#stan razor pearl

[probablyaseamonster]

After a lifetime of foolishly and dickishly thinking low of the Mario franchise, I have been converted to the fandom by SPM specifically.

I repent for my sins. Lore is love, lore is life.

[flyswhumpcenter]

Bad Things Happen Bingo! The event where you send me requests according to this marvelous card!

My friend and I7-suffering pal @nehamerchant123 (wow Tumblr thanks for sucking even more than a character in an André Gide novel) requested the Izumi brothers + “Big Brother Instinct” (the very reason why I picked it in my form, sorry not sorry)! Knowing me and my tendency to write Izumi bro angst, she went there and I went there lmao.

Content warnings: obsessive fan behaviour/stalking (inspired by Kpop stans and other fandoms) and spoilers up to IDOLiSH7 Part 2 Chapter 1. If you want to go unspoiled into the second season, I’d advise you not to read this one.

Edge of the Razor

Summary: All fans aren't nice people, and all breaks aren't nice to take. (Or: someone isn't happy about how her favorite idols are going, and decides to act upon it. With a weapon.)

Fandom: IDOLiSH7 Relationships: Iori & Mitsuki

Wordcount: 2.8K words

Event organized by @badthingshappenbingo

AO3 version available here.

Being the older sibling was sometimes tougher than single children would expect at first glance. It was a life filled with fears and anxiety: expectations, duties, goals and being a role model were all part of the course one couldn’t be responsible for being a part of.

Usually, it was mundane things: tell your little siblings not to let go off your hand when they’re very small when you’re in a crowd, speak to them about growing up and puberty, show them the ropes of the fun stuff your parents wouldn’t tell you about… and feel like a failure when you see them be better than you in every single field you’ve ever stepped a foot in.

Well, perhaps that last thing wasn’t every older sibling’s reality, but it sure had been Mitsuki’s ever since his little brother could do as much as talk.

 A lot of people would have rather talked about Iori than about him. The former was everything a parent would want to raise: easily disciplined, wise beyond his years, good at everything school-related and outside of school too, mature and sharp. There was no way around it: Iori was simply a much, much better version of him.

That didn’t prevent Mitsuki from having a few issues with him. That kid would always meddle with his dream of becoming an idol or with, well, everything! Baking? Oh, it’d be better if you did that. Redecorating his room? It’d be handier if you placed the furniture that way instead. Practicing dancing and singing for the next audition he’d fail anyway? Perhaps you should watch that idol unit before, if you listened closer to the song, etc, etc. It was hard not to get fed up with this after a while.

 However, that was all petty banter these days, right? He had achieved his dream: being an idol. He didn’t even have to throw Iori under the hype train as he did so: they had both gotten in, in the same unit. The world was finally smiling on him, didn’t it? About time! That meant the kid could stop meddling with his dream or, at least, it wouldn’t be as noticeable as it used to be.

In fact, they had bonded over being part of this unit again. Mitsuki had finally been able to be the big brother he had always sought to be, comforting his sibling when he forgot to sing and triggering one of their biggest group hugs to this day. It had been better for their relationship, but alas, being an idol was a risky occupation and he would rediscover that soon enough.

 The centre switch had been… quite the event, to say the least. This had created a rift in the middle of their fanbase: there were centre Riku fans, centre Iori fans, fans who wanted to see other members be the centre instead… It seemed like their “Perfection Gimmick” setup truly hadn’t pleased everyone, as temporary as it was. Anxiety had settled among their ranks because of that, but they decided to stick together and get through the storm united.

However, that wasn’t the case for their fanbase, and it was made abundantly clear on forums and video comments alike. They could get violent at times against each other, but also against the members themselves. It was all verbal violence, of course.

Or was it just words spelt out in cold letters on phone and computer screens?

 It had all seemed kind of surreal to them, for the first few days of this ongoing switch. It just felt like having some nasty comments about some of them, albeit there was already some discord between them because of it. It’d get better, right? They couldn’t disband from just some dissatisfied fans’ reactions to a sudden change. It’d be fine.

Perhaps Mitsuki had believed in their fans too much. He had always seen them as the nice middle school girls from the plaza or the young women having supported them since their very beginnings for some of them. They had to be nice people who would understand. Right? Well, he’d have to soon revise that judgement.

