#sure Cronos is pissed because his pal Origin suffers etc etc miasma and reincarnation cycle
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randomnameless · 1 year ago
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Just wanted to say I was going to be dropping a thing comparing Tales of Symphonia's handling of Racism compared to FE:Tellius, but then it kinda hit like a ton of bricks that Tellius has no leg to stand on. It may have some, despite being in general a normal "Purple" story, where "oh no oppressed babies, so racism bad". (Where yes, Laguz once, long ago, so not really relevant at all, were the oppressors)... but then Tellius actually has a not-so-well hidden "Racism GOOD, actually" message because of the Laguz losing what makes them Laguz thing that just turns the whole thing into a clusterfuck. Thanks for pointing that out. I mean, Radiant Dawn isn't well written (The complaints levied back in 2007 and 2008 are still valid! Time doesn't change quality of writing!) but yeah. Because as far as handling the topic of racism, Symphonia against Tellius already was Hydrogen Bomb vs Crying Baby (Because Symphonia wasn't a simple purple story-- instead the main villain was of the oppressed minority and was actively racist himself), but that makes it even more poignant.
I liked Symphonia's take on racism (even if Mithos is imo treated with sugar tongs), but Tales's storywriting has always been better than FE in general...
I haven't played the recent entries (ToX2 was my last!) but even in Xillia the issue was sort of the same, even if I love Gilland (Alvin's uncle?) going all "it wasn't me" to Milla who accused him of, well, what Elympios had been doing for the past several centuries that made Maxwell say "nope" and create Rieze Maxia.
(But then Xillia's ending is bullocks, apparently the cast (including Milla!) is okay with letting spirits dies because Jude will develop one day tech that doesn't need them to die, and in the meantime, well, it's just too bad for them I guess)
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