within a much larger collection of film, TV and music stills.  So far, all the photos we have been able to identify have been related to one of those fields, so we assume these do, too.

Several of these, faithful readers will recognize, are repeats from earlier panels, because we haven’t found the magic key yet. We’re displaying them in a larger format this time around in hopes that might prompt a stray memory.

As always, we’ll investigate any reasonable guesses.

MANY THANKS! AND STAY WELL!

1.)

1.) Well now. A singing group? Acrobats? Something else all together?

  2.)

#2. We thought that this pinup was Kitten Natividad. The actress, now 73, says it’s not her.  

3.)

3.) We don’t know who these men are alone or together. (Bear in mind that they might be behind-the-scenes talent.)

4.)

4.) Please note that this is NOT Karen Valentine, NOT Judy Strangis, and NOT British star Suzy Mandel.  (We’ve already checked with them all.)

5.)

5.) A young Thomas Jane has been a popular guess for this gent but, according to his manager, it is NOT him.  Any guesses?

6.)

6.) This might be from a film or documentary. Recognize this woman or the mural behind her?

Subscribe to the blog— it’s free! — and the largest library in world history will send cool stories straight to your inbox.

Read more on https://loc.gov

[filmswithcal-blog]

To Sir, with Love

For our last movie, we watched the British drama filmed in 1967, “To Sir, with Love”. My mom watched it with us because it had been her favourite movie as a kid. It starred Sidney Poitier (as Mark Thackeray)  and featured Christian Roberts, Judy Geeson, Suzy Kendall and singer Lulu making her film debut. The film focuses on the social and racial issues in the inner city of London, where Mark gets a job as a teacher with disobedient teenagers. The students act very rebellious and defiant at the beginning of the movie and Mr. Thackery is not aloud to use any methods of physical punishment even though at that time when this movie was filmed, that was quite common. The school didn’t allow this because most or all the students came from unhealthy homes with aggressive families, therefore they wanted the school to be a place where the kids could escape and feel safe. This meant Mark had to find ways to reach the disrespectful students and get them to respect him. He did this by telling the students how it was and treated them with respect in return for the same. He taught them life lessons and skills they would need to know to live on their own as an adult since they were graduate students. By the end of the movie he had gained not only the students respect but also the respect his fellow colleagues which was a big feat being the only teacher of colour at the school.

I really enjoyed this movie and I thought it portrayed a very realistic and relevant story on how Thackery would have struggled in the new and challenging job. I also thought the characters were very well thought out and the actors did a very good job portraying those characters. My grandpa on the other hand did not seem to enjoy it as much. He kept getting distracted and I think it was hard for him to understand their accents so he ended up going on his computer for a while which was fine cause my mom was there to watch it with me. I felt a little bad though because I wanted our last movie to be one he enjoyed. 

[marianajacqueline45]