 Going undercover in the streets wasn’t too uncommon for them. They’d wear paper-thin disguises, sure, and some fans would recognize them, but they usually didn’t get into much troubles when they did so. It was a way to remember they were still humans and that this adventure could, sadly, stop suddenly at any given moment if they weren’t careful enough. It was a tough life he was always ready to face.

Fame came with that price of being recognized in the streets, after all. It usually was a pleasant experience: exchanging quick words with fans, taking selfies, getting some precious (and direct) feedback was anything but bad for them. Alas, there were times where it wasn’t the case. Times Mitsuki honestly didn’t want to believe could happen to them.

 It seemed to be a regular afternoon. He was out with Iori to buy the guys some drinks during a training session, nothing out of the ordinary. It was calm outside, not much going on even for a school-less day, everything was just fine, wasn’t it?

They had come across a couple fans, some of which hadn’t noticed them, when one of them seemed insistent in particular. That was displeasing to see: being followed around was an annoyance at first, then a chore, then turned into full-on creepy behaviour. Mitsuki had to say something: if Iori’s face indicated anything, it was that he felt uncomfortable, yet was determined to make it to the agency without causing a fuss. Too calm for his own good, huh.

 “Hey, you!” Mitsuki bolted in that creep’s direction once and for all. “What’s your deal?! You’re being a creep!!”

“Big brother,” Iori put a hand on his shoulder. “Don’t scream like that. We’ll get in trouble.”

“We’re already in trouble,” the older sibling replied before looking back at the third wheel. “Stop following us around like that! We’re humans too, y’know!”

The chick, a black-haired and brown-eyed teenage girl around Iori’s age, simply stared at the latter in silence.

“If you don’t leave us alone, we’re gonna call the cops on you!”

 Despite all the threats he’d make, Mitsuki had to admit something: it didn’t goddamn work! Why was she being such a creepo anyway?! Did she get off to that shit in secret or what? Words didn’t work: perhaps it was time to simply call anyone to act on her. Standing here speaking menacingly wouldn’t do anything.

Taking a glance at her showed she was a huge Riku fan: her phone’s charm, her keychains, her jacket’s pins and her purse’s zippers all were showing Riku’s face or a red double sharp. If she was a Riku fanatic like that, why was she following them? It had to do with Iori, sure, but was it any positive or negative? In such times…

It had very little chance to be any positive.

 “I don’t want you to be the centre,” she said in a monotonous voice, staring right into the younger idol’s eyes.

“That’s an opinion shared by a lot of fans,” Iori tried to calm the game down. “I’m afraid this will last for a bit longer. I never intended and still don’t intend on replacing Nanase forever.”

“Too honest for his own kind” wasn’t an exact match, in this situation. Mitsuki could easily see Iori was speaking that way exactly because he was afraid and under pressure rather than because he wanted to apologize. The fact they were trapped by walls in a small street didn’t help.

“I don’t care about that! You should have never been centre in the first place! You’re nothing compared to my sweet Riku!! I don’t want to see you in his place!!”

That must had hit Iori somewhere, considering the distorted expression on his face. He’d have usually tried to remain calm in face of such a situation.

“Hey,” Mitsuki attempted to chime in, “c’mon now! That’s just mean! Iori’s trying his best you know!”

“Well, if he’s tried, then he’s fucked up,” she simply replied as she went to grab something in her bag. The older idol was this close to grab the pepper spray bottle he always had in his sweat’s pocket. That was becoming too dangerous.

 The chick pulled out a fucking cutter from her bag and pointed it at Iori, holding it like it was the harmful weapon she intended to use it as on them.

“Are you fucking mad?!” Mitsuki let out in a scream, hoping people would hear him too.

“Sometimes, you gotta do what you have to do,” she simply replied as she got closer to his brother’s throat. “Some people just won’t go away.”

 Okay, she was completely nuts. There was no way reasoning her. It wasn’t Mitsuki’s forte to be a third party anyway: his blood was boiling and he was retaining the urge to insult her because he was in public and in certain danger in this very situation. Iori didn’t seem like he wanted to be a mediator to such a situation: there were big drops of sweat pearling all over his temples.

“That’s enough! Get away from us, you fuckin’ psycho!!” Mitsuki attempted one last time to threaten her, using his deepest voice and harshest tone for this, but she still didn’t budge. She kept glaring at Iori with these menacing eyes.

