#space rental script

[prameethsd]

Why Your Event Venue Business Needs a Space Rental Website Today

In the highly competitive event venue industry, a space rental website is no longer a luxury but a necessity. As online bookings dominate the market, potential clients expect seamless, digital-first solutions when searching for venues. Here’s why adopting a website for your venue business is vital:

1. Boost Visibility and Credibility

A dedicated website ensures your venue stands out in search results, improving visibility to potential clients. Adding high-quality images, videos, and customer testimonials builds trust, creating a professional and credible online presence.

2. Simplify the Booking Process

Online platforms allow you to streamline reservations with real-time availability, pricing options, and secure payment gateways. Customers appreciate quick, hassle-free experiences, leading to higher booking rates and repeat clients.

3. Enhance Revenue Opportunities

Dynamic pricing tools integrated into your website can adjust costs based on demand, seasonality, and special offers. Upselling features like catering, decorations, or AV equipment can further increase revenue.

4. Leverage Data Insights

With analytics from your website, you gain valuable insights into customer behavior, preferences, and booking trends. This data allows you to tailor marketing strategies, pricing, and service offerings to meet customer needs effectively.

5. Meet Modern Customer Expectations

Customers expect convenient access to information about your venue, from amenities to floor plans, all at their fingertips. A professional website positions you as a modern, customer-focused business.

Conclusion

Investing in a space rental website transforms your venue business by boosting visibility, simplifying operations, and meeting customer expectations. As the event industry continues to digitize, embracing a professional online presence ensures your venue remains relevant and profitable in the ever-evolving market.

[fresh-business-ideas]

Airbnb Clone for X — A Magical Business Software Solution

Table of Contents:

Introduction

What is an Airbnb Clone for X?

The Magical Business Software Solution

How Does it Work?

Benefits of Using the Airbnb Clone for X

Frequently Asked Questions (FAQ)

Conclusion

Introduction

Welcome to our blog on the magical business software solution — Airbnb Clone for X !

In this post, we’ll explore how this innovative technology can revolutionize the way you approach your niche-oriented accommodation business. Whether you’re looking to create an Airbnb for pet lovers, adventure seekers, or art enthusiasts, the Airbnb Clone for X has got you covered. Let’s dive in!

What is an Airbnb Clone for X?

An Airbnb Clone for X is a specialized software solution that empowers entrepreneurs and businesses to launch their own niche-oriented accommodation platforms. It is inspired by the success of Airbnb, the popular lodging marketplace, but with a twist. Instead of offering generic lodging options, the Airbnb Clone for X is designed to cater to the unique needs and interests of specific groups of travelers.

The Magical Business Software Solution

Our Airbnb Clone for X is a magical business software solution developed to transform your accommodation business dreams into reality. It opens up a world of possibilities for you to curate a platform that revolves around a particular theme or interest, ensuring unforgettable experiences for your guests.

How Does it Work?

The Airbnb Clone for X operates on a user-friendly interface that simplifies the process for both hosts and travelers. As a host, you can easily list your properties, adding specific details related to your chosen niche. Travelers, on the other hand, can explore a wide array of themed accommodations using advanced search filters to find their ideal stay.

Benefits of Using the Airbnb Clone for X

a. Personalized Experiences: By focusing on niche-oriented accommodations, you can provide your guests with personalized experiences that cater to their interests and passions.

b. Increased Customer Engagement: The unique offerings on your platform will captivate travelers and encourage them to share their experiences within your community, leading to increased engagement.

c. Enhanced Brand Identity: Establishing yourself as a niche-specific accommodation provider will help create a strong brand identity that sets you apart from generic competitors.

d. Supporting Local Businesses: Airbnb Clone for X not only benefits your business but also promotes local businesses related to the niche you choose.

Frequently Asked Questions (FAQ)

Q1. Is the Airbnb Clone for X customizable? Yes, absolutely! The Airbnb Clone for X comes with extensive customization options, allowing you to tailor the platform according to your chosen niche and branding.

Q2. Do I need technical expertise to use the software? Not at all! Our user-friendly interface ensures that you don’t need any technical expertise to set up and manage your platform.

Q3. Can I integrate a secure payment gateway for transactions? Yes, the Airbnb Clone for X supports secure payment gateway integration to ensure safe and hassle-free transactions.

So, Airbnb Clone for X is a magical business software solution that empowers you to create a niche-oriented accommodation platform that delights your guests. By offering personalized experiences and unique stays, you can build a strong brand identity and foster a vibrant community of like-minded travelers. Embrace the magic of Airbnb Clone for X and unlock new possibilities for your accommodation business!

Thank you for spending your valuable time with us.

[luckykiwiii101]

OMG SUCCESS STORY

in my past year of knowing about the law, this is definitely the big thing that cleared all my doubts about it FOR SURE. ok so my family lives in a cramped apartment, right? bad vibes all around, there’s just so much negativity because we literally have no space between us.

so on my void list i scripted that we live in this very specific house and my grandma had her own place to herself. i’ve been affirming a little (not even rant affirming i literally only did it like twice then forgot about it) that we live in this specific house because i’m just so tired of living in this apartment and i need more space. so yesterday, my dad came in the room looking somber and told me we’re going to move into a house soon because my grandma was having trouble with our landlord so we gotta leave. i was so mfking shocked dude, he was surprised i wasn’t upset but HOW COULD I BE???? of course it’s not in the exact circumstances i wanted because the house i had in mind was already sold and is definitely out of our budget but i don’t even care about that anymore.

