#started thinking about this scene when they mentioned changing the weather based on Aziraphale's mood
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snek-eyes · 1 year ago
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The fact that Aziraphale emerges from this flashback
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Makes this face
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and then with a ginormous gap on the right side of the screen, proceeds to be like "I must call Crowley right now immediately."
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commodorecliche · 5 years ago
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Hey Lindsay, I've read a few of your fics and I love the way you write :) I've been trying to write a story but i'm just stuck at the outline. So, I was wondering if you could, perhaps, make a little tutorial or a walk-through your process? I'd like to have my story points defined before I start writing but I don't have a structure that I can follow and I really love your style *-* It's okay if you don't feel like it though. I understand. Thank you in advance ^^
hey there friend! i’m not sure when you sent this ask today, i so hope you haven’t been waiting all day for my reply!! i just saw it.
first things first - thank you so much for your kind words about my writing. they really mean the world to me. and i am SO EXCITED to hear that you’re working on your own fic. that’s amazing!! 
now to the meat!
so i don’t know if i have specific or... super organized... process, per se, and i don’t really do a ‘strict’ outline, in the most traditional sense of the word (meaning i don’t have a document full of numbers and bullet points and such). and everyone’s process is going to be a little different, so bear in mind, what works for me might not work for you. but once you get the feel of writing your story, you’ll get a better sense of what your own writing process is. and you’ll figure out what works and doesn’t work for you. the way i do things might not work for you, but that’s totally okay, you’ll come into your own as you go along. and hey, maybe this will work for you! who knows!
but what i generally do when i start a new fic is:
1: i type out my rough and basic idea. i like to do this (and most of my outlining/drafting) in all caps, it helps keep me focused and helps me organize what i have ‘drafted’ and what i have properly written lol.
so for example, um, In the House We Remain, my first idea was jotted out like this, at the top of my document: SAPPY GHOST STORY, AZIRAPHALE BUYS A COTTAGE THAT CROWLEY USED TO OWN, CROWLEY DIED THERE. CROWLEY WAS AN AUTHOR AND HIS BOOKS ARE STILL IN THE HOUSE, WHICH IS HOW AZIRAPHALE GETS TO KNOW HIM.
that’s my base level idea, and i kept it at the top of the document.
2: from there, i start thinking about what are some MAJOR scenes i want to have happen. not the minute details, just the major scenes that were popping in and out of my head when i was daydreaming about the fic. these can be as minimal or as thorough as you like. for In the House We Remain, i had a pretty set idea on how i wanted the story to progress from start to finish, so i had a lot of scenes already in mind.
using the same fic as an example, these are some of the scene ideas i wrote in my fic document, underneath my top line idea: SCENES: - AZIRAPHALE SEES THE COTTAGE (ANATHEMA IS THE REAL ESTATE AGENT) AND HE LOVES IT. HE BUYS IT THAT DAY. (DEFINE THE LANDSCAPE AND HOW THE COTTAGE LOOKS, PROBABLY WANT A POND IN THE BACK, THAT COULD BE HOW CROWLEY WAS MURDERED. COTTAGE SHOULD BE COZY AND DREAMY, A LOVELY THING SET OUT IN THE MIDDLE OF THE COUNTRYSIDE. LOOK UP PICS FOR REFERENCES.) - GUNNA HAVE TO MENTION SOMETHING ABOUT THE HOUSE THAT’LL CONNECT TO HOW CROWLEY DIED, SOME VISUAL INDICATORS OF HIS SPIRIT. MAYBE WATER STAINS ON THE FLOOR? LIKE DRIPPING WATER MIGHT POOL AROUND A WET PERSON’S FEET? AM I GOING WITH DROWNING AS CAUSE OF DEATH? DUNNO.***COME BACK TO THIS. - WHILE UNPACKING AZIRAPHALE SEES A BUNCH OF UNFAMILIAR BOOKS IN THE STUDY AND IS CURIOUS ABOUT THEM. - AZIRAPHALE TALKS TO ANATHEMA ABOUT THE BOOKS AND THE AUTHOR. LEARNS THAT CROWLEY IS THE AUTHOR, AND THAT HE OWNED AND DIED IN THE HOUSE MYSTERIOUSLY. - AZIRAPHALE READS THE BOOKS, LOVES THEM, FEELS A CONNECTION WITH CROWLEY. - AZIRAPHALE SOMEHOW CONNECTS WITH CROWLEY’S LINGERING SPIRIT IN THE HOUSE (DETAILS TO COME) - THEY START COMMUNICATING. CROWLEY REVEALS THAT HE WAS MURDERED - I WANT THIS TO BE AN EMOTIONAL SCENE, AZIRAPHALE VERY UPSET AND DISTURBED BY WHAT HE’S BEEN TOLD. ALSO AFRAID CAUSE HE’S MADE CONTACT W/ SOMEONE WHO’S VERY DEAD. MAYBE HE EVEN CALLS ANATHEMA AFTER TO REVEAL THE NATURE OF CROWLEY’S DEATH. - NEED SCENES OF AZIRAPHALE GROWING OLD IN THE HOUSE WITH CROWLEY’S GHOST, THEN EVENTUALLY DYING AND ACTUALLY UNITING WITH HIM. SAPPY, EMOTIONAL, THE WORKS. - AZIRAPHALE AND CROWLEY’S SPIRITS LINGER IN THE HOUSE, EVEN AS A NEW COUPLE MOVES IN.
those were my major scenes that i needed to write and that would make up most of my story.
