#stravi

[mycrappyrpsideblog]

Deified for Stravi

The goddess of the hunt

Stravi is the archer goddess of hunting and trapping. She watches over hunters, granting them boons of safety and of obtaining enough food to feed their families. She is one of the deities who also watches over and grants her abilities onto animals as well.

Good tributes: Food, leathers, and knives.

[squirrelno2]

When you don't know if you have a job and the job in question starts in a week and you can't write your novel or your fanfictions because your files are inexplicably corrupted and you live alone over an hour from everyone in your life (if not significantly more) and your brain doesn't even have the decency to hang on to your most recent hyperfixation

If you have ever wondered anything about anything I've made please please tell me I'm losing my mind and can no longer distract myself without help

[amoguseniya]

tohle se uprimne bojim dat na Reddit, protoze tam by se mi v komentarich najednou objevila cela populace Krestanu a homofobu v Cesku, ale ja to fakt nechapu.

proc mame KURVA od pristiho roku tuhle dementni legalizovanou diskriminaci jmenem "PARTNERSTVI". jako fakt dik. odendali jste tu "registrovanou" cast, coz pusobi jako registrace na nejakym rejstriku Untermenschu, a pridali par prav, ktera v tom mela byt odjakziva. ale ne a ne tomu rict MANZELSTVI (protoze neco neco tradice, JSME ATEISTICKY STAT VY DEBILOVE, PROC SE MUSIME PODROBIT KRESTANUM) a povolit spolecnou adopci deti (TO CO CHTELI LIDI NEJVIC).

nenavidim vsechny konzervativce a panbickare, jejichz ochrana "tradicni rodiny" primo zpusobuje, ze vic deti stravi detstvi v decacich, protoze to, ze by mely dve maminky nebo dva tatinky je podle nich horsi????????

homosexualove v Cesku maji byt spokojeni s tim, co dostavaji? maji vetsinu prav, tak je to v pohode?

co kdyby se to aplikovalo jinde? co kdyby existovalo "volebni pravo" a "volebni pravo pro zeny", kde muzi by mohli volit vsude, a zeny take, jen by nemohly volit prezidenta. je to fer? prece volebni pravo je tradicne jen pro muze. ale je to spatne, protoze je to diskriminace na zaklade pohlavi. na zaklade toho taky diskriminuje tahle saskarna jmenen "partnerstvi".

je to MANZELSTVI. NIC MIN NENI ROVNOPRAVNOST. BIBLE JE FIKTIVNI DILO A INSPIROVAT JIM JAKOUKOLIV LEGISLATIVU JE SILENSTVI. JE MI JEDNO, ZE TO DOSLOVNE NEVYCHAZI Z BIBLE. DISKRIMINACI PODPORUJE TA ODPORNA KRESTANSKA STRANA, VIME, ODKUD TO POCHAZI, I KDYZ TO EXPLICITNE NERIKATE.

[gremlin-box]

Fun Fact:

Stravi once proposed to Vern and got turned down

[gittessimsadventuresog]

Ok but I just found out about this CAS lighting mod by @criisolate and absolutely love it, like, damn. Soo smooth, even, pure focus on features. Unfortunately Flo's 8-pack kinda disappears but whoops there it is again when turning them around.

Also Florian 100% follows some curly/wavy hair method (their hair just has to grow out a bit more for them to have that hairstyle). Faroald does not. Faroald doesn't care about his looks and is too busy being suspicious on the graveyard talking to the ghost of Florian's evil grandfather or some shirt, and just brushes his hair creating frizzy stravy hair. I can say that, my own hair is frizzy stravy.

[hello-from-nrc-infirmary]

Vern's Hometown: Centennial Celebration

Book 3: Dance of the Hours

Prev. [1] [2]

Chapter 3: Memories and Daydreams

His feet start moving before he could think. Not daring to look away from their locked gazes. Meeting half-way, Vern can see the blot Steel has smeared on his face. He takes out a handkerchief to try wiping the inky substance away.