i’m so fucking happy you don’t even know this literally a BIG step to living my dream life. this success story might not seem like much but this is so big for me like not even a week ago i was so down in the dumps and almost offed myself but look at me now.

ofc grandma having some shit with the landlord is being put out on her record (along with some other stuff from past rentals) so it’ll be a little hard finding somewhere but i already affirmed that we apply and get accepted to live in a very nice house. 🧘🏽‍♀️

This is amazing!!!! You deserve a lovely home to live in. 💗💗💗 Proud of you 🥹

[brian-in-finance]

Instagram

GIVING CREDIT

Saluting the behind the scenes talent making movie magic

Rob Youngson is a unit stills photographer for film and television. He's captured images for Belfast, A Haunting in Venice, The Great Escaper, Heanstopper St and Atlanta S3. He also shoots stills for posters. 'An effective still image has to communicate a lot in a single moment. An onlooker should know the tone, the genre and who stars in the production within a few seconds. It should leave them with a question: what happens? The answer to which is always, to go and see the film. It's the visual equivalent of a hook in pop music.'

How would you describe your job in simple terms?

I work with the cast and crew to capture striking still images during filming - without being a distraction or affecting the schedule.

I work with the publicist to ensure I get the images needed to publicise the film. I also capture behind-the-scenes images, which highlight the collaborative process and anything unique about the production. I may work with the props department to take period-accurate portraits for set dressing.

I've also consulted actors on how to use old-fashioned prop cameras convincingly.

How did you get into set photography?

I trained and worked as a theatre lighting designer while photographing bands on the side. Then I discovered that this job existed through an article in Nikon Owner magazine.

It was an interview with Kimberley French (Brokeback Mountain, The Revenant). I knew straight away I had to do this. So I went to work at one of the rental companies that hires cameras and lenses to productions.

I cleaned the kit, loaded the trucks and got to know people in the industry. used any leave to work on short films and then went freelance. Early on, I assisted an established unit stills photographer on some studio shoots. He then recommended me for a job he couldn't take and that put my work in front of the right people to get hired again.

What's the biggest misconception about your job?

That still images are screen grabs from the film. This is a widespread misconception, even within the industry. It doesn't work for two reasons. The technical reason is that the common shooting frame rate of 24fps doesn't freeze motion enough for those screen grabs to be printed at billboard size.

The second and most important reason is artistic; what works well for a moving image doesn't necessarily make a strong still photograph. Another misconception is that actors are difficult to work with. They are usually lovely. Actors have to step into a vulnerable place while surrounded by noise and crew and kit. They have to keep going to that place again and again for different camera angles. Part of what makes a good unit stills photographer is respect for the acting process. Sometimes my job is knowing when to step away and allow the actors space to work.

What's been the most memorable moment on a film set?

Watching Judi Dench and Kenneth Branagh make each other laugh on day one of shooting Belfast. We had all been in lockdown for so long, it felt like a new beginning. It felt like photographing love and hope and friendship.

What's the worst thing about your job?

Missing time with my family because I'm working away. Sometimes standing in a field on a night shoot, in February, in the snow, I start to question it. Those moments can feel tough. But a lot of the crew are in that same situation with you. Working on good scripts with nice people makes the time away from home, the long hours and driving, a lot easier.

What's the best thing about your job?

Knowing that my images help stories to find an audience. Stories that take years of hard work and hundreds of people to get told. On set, the best thing is being witness to incredible acting, from both legends and up-and-coming talent. Seeing what the Heartstopper cast are doing for LGBTQA* representation right now is special. I'm also currently working with two incredible young actors. I am so excited for more people to discover their storytelling potential.

If someone wants to do your job, what's the best route in?

Get on to set any way you can, in any role. Take photos across all genres of photography. Welcome honest feedback on your work. Don't sweat the kit you haven't got. You'll get hired for your eye and how well you get on with people, not what's in your bag. The necessity to work on low/no-budget jobs early in your career is a barrier to many, especially as a lot of opportunities centre around expensive cities. Screenskills and BAFTA have resources for helping bridge that gap - seek those out. Go and see as much art and as many films as you can.

Remember… (most memorable moment on a film set) Watching Judi Dench and Kenneth Branagh make each other laugh on day one of shooting Belfast. We had all been in lockdown for so long, it felt like a new beginning. It felt like photographing love and hope and friendship. — Rob Youngson

[theneighborhoodsave]

estou jogando no seu save e não sei mais o que fazer, os itens colocados com o tool somem todos e não recebi nenhum erro de script ou algo parecido que dê o motivo. Estava jogando sem problemas e estou quase no fim do verão no jogo.

Hi there, I'm sorry you're having some trouble with TOOL'd objects in the game! Are you playing or have edited a rental lot recently? If so, this tip I provided in my original post and read me file may help fix this:

To avoid the surrounding neighborhood deco from disappearing (TOOL’d in items) edit only a single rental unit at a time in build mode, rather than the whole lot. Gameplay on lots should not affect this so you can still visit your neighbors!

If you have not saved your game yet you can close without saving and the items will come back to their original spaces. Unfortunately rental lots in the game changed a lot about TOOL items, but that is the way around it. I hope this helps!

