#supporting female character

[atomicjellyb3an]

Arcane season 2

im sorry but she looks so good

i support women’s rights AND wrongs

[thatlotuscookie]

Mikey from Tokyo Revengers please. Maybe where the reader is the only one who can calm him down when he's having a bad day or feeling overwhelmed, but she doesn’t realize how much it means to him?

✧･ﾟ: a/n : to the lovely anon who requested this—thank you! Mikey’s the type of character who hides his emotions well, but I can totally see him seeking comfort in someone who brings normalcy into his chaotic life. I hope this hits all the right feels for you! I listened to Understand by Keshi the whole time and AGHH brought me into the feels.

✧ Title: ✧ The Weight Of Everything ✧ ✧ Characters: Mikey (Manjiro Sano) x Reader (Fem!Reader) ✧ Genre: Angst, Hurt/Comfort, Romance ✧ Rating: T ✧ Summary: Mikey carries burdens that no one else can truly understand. On days when everything feels like it’s falling apart, your presence becomes his only source of calm. But when Mikey realizes just how much you mean to him, he's left wondering if there's a chance for something more. ✧ Content/Tags: Emotional vulnerability, Mentions of stress/burnout, Angst, Slow Burn, Vulnerability, Pining, Emotional Support, Confession ✧ WC: 1323 words // 7470 chars

Mikey was used to handling things alone.

Being the leader of Toman came with burdens that no one else could truly understand. The pressure of making decisions, keeping his friends safe, staying strong for everyone—it was a constant weight on his shoulders. Most days, he carried it without complaint, hiding his exhaustion behind that calm, almost childlike demeanor he was known for.

But there were days when it all became too much. Days like today, when even the smallest frustrations piled up until they became overwhelming, leaving him on the verge of snapping.

Mikey sat at the edge of the rundown rooftop, his legs dangling over the side as he stared blankly at the horizon. The sun was setting, casting long shadows across the city, but he couldn’t bring himself to appreciate the beauty of it. His mind was racing, his heart heavy with unspoken thoughts.

It was one of those days.

He’d been distant with the gang, unusually quiet, and though his friends had noticed, none of them dared to ask what was wrong. They knew better than to pry when Mikey was in one of his moods. Only Draken had given him a look, that knowing expression that said he understood—but even he hadn’t tried to approach.

Mikey preferred it that way. He didn’t want to be asked how he was feeling. He didn’t want to explain. He just wanted… to escape.

And that’s where you came in.

You weren’t a member of Toman, not in the traditional sense, but you’d been around long enough to be considered part of the family. You were close to the core group, though you never really saw yourself as anyone particularly important. You were just… there. Someone who offered a kind smile, someone who listened, someone who brought a sense of normalcy to their otherwise chaotic lives.

Unbeknownst to you, that normalcy had become something Mikey craved more than he would ever admit.

You spotted him sitting alone on the rooftop when you went looking for him. The others had mentioned his unusual behavior today, and while they didn’t seem too worried, you couldn’t help but feel concerned. Something about his silence had struck you as different, more unsettling than usual.

“Mikey?”

Your voice was soft as you approached, not wanting to startle him. He didn’t turn to look at you, but his shoulders relaxed ever so slightly at the sound of your voice.

Without waiting for an invitation, you sat down beside him, careful to leave a little space between you. The cool breeze tugged at your hair, and for a moment, neither of you spoke.

You glanced at him, noting the way his eyes were fixated on the horizon, distant and unfocused. “You okay?”

Mikey didn’t respond right away. He wasn’t sure how to explain what he was feeling—not even to himself. Instead, he shrugged, a small, almost imperceptible movement.

You weren’t surprised by his silence. He had always been a man of few words when it came to his emotions, and you’d long since learned that pushing him for answers wasn’t the way to go. So, you sat quietly beside him, your presence calm and steady.