“Hey, you don’t have to do that,” Steel smiles, “I’m glad I found you, though.”

The spring sprite tilts his head, “do… h-have we met?”

“Er.. yeah, we have,” Steel’s eyes widen as he takes a step back. Why doesn’t he… when are we?!

“O-oh…” he hesitates, head tilting, “I’m sorry, I don’t remember, but… umm…”

Vern stumbles forward slightly and glances down with a small giggle, “Lux… what are you doing?”

Steel raises a brow as the emerald-eyed child peeks around at him with a sharp glare. Great, a kid. The small orb with him instantly zips out of sight. Vern only giggles at the child’s insistent tugs and lifts her up, resting her on his hip.

“I’m sorry, she’s not usually this umm… nervous,” he smiles apologetically, “um… why don’t you join us?”

He glances at the picnic blanket, and Vern’s friends, before looking back to Vern, “if you want, yeah.”

The sprite only giggles before gently grabbing his wrist. Bandages flash around his fingers, before vanishing. Steel notices, saying nothing as he follows Vern. Huh. His hands are… normal?

“I’m so sorry, Vern! She darted over before I could stop her!”

He giggles softly while setting Lux down, “it’s alright. She was probably a little ummm… disoriented.”

Gin slowly looks Steel over, “hey~ name’s Gin, like the drink.”

“..Steel,” he hesitates before taking Vern’s lead to sit.

“I’m Sasha, this is Franz, and the quiet one over there is Stravi.”

“Hi,” they wave before munching on an eclair, “want one?”

“Sure~”

“Vern?”

The sprite looks up from his conversation with Sasha and smiles, “yes, please. Lux?”

She nods and reaches for two.

“No… only one.”

The child pouts, but puts one back. Blinking, she stares at Steel with crimson eyes. Wait… That’s not right.

“Hey, Vern, quick question.”

Vern looks up to him and nods, “what is it?”

“Her eyes. Are… they supposed to change color?”

“I… don’t know what you umm… mean,” the sprite tilts his head, “they’ve always been um… u-ummm….”

“Do… you not know her eye color?”

Sasha stiffens, “hey! What’s the-“

“-Sh-she has her father’s…” Vern tries, voice wavering. His fingers twitch as he fidgets with them, tears welling in his eyes. “I… I think…”

“You think..?”

The sprite flinches and lifts a hand to his head as dark clouds fill the sky. Progress.. A flicker of guilt makes Steel frown.

“I-I don’t…” he looks down at Lux as her ruby eyes blink to hazel, “remember…?”

Chapter 4: Memories and Disillusion

His head is throbbing. There’s a faint warmth on his cheeks, but the vice-like tightness in his chest is excruciating. A familiar, dark blue fabric catches Vern’s eye. He tilts his head at the handkerchief.

“O-oh umm…”

“You’re crying.”

“Thank you…” Vern tentatively takes it. Gently dabbing his tears away, he hesitates when he holds it back out. Bringing it closer instead, he stares at the white and silver stars embroidery. The sprite traces the delicate stitches with a finger. “This pattern…”

Steel raises a brow, “what about it?”

“I… where did you… umm… get this,” his watery gaze looks to Steel.

“Yo- er,” he sits up straight, “my.. friend. The first one I made after coming to his world”

“It… looks like the one I’m…. but ummm…” he shakes his head and holds it out to Steel, “I haven’t um… finished that one, yet.”

He takes the handkerchief back and lifts Vern’s hand to kiss the back of it. The image of bandages wrapping his arm flickers back. Vern’s eyes widen as it lingers. He’s not sure exactly what his friends are saying around him. It all blurs as his ears ring. Small hands on his arm yanks his attention back. Gasping, he looks at Lux as more tears stream down his face.

“O-oh… I…”

“Vern,” Sasha’s cautious tone cuts in, “you’re here, you’re okay. Don’t think too—“

“—no,” Steel’s voice draws his attention, “think, Vern. I have the handkerchief you’re making.”