Ayer cumplio años Suzi Quatro 67 años es una cantautora, bajista y actriz estadounidense-británica, la primera mujer bajista que se convirtió en una estrella de rock importante, lo que rompió una barrera para que las mujeres participaran en el rock. En la década de 1970, Quatro tuvo una cadena de éxitos que tuvieron más éxito en Europa y Australia que en su tierra natal. Sin embargo, tras un papel recurrente como la bajista "Leather Tuscadero" en la popular serie norteamericana Happy Days en 1977 y su dúo «Stumblin' In» con Chris Norman, que alcanzó el número 4 en Estados Unidos en 1979, se hizo famosa para el gran público norteamericano. Entre 1973 y 1980, Quatro recibió seis Bravo Otto. En 2010, ella fue votada en el Salón de la Fama del Rock de Míchigan. Ha vendido más de 50 millones de discos, y continúa tocando en vivo en todo el mundo. Su más reciente álbum se lanzó en el 2011, y sigue presentando nuevos programas de radio; cumpliría años Tony Curtis ( 1925 -2010) fue un actor de cine estadounidense. Célebre por su físico de galán y su acento típicamente neoyorquino, su nombre quedará ligado a su interpretación en Con faldas y a lo loco (1959) con Jack Lemmon y Marilyn Monroe, si bien cuenta con una extensa carrera al haber actuado en más de cien películas desde el año 1949 hasta 2008. Considerado en sus principios como un joven apuesto sin más, el actor acabó demostrando su talento en films de la talla de Chantaje en Broadway (The Sweet Smell of Success) con Burt Lancaster y en su papel de un prófugo encadenado a Sidney Poitier en Fugitivos (The Defiant Ones) que le valió una nominación a los Óscar. Su historial incluye otros títulos tan recordados como Espartaco de Stanley Kubrick, Trapecio de Carol Reed, Los vikingos y El estrangulador de Boston de Richard Fleischer, Operación Pacífico de Blake Edwards, El último magnate de Elia Kazan, El espejo roto de Guy Hamilton y La semilla del diablo de Roman Polanski (donde solo puso su voz). Curtis también ha rodado para televisión, en especial con Roger Moore en la serie The Persuaders!, y en McCoy. También prestó su voz al personaje invitado de «Stony Curtis» en Los Picapiedra. Desde principios de los años 1980, Curtis tenía una segunda carrera como pintor. Residió los últimos años de su vida en Las Vegas. Curtis tiene su estrella en el paseo de la fama de Hollywood en el Hollywood Boulevard y fue nombrado Caballero de la Orden de las Artes y las Letras (Chevalier des Arts et des Lettres) en 1995 en Francia. Falleció el 29 de septiembre de 2010, a los 85 años, a causa de un ataque al corazón, en su residencia de Las Vegas; se cumplió 16 años de la muerte de Anthony Quinn (1915 -2001) fue un actor, director y productor mexicano-estadounidense de cine, además de ser escultor y pintor. Recibió múltiples galardones, entre ellos dos Óscar; se cumplió 1 años de la muerte de Muhammad Ali ( 1942 -2016) fue un boxeador estadounidense, considerado el mejor de todos los tiempos, o uno de los más destacados. Fue una figura social de enorme influencia en su generación, en la política y en las luchas sociales o humanitarias a favor de los afroamericanos y del islam. En su etapa amateur, logró la medalla de oro en los Juegos Olímpicos de Roma 1960 y, como profesional, ganó el título de campeón indiscutido de la categoría de los pesos pesados en 1964 a la edad de veintidós años, el cual recobraría diez años después. En 1978, consiguió otro cetro de campeón, lo que le convirtió en el primer boxeador en ostentar en tres ocasiones un título mundial en dicha categoría. Se caracterizó por su estilo de boxeo alejado de la técnica tradicional, aunque era un conocedor del deporte y de sus contrincantes. Fue dirigido la mayor parte de su carrera por el entrenador Angelo Dundee, y sostuvo memorables combates contra los más renombrados pugilistas de su tiempo, como Sonny Liston, Joe Frazier, George Foreman y Ken Norton. Seis de sus peleas han sido consideradas como las mejores del año por la revista The Ring. Vertía tanto opiniones claramente irreverentes sobre sus oponentes, como acertados pronósticos de sus contiendas. Fuera del cuadrilátero, Muhammad Ali se erigió como una figura con influencia social desde los años 1960 cuando se opuso a su reclutamiento por parte de las fuerzas armadas de su país durante la guerra de Vietnam. Se declaró objetor de conciencia, pese al rechazo de los defensores del nacionalismo estadounidense. Formó parte de la organización religiosa de la Nación del Islam y, aunque se ganó detractores por su conducta independiente de los estereotipos sobre los afroamericanos, a partir de los años 1970 consiguió el respeto como figura deportiva de renombre mundial, en especial tras su pelea contra George Foreman.En el ocaso de su carrera, empezó a dar muestras de desgaste físico; después de su retiro padeció la enfermedad de Parkinson. Entre numerosos reconocimientos recibió la Medalla Presidencial de la Libertad; el ingreso al Salón Internacional de la Fama del Boxeo; el título de «Rey del Boxeo» por parte del Consejo Mundial de Boxeo; y «Deportista del Siglo XX» por Sports Illustrated y la BBC, entre otros; se cumple 8 años de la muerte de David Carradine (1936 -2009) fue un actor estadounidense, célebre principalmente por su trabajo en la serie de televisión Kung fu y más recientemente en la película Kill Bill; se cumplió 7 años de la muerte de Rue McClanahan (1934 - 2010)  fue una actriz estadounidense. Es conocida por su papel Blanche Devereaux en la popularísima serie Las chicas de oro, que interpretó entre 1985 y 1992 y que le valió un Premio Emmy, además de otras tres nominaciones. Entre 1992 y 1993, participó, junto a Betty White y Estelle Getty en The Golden Palace, un spin-off fallido de Las chicas de oro. En 1997 se publicó su autobiografía: My First Five Husbands. El 3 de junio de 2010 murió cerca de la una de la madrugada a causa de un derrame cerebral masivo, según consignó su mánager, Barbara Lawrence. Según consigna la representante de la actriz en la revista People, McClanahan había sufrido una apoplejía menor derivada de las complicaciones de una cirugía de bypass, dos semanas antes de su muerte.

