#starsky brines

[jonathanferraragallery]

STARSKY BRINES’s paintings and drawings captivate audiences with their distinctive style and a recurring theme, the search for the nature of humanity. In his bold works, the artist focuses on characters that are built from a combination of anthropomorphic and zoomorphic features, as well as the appropriation of elements from comics and toys from his childhood.

On the other hand, they move within the realm of fantasy. In particular, the animals paired with their human characters evoke associations with fairy tales or comics. They are reminiscent of the world of theatre, in which fantasy and poetry but also comedy often serve as catalysts for the creation of critical meaning.

With his works, Brines often questions the interplay of good and evil against the background of the worldwide socio-political climate. Yet Brines does not interpret his themes as ‘black and white.’ They are complex and nonlinear, with charming disruptions, quite serious and yet full of humor.

Brines is personally influenced by his mother and art historically influenced by Latin American figurative art, the German Neoexpressionism, the Italian Transavantgarde, and the COBRA group. His works oscillate between figuration and abstraction. Brines holds a degree in Fine Art from the Instituto Universitario de Estudios Superiores de Artes Plásticas Armando Reverón in Caracas.

His work has received international attention in exhibitions and has been incorporated into important collections in cities such as Caracas, Basel, Buenos Aires, Bogota, Santander, Miami, Madrid and Seoul.

[jonathanferraragallery]

view more here

Starsky Brines - Sin Dejar De Hablar, 2022

[distinktionsfetzen]

Check out Starsky Brines, El sonido detrás de todo ser (2017), From Galería Fernando Pradilla

[nomoreuniverse]

Starsky Brines

[michaelscogginsart]

Posted @withregram • @g.gallery_official Visit booth 26 at Daegu Art Fair to see works by Starsky Brines, Michael Scoggins and more👀 📍For any inquiries, contact us here: Kakao channel: ggallery Wechat: ggallery Instagram: @g.gallery_official Email: info@gexhibit.com https://www.instagram.com/p/CV5Vw0jl7q4/?utm_medium=tumblr

[onlygodis]

top: VICTORIA TOPPING

#3: Starsky Brines

bottom: SILVER STAR ORP-1803

[ksenijajovisevic]

Paper Selections Arbeiten auf, aus und mit Papier Felix Becker, Starsky Brines, Artjom Chepovetskyy, Björn Drenkwitz,   Goekhan Erdogan, Jonny Green, Florian Heinke, Fabian Hub, Ksenija Jovišević, Mathias Kessler, Leslie Smith III, José Vivenes, Herbert Warmuth, Hendrik Zimmer


ERÖFFNUNG 6. Dezember 2019, 19-22 Uhr in den Räumen der Galerie Heike Strelow, Lange Straße 31, 60311 Frankfurt Ausstellungsdauer 7. Dezember 2019 bis 11. Januar 2020

[artbeatniks]

StarskY Brines | https://instagram.com/artbeatniks

[actualizacionesonhc]

Algunas piezas de la obra Aposiopesis estarán exponiéndose en esta muestra anual que realiza la galería El Museo llamada Lenguajes en papel.

LENGUAJES EN PAPEL

Galería Febrero 2 a Marzo 15 de 2019

Adalbeto Calvo | Adriana Cuéllar | Alberto Miani | Alejandro Londoño | Alejandro Sánchez | Ana Isabel Díez | Ana Mosseri | Andrés Felipe Guerrero | Andrés Felipe Uribe | Andrés Layos | Andrés Matias Pinilla | Andrés Valles | Angélica María Zorrilla | Camilo Bojacá | Camilo Villegas | Carlos Salazar Arenas | Catalina Moreno | Daniel de la Hoz | Diego Hernández | Eduard Moreno | Edwin Monsalve | Eliana Morales | Emilio Gañán | Emma Anna | Ernesto Soto | Felipe Bedoya | Felipe Lozano |  Fernanda Avendaño | Fredy Saúl Serrano | Gabriel Silva | Gonzalo Fuenmayor | Henry Andrés Salazar | Jaime Gamboa | Jairo Manzano | Johan Salazar | José Pérez Tello | José Horacio Martínez | Juan Francisco Casas | Juan Pablo Uribe  | Julieth Rodríguez | Laura Castro | Lía García | Lisa Granada | Lisa Ansellini | Luis Miguel Mendoza | Manuel Calderón | Marco Mojica | Mariana Gómez | Mateo Pizarro | Mateo Zuñiga | Miler Lagos | Miguel Moyano | Miriam Londoño | Monika Bock | Olga Huyke | Oriana Marín | Óscar Abraham Pabón | Otoniel Borda | Paola Acebedo | Pablo Arrazola | Pablo López | Rodrigo Echeverri | Sebastían Camacho | Sergio Zapata | Sofía Paredes | Starsky Brines | Tahuanty Jacanamijoy

Se puede afirmar que el primer acercamiento al arte ha sido a través del papel; éste siempre ha sido el soporte más íntimo y cercano a la creación sobre el que los artistas, a través de los siglos, han aprendido a dibujar y le han dado rienda suelta a su imaginación. Ha sido el papel el que les ha permitido infinidad de innovaciones y el que les ha posibilitado el acceso a mundos aún no definidos ni formulados. A lo largo de la historia del arte, el papel ha cumplido una función de estudio y de boceto para la realización de obras de arte mayores, como esculturas o pinturas.