Vern squeezes his eyes shut, his throbbing headache turning to a persistent hammering. A icy raindrops start falling around them. He flinches as they hit his skin. Images of green fire and silver hair flash in his mind. It spirals to a flamingo with a rush of wolves, then blue hair and a sinking dread as flames wrap around him.

“Fire…” he mumbles, blinking as he stares at his hands. “This isn’t… I can umm… feel..?”

“Of course you can, it’s just your feet that can’t,” Gin nervously chuckles.

“N-no… I shouldn’t,” Vern absently reaches for Steel, only for Lux to snatch his hand. He stares at her, stomach dropping, “I… I’m so sorry, little one.”

Her eyes widen, their color rapidly cycling through multiple colors. Vern tenderly wipes a tear from her cheek, “I’m sorry I never knew you…”

A choked sob climbs out of his throat as Lux’s image cracks like glass. It shatters into multi-colored butterflies that flutter way.

“Vern, what’s happening?”

He looks up at Sasha and Franz, then to Gin and Stravi while tears stream down his cheeks, “I… I failed all of you… I-I’m so sorry…”

“What do ya’ mean,” Gin moves closer as Vern shakes his head. As the rain fall gets a little heavier, he watches as the water makes his old friends shrink and shift, leaving a ring of mushrooms behind.

“I… I’m um… dreaming… aren’t I,” turning to Steel, he smiles sadly, “on the verge of Deep Sleep, right?”

“Yeah.. you are.”

“I.. I wish you umm… weren’t another dream…”

“I’m not,” Steel lets out a breathy laugh, “I’m right here.”

Song List:

The Nutcracker Suite by Pyotr Ilyich Tchaikovsky

One of These Nights by Eagles

Memory (Reprise) from Cats the Musical (1998)

I know there's like... 3 songs this time lol

Book 1: [1] [2] [3]

Book 2: [1] [2] [3] [4] [5A] [5B] [6] [7]

Book 3: [1] [2] [3] [4] [5] [6]

[ourskiesaboveus]

Hi (: tell me about gods play

okay! it's the project with paya's blessing / the curse

the bulk of the lore was done three years ago and was recorded on a video that now has no audio, so. i'm only going over what i actually solidly have (this is going to be long oops)

there's a world called peripetasmata. kind of. most call it mata, more pious or older folk call it magnam stravi tapetibus pictis (but that's a mouthful and a half). it's a universe that contains countless dimensions within itself, but there are four main dimensions.

simplex timor - basically the tutorial level where everyone starts out. all powers are limited. once you reach a certain level of power, you can leave, but it's harder to return the more powerful you are. even finding it from the outside is difficult, but there have been a few people who have gotten lost who ended up in simplex. it's not actually an independent dimension (it's a part of a larger one), but it's separate and significant enough to be considered one of the main four. there are natural sources of food and water here, but they are scarce.

naturae timor - the larger dimension that simplex is a part of. it's the most populated one, as the people there usually either don't want to bother with leaving or can't navigate between dimensions. it looks like another overgrown Earth, but all naturally growing plants are poisonous. there are ruins of a vague ancient civilization covered in vines. there are patches of fertile land and many pocket realms that hold blessed lands, but it’s a whole dimension so they’re hard to find and often claimed.

ars timor - basically just hell. the dimension with the least people, with a thriving population of firebrands (more on that later) and wild animals with various deadly modifications. most of the dimension is made up of scorched wasteland or glass, with various seemingly man-made structures fused into the ground at an angle. there are settlements and false groves that have sources of food and water.

abyssi timor - a dimension that consists of many floating islands. it is sky and sea in one-- if you fall enough, the air turns thick and cold, and if you swim up enough, the water lightens and warms. it is the most bountiful of the four dimensions, but there are consequently deadlier things that inhabit it. monstrous guardians patrol the void and guard particularly choice islands. there are many temples and religious-looking structures that seem to have been abandoned millennia ago-- many groups end up inhabiting these for the convenience.