After a few minutes, you sighed softly and leaned back, resting your hands behind you. “You know,” you began casually, your tone light, “sometimes I just come up here to watch the sunset when I’ve had a bad day. It’s kinda nice, isn’t it?”

Mikey’s gaze flickered to you for the first time since you’d arrived, his expression unreadable. He didn’t respond, but the tension in his posture eased just a little more.

You smiled, more to yourself than to him. “Yeah. It’s peaceful up here. Like nothing else matters.”

He remained quiet, but you didn’t mind. There was something about just sitting with him, even in silence, that felt… right. You didn’t need to fill the space with meaningless words. Sometimes, just being there was enough.

Minutes ticked by, and the sky shifted from orange to pink, then deep purple. The world around you seemed to grow quieter, and you found yourself relaxing more, the weight of the day lifting from your own shoulders.

Mikey, on the other hand, was watching you now. He didn’t know when it had happened, but at some point, your mere presence had become something he relied on. Something that grounded him when everything else felt like it was slipping through his fingers. You never asked for anything, never expected him to explain himself or act a certain way around you. You just… were. And that simple fact had become his lifeline.

He shifted slightly, moving closer to you, though he made sure not to draw attention to it. He didn’t want you to think too much of it—not yet, at least.

You turned your head, catching his movement, and smiled at him, though you didn’t comment on the fact that he was now sitting a little closer than before.

“Thanks,” he muttered suddenly, his voice barely above a whisper.

You blinked, surprised by the suddenness of his words. “For what?”

“For… this.” His eyes were still on the horizon, but his voice was softer than you’d ever heard it. “For just… being here.”

Your heart warmed at his words, but you shrugged it off, trying to keep things light. “Hey, that’s what friends are for, right?”

Friends. That word stung more than Mikey had expected it to. Was that all you thought you were? Just friends?

He didn’t respond, but the silence that followed was different this time—more charged, more significant. You felt it too, though you weren’t sure why. There was something in the way he was looking at you now, something in the air between you that made your pulse quicken.

Before you could say anything else, Mikey spoke again, his voice low and almost hesitant. “You don’t… even realize, do you?”

You frowned slightly, confused. “Realize what?”

“How much this means to me.” His gaze finally met yours, and the vulnerability in his eyes took your breath away. “How much you mean to me.”

Your heart skipped a beat, and for a moment, you were at a loss for words. You had never seen Mikey like this—so open, so raw. It was like the walls he had spent so long building around himself were starting to crack, just enough for you to see what lay beneath.

“I…” You struggled to find the right words, unsure of how to respond.

Mikey sighed, his usual confident demeanor faltering as he ran a hand through his hair. “I don’t know how to say this without sounding like an idiot, but… you’re the only one who can calm me down. When everything feels like it’s falling apart, you’re the only thing that keeps me from losing it.”

His confession hit you like a wave, and suddenly, everything made sense. The way he always seemed to seek you out, the way he relaxed whenever you were around. It wasn’t just coincidence. It was because you had become something more to him—something that went beyond friendship.

“I didn’t know…” you whispered, your voice barely audible. “I didn’t know I meant that much to you.”

Mikey smiled, though it was small and a little sad. “Yeah, well… I didn’t realize it either, until now.”

The silence that followed was thick with unspoken feelings, and you weren’t sure what to say. Your heart was racing, your mind spinning, but one thing was clear: Mikey needed you, in a way that no one else did. And maybe, just maybe, you needed him too.

Slowly, you reached out, your hand brushing against his. “I’m here,” you said softly. “Whenever you need me.”

Mikey’s fingers curled around yours, his grip firm yet gentle. For the first time in what felt like forever, the weight on his shoulders lifted, just a little.

And for the first time, he allowed himself to hope—for something more, for something real.

[magavont]

Fruk Fanart

Please consider supporting me if you like my work, thank you, I love you all. - Makku ♥︎

[click for better image quality]

[prismagic]

Commission for @ridaine!!