Pese a la importancia que éste tuvo para el desarrollo del arte, no es sino hasta el siglo XIX cuando la obra en papel comienza a ser autónoma y a desarrollarse de manera más o menos independiente. Posteriormente, en el siglo XX -época revolucionaria en aspectos sociales y artísticos- se instituyen equipos mecánicos como la imprenta, posibilitándole al papel nuevas funciones y lenguajes plásticos. Es entonces que gran parte de la vanguardia europea utiliza este material para sus investigaciones estéticas y técnicas, como el fumage y frotage de los surrealistas y el collage de los cubistas.

En la actualidad, aunque las nuevas tecnologías ponen a disposición de los artistas un amplio repertorio de medios técnicos y materiales, el papel –en sus diversas variantes- ha sabido trascender su cualidad de soporte plástico para convertirse en protagonista esencial de la obra de arte. Si bien trabajar con papel no es algo nuevo, se ha revivido hasta ahora entre los artistas contemporáneos su uso como medio para expresar una idea.

Con Lenguajes de papel la Galería El Museo rinde homenaje al papel como fundamento de todo arte, como forma primaria en la condensación de una creación y como principio de la carrera artística, teniendo en cuenta que sobre papel se han hecho, desde los primeros bocetos del artista, hasta obras maestras terminadas. La exposición presenta una mirada actual a la forma más clásica de creación artística que, a través de diversos lenguajes, busca rescatar al papel como medio fundamental de expresión y no como un simple soporte o herramienta de trabajo. Las obras que agrupan la muestra se destacan por su diversidad temática y técnica, donde vemos que el papel ha dejado de operar como soporte, para convertirse en el fundamento de la obra de arte poniendo en manifiesto las múltiples posibilidades que este material, por sus propiedades, permite en su uso y manipulación.

[operationsonicattack]

L.F.T. - Data Move (taken from "Kern Vol.5 mixed by Helena Hauff" - out June 19th) by Tresor Records Switching within digital binaries, analogue flux, and all forms of degradation in between, a creature is kickstarted to life, as if awoken with locomotion's full might. Helena Hauff delivers a mix for Tresor's Kern series, lashing together a sound world with a potent barrage of industrial dance music. Scorched-earth missives attract metals and mining chemicals, leaving little in its wake but aggravated and chaotic experiments of lateral hypotheses in acid brine. Like a hyperloop through this labyrinth, this high-velocity future is both beautiful and evil, glinting embers through low-bit fogged-out clusters. 100 metre-high aluminium pylons vibrate, each captivated by their electrified foundations. There is no place for dust to settle on the floor. Where a loose TB-tribalism knocks switches and pounds upward synaptic shocks, life down there is too rapid. Not to be taken lying down, this is the viable path forward without the shackles of turgid passivity. The effect is no less thrilling than crucial, as it presents an essential DJ of our times. Settling into swift 150bpm groove, Hauff ploughs through shepherd-tone electro, ghetto bumps, and grizzled techno. A new collaborative track with Morah plays a rough game of meter, with Hauff's signature sound clear as ever ripping apart new dimensions with a brutal disorder over deceptive bass synths. The visceral crunch of the present is no more clear than at the halfway point, a threshold in which the breakneck electro falls apart, with the rabid foam of Nasenbluten's ballsy gabber anthem Intellectual Killer. Slowly more room to breathe comes into view, the pace drawn down revealing a strange sense of resolution, with expansive synths hinting at a beckoning euphoria. At this moment, Helena Hauff is clearly in full stride, uniquely melding fragile machinations against anarchic human interventions. Kern Vol.5 releases June 19th 2020, on 2CD, as well as a 3×12″ vinyl edition highlighting the rare and exclusive cuts found in the mix, packed in a full color gatefold sleeve, featuring exclusive photography. The release of Kern Vol.5 mixed by Helena Hauff, will be celebrated on July 24th at Tresor in Berlin, featuring DJ sets by Helena Hauff, DJ Godfather, Morah, Privacy and live shows from Volruptus and L.F.T., as well as special secret guests. = Kern Vol.5 mixed by Helena Hauff (2CD / digital) 1. Esoterik – Mayhem 2. Mononom – Shrinking 3. Jaquarius – Metamine 4. Slaves Of Sinus – Chaos (And Me) 5. Galaxian – Private Tyranny <<>> 6. Blackmass Plastics – Holy Handgrenade 7. Volruptus – We Are The Cyborgs 8. Animistic Beliefs – An Eye For A.I. 9. Paul Blackford – Dance Yourself To Death 10. DJ Godfather & DJ Starski – City Of Boom 11. Dirty Hospital – The General 12. Galaxian – Glasgow To Detroit 13. SolarX – Bionic Man 14. The Advent – Work Dat 15. O-Wells – Park Jit 16. Privacy – Go 17. Morah & Hauff – Segment 3 <<>> 18. Somatic Responses – Open Window 19. Nasenbluten – Intellectual Killer 20. Subtopia – The Mob Rules (Umwelt Remix) 21. L.F.T. – Data Move <<>> 22. Q.D.T ‎ – Untitled 23. Machino – Ministerio <<>> 24. SC-164 – Telegraph 25. Shedbug – Sibelle 26. L.F.T. – Nucleon 27. Exzakt – Madrid Nights 28. Umwelt – Starless Night <<>> 29. Shinra – Pinwheel 30. Maarten van der Vleuten – Internaut 31. Andrea Parker + David Morley – After Dark = Kern Vol.5 mixed by Helena Hauff Exclusive & Rare (3x12") A. Esoterik – Mayhem B1. Galaxian – Private Tyranny <<>> B2. Morah & Hauff – Segment 3 <<>> B3. DJ Godfather & DJ Starski – City Of Boom C1. Q.D.T. ‎– Untitled C2. Machino – Ministerio <<>> D1. Umwelt – Starless Night <<>> D2. Shinra – Pinwheel E1. Nasenbluten – Intellectual Killer E2. L.F.T. – Data Move <<>> F1. Dirty Hospital - The General F2. Andrea Parker & David Morley – After Dark =