so in mata there are powers and magic and all that fancy stuff. the origin of all that are the "gods" of the universe. i am saying "gods" in quotation marks because they are... complicated. not all of them are quite the same thing.

they are called "patrons". why? well, because they grant power to "protégés" in order to increase their own powers. a combination of faith, story, and literal fuel (physical or magical) keeps them running and growing. the proportions vary based on the patron.

there are quite a few, but i'll go over some more plot-relevant or interesting ones

patriarch yaamin / "paya" - a humanoid patron that vaguely resembles an angel, if angels had no eyes and were fully covered in golden ring-like marks.

his followers (who call themselves "the living") view him as a god. this is strange, as no other faction views patrons as true gods-- most are split between seeing them as spirits or as particularly advanced creatures, still as mortal as the rest. the only other patron with a following that views him as god-like intentionally cultivates his image to be so, and even then he can't achieve the level of piety that paya invokes. it's a combination of his gold and white angel imagery along with the fact that he really doesn't interact with humans much

also his didn't cultivate his following on purpose. reverie (another patron, not relevant) did it on a whim, partially as a favor. he could not care less about the living, but he won't actively do anything about them, as they do help him out through their faith.

his protégés don't get any higher level of regard either. in fact, he doesn't even choose them. instead, he plants "shrines" around mata that designate the first person to encounter them as his protégé.

here are the requirements to be paya's protégé:

not already a protégé or sought after by someone else

see above

the reason that this method works out for him is because of his unorthodox way of granting powers to his protégés. while most other patrons see their patronage as some sort of investment in the person, paya doesn't care about the people he grants power to because they aren't supposed to be particularly long lived.

instead of indirectly granting powers via something like a contract, he directly fuses a fragment of his essence with his protégés. this leads to stronger magic overall, but the human body isn't meant to contain that type of power. it takes time to fully process the fragment and completely realize your potential. however, that comes with drawbacks. since paya is obviously stronger than a normal human, as you gain more access to his power, his power gains access to you. your body morphs to become more like his-- gold rings spread across your body starting from your left or right hand (it depends on what you used to touch the shrine, doesn't necessarily need to be the hand) and your eyes lose function and twist. as the process goes on, you experience personality changes, memory loss, decline of finer motor skills. eventually, you become fully taken over and become a mindless beast. they're referred to as "blessed spirits" by the living and "golden" by most other people. they're basically wandering boss monsters that attack anything that doesn't hold part of paya's power and that doesn't visibly outclass them. their presence warps the world, spreading paya's influence and infecting plants and animals with his golden rings. when they die, paya gets that bit of essence back and starts the process over again. paya benefits twofold from this-- he siphons energy from the souls they release and he gains power from his infection being spread.

how powerful the golden are depends on their compatibility with paya's essence. their behaviour depends on mostly the mental strength/state of the person who was infected. they can range to completely bestial and mindless to humanoid with some memories and free will. being golden only means that you've fully adapted to paya's essence-- you're at the peak of your power. the state is variable to an extent. if you keep your mind when you turn golden, you can still lose everything if you stop fighting. you can't get better, only maintain your state or worsen.

paya's protégés often try to isolate themselves from others for obvious reasons, especially later on. there is, however, one group of late-stage protégés (the sunmarked) that band together to protect themselves and others. there are two measures they take to do so.

there is a certain kind of gemstone-- "oryxian gems"-- that delay the adaptation process. (they're part of the influence of another patron.) without them, the process takes about a month to complete, but with them, the process can be slowed by up to five years, depending on when they're first used.

they've developed a technology that kills people as soon as they fully turn golden. there are collars that the sunmarked wear in their final weeks that siphon paya's essence from them and converts it to usable form as soon as it's fully expressed. this kills them, as at this point in the process, their soul and body are too connected to the essence to survive without it. typically, sunmarked go out with a bang by fulfilling a particularly hard task with the enormous amount of power they have before they die

the sunmarked are lead by darren annin, a sunmarked perpetually frozen at the final stage of development. he claims that he found a particular flower that saved him from falling. (in reality, he's completely golden, just with enough mental strength and an anchor to keep his free will. he doesn't tell anyone else because he doesn't want to risk others trying to save themselves and fail-- few people are aware that golden can keep any part of their minds at all)

the angel's blessing (paya's patronage) grants the afflicted with a great variety of powers that increase as time goes on. varying levels of invulnerability, night vision, holy and nature magic, and more!