 She launched herself off her feet with the cutter clenched in her hand, heading straight for the throat, clutching her teeth. Despite her inhuman velocity, Mitsuki had managed to leap into the fight before she could, preventing the knife from reaching Iori’s throat. It was dangerous and reckless, but his self-survival instinct had shut down as soon as he saw his brother having a real chance to die here and there, in this dark corner of a street to a fucking psycho.

 The cutter’s direction didn’t change much, though: when he slapped her hand out of that way, she instead opted for Iori’s broader chest area. In the confusion and heat of the moment, Mitsuki had fallen to the ground, taking her with him as he made her slip using his legs to sweep her off her feet. He would defend his brother to the very end and she needed to get that ingrained insider that little stalker brain of hers.

When he looked up, he noticed red dripping to the ground, right onto his hair and, soon, face. She had pulled the cutter out of a newfound wound. She had managed to cut his brother in the chest, deep enough for it to already be pouring out blood, right between his left arm and what he could assume to be his fucking heart. Iori’s breathing had heaved enough for it to be noticeable.

He wouldn’t forgive her for this.

 Mitsuki got up quickly, jumping to his feet, telling his brother to please muster up his strength and call an ambulance and the police or something. They were in a fucking pinch and she was insane enough to remain there after stabbing someone like that. It was even worse than that, in fact: when he glared at her, trying to keep his punches to himself, he noticed she was clutching onto the blooded blade and had that… crazed expression in her bloodshot eyes. She was clearly enjoying this.

“What’s the fuck is wrong with you?!” he screamed again, needing to let all that steam getting to his head. “How can you be happy about doing that?!”

“You don’t get it! I’m making Ainana better!”

“It’s just about whatever Ainana you wanna see?! There’s something missing inside that head of yours!”

 The psycho titled her head and stared at him as if he had been nonsensical all along.

“Stay out of my way.”

“Fuck no! I don’t tolerate killing people” around here!!”

His blood was boiling inside his veins.

“Why are you this angry? I’m just making things better. Ainana doesn’t need… that as their centre. Nor as a member.”

“Who are you calling that?! Iori?!”

 Something snapped inside his skull.

“We’re not objects! You can’t just decide to one day attempt murdering one of us just because we made a centre switch! For fuck’s sake, do you think of us as just props to amuse people?! You’ve been treating Iori as a fucking item all that time!! You’ve injured someone just for some idol unit!”

As much as Mitsuki loved being an idol and was an avid fan of the idol universe, this was fucking bullshit and he wouldn’t stand for this. She needed to understand and fucking pay.

 She clutched her cutter.

“You really don’t get it.”

“Why don’t I fucking get? You don’t make any sense!”

“He isn’t needed.”

“He is Iori, right?”

“Yes.”

 Something snapped even harder, the anger becoming a pounding heart and boiling thoughts of wanting to see that chick taste the floor already. It had gone from fiery and burning to strangely calm.

“I don’t give a damn if you think Iori’s unneeded. Nobody does, in fact. Our parents don’t. Our friends don’t. Other fans don’t. His classmates don’t. We have a life and you can’t just decide to end my brother’s life end like that just because you don’t like him as a centre or something. I won’t let you kill my brother in the name of some bullshit principle.”

Tears started to appear.

“You don’t get it. You don’t get why a brother would defend his sibling. You’re that unsympathetic and awful? You want me to watch not only a comrade die in front of me, but also my little brother?! Go fuck yourself, that ain’t happening on my watch!!”

 As psycho as she was, she was really fucking stupid: from the side of his view, he could see Iori had called the cops all along, his other hand resting on the cut he had taken to the chest, white shirt getting tinted in reds. His eyes were starting to get unfocused.

Fuck. This was turning into a disaster, and this bitch was still fucking ready to kill them both while she was at it.

 Before he could even think about it, as soon as he saw her get a more forward glance, he leaped at her, making her slam the ground as he pinned her. That wasn’t before she had her chance at getting a hit on him: the pain of getting stabbed right under his ribs in his fall was late to arrive. He kept a scream inside, shaking her hand with his so she’d drop her goddamn weapon already.

When she did, he allowed himself to just grab and get up from her. She had been knocked out by the shock anyway, her head having slammed the ground just as hard as her back had. Stumbling on his own feet, Mitsuki fell to the floor, back against a wall, right next to Iori sitting next to him.

 “Where… where are the cops…?” he asked, voice weakened.