[deada55]

The Clicking of the Chain (The Silence of the Lambs Parody) (#1 of 2)

for kloktober day 11: horror movie crossover

It's a parody, not a crossover, and I used a lot of the original script for this sequence to make sure it 'accomplishes' similar things for the main plot. I've always wanted to do this sort of thing... I like doing kloktober pieces that are for me more than the audience, but I hope you enjoy this retelling of one of the most quoted scenes in The Silence of the Lambs featuring Charles Offdensen and Magnus Hammersmith.

tws: body fluids, sexual harassment

At the bottom of the stairs was a left turn into a dingy cream-colored space kin to a car rental window at a crusty regional airport. A bulletin board held seven year-old thank you cards and a sign-in sheet for personal visitors. From a slim staff door came a short man in his sixties in an Orioles ball cap and white coveralls and an extended hand.

“Hi, I’m Mashed Potato Johnson. He told you, don’t get near the bars?” Damien Cornickleson’s footsteps were still volleying down the stairwell.

“Charles Offdensen.” He took the handshake with a bit of a dip. ”Yes, he did.”

“Okay. Past the others, he’s in the last cell. Stay to the middle, now. I put out a chair for you.” He pointed through the door to the gray wall of the corridor, where there was a security camera mounted to the wall. “I’m watching. You’ll do fine.”

His even steps echoed down the dim corridor, lined on one side with cameras and the other with iron bars holding back men of all sorts of shapes and sizes and muttering. Right before he’d reached the end of the hall, a green, black, and white blur threw itself against the bars, bearing wet, darkly streaked, yellow teeth. The white cast on his face rubbed off on the iron, and his crudely-colored green mane of matted frizz was trapped in his grip on the lock. 

“Cocaine!”

Charles flinched hard enough to set his glasses off-kilter, but he only stalled on a single step before he was standing squarely in front of Magnus Hammersmith behind bars.

His cell was kept more lit, and had the addition of nylon netting on the exterior side of the bars. The inside of Magnus’ cell was covered in swaths of butcher paper decorated with black and white modern art patterns of various scales, with or without interlocking phantograms of all manners of polygons. 

Charles cleared his throat and lowered the briefcase in his hands. “Mr. Hammersmith, my name is Charles Offdensen. May I speak with you?”

Magnus looked up from his magazine, eyes shining behind the tight waves of his hair. His ankles stretched at least a foot past the hem of his hospital pajamas and his skin, historically photographed to be a warm medium tone, was bleached and dusty from the windowless basement floor. Despite the menacing angles of his face, his voice was indignant, not commanding.

“And good morning to you, too,” he sneered, then went back to his reading.

Charles took another step forward.

“Magnus, we’re having a hard time with a case, and we believe you might have some guiding information. Do you mind answering a short questionnaire?”

“ ‘We’ being the Behavioral Science Unit at Quantico… But what’s a suit like you doing there? Huh? Fraud investigation wasn’t the thrill you expected?” He chuckled at his own joke and tossed the magazine on the floor with a resonant slap. “You’re one of Roy Cornickleson’s, I expect.”

“I am, yes.”

“Show me.”

Charles whipped his wallet out of his pocket and opened it to his IDs, holding them out in front of them.

“Closer, Charles. I have two eyes, but only one of them works.”

Charles clenched his teeth so he wouldn’t make a face and inched closer each time, but didn’t dare lean.

“Expires in a week. You’re not real FBI yet, are you?”

“I’m still in training at the Academy.” Charles pushed his glasses back up to his nose and squared his feet.

“Old Roy’s showing me off to a trainee? Well-”

“We’re talking about investigation, Magnus. You can decide for yourself if I’m qualified.”

“Smart, Officer Offdensen. Sit down.”

The rusted hinges of the chair bent when he sat down. If he were any heavier, he’d have been tipped into the floor. Magnus mirrored him and sat back down on his cot.

“Now, what did Rockzo say to you? Don’t look stupid– Dr. Rockzo, the Rock n’ Roll Clown in the next cell. He lunged at you. What did he say?”

“He said, uh, ‘cocaine’.”

“Of course he did. He does cocaine. Or did. Whatever. But you… you don’t have that kind of money, do you? You brought your best briefcase to see me today, didn’t you?”

Charles pulled at his tie before he remembered to stop himself. “Sure.”

“It’s better than your shoes, but not great. Not the cocaine type.”

“Not now, no.” Just like that, Magnus was out of things to say, and started to bounce his leg. The movement of his subway-sized foot was comical… if he had a pair of spoons in his hand, they’d click together nicely. The nervous bouncing on such a long, flimsy frame made him look like a dancing toy.

“Did you do those drawings?”

“Yes. Do you care much for contemporary art?”

“I’m not familiar… they allow you to keep a compass?” One of the works was a system of interlocking circles, some of them chained together in links, and others that looked like they were out of a spirograph.

“No. The scratching of the pen is what I have instead of a tune. Can’t let me get a hold on wood or string, can they?”

Charles looked down as if bowing his head in church before taking out a questionnaire from his briefcase. He held his chest higher.

“Magnus, if you’d please…”

“I’ve had my fair share of shrinks and investigators, Offdensen. You’ve been courteous, you’ve established trust and complimented my art, but this segue into your little survey is a bunch of bullshit. It’s boring, it’s stupid, and that’s not going to cut it.”

“I’m asking you to look at it. Either you will or you won’t.”

Magnus snorted and stretched his legs out in front of him, ankles crossed. “Roy Cornickleson must be strapped for time hunting down the ‘Metal Masked Assassin’ if he needs help from the likes of amateurs like you. Did he send you here to ask me about him?”