[silverwhittlingknife]

The Bats Are Fighting (Distaff Edition)

some conflicts I enjoy:

Babs is pretty hostile/judgy toward Helena at first & is bitterly upset and hurt when Helena starts wearing a Bat costume - apparently a Batgirl costume - without asking her. Later on, Bruce chases Helena out of the costume, and Babs gives Cass the Batgirl costume with her explicit blessing. Helena and Cass never have a rivalry over this exactly, but I don't think they ever really get along, either

Babs and Helena eventually make up when Babs lets Helena join the Birds of Prey but it's rocky in the beginning - Babs dislikes Helena's methods and doesn't entirely trust her; Helena resents being kept on the outside

Steph is super-impressed by Cass and tries to get her to like her and they eventually get close, but Cass has a pretty low opinion of Steph-as-a-vigilante and doesn't hesitate to boss her around or knock her out, and she's super-hurt by Steph lying to her about what's going on during War Games (probably not unrelated: Cass is the only Bat to blame Steph instead of Bruce after Steph dies)

Babs and Cass get very close but also have tensions because Babs wants Cass to have the 'normal' life that Babs thinks she should've tried harder to have when she was younger, and Cass isn't entirely comfortable with this pressure, plus - this one I think is a bit more well-known - Babs spends a lot of time tutoring Cass and looking after her (awww), BUT ALSO in a tense moment she gets really nasty and harsh about Cass's reluctance to learn to read and calls her "stupid"

Dinah finds Steph REALLY annoying and wants her to stop tagging around after her... until she finds out about Steph's miserable home life, and then she appears like an avenging angel and kicks Steph's dad and his cronies out of the house

Babs decides to work with a guy who tortured Dinah because she thinks he's capable of redemption and Dinah is NOT HAPPY about it

Just generally, Steph and Helena are very much outsiders who don't get brought into the "core" Batfam and who aren't trusted with info like Bruce's secret identity. By contrast, Babs is an insider almost from Day 1 - she may have conflicts with Bruce, but she's also got his absolute trust - and Dinah is as insider as it gets, with a mom who was also Black Canary and a stint on the JLA

other general characterization notes that cause Conflict (TM):

Babs is pretty much a classic Bat - she's got a ton of control issues and she's an instinctively secretive workaholic

Helena is an adult who will kill people if she damn well feels it's necessary and she doesn't appreciate being lectured about it

Steph is a defensive teenage outsider with a bucketload of family problems - deadbeat evil dad! addict mom! - and when she's upset she's got a reckless self-destructive streak

Cass is very much like Bruce in that 1) she is wildly super mega good at fighting, 2) she's an instinctive loner who's comically bad at people AND YET she can nevertheless effortlessly manage to head off to a foreign country for a weekend and have a passionately-felt mutual love affair with some random criminal or something, and then that person dies & she goes home like nothing happened, 3) she cares about other people but completely sucks at communication & when in doubt will just go silent & take off or refuse to have conversations, 4) because she hates talking sometimes she'll just knock you out or hit you so that she won't have to do it, 5) she will spend an entire year planning to have a fight to the death with someone for Reasons and tell no one about it because why would she tell someone

anyway they're all terrible <3

[rolling-in-guano]

Thinking about Clancy from the 1996 Nightwing run and how she disappeared to go to medical school and reappeared towards the end as a counselor for Nightwing (albeit in the dead of night while he hung out in a tree). Also thinking about how DC has been trying to write stories about the mental health of superheroes (key word trying). Also thinking about how I miss Clancy. They could bring her back, and it would make so much sense.