“Near enough for me to hear some sirens,” Iori replied with what sounded like a cautious tone, before looking at him again. “Big brother, how are you?”

At this question, Mitsuki scoffed. “Isn’t the answer obvious…? I just got stabbed… That hurts like hell…”

“I had figured… I didn’t know the centre switch would upset people this badly…”

“Nah, it’s more than just some Riku-obsessed asshole… That girl was just psycho at that point… Don’t even try blaming this fiasco all on you, Iori…”

“Then on who?”

“Her, entirely her…”

 Despite the utter pain and the discomforting feeling of having your blood drained by an injury, he still managed to speak. He needed to keep Iori and himself awake until help arrived.

“Y’know, you can let yourself speak like someone injured. I can tell you’re trying to sound solid, but you’re zoning out… Just speak to me for now, okay?”

His brother’s unfocused eyes turned to him again.

“Did you know she could injure you?”

“Who wouldn’t? She was armed and had already hit you…”

“So you jumped to…” His face distorted as he seemed to have realized something horrific, “…protect me? Why?”

“You’re still asking? Because I’m your big brother, that’s all… It’s my mission to protect my younger sibling, isn’t it…?”

 Mitsuki gave his little brother a weak smile, yet the biggest he could make, which got met by tears and  a sudden embrace. It was weak, kind of awkward in that regard, but the emotion was there and so was the intention.

“Heh, Iori… don’t cry… It’ll be fine…”

No direct response. Silence was enough. As long as neither of them would go cold, it’d be just fine.

 Red and blue lights soon drowned the scene as people barged into the scene. Impossible to hear or see anything decently. Oh well, it was all over now.

It’d be fine.

[pirirps]

Piri’s Ultimate List Of Horror Recs (2017 Version)

my go-to compilation of ever single horror/horror-related media i’ve ever enjoyed, including slashers, paranormal, thrillers, creature features, and much, much more 🎃

note: this list has trigger warnings but i am operating under the assumption that you are okay with the standard level of explicit sexuality, vulgarity, violence, and gore present in mainstream horror

horror

original nightmare on elm street series, but especially 1, 3, 4, 6, and freddy vs. jason (tw for implied pedophilia and explicit child murder, tw for rape in #6)

friday the 13th (original and remake)

honestly all the friday the 13th sequels are A Treasure but if you want The Core Canon watch 1-3

my bloody valentine (original)

psycho (original) and tbh all its sequels (tw for sort-of-kind-of incest vibes)

psycho ii and psycho iv are my favorites because (1) meg tilly is adorable in psycho ii and (2) psycho iv has a harley quinn/norman bates cameo and nobody can convince me otherwise

child’s play, child’s play 2, bride of chucky, maybe some sequels after that idk i haven’t seen them yet :(

scream franchise

not the mtv scream series

i mean s1 is decent but there are definitely other horror shows that i would recommend more (will show up later in this post)

1-3 are the best, 4 is worth watching if you really like the characters but as a concept the series has p much run its course by then

tw for rape mentions in scream 1 and 3

predator

peeping tom

kenneth branagh’s frankenstein (tw for a graphic depiction of death in childbirth)

james whale’s frankenstein

bride of frankenstein

the phantom of the opera (1925)

the phantom of the opera (1989) (tw for mild body/surgical horror, general grossness; personally speaking, this is one of my all-time favorite phantom adaptations, because 1. robert englund as the phantom hello oh my god, 2. although it’s much more of a slasher movie than a gothic romance, it does an amazing job of portraying the tragedy in erik’s backstory and his attraction to christine, without implying that he is entitled to christine’s affection and that her love will magically fix him, as some phantom adaptations do)

the phantom of the opera (1943)

alien franchise

the wolfman (2010)

darling (tw for rape)

house on haunted hill (original and remake)

final destination franchise

medium raw: night of the wolf (tw for pedophilia and child murder)

the babadook

the final girls [horror comedy]

the shining (tw for implied child abuse)

the cabin in the woods

hellraiser (tw for incest-y vibes for very brief periods of time)

heathers (tw for eating disorders, suicide, everything high school kids are insensitive assholes about)

from dusk til dawn

an american werewolf in london

the guest

it follows (tw for dubious consent)

nightwatch (tw for implied necrophilia/descriptions of necrophilia, self-mutilation)

re-animator (tw for rape, pedophilia mentions)

carrie (original) (tw for child abuse, religious iconography)