“No, I-”

“How many people has he used up so far, that Assassin?”

“Five, so far.”

“Flayed?”

“Partially, but that’s an active case, and I’m not involved, s–”

“Do you know why he’s called the Metal Masked Assassin? The newspapers don’t say.”

“I’ll tell you if you look over this form.” Charles passed it into a metal hatch which opened on Magnus’ side when the door to the outside was closed. Once Magnus picked it up, Charles began…

“It, uh, started as a joke, about wearing their faces, like that one movie…”

“And you can’t remember the title.”

“No, I can’t.”

“Right.” Magnus set the questionnaire on the cot beside him. “Show me what you have to offer. Why do you think he takes their skins, Officer Offdensen?”

“Uh, well, most serial killers take a trophy, sometimes for excitement or-”

“I didn’t.”

“You ate them.”

“So it would seem.” He smirked and picked the forms back up, only to begin tearing them in a frenzy that exploded out of nowhere but the air around them. As he struggled, his grunts and the struggling, shearing sounds of ripping copy paper volleyed in the stony ward.

“You think you’re so clever, so ambitious, don’t you Chuck? You’re a fraud dressed like a bourgeois bagman. Good nutrition has given you well-fleshed features, but you’re not more than one generation from salty white trash, are you? That New England accent you prune so delicately to hide all the junkiness of Maine fishmarkets– What was your father, huh? Did you have one, or did he roll from his bed into the sea like every other frozen drunk on his lobster boat? I bet the other boys without fathers found you just fine in locker rooms, with wound, wet towels and cracked lips, while all you could think about was a less physical path of being, of being at all… and power. Powerful as the F.B.I…”

“You see a lot, but are you strong enough to look at yourself? Write it on the piece of paper.”

“And you’d love it, wouldn’t you?”

“If you weren’t a coward.”

“You think you’re tough one, aren’t you?”

“... I decline to comment.”

“Oh, but you’d hate if I thought you were anything but superior! It’d break you to little fucking pieces. Don’t worry, Charles. If you hold your head high enough, everyone will assume you’re tall someday soon.”

“And the questions?”

Magnus turned his back. Charles leaned forward in his seat and slammed the door of the meal hatch open and shut again. Magnus was up and snarling at the bars in a flash. 

“A census taker once tried to test me, Charles. I ate his liver with some fava beans and a nice chianti. I hope a degree from Harvard will help you piece together that fucking around making noise in a ward of prisioners and psychos won’t give you a bigger dick! Go back to school. The boys miss you!”

He retreated from the bars to stand in front of one of his works, and Charles took his invitation to leave.

“Ooh, hoo, hoo, hoo!… Dr. Rockzo don’t feel so good. Ohh, it hurts, it’s all infected, shit all over this mess, ooh-hoo! K-k-k-lookit-”

When Charles paused at the cry, he took half a load of semen into his face from Rockzo’s hand. While he howled, Magnus bellowed, “You stupid fucking clown!” Charles fumbled in his pockets for a frayed pink tissue and tried not to let the clown’s cum anywhere closer to his eyes and mouth. Just when he’d passed Dr. Rockzo’s cell and saw the light streaming in from the room he was in before, away from the din rising up in the corridor, he heard Magnus shouting above them all.

“Officer Offdensen!”

With burning eyes and sharp features as contorted and pinched as the acid-trip Devil that leads partygoers to slit their wrists or jump out of bedroom windows, Magnus stood again at the bars of his cell. Charles hurried himself back over, although he couldn’t see further than his armspan while he carefully wiped the body fluids off the lens of his glasses. 

The veins in Magnus�� neck were thick as snakes. “Look, I didn’t want that for you. Excretions are disgusting to me, and bad manners-”

“Then do the survey for me.”

“No, but I’ll do you one better. Advancement. Go to Split City, check on an old bandmate of mine, Ravenwood. Just like you think it’s spelled. Now leave. I don’t think Dr. Rockzo could manage again so soon, even if he is crazy. Don’t wait around to see– Go!”

[jpitha]

We're On Our Way

Here's my entry for this week's Flash Fiction Friday from @flashfictionfridayofficial

I swear, I didn't intend for it to happen this way.

I was just going out for a quick trip. I rented a ship to Flip over to see an interesting stellar anomaly in person. I wanted to take a few photos and videos to edit together into a fun little presentation and post for my friends to see.

When I got there, I set up my cameras, started recording and worked on writing a script for a narration I would do once I got back home.

About an hour into the recording, the ship reported an overspeed error on the Flip Drive. I padded over to the warning screen, and in the time it took me to read the error, the entire console lit up red. There were errors I had never seen before, things that seemed like they were impossible. The whole ship was going to destroy itself before I even knew what was wrong.

Remembering the training I had to take before they'd let me rent the ship, I quickly donned the emergency pressure suit that came in the rental. It smelled of new rubber and was bright yellow with EMERGENCY RESCUE written down the sides. There was a flashing beacon on the helmet. It was one size fits most, and I was swimming inside it. I felt ridiculous, but the stupid thing saved my life.

As it was overloading, the ship flashed a message on the main console:

EVACUATE NOW. RESCUE BEACON DEPLOYED. YOU'RE NOT ALONE. HELP WILL COME.

Not believing, but trusting the ship, I ran for the airlock. I didn't even cycle it, I just blew both doors and the rush of air leaving the stricken ship blew me into space.

Alone.