3: flesh out the aforementioned scenes. break these scenes down individually and think about them, picture them like a movie in your head. when aziraphale sees the cottage, what’s happening around him? has he gotten out of the car? what is the weather like, is it a dreamy setting? should the wind be gently rustling the trees and his hair? is he in awe? does he take a moment to take in the exterior of the house. what does the house look like? picture that entire scene from start to finish, then jot down your thoughts. remember, you aren’t actually doing Proper Good Writing out. you’re just getting the ideas down and the draft ideas fleshed out. 4: once i have those scenes fleshed out (always typed in all caps for me lol), i start the actual ‘writing’ process. I drop the all-caps, start using proper grammar, and go into I’m Telling A Story Mode. I usually try to start writing at the beginning, because i tend to visualize my stories as movies that play in my head. i need to mentally see it progress as i write it, like i would do if i were watching a movie or reading a book. but sometimes that doesn’t happen - sometimes beginnings are the hardest part. if you struggle with the beginning, skip to the first most fleshed out scene you have, the one you feel most comfortable with, or whatever scene you feel REALLY ready to write. this writing doesn’t have to be perfect (it definitely won’t be lol). but you’ll start to get a feel for how you want to actually present this story and these scenes once they’re all finalized. you can edit it and make it prettier later, but for now, just get some words on the paper as if it were a story you were ready to tell. 5: once you have your main scenes fleshed out, you need to start making connections between them. stories need depth and background, so you need to be able to go “okay, i have aziraphale loving the house and buying it, then i need him to find the books in the study, how am I going to connect those two scenes?”
you can do this part either as you go along (example: you’ve written your first Major Scene, and you want to progress onto your next scene, so you write the connections first, then once you have the connection scenes done, you can then move on to the next Major Scene from your draft) OR you can get all your major drafted scenes written, and make your connections AFTER those scenes are done. you just gotta see what works for you. 
i prefer the first method, i try to write the major scenes and the connection scenes as i go along so that i have a natural flow. that also allows me to make some changes to a later Major Scene before i actually write it. (example: hm, i was gunna have Aziraphale do XYZ in the next scene, but with this connection, I think having him do ABC in that scene might work better).
if you don’t have a clear-cut idea yet for how to connect your scenes, go back to the all caps ‘drafting’ mode, where you’re just throwing ideas on the page in between, like: ‘AZIRAPHALE HAS JUST MOVED IN AND IS READY TO UNPACK, I NEED HIM TO BRING HIS BOOKS TO THE STUDY TO START UNPACKING THEM AND SHELVING THEM. THAT’S WHEN HE SHOULD NOTICE CROWLEY’S BOOKS THAT HAVE MYSTERIOUSLY APPEARED ON THE SHELVES.’ from there, go back into ‘proper writing’ mode when you’re ready, and flesh out that scene - what is aziraphale doing while he’s unpacking? are his boxes of books already in the study, or do i need him to have a reason to bring them into the study? maybe a mover accidentally placed one in the wrong room. this is your connector that will get you between scenes. 6: once you have all your scenes done in a proper first draft, go back, do re-writes, add new things that you think you might need, take out things that aren’t necessary, check your grammar and spelling, and do your final proofing. (read your story out loud too - it’s the easiest way to catch typos, errors, or weird phrasing)
7: don’t be afraid to write ANYWHERE. many of my ideas for scenes popped up in the middle of a work day, and every time that happens, i text myself. i send myself a text, all caps, with the scene idea, and i don’t open it until i’m ready to write. it helps me keep track of things. i did a lot of writing in notebooks, on post-it notes, wherever really. i even have googledocs installed on my phone so i could access a fic from anywhere if i had a sudden idea. and if i had something new to add to the document, i put it in all caps, so i would know i needed to address it later.
8: act things out! seriously, i’m not kidding. act your scenes out with yourself. especially dialogue scenes. have those dialogues with yourself, think about how you want dialogue to progress, and talk those ideas out in a way that sounds natural to you. that’ll help you write your dialogue later. (the number of times my husband has walked in on me running through some dialogue aloud......... goodness).
9: don’t be afraid of music :) maybe it’s silly, but i make a playlist for every fic i write because i like to listen to music to get me into the correct mood for what i’m writing. it helps me a LOT. maybe it won’t be as helpful for you, but always worth a try.
and that’s really.... the extent of my process. it’s a little messy, i know, and maybe it’s not the best advice. and i just hope that it at least a LITTLE bit of sense... but i hope it will at least be of some help to you! if you’re confused about anything, please don’t hesitate to message me. 
or if you want to chat one-on-one, that’s totally fine too. i 100% don’t mind if you send me a chat message. i’m always happy to help.
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