[fromtheseventhhell]

I love how people are only ever interested in defending Arya's right to be weird-looking. It's never defending her intelligence from people who claim she's incapable of thinking for herself, highlighting her importance to the plot and refusing to see her as just a prop, acknowledging how much of her story gets stolen and given to other characters, talking about her trauma or how often it gets erased and overlooked, seeing her as more than just an attack dog/bodyguard, etc. Nope. It's just a "why can't people let Arya be ugly/unconventional looking? :(" post every other week because people are, for whatever reason, obsessed with how Arya is visually perceived. One of the most misinterpreted characters yet the issue is only ever with her being portrayed as "too pretty" or the wrong "type" of pretty. This fandom will entirely rewrite a character's motivations, values, and role in the story to the point that they consider references to canon "hate" but! The true injustice to canon is we acknowledge that she is described as pretty several times. Arya simply existing as her pretty, important, and non-conforming self is too complex and confusing for people to comprehend 😔.

[alicentflorent]

“Alicent is a woman for trump” and “Sansa is princess brexit” are still the most stupid, out of touch takes that I’ve seen in this fandom

[sukibenders]

Not people talking bad about my girl Helaena just to support Aemond. Like, she had a right to ask him if what he did was worth it because, even if Aegon is atrocious, Aemond is the reason that her son was killed in front of her, the reason that she had to choose which of her children dies, and is the reason why she has to live with that now. While other characters played a part in that, without Aemond killing Luke, Jaehaerys would probably still be there or wouldn't have died in such a cruel way. B&C are sent there to kill Aemond, and when they can't find him they follow through with their next order of "a son for a son". And while Aemond may be smarter and more strategic (and not a disgusting man like Aegon) as prince regent, he is still, as Alicent called out, volatile and brewing with unchecked anger. I wouldn't feel safe having him on the throne just as much as Aegon, but because he served face and is the lesser evil I'm supposed to be okay with it? No, Helaena can question this man as much as she likes, for the rest of her life given what she has to go through. (Also, she literally just asked him a valuable question that deeply needs to be considered, so why are people mad at her?)

[bonefall]

.. opinions on wind runner? i feel like im one of the only ones that genuinely hates her sometimes

If you feel like the only one who genuinely hates her, I think you need to look around more. Wind Runner is a very widely disliked character, because she's often used within the story as a small antagonist who "threatens" the authority of Tall Shadow. Gray Wing dislikes her. Thunder is openly cat-racist to her. She spends several books trying to break through the moor cats' xenophobia to join a group that came to HER LAND.

Then, when Moth Flight is old enough to be a relevant character in Forest Divided, Wind Runner is turned into Yet Another mean mom the very moment Moth displays ADHD. She's contrasted to her mate Gorse Fur, who is a Soft And Good Dad, and ultimately MASSIVELY punished with the harrowing events of Moth Flight's Vision (even though, for most of that book, she's completely right.)

Ask yourself why they're especially harsh on WIND RUNNER for being mean to her child, in the arc with Tom the Fucking Wifebeater and his redemption death, plus Thunder being forced to stop being mad at his abuser Clear Sky, please.

To me, Wind Runner is an intense, ambitious woman who's demonized for it in a way that men just aren't. She's subject to several misogynistic trends within WC, plus a huge helping of xenophobia that goes absolutely unexamined. If DOTC cared at all about women, it would have treated her with the nuance she deserves.

Wind Runner is treated with nearly endless suspicion by Gray Wing through books 1 - 3, while he's bending over backwards to suck Clear Sky's toes.

Her wanting to join the group that came TO HER HOME and being a bit pushy about it earns a stronger reaction from Gray Wing than Clear Sky murdering people.

She's pressured into changing her name "to fit in," and it's still not enough. She wanted to join the group so bad she changed her name, at the request of the Mountain Cats, for a chance of being better accepted

This came after she'd already saved Jagged Peak's life when a burrow collapsed on him. She's plenty trustworthy.

She keeps doing shit to try and prove herself to this group of assholes. Remember Bumble being dragged back to her domestic abuser? Gray Wing interprets this as a power struggle, when WIND RUNNER WAS NOT EVEN PART OF THE GROUP AT THE TIME.

From Wind Runner's POV, she did something that the Moor cats wanted done. It was fucking evil. It was committing violence against another member of the out-group the cats see her as.

But who actually has the power here? Tall Shadow does.