I watched as the Flip drive failed. As I was drifting away from the ship, it started to glow a hazy blue that hurt to look at it. Then, the front folded into the back, the back folded into the front, the bottom folded into the top, and the ship folded...away.

In less time than it took to take a sip of water, the ship, my only way home, was gone.

I'm not sure how long I drifted.

The suit had food - which was terrible, water - which tasted metallic, and waste processing facilities - which were humiliating. But, I was alive.

I spent the time staring at the anomaly I came to visit. It really was beautiful, and I got a front row seat to watch it. Unobstructed by the ship cameras, I took in the view with my own eyes. I was lost in the beauty.

Some time later, I felt a presence. Looking to my left, a ship had Flipped into view. It was red with a large white stripe, flashing lights along the top and had RESCUE painted in glowing letters next to the windows. Before I knew it, people had jetted out of the ship and over to me. They clipped a line to me and reeled me back into their ship.

"This never happens" they said. "We're so sorry you had to be subjected to this" they said. "Thank goodness the ship Flipped a rescue beacon to us" they said.

I was numb to all of their apologies. I was still lost in thought about the anomaly.

I was happy to be rescued, of course, but I couldn't shake the feeling I felt when it was just me, staring at it's infinite beauty.

Three months later, I had rented another ship, and came back.

This time, I'd mount the cameras outside of the ship, and try and show my friends back home the feeling.

[sleepynegress]

Doing An Early 2000's Double-Feature...

Someone brought up Red Eye on twitter, so I decided to check it out. This would have been a winner in the late Blockbuster rental years. Also, it had weird electricity between the leads, where it didn't go in a romantic direction, but could have if written differently.

Instead, it went with the antagonist and protag energy...Basically the ancestor of all those dark fic romances that are out now that are red flaggy shitty controlling men being objectified, and totally for the fictional space ONLY. Seriously... Cillian and Rachel, need to do something else together again. Now, I'm watching Cellular, which again... great early 2000's hot guy chemistry energy redirected into this tense one-location... (for the person needing rescuing) thriller. And Chris and Kim...

Again, the chemistry. Both of these relied on a good tight basic popcorn thriller script and great energy from the leads and all just worked. So, yeah...a good thematic double-feature with movies they just don't make anymore, because the climate has changed so much. PAY THESE PEOPLE WHAT THEY ARE WORTH... But until then, boot leg these when the lean entertainment times come. Man, seriously both aged well, and the nostalgia...whew.

They genuinely don't make movies like this anymore. Low to mid-budget, tight script, great thriller.

[hydralisk98]

My strengths and ambitions

Generic skills and forces:

Research, "Creative" Writing & Analysis (atlases, encyclopedias, reference works...)

Multimedia Collaging and Video Compositing

Analog Media and Digital Data Preservation

Composing tracker music

Technical documentation

(explorable?) multimedia explainers

History (& alternate history)

Information technologies

Historical hardware & software

Sidestream software & "operating" systems

Linguistics?

Casual spirituality topics?

TTRPG crawl campaign setting & systemic designs...

Toybox tools and manifestation games...

Causal collectible card games and expansive board game mods...

Demoscene and game modding...

Vector / Retro Aliased Raster illustrations

Animations & interactive (A?)SVG cartoons

Free, Libre and Open Source movement (open culture, open hardware and open software, et cetera.)

Computer builds and overall customization (especially the looks but also functionality, both virtual and physically informed)

Sensible, caring and detail-oriented.

Specific skills (existing and upcoming) and emphasis points for my career

Page pixel dolls, banner blinkies, panels & other animated GIF graphics...

Printables (blanks, worksheet, guestbooks, greeting cards...)

Stickers & clipart

Stationery (especially legacy/obsoleted types)

Desktop organizers with bundled theme packs (even cursors, icons, sounds, widgets and almost everything else under the sun?)

Monero+Liquid online shop

ClipStudioPaint (upcoming...)

WordPerfect from Corel (upcoming...)

OpenMPT + MilkyTracker (tracker music)

ReNoise (upcoming...)

LibreOffice

GIMP with G'MIC

Krita with G'MIC

GrafX2 (upcoming...)

Kate & KDevelop

Version control with Git (GitHub, GitLab, GitTea...)

Homebrew responsive yet retro stylized HTML5/CSS3 static sites/blogs with Neocities + Hexo (and Jekyll?)

XML+XSL

SQL?

Vim & Emacs

Linux + BSD commands with both Bash and Fish shells

KDE Plasma

Linux/BSD/POSIX certifications?

Common Lisp & Nim (with C bindings?)

WDC & KKIT

SLADE & GZDOOM

Godot + Qodot

Hammer++

Entrepreneurship / autonomous work?

Dreams and projects:

Video rental-store full-stack ticket database

Fiction atlases and themed pointcrawl semi-historical adventures...

Cozy game levels for raycasters and doom-clones

Cozy social spaces in Qodot & Hammer++

Cartoon pitches & short animated explainers

Toybox sets and modular building easy assemblers...

TTRPG campaign setting and supplementary rulesets...

Stylized yesterweb responsive pages

Analog media production (music video and data Digipaks)

SVG stickers, PDF printables and OGG content...

Fully custom developer desktop environment themes & scripted auto-riced workflows

Tutorials, listicles and other long-form content threads...

Raw art files and game-ready asset / clipart bundles

Manifestation / affirmation Tarot-sized card deques

Alternate technological implementations...

Dumbphone / "feature phone", two-way pagers and other dumb specialized devices... designing.