RIOT - a demon-esque patron that kind of looks like hoopla? like the pokémon? he's made up of several floating parts-- a one-eyed, horned head, many limbs, and a screen in the place of a torso. each of his limbs has an eye on them

RIOT is not an infection like paya-- he feeds off of strong negative emotions. things like shock, fear, anger, et cetera.

he is the patron that interacts with humans the most. while other patrons inhabit their own locked dimensions and mostly descend in incarnations or visions, RIOT mostly hangs out in ars timor and often ventures out into the other three main dimensions to wreak havoc. people try their best to avoid him.

RIOT usually sets up elaborate spectacles in order to horrify people. if you see a random circus or theatre where there hadn't been one before, probably don't go there! he delights in specialized torment served to a wide audience, like one of those death games with your personal secrets up for grabs. he's a riot.

his relationship with his protégés is more standard-- a contract signed. he grants them magic and the ability to feed as he does in exchange for a certain amount of power a month. it's like they're renting

if they can't pay up, he takes the payment directly from them. if it ends up being a reoccurring thing, he destroys the contract and his former protégé.

his protégés are called "firebrands" (see, it did come back up) and usually work alone. particularly successful firebrands can become almost as powerful as the sunmarked! his only standards for decision are "look fun", but to be fair, he eliminates everyone who doesn't meet his expectations, so he doesn't need to be that discerning with the process.

firebrands get: extra limbs (optional), limited tracking (enhanced awareness of emotion around you), dark and illusion magic, limited mind reading

the untitled - just humanoid. this man is a normal guy. there are times when he looks like a biblical seraphim, but that's just a guise to intimidate

he goes by the untitled and doesn't reveal his name under normal circumstances but i'm not going to write it out every time sorry. his name is heun. (he thinks it is, anyway.)

heun is a transmigrator, a sad victim of truck-kun. he was an ordinary office worker who read trash webnovels before getting distracted in the road and getting run over by a truck. fortunately, mata's creator understood how tropes work and shuttled him over to mata with a system like the ones in the webnovels he read!

he's the weakest of the patrons and the others mostly look down on him, but his system protects him enough that no one outright tries to get rid of him.

his protégés are the strongest. no question. though they start out relatively weak, he keeps a personal eye on them and they're able to grow pretty quickly. he only invests in one protégé at a time, and always a low number (i'll get into that later), so though he's the weakest, he's able to put everything he's got into his heroes.

heun mostly subsists off of the legends of his heroes past and rewards from his system when his current hero achieves certain goals.

he has a decent following that see him as a sort of god-- they await his prophecies and follow his hero whenever they are designated. though they view him as god-like, they see the other patrons as nothing more than spirits, in contrast to the living who see all other patrons as gods, though fallen ones.

his following is cultivated by his system. to be perfectly honest, he'd be nothing without it, but where's the fun in that?

he's extremely lax with his protégés. he's like a dad who strives to be your best friend above all else

his heroes can eventually get partial invulnerability, any magic affinity, summoning abilities, flight, shapeshifting, the works. he's experimented with martial arts and standard wuxia leveling as well.

alright this is getting too long. i only got through the men i'm so sorry women and cool guys i'll get you next time. paya why do i have so much on you i even omitted some stuff for time reasons.

okay! more about the actual story itself and related tidbits

alright so what was i talking about with the low number thing? well, mata, believe it or not, has a rather high death rate. and it has a rather small population of humans, as least for the space they have. and mata never came with humans pre-stocked, as it were.

enter the sacrifices !!