Gray Wing said it himself that she could have come up with some excuse for Bumble to stay, and she didn't. In fact, any cat could have spoken up. No one did.

and still. STILL. Wind Runner gets nothing. Her reward is Gray Wing surmising that actually, her doing their sick dirtywork was a political move.

It's more consistent as a motivation with how Wind Runner wants to join their group. The thing she's been doing.

She only actually gets to join the group after Thunder starts publicly hurling slurs at her for suggesting they need to be ready for Clear Sky to attack them. "What do you know about peace? Last time I was here you were NOTHING BUT A ROGUE WITH A ROGUE'S NAME"

Gray Wing even starts purring when she gives birth, because her ambition goes away briefly and she "stops bossing everyone around." this is treated like a sweet thing. god forbid women retain their personalities when they have kids

She loses her first premature child to a seizure and Gray Wing starts proselytizing his religion to her. "Maybe it's a good thing your weakest child died because Jesus has them now" I want to beat him with a hammer

When her second child gets sick, Clear Sky has a bright idea that involves killing it. I refer to this as his "reverse leper colony" suggestion. He only develops a sense of humanity towards the sick when his brother's pregnant wife is in danger. Wind Runner and her kitten barely seem to clock as people to him.

It's only after her SECOND baby succumbs to a horrible, painful death that she decides the moor cats are assholes, and she goes to start her own group. It's LONG overdue. I was extremely excited to see it.

Now. Listen.

I've been treated just like Moth Flight before. I've practically heard the scolding in Book 6 Chapter 3 verbatim. I'm not downplaying anything about Wind Runner being harsh to her; being yelled at like that never fixed the problem.

What I'm saying is that this is the SAME arc that summons the hollowed-out ghost of Storm to coo that Clear Sky "never drove anyone away" with his abusive behavior and gives Tom the Wifebeater a heroic redemption death.

So why is the scolding from Wind Runner treated as unambiguously harsh? What's the difference between her and them?

Why is it that outside of this little bubble of the community, you can get buried in a flood of people crying about how "Clear Sky made Summisteaks Butt he thought it was the right thing :((( He feels bad about shoving Thunder's face in a weeping, pus-filled wound and trying to kill him :((((" but Wind Runner is mean about Moth Flight not catching a rabbit and she should be skinned alive

Why is WIND RUNNER held responsible for the death of Clear Sky's child in Moth Flight's Vision, WHEN IT WAS COMPLETELY HIS OWN FAULT??

So, why should I hate her? Because she's mean to the idiot protagonists? Because she's Yet Another Bad Mom whose actions ARE treated as Bad in the story, in the arc famous for openly weeping whenever someone's mad at their abusive dad?? When she has this whole horrific, unexamined story about how incredibly bigoted The Settlers are towards her and the extremes she goes to in order to please them?

I'm glad she's mean, actually. She should have been even meaner. I think she should have a gun

[anjasitdown]

After seeing Makima's and Yoru's "bang" and knowing Fujimoto's a huge film buff, I think he got the inspiration from the song Bang Bang in Kill Bill.

And also, Quanxi reminds me of Elle Driver:

[hishighnesstheprincess]

People who call Rouge an "adoptive mom" or "mom friend" or any variation thereupon I am biting and maiming you

[unhinged-prosody]

None of the Disco Elysium female characters are friends, or even supportive of each other much really, and that saddens me quite a bit, really.

[zepskies]

My Patreon is Live!

Hey, friends! If you saw this post from yesterday, you'll know why I decided to start a Patreon! 💖

For $3 a month (or whatever your conversion currency, depending on where you live), you'll be able to get early access to my stories, some fun bonus fics in the future, and hopefully help me decide on the next idea to tackle!