Constructed language(s) with nuanced dialects and poetic audio recordings...

Library economy in diecast car miniature worlds for sci-fi films

My very own guidebooks and curations

Lofi illustrations, podcast covers and album digipaks with feelies...

I hope that does sum up my professional + hobby goals well enough.

[nik991]

Why You Need Chauffeur Services for Video Shooting?

When it comes to video shoots, every detail counts. From getting the perfect location to ensuring the shoot goes smoothly, reliable transportation can make or break your day. That’s where a chauffeur service comes in handy. Hiring a chauffeur-driven rental car for video shooting not only adds a touch of professionalism but also helps streamline your production schedule. Here’s why a chauffeur-driven car is essential for your next video project — and how GoodGears can provide the perfect ride at a budget-friendly price.

1. On-Time Arrivals and Smooth Scheduling

Video shoots are often on tight schedules. You need everyone and everything to arrive on time to make the most of daylight, meet deadlines, and manage crew costs. A chauffeur-driven car in Delhi ensures you get to your shoot locations promptly, without the stress of navigating traffic or searching for parking. With a Luxury car rental in NCR, a professional chauffeur can handle the logistics, allowing you to focus on capturing the perfect shot.

2. Effortless Transport for Equipment and Crew

Transporting video equipment can be a hassle, especially when dealing with fragile or bulky items. Choosing a chauffeur-driven rental car gives you a spacious and comfortable vehicle for your crew and gear. Whether it’s cameras, tripods, lights, or props, a reliable trip car service ensures everything gets to the location safely and securely. No more cramming gear into small cars or worrying about breakages — a chauffeur service makes equipment transport a breeze.

3. Professional Image for Your Project

Arriving at a video shoot in a well-maintained, luxurious vehicle adds a layer of professionalism to your production. It shows that you take your work seriously and are committed to quality. A Luxury car rental in NCR can be a game-changer for filmmakers, directors, or producers who want to make a strong impression. Plus, having a stylish car available can double as a prop or backdrop for your shoot, giving you more creative options.

4. Reliable and Safe Travel Between Locations

Video shoots often require moving between multiple locations throughout the day. A professional chauffeur car hire in NCR means you have a dedicated driver who knows the best routes to avoid traffic and get you from one place to another smoothly. This not only saves time but also reduces the stress of coordinating multiple rides or using unfamiliar public transportation. With a chauffeur-driven car, you can count on safe, efficient travel no matter how many locations you need to visit.

5. Comfort and Convenience for Talent and Crew

Keeping your crew and talent comfortable is essential for a successful video shoot. A chauffeur-driven car in Delhi provides a private, comfortable space for everyone involved. Whether it’s a quick break between scenes, a wardrobe change, or a chance to review scripts and footage, a luxury vehicle offers a space where your team can recharge. This level of convenience is crucial to maintaining the energy and focus needed for a long day of filming.

6. Cost-Effective Solution for Video Shoots

Contrary to popular belief, hiring a Luxury car rental in NCR doesn’t have to be expensive. With GoodGears, you get high-quality chauffeur services at pocket-friendly prices. When you consider the costs saved on logistics, time efficiency, and the added benefits of professional transportation, a chauffeur-driven rental car becomes a smart investment for your video project.

7. Versatile Fleet to Suit Your Needs

Whether you’re filming a documentary, a music video, or a corporate advertisement, having the right vehicle is crucial. GoodGears offers a wide range of chauffeur-driven rental cars, from sleek sedans to spacious SUVs, to fit the specific needs of your shoot. This versatility means you can choose the perfect car for your production, enhancing the look and feel of your video.

8. Flexible and Stress-Free Booking

Planning a video shoot is stressful enough without having to worry about transportation. That’s why GoodGears makes booking a chauffeur car hire in NCR easy and flexible. You can choose the exact time, date, and duration that fits your shooting schedule, and even make changes as needed. This flexibility allows you to focus on creating great content without the added worry of transportation logistics.

Why Choose GoodGears for Your Video Shoot?

At GoodGears, we understand the unique demands of video production. Here’s why we’re the best choice for your next shoot:

Wide Range of Luxury Vehicles: We offer a diverse fleet to meet your specific needs, from stylish sedans to spacious SUVs, all in excellent condition for a professional look.

Affordable Rates: We provide high-quality chauffeur services at prices that fit your budget. With no hidden fees, you know exactly what you’re paying for upfront.

Experienced Chauffeurs: Our chauffeurs are professional, punctual, and knowledgeable about the best routes to get you to your shoot locations efficiently and safely.

Easy and Flexible Booking: Our user-friendly booking system allows you to schedule a personal travel car service quickly and easily, adjusting as your shooting schedule changes.

24/7 Support: We’re available around the clock to answer any questions, provide support, and ensure your video shoot goes off without a hitch.

Conclusion

A successful video shoot requires seamless coordination, reliable transportation, and a touch of style. Hiring a chauffeur service is the best way to meet all of these needs. From transporting equipment and crew safely to ensuring on-time arrivals, a Luxury car rental in NCR makes your video shoot more efficient and professional. With GoodGears, you get all the benefits of a chauffeur-driven rental car at an affordable price.

Ready to take your video shoot to the next level? Choose GoodGears for reliable, luxurious, and cost-effective chauffeur services that make your production run smoothly.

[amber-obrien]

How does renting a unique film location enhance storytelling and audience engagement?