100 of them a year are imported directly to mata in groups of 10. (1000 in the first year.) the reason why they are sacrificed is. complicated but long story short they're from a post-apocalyptic world and it's part of an agreement to sustain their communities.

each person in a group of ten gets a number from 1-10. this number is pretty much random, and everyone gets their own number. numbers obviously repeat across groups, but that doesn't matter.

this number shows the order you will die in. 10 is the first to go, 1 is the last. this is why heun chooses low numbers for his chosen ones.

the count in one group does not affect others-- it isn't the case that all 10s must go before 9s can die.

obviously, knowing the order in which you die is helpful. in the early stages, groups protect their higher numbers and sent out lower numbers to do riskier jobs. the person designated with the number 10 is not often allowed to do much. it doesn't guarantee safety, as you could easily be stuck in a near-death state, waiting for all higher numbers to die before you are released from your suffering, but it's better than nothing.

there are a couple cases where higher numbers are captured and forcibly kept alive in order to preserve a lower number from their group, but those cases are pretty rare.

numbers cannot be fully concealed using things like gloves or long sleeves. they must be open enough to be recognizable as their numeral and no other. if they are not, the number can and will show through clothing.

you cannot tell when higher numbers in your group die, so it's common for numbers close to each other to stay in contact even if they split up. it's just polite. of course, as time goes by, fewer people remember to do so, as they blend into new communities and become detached from their original group. who cares if you can die or not? you should live the same either way, and the end will catch up eventually, so keep the mystery as you would in the original world.

no force can counteract the numbers. it's just not done. there have been patrons that have tried, but to no avail.

y'know what this is too long. i'll keep this post to just these bits of worldbuilding and maybe have another post with story and the actual characters in the story. oops

[norveblue]

mighty hunter

Flatcolor commission for Stravi Vee of a feral Esix.

pls support my work: https://patreon.com/ratte https://ko-fi.com/ratte

[kralovna-ne-stesti]

Neděle

Probudila jsem se s tím, že: ano, můžu, dokážu to. Což bylo asi největší překvapení posledních... let? A hned jsem (na tom) začala pracovat. Ta energie byla opravdu svěží a příjemná a ten rozdíl, když věci přestanete dělat bez tlaku, k nezaplacení.

Že mluvit mluvit mluvit o věcech je základ už víme a včera mi to přineslo hodně. Svěřit se s nápadem změnit a přeorganizovat pracovní časový rozložení jsem si nosila v hlavě už dlouho, ale nechtěla jsem to vytahovat, protože to byla jenom myšlenka. Jenže on mi dal ještě jeden náhled, jednu variantu, v podstatě nevědomky přišel na to, jak vyřešit můj problém. Jen tak, já něco řekla, a on na to: tak to ud��lej takhle. (Teď ještě, aby to šlo i v praxi realizovat.)

Taky jsem odpálila nejdřív prodlužovačku a pak i celou varnou konev. (Asi hodně energie, jinak nevím.)

Moje hledání toho, co mi způsobuje bolesti žaludku a zvracení pokračují, ale tak nějak tuším, že plná vina není v kafi, doplňcích stravy a jídle, ale hlavně ve stresu a podmíněných spouštěčích, kdy pravděpodobně nevědomě hledám cestu pryč a jinak, než že mě od práce odtáhne zdraví, nereaguju, ale pokračuju v hledání/zkoumání.

Ráno jsem klasicky, jako každou neděli, seděla u finančního plánu a platila účty. Už mě to tak nestresuje, aspoň mám přehled, ale i tak to není nic příjemnýho.

Odškrtala-udělala jsem spoustu úkolů ze seznamu. Taky jich tam dost zapsala. A dost jich zbylo. Ale hodně i vyřídila.

Odpočinek jsem místo válení a zíráním na tiktok strávila cestou pro ty zapomenutý vajíčka... aspoň jsem se prošla.