[chaewchung]

A Day of KIAF #4

Starsky Brines

Michael S

우국원  Woo, Kuk Won

[jonathanferraragallery]

Whisper, 2020 - Starsky Brines

[polkadotmotmot]

Starsky Brines - Caos Animal, 2023 - Acrylic and crayon on canvas

[nomoreuniverse]

Starsky Brines

[michaelscogginsart]

Posted @withrepost • @diaf_official [𝐃𝐢𝐚𝐟 𝟐𝟎𝟐𝟐 𝐆𝐚𝐥𝐥𝐞𝐫𝐢𝐞𝐬] 지갤러리 | G.GALLERY 𝐀𝐫𝐭𝐢𝐬𝐭𝐬 스타스키 브리네스 Starsky BRINES 홍정표 Jungpyo HONG 허수연 Suyon HUH 이미정 Mijung LEE 조지 모튼-클락 George MORTON-CLARK 마이클 스코긴스 Michael SCOGGINS 테일러 화이트 Taylor WHITE 𝐈𝐦𝐚𝐠𝐞 마이클 스코긴스 Michael SCOGGINS 유년의 원초적인 경험, 사회, 그리고 정치적 이슈를 모티브로 하는 마이클 스코긴스 작가는 그림일기, 즉흥적으로 끄적인 낙서 같은 형식을 이용한 작품을 해오고 있다. 그는 종이라는 흔한 매체를 작품 안으로 불러들여 신선한 시선을 부여한다. 이런 기성품적 요소는 사람들에게 관념적인 인지를 발생시키고 기존의 금기 (taboo)로의 강한 작용을 일으키는데, 스코긴스의 작품은 이런 인지적 스테레오타입을 깨뜨리는 역할을 하고 있다. 이미정 Mijung LEE 이미정은 우리 생활을 둘러싼 시각 요소들을 분석 및 재조합하여 자작나무 패널에 회화적 평면을 구성하는 작업을 이어왔습니다. 본 작품은 ‘눈에 띄는 이목구비(들)’이라는 제목처럼, 얼굴의 구성요소를 짧고 굵은 선들로 이루어진 벡터 드로잉을 토대로 배너, 우드피스 등 다양한 형태로 형상화 한 작품입니다. since2008(구)대구아트페어 Diaf 2022 11.25-27 EXCO Hall 4, 5, 6 #Diaf #Diaf2022Galleries #art #artfair #exco #ggallery #디아프 #대구국제아트페어 #대구아트페어 #대구화랑협회 #엑스코 #지갤러리 #마이클스코긴스 #이미정 @ggallery.kr https://www.instagram.com/p/ClZdSDAuFNb/?igshid=NGJjMDIxMWI=

[gabybenaim]

STARSKY BRINES 01 EL AUSENTE, 2006 Técnica mixta sobre tela 69 x 63 cm. GBG ARTS® Av. Principal de Prados del Este, Galpón 2 (Estacionamiento de las lanchas). Para mayor información. ☎️+582129752209 Horarios: Martes a Viernes, 2–6 pm. Sábados y Domingos, 11–3 pm. #art #arte #artgallery #contemporaryart #Caracas #Venezuela #Ccs #GBGArts #starskybrines (en GALERÍA GBG ARTS)