So today at 12 p.m. EST, paid members will get access to Part 7 of Lost on You a whole week early, after Part 6 drops! And they'll continue to get chapters a week early until the end of the series -- hopefully with some other cool bonus content along the way. 😉

To everyone who's supported me and my writing so far, thank you so much! And to those who would like to support me on this next step, I love and appreciate you too! 💕💕

[burr-ell]

I'll preface this by saying that I don't by any means begrudge anyone their own personal headcanons or interpretations, but I kinda have to get it off my chest that I'm personally not very comfortable with significant deviations from canon character design on CR, and I really tend to side-eye people who have declared their fanart to be "better".

And sure, some of that is because i'm a cranky old bastard. But some of that is that I also have an animation degree and have studied character design. Creators generally give artists a fair amount of input as to how they want their designs to connote the characters' personalities—not just in terms of clothing or hairstyle, but in the overall shape of the silhouettes and body structures. And in the case of CR in particular, that's coming from a place of much closer familiarity with the characters because the creator is actually going to be embodying them for a fairly long period of time, so when the fan response is heavy deviation from that, I think it can feed into some unhealthy fanon perceptions and projections.

Like, for example, it's not so much that I think fanartists are "disrespecting the creators" or whatever when they keep giving Imogen a sweet little round face and big hips/breasts and cute circular glasses, but I've also studied shape language in art. You're communicating something when you design her this way; if a character's silhouette has a lot of circles, visually that connotes being friendly, sweet, and cute. The person who first suggested drawing her with glasses explicitly said they thought it would look cute—and no shade to them! They can like whatever they want!

But canonically, Imogen is a woman in her 20s who's been dealing with unanswered questions, abandonment, loneliness, and sheer exhaustion from trying to hold back and control powers that she never asked for—and who simultaneously uses those powers even when it isn't necessary if she thinks it'll help her achieve a goal or prove a point. She isn't unfriendly, and she wants to do the right thing, but she's also someone who's consciously chosen to keep to herself for most of her life, and yet simultaneously she's quite adept at persuading and deceiving people. I think we're meant to pick up that sense of world-weariness and cynicism from her angular facial features and thin frame. That's...kind of just how character design works.

I think the trend of disregarding the official art and giving her softer features has had an impact on the perception of Imogen as a character. I see a lot of views of her that really remove a lot of her agency, treating her like she's only ever been a victim of circumstance who's never put a foot wrong. Some fans got pushback for pointing out that it really wasn't cool for Imogen to openly contemplate whether or not the Ruby Vanguard might be right in front of three people who were killed by Otohan, insisting that imogen was just dealing with a lot right then. And yes, she was, but that doesn't mean that the way she was dealing with it doesn't say something about her as a character. I don't know if I'd call it coddling, necessarily (even though perhaps there are some very coddling takes I just haven't seen), but there seems to be some resistance, in some circles, to the idea that Imogen isn't a put-upon martyr. And in those same circles, round friendly-looking glasses-wearing Imogen abounds, to the point of editing the official art itself to "fix it".

Truth be told I'd be willing to bet that the rounder cuter Imogen actually came about because of the initial impression of her, given how much fanon at the start of c3 revolved around poor baby Imogen with her scary nightmares needing the wiser, worldlier Laudna to comfort her and kiss it better, but those visuals also proliferated rather quickly and well beyond past the point where that fanon was feasible anymore, and I think both aspects of that fanon ended up informing each other. It's not lost on me that the rounder and cuter-looking Imogen performs the literal function of sanding down her harder edges.

And like I said, I'm not here to be needlessly negative toward what other people want to do. If you want to draw the characters differently to their official art, I don't think either the cast or the artist are especially offended by it. But I personally dislike it, in part because I think some of these trends are a way for fans to claim a certain amount of ownership over the characters, whether they intend it or not. And the ultimate outcome of that is that when creators inevitably assert their ownership over a deeply personal story in a way that fans don't like, the backlash is much stronger than it reasonably should be, which is something I think the CR fandom has seen often enough not to continue doing as often as it does.

[silkiipng]

My Limbus Company OC! She's based off the story of the Count of Monte Cristo and used to be a fixer belonging to the 'Shard Office' !