A taky jsem povlíkla čerstvě postel, což je jedno z mých malých velkých potěšení, takže lehnout si potom po celým dni do ní bylo hotový blaho.

[poeticlicense12345]

ZAMIŠLJENA PUTOVANJA

Može li se putovati, a ne kretati se? I zašto putovanje nužno podrazumeva kretanje? Meni je, upravo, najizazovnije putovanje putevima mog unutrašnjeg bića, sa puno raskrsnica od kojih je svaka iskušenje, razotkrivanje mnogih tajni, laži koje smo preobukli u istinu, obilaženje mesta koje smo želeli da vidimo, a nikad nismo, snova koje smo ostvarili samo u dubinama svog bića. Zato je meni književnost blisk, jer omogućava magična putovanja u predele i vremena, koja su nam, inače, nedostupna.

Kad Hamlet kaže da bi mogao biti zatvoren u orahovoj ljusci i osećati se kao kralj beskrajnog prostora, on kao da prenosi Šekspirova osećanja koji je najduže rastojanje u životu prešao od Stratforda do Londona i tu stao, zamišljajući druge evropske zemlje, pre svega Italiju, u nekoj svojoj sasvim slobodnoj shvaćenoj geografiji.

Džejn Ostin je putovala u svojoj dnevnoj sobi, kao i američka pesnikinja Emili Dikenson, kojoj nije nedostajao široki svet, jer ga je imala u sebi.Sestre Bronte, čiji je dar probio barijere malograđanskog života u engleskoj pustari, pisale su knjige o strasti, stravi i mistici, koje nikad nisu proživele, ali su umele da zamisle.

Čini se da su pesnici veći zagovornici života u sopstvenom univerzumu, kao grčki pesnik Konstantin Kavafi, koji je, od jednog malog trga na koji je izlazila njegova ulica, stvorio samodovoljni svet u kome je odlučio da provede život, dok je u svojim pesmama opisivao daleka putovanja prema Itaki, na koju će stići, opet u mislima.

Sputane obićajima da se žena ne pomera, bile su i naše književnice, Milica Stojadinović Srpkinja, koja je od Fruške gore stvorila svoj lični Parnas, Isidora Sekulić, koja se u mladosti ostvarila kao putnik i putopisac, zatvorila sva vrata prema svetu koji ju je izdao, kao i naša prva žena akademik,Ksenija Atanasijević, koja se iz istih razloga, povukla u svet svog doma iz koga je mogla da dosegne filozofske visine.

Ipak teško je zamisliti pisca bez radoznalosti da vidi druga podneblja, druge narode i “druge boje”.Verujem da je književnost pisana iz sopstvenog sveta, bežanje od nemoći da se svet učini boljim i udobnijim, kao i mogućnost da putujemo, dok čekamo ili se sećamo.

text author: Tanja Petrović Krivokapić

[earhartsease]

oh gods, we dreamt we went to a performance of Stravinsky's The Rite of Spring but performed on Indian classical instruments, and it was billed as Stravi Shankar

in case this is opaque, Ravi Shankar was a charismatic (affectionate) Indian classical sitar player who "introduced" Indian classical music to westerners in the 60s and 70s

[mycrappyrpsideblog]

stravi & 2, 6, 9, 28?

Do you have any strange fascinations? "Mmmm? Nether says I'm fairly odd sometimes. Like how I tend to make drawings of everyone I meet. Or that I make little dolls of people I like to gift to them. He mentions those specifically."

What are your guilty pleasures? How would you handle it if someone found out about them? "I don't have any. What could I have to feel guilty about?"

What are any tics you might have? Any nervous habits? "I'm not exactly sure what counts for this. I don't have a basis for what things might be included in these."

Do you believe in second chances? Would you give someone who wronged you a second chance? "Most don't get a chance if what they did to me was something I consider extremely wrong. Simply put they'll never get the chance to. If it's a small issue then I see no problem with giving a person the chance to correct it. I certainly am not one to be particular with behavior."

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