Renting a unique film location significantly enhances storytelling by providing a distinct backdrop that adds authenticity and depth to a narrative. A carefully selected location can set the tone of a film, evoke emotions, and even become a character in its own right. Whether it's an industrial warehouse, a historical site, or an avant-garde venue, the environment helps convey the story's mood, culture, or period, enriching the viewer's experience. Film location rentals allow filmmakers to choose locations that align perfectly with the script, helping to immerse the audience in the world being created. 

For corporate event planner in Los Angeles, incorporating unique film location rentals into a promotional or branding event can provide a similar effect. Renting an iconic or unconventional venue for a corporate event adds an element of prestige and excitement, helping to captivate guests and reinforce the brand's identity. The right location creates a lasting impression, whether it's a glamorous venue for a product launch or a themed space for a team-building event.

[ear-worthy]

“The White Vault” Season 7 Premieres & “That Scares Me Too” Debuts

These two creepy podcasts are billed as Fool & Scholar’s Spook-tacular Podcasts. Normally, I scoff at such hyperbole, but after listening to a previous season of The White Vault and the trailer for That Scares Me Too! I’m sufficiently scared to hide under my weighted blanket until I get the signal that it’s safe to come out.

At the end of the recent trailer of The White Vault, host K.A. Statz tells her listeners, “The White Vault: Goshawk approaches as the cold winds blow in, and we hope you see us soon.” Then after a pause that sent a chill down my old, arthritic spine, Statz whispers, “Don’t worry. We see you, too.”

Mommy.

I recently wrote and reviewed two iHeart “scary” podcasts, Rattled & Shook and Radio Rental. Those shows represent the genre reasonably well and are enjoyable, if not predictable. But they demonstrate the disparity in artistry, creative design, imagination, and world building between independent shows like The White Vault, Dark Dice, and Don’t Mind (all from Fool & Scholar) and iHeart, Spotify or Wondery shows in the same genre.

The White Vault begins its seventh season on October 15th. Since there are more podcasts than conspiracy theories, I had never heard of the show until it was recommended by Shreya Sharma, who I consider a sound sommelier.

Here’s the show’s marketing pitch: “Explore the far reaches of the world’s horrors. Follow the collected records of a repair team sent to a remote arctic outpost and unravel what lies waiting in the ice below.”

Just to make it creepier, the show’s website has large text in all caps that reads, “TRAVEL NOT ADVISED.”

I listened to the last season and was hooked. The show is exquisitely produced. The lushness of the sound, the skillfully executed narrative, and the intensity of the actors places listeners in Iceland. I listened to the show in 80-degree weather while walking and perspiring and still, the howling wind and shivering sounds from the actors made me cold.

I can tell you that you can jump in anytime on this show. My plan is to revisit the first five seasons, but only when people are around and it’s daylight.

The White Vault is produced by Fool & Scholar Productions, which was founded as a hobby production duo by K. A. Statz and Travis Vengroff in 2015.

By 2019, Fool & Scholar Productions was a registered company with multiple podcast productions, awards, and a substantial following. Starting in the realm of science fiction, they have gone on to create shows in the horror, drama, TTRPG, and family-oriented spaces.

Kaitlin Statz began writing audio drama scripts in 2015 while completing her Master’s program at the University of Oxford. Within the year, her first stories hit headphones as Liberty: Critical Research and Liberty: Tales from the Tower.

By 2017, with several audio seasons completed, she launched The White Vault under the same Fool & Scholar Productions banner. Now, with even more shows, she works full-time creating audio stories. She lives in Bavaria with her husband and their rescue dog, Eezo.

Travis Vengroff is the award-winning sound designer, editor, and producer of The White Vault podcast and the other half of Fool & Scholar Productions. His search for authentic sound has taken him to the forests of Central America, the black beaches of Iceland, the streets of Oxford, and through misty trails in the Pacific Northwest.

Vengroff is also an educator, consultant, and an active member in numerous podcast communities and organizations, including the Audio Drama Hub and IADAS. He works full-time creating podcasts and lives in Bavaria with his wife and their rescue dog, Eezo.

On October 8, Fool & Scholar is releasing its first non-fiction podcast, THAT SCARES ME TOO!

Vengroff says: “In this conversational podcast, we discuss and share historical legends and more recent ghost stories from around the world.”

The new show’s marketing pitch is: “Join Dr. Sophie Yang and K.A. Statz to discuss horror tales and myths from Asia. We’ll share stories about urban legends, unknown entities, cemetery superstitions, the undead, ghost month, cursed objects, folklore, and more from Taiwan and other Mandarin-speaking communities. Together, we discuss, compare, and contrast horrors from our cultures and talk about the shared human terrors.”

You can listen to the one-minute teaser here. This may be one of my favorite trailers of all time. Why? First, it’s only a minute-long. Second, there’s very little dialogue, which is: “First, I’m going to tell you a couple and scary stories, and then we’ll continue the discussion.” I love the transposition of concepts. The words are spoken in a flat, matter-of-fact tone, while the creepy music and flatness of the narrator’s voice presage something far more sinister.

Third, it is the silence and the eerie music that dominates the 60-second interlude. It’s a classic “less is more” strategy, and it slays as a table setter for the upcoming podcast.

These two shows are another winner for independent podcasting. Check out The White Vault and That Scares Me Too!