the remake had some interesting like... subtext/imagery but other than that it was pretty *wet fart noise*

the awakening

the craft

the blair witch project

honestly i loved the book of shadows: blair witch 2 bc it kind of parallels the crucible but i can admit that objectively it is Terrible

elvira, mistress of the dark [spooky comedy]*

american mary (tw for rape, (consensual surgical) genital mutilation)

fright night (original and remake)

jaws

listen. this is a horror movie. it was a horror book before that. it was specifically written and later adapted for the purpose of scaring and entertaining people. real life is nothing like this. real sharks are nothing like this. there’s nothing wrong with this movie scaring you but there is everything wrong with using this movie as an excuse to advocate for the wholesale slaughter of animals. sharks are quite possibly the most graceful and beautiful creatures on this earth and i will personally fight anyone who says otherwise

halloween franchise

1-5 are the best imo but no matter what skip #3 because it literally has nothing to do with any of the other movies

not the rob zombie remakes, those are awful

let the right one in [swedish (?) film, watch with subtitles]

rosemary’s baby (original)

night of the living dead (original)

28 days later

suspiria

silent hill (tw for child molestation)

crimson peak (tw for incest)

the lost boys

interview with the vampire

the ring

one missed call

the raven (2012)

repo! the genetic opera

teeth (tw for rape, incest, it’s??????? about a girl who literally has razor-sharp teeth in her vagina and it’s a very tongue-in-cheek commentary on religious repression???? so idk like it’s a wild ride and i love it but watch at your own discretion)

american psycho (tw for rape, general misogyny)

sweeney todd

speaking from experience, this is much better live, the movie sucked out all the fun and humor that wasn’t literally written into the lyrics, so i recommend watching the original broadway cast on youtube or something

there’s also a 1936 movie which i haven’t seen so i can’t speak to its quality BUT i would recommend it on the basis of it being made before the musical was created and thus being based more directly on “the string of pearls” novel which is where the sweeney todd urban legend was originally documented

abott and costello meet [insert universal horror monster here] [spooky comedy]

little shop of horrors (original and remake) [spooky comedy]

the last man on earth (1964)

adapted from the same book i am legend (2007) was adapted from but the last man on earth stays much closer to the original book imo

c. h. u. d.

ghostbusters (1984 and 2016 versions)*

ghost ship

sick girl (tw for bugs, pregnancy horror)

misery (tw for torture)

puppet master series (tw for rape, nazism)

the haunting in connecticut

zombieland**

jurassic park series

lizzie borden took an axe

wolf creek (tw for rape)

it (1990, 2017)

i have........ some nitpicky issues about putting it on this list, because neither movie adaptation really did justice to the whole concept of “derry itself is an extension of an eldritch horror and the real scary part of the story isn’t the clown, it’s the horrible violent tragedies that have repeatedly occurred and then been dismissed throughout derry’s history, leaving the entire town in a large-scale sort of cycle of abuse” so ????????????? idk like i truly do recommend reading the book as well as seeing the movies for The Whole It Experience(TM), but i totally get that not everyone is gonna do that

the 1990 version tells more or less the complete story, but because of that it didn’t have time to include a lot of fun details

the 2017 version only tells the childhood portion of the story, which leaves it time to include fun details. i was really hoping to see more of derry’s backstory or more development on mike and stan as members of marginalized groups -> how that influences their life in derry, but we didn’t get much of that? mike’s importance to the losers (researcher, somewhat of a skeptic/hardass at times to keep the others together) was removed, his healthy family dynamic was removed (mike, richie, and possibly stan are the only characters in the book with healthy family dynamics, somewhat underscoring the concept that derry itself is trapped in a cycle of abuse), and derry’s history of racism is never touched on aside from the kids mentioning “the fire at the black spot” a couple times in passing. overall it was a fun movie and you can tell everyone making it had a blast but compared to the book it’s like. mmmmmmmmmmmmm