[eyeliketwowatch]

To Sir, with Love - Mod Brit ‘Blackboard Jungle’

I remember watching this one on television when I was still in middle school, and it being a big sensation among the students the next day at school. I barely remember it aside from the theme song and the weird mixture of black american schoolteacher and cockney rebellious students. I imagine it was an attempt to cash in on the whole ‘London Invasion’ around the time of the late sixties.

2.5 stars out of 5

Released 1967, First Viewing May 1974

[doomonfilm]

Screenings : To Sir, with Love (1967)

Alamo Drafthouse definitely has the new releases and obscure cinema on lock, but every once in a while they hit us Victory Rewards members with bonafide classics.  I’m a sucker for a good classic movie, and the last notification I got was for one that holds a place near and dear to my heart : To Sir, with Love. 

Engineer Mark Thackeray (Sidney Poitier) takes an interim teaching position at the North Quay Secondary School in London’s East End while waiting for word on a job he has applied for.  The school, known for taking on troubled, last chance youth rejected from other schools, is notorious for putting teacher through the ringer, and Thackeray, in the eyes of the students, is just the next in line to receive the treatment.  The kids do their best to try Thackeray’s patience, and he does all that he can to hold without breaking, but like any normal man pushed to his limit he eventually hits a breaking point.  Upset with himself, Thackeray decides to take a different approach, relating to the young men and women with respect while serving as both a sounding board and a safe place for them.  The transition is not smooth, but eventually, after a series of moving events, he breaks through, forcing him to make one of the most difficult decisions of his life.

There really isn’t a better film out there in terms of illustrating the importance of relationships, patience, and respect.  Thackeray and the young adults that make up his class could not be from further ends of the spectrum... Thackeray’s British-Guyana origins, California education and overall style fly in the face of what Denham (Christian Roberts), Pamela Dare (Judy Geeson), Babs (Lulu) and the rest of the students understand about life and adulthood.  The kids’ irreverence, long hair, mini-skirts, leather jackets and sunglasses are all fascinating to Thackeray in the way that they make it harder for him to make a proper connection with the class.  It is only through showing them the world (and attempting to show them their place in it) that real progress is made.

The film also handles many key issues without preaching or doing it in a heavy handed manner.  Be it Theo Weston (Geoffrey Bayldon) or one of the students, Thackeray is often reminded of what many think about his race.  Class is a constant issue, with many of the students missing class due to reasons such as births in the family, jobs, chores, and even parental deaths.  Sexuality may be the issue that ‘forces’ viewers to pay it the most attention due to the dancing, Pamela’s attraction to Thackeray, the prank that the young ladies play on Thackeray, and even an admirer in the form of fellow teacher Gillian Blanchard (Suzy Kendall).  Abuse is even touched on in the form of Seales (Anthony Villaroel) (and his relationship with his father), or even the symbiotic abuse that flows between the students and the staff.

The 1960′s Swinging London aesthetic is on full, glorius display via the students the film focuses on.  All of the ladies are decked out in amazing skirts, blouses, dresses and suits that many of my women friends would kill to own.  The guys are decked out in torn jeans and leather jackets, looking like they were ripped straight off of the punk rock album covers that they eventually influenced.  Thackeray and Blanchard are decked out in some adult contemporary sharpness of their own.  The soundtrack gives the film a wonderful energy, carrying viewers out of the heavier parts and allowing moments to relax.  The slang used by both the students and their parents is rich, textured, and entertaining as repeated viewings allow deeper understanding.  The presentation of the East End is treated with respect and chock full of beauty within its run-down existence.