BASICALLY what i’m saying here is that the book is really deep wrt social issues, and while neither movie really touches on those concepts in-depth, they are still good horror movies on their own and ofc a part of american pop culture

house of wax (1953)

marnie (tw for rape, abuse and coercion in a marriage dynamic, animal/pet death, graphic depictions of psychological abuse, graphic depiction of a violent death involving a child)

cabin fever (tw for sickness horror/body function horror/unsanitary horror, occasional slurs)

mega shark vs. giant octopus

i don’t even have a real reason for listing this i just can’t believe it exists and i want the whole world to know

texas chainsaw massacre (1974), texas chainsaw massacre 2, texas chainsaw 3d

ju-on: the grudge

phantoms

the plot is pretty ehhh imo but the effects are great; rose mcgowan is gorgeous as always, peter o’toole’s character is great, and ben affleck’s character lowkey has some batman circa arkham knight vibes going on. also, liev schrieber becomes a tentacle monster. i couldn’t make this shit up if i tried y’all

vamps*

this movie. this movie

krysten ritter and alicia silverstone are a couple of vampires, sigourney weaver is their hot mess of a vampire mom, dan stevens is krysten ritter’s boyfriend, wallace shawn is van helsing but he’s basically just vizzini: vampire hunter au and it’s GOLD

it’s literally the cutest and funniest vampire media i’ve ever seen in my life as well as one of the most detailed when it comes to vampire lore i cannot recommend it enough

bram stoker’s dracula

death becomes her**

what we do in the shadows**

disturbia

frankenstein (2004 miniseries, more like a 2-part movie than a tv show)

flatliners (1990) (tw for drug use, uncensored depictions of cadaver dissection)

the cabinet of dr. caligari

the limehouse golem (tw for sexual assault and csa)

repulsion (tw for sexual assault)

the trial (1962)

*spooky comedy: a comedy movie with a spooky premise that i am categorizing with horror movies due to the genre overlap, but that lacks the intense violence, gore, etc. of a horror movie

**horror comedy: a spooky comedy that does not lower the level of violence, gore, etc. that is standard in a horror movie

thrillers

stoker (tw for incest, has a scene in which the protag’s mother verbally abuses her)

m [german film, watch with subtitles] (tw for themes of pedophilia/child molestation/child murder, but it’s worth noting that the whole point of the movie is to condemn and demonize pedophilia)

also one of if not the very first detective movies

nightcrawler (tw for rape)

the vvitch/the witch/however the fuck it’s spelled

rear window (1954)

zodiac

hannibal lecter franchise (tw for cannibalism, obviously)-- the silence of the lambs, hannibal, red dragon, manhunter

manhunter is adapted from the same book red dragon is (red dragon) except manhunter was made before anthony hopkins became The Iconic Hannibal Lecter(TM) so it focuses much more on will graham and francis dolarhyde

hannibal rising is worth watching for gaspard ulliel’s performance but the book was much better

the hannibal movie adaptation changed the ending of the hannibal book while still maintaining a really good and really compelling storyline so the book and movie are definitely both highly recommended by me

gone girl

shutter island (tw for asylum horror)

pan’s labyrinth

tiger house

the champagne murders

the plot and pacing are a little ehhh; in my opinion there was too much tension buildup between characters and not enough actual plot development. BUT, anthony perkins is in it so it’s worth watching if you love him like i do

documentaries

cropsey (documentary on child murders)

urban legends (another documentary, by the same people, talks about how real-life crime affects the american psyche and lives on as urban legends/horror tropes)

the poisoner’s handbook

h. h. holmes

nightmares in red, white, and blue

his name was jason

never sleep again: the elm street legacy

american ripper [currently ongoing tv series]

television/youtube

bates motel

ahs s1 (tw for... literally everything)

slasher

similar basic premise as ahs, but imo ahs is v exploitative and builds the plot on violence and vice, whereas slasher builds the violence and vice on the plot

supernatural (LISTEN........ LISTEN....................... conceptually it’s the bees knees okay)

penny dreadful (tw for constant explicit sexuality, religious iconography/sacrilege, asylum horror)

criminal minds

bbc broadchurch

bbc river

bbc sherlock but literally only ep. 3.4 “the abominable bride”

rosemary’s baby (2-part made-for-tv movie)

unedited footage of a bear

marblehornets

true detective

frankenstein (2004 miniseries, more like a 2-part movie than a tv show)

tbs’ search party

podcasts

the black tapes podcast

small town horror

alice isn’t dead

king falls am [spooky comedy, more sci-fi than horror but there is One Episode that positively screams “love letter to 80s horror movies” so i can’t leave it out with good conscience]

limetown

welcome to night vale [spooky comedy]

the dark tome

video games

until dawn

outlast series

five nights at freddy’s

dead by daylight

bioshock