Sidney Poitier brings a huge level of class and style to the proceedings, emoting an honesty and respect that radiates outside of the boundaries of the film.  Judy Geeson is charming, bringing a balance of teenage cuteness and ladylike magnetism as she navigates her way through on-screen maturity.  Suzy Kendall provides a nice balance against Poitier’s composure, with her fear and curiosity shining boldly.  Lulu also brings the charm at maximum capacity, letting her singing prowess match her comedic prowess.  Christian Roberts plays the troublemaker with no hope to a tee, making his eventual understanding and growth that much more rewarding.  Chris Chittell steals more than a handful of scenes with his strong presence and intense looks.  Geoffrey Bayldon, Anthony Villaroael, Gareth Robinson, Lynne Sue Moon, The Mindbenders and the rest of the young cast all stand out, while RIta Webb, Ann Bell, and the rest of the adult cast bring a scene of real world adult frustration to the mix.

Every time the class presents Thackeray with the gift at the end of the film, the waterworks start up.  I cherish that as a testament to the power of this film, and the impression it leaves in regards to believing in people (even when they don’t believe in you).

[ilovetvshowscharacters]

S

Sadie Calvano

Sadie Sink

Sakina Jaffrey

Sally Phillips

Sally Struthers

Samantha Smith

Samira Wiley

Sandra Oh

Saniyya Sidney

Sara Canning

Sara Ramirez

Sarah Baker

Sarah Chalke

Sarah Drew

Sarah Michelle Gellar

Sarah Hyland

Sarah Jeffery

Sarah Kants

Sarah Lancaster

Sarah Paulson

Sarah Rafferty

Sarah Shahi

Sarah Wayne Callies

Sasha Alexander

Sasha Pieterse

Saycon Sengbloh

Scarlett Estevez

Sela Ward

Selenis Leyva

Serayah McNeill

Serinda Swan

Seychelle Gabriel

Shalita Grant

Shannen Doherty

Shanola Hampton

Sharon Gless

Sharon Lawrence

Sharon Leal

Shaunette Renée Wilson

Shay Mitchell

Shelley Hennig

Shelly Cole

Sheridan Pierce

Sherilyn Fenn

Shiri Appleby

Shohreh Aghdashloo

Sian Clifford

Sierra McClain

Sigourney Weaver

Simone Missick

Skyler Samuels

Sofia Carson

Sofia Pernas

Sofia Vergara

Sonequa Martin-Green

Sonya Walger

Sophia Bush

Sophia Garcia-Frizzi

Sophia Walker

Sophie Turner

Stana Katic

Stefania Spampinato

Stella Maeve

Stephanie Beatriz

Stephanie Belding

Stephanie Bennett

Stephanie Faracy

Stephanie Leonidas

Stephanie March

Summer Bishil

Summer Fontana

Summer Glau

Sunnie Pelant

Sura Harris

Susan Lucci

Susan Sullivan

Susan Kelechi Watson

Suzy Nakamura

Swoosie Kurtz

Sydelle Noel

Sydney Meyer

Sydney Morton

Sydney Park

Sydney Tamiia Poitier

T

Ta’Rhonda Jones

Tabrett Bethell

Taissa Farmiga

Tala Ashe

Tamala Jones

Tamara Taylor

Tamlyn Tomita

Tammin Sursok

Tammy Lynn Michaels

Tanaya Beatty

Tania Raymonde

Taraji P. Henson

Taryn Manning

Tati Gabrielle

Tatiana Maslany

Tatyana Ali

Taylor Schilling

Teagan Croft

Teal Redmann

Teilor Grubbs

Teresa Palmer

Teri Hatcher

Thandie Newton

Tia Carrere

Tiffani Thiessen

Tina Desai

Tina Fey

Tina Majorino

Torrey De Vitto

Tracee Ellis Ross

Tracie Thoms

Tracy Spiridakos

Tricia Helfer

Tristin Mays

Troian Bellisario

Tuppence Middleton

[los1001discos-blog]

14th April 1967: A collection of winter fashions by Ossie Clark and Alice Pollock, on display in a London street. From left to right, Linda Keith wears 'Oz', a snakeskin suit with short jacket and flared skirt; Chrissie Shrimpton wears 'Little Louis Angel', a cream silk party dress; Suki Poitier wears 'Boogie-Woogie', a silk Levy suit; and Annie Sabroux wears 'Hipster', a studded leather jacket with a zip-up front and cuffs. (Photo by Ron Case/Keystone/Getty Images)