[oysterswimmingclub]

Lights, Camera, Action! Exploring the Comprehensive Film Production Services in Noida

The world of film production is a fascinating journey that brings stories to life, capturing emotions, action, and creativity in every frame. Noida, a thriving city on the outskirts of the national capital, has rapidly emerged as a hub for film production services, offering a wide array of professional solutions for filmmakers, producers, and content creators. Whether you're working on a big-budget feature film, a music video, a corporate commercial, or a documentary, Noida’s film production services are equipped with state-of-the-art technology, talented professionals, and versatile locations to meet your needs. In this blog, we delve into the dynamic world of film production services available in Noida and how they cater to various aspects of filmmaking.

1. Pre-Production Services: Laying the Foundation

The first step of any film project is pre-production, a phase that sets the tone for the entire filmmaking process. This stage involves planning, budgeting, location scouting, scripting, and casting. In Noida, film production companies offer comprehensive pre-production services to streamline your project:

Concept Development and Scriptwriting: A solid script is the backbone of any film. Skilled writers in Noida collaborate with filmmakers to develop scripts that are engaging, captivating, and tailored to the project’s vision. Whether you need assistance with a screenplay, dialogue writing, or creative ideation, Noida's professionals have you covered.

Budgeting and Scheduling: Efficient budgeting and scheduling ensure that your project stays on track without unnecessary delays or cost overruns. Production experts in Noida work closely with you to create a detailed budget and schedule, ensuring every aspect of your film is well-organized.

Location Scouting: Noida boasts a diverse range of locations suitable for various genres and styles of film. From urban landscapes and modern architecture to lush green parks and serene lakes, location scouts help filmmakers find the perfect backdrop for their scenes.

Casting and Talent Management: Finding the right actors and crew members is crucial for a successful production. Casting services in Noida connect filmmakers with talented actors, models, and extras who bring the story to life. Additionally, they handle talent management to ensure seamless coordination throughout the project.

2. Production Services: Bringing Ideas to Life

The production phase is where the magic happens, as cameras start rolling and the vision begins to take shape. Noida offers top-notch production services that cater to projects of all sizes, from small independent films to large-scale productions:

High-Quality Equipment Rental: Noida’s film production services provide access to the latest camera equipment, lighting gear, sound equipment, and other essential tools required for filming. This ensures that your project is captured in high definition with top-quality visuals and audio.

Cinematography and Direction: Experienced cinematographers and directors in Noida bring a wealth of creativity and technical expertise to the table. They work closely with the crew to capture scenes with precision, using advanced techniques and equipment to achieve the desired visual aesthetic.

Art Direction and Set Design: Creating the right ambiance is crucial for any film. Noida's production services include talented art directors and set designers who meticulously craft the look and feel of your scenes, transforming ordinary spaces into captivating visual experiences.

Sound Recording and Audio Engineering: Crisp, clear sound is as important as stunning visuals. Noida’s sound engineers use cutting-edge recording equipment to capture dialogues, background sounds, and effects, ensuring that every audio detail is perfectly in sync with the visuals.

Drone Videography: To add that extra layer of cinematic brilliance, drone videography services are available to capture breathtaking aerial shots. These drone operators are experienced in maneuvering their equipment to achieve stunning footage, providing a unique perspective for your film.

3. Post-Production Services: Refining the Final Product

Once the filming wraps up, the post-production phase begins, where the raw footage is transformed into a polished, seamless film. Noida’s post-production services are equipped with skilled editors, sound engineers, and visual effects artists who refine every frame:

Video Editing: Editing is where the film truly comes together. Expert video editors in Noida use advanced software to cut, rearrange, and assemble footage, ensuring that the story flows smoothly. They pay close attention to continuity, pacing, and transitions, creating a visually engaging experience.

Color Grading and Correction: Color grading enhances the visual tone of the film, giving it a distinctive look and feel. Professionals in Noida use advanced techniques to adjust colors, contrast, and brightness, ensuring each scene appears as intended.

Visual Effects (VFX) and Animation: For filmmakers who want to add a touch of magic or create fantastical worlds, VFX and animation services are available. Noida’s skilled artists work on integrating visual effects seamlessly into live-action footage, enhancing the film's visual impact.

Sound Design and Mixing: Sound design involves creating and adding sound effects, background scores, and ambient sounds to enrich the viewing experience. Expert sound designers in Noida ensure that the audio complements the visuals perfectly, while sound mixing brings everything together in a balanced, cohesive way.

Subtitling and Dubbing: To make your film accessible to a broader audience, subtitling and dubbing services are available. Noida’s professionals offer accurate translations and voice-over services, ensuring your film reaches viewers from different linguistic backgrounds.

4. Additional Film Production Services: Going the Extra Mile

In addition to the core production services, Noida offers a range of supplementary services that enhance the overall production experience:

Photography and Behind-the-Scenes Shoots: Capture the journey of your film’s production with professional photography and behind-the-scenes videography services. These visuals not only serve as promotional material but also document the making of your project.

Digital Marketing and Distribution: Once your film is complete, you need to reach your target audience. Noida’s production services often include digital marketing strategies, promotional campaigns, and distribution planning to ensure your film gets the attention it deserves.

Film Studio Rental: If you need a controlled environment for filming, there are multiple film studios available for rent in Noida. These studios come equipped with green screens, lighting setups, and other essential gear to create the perfect setting for your scenes.

Why Choose Noida for Film Production?

Noida has steadily emerged as a go-to destination for filmmakers, thanks to its strategic location, modern infrastructure, and skilled workforce. Here’s why Noida is an ideal choice for film production services:

Access to Cutting-Edge Technology: Noida’s film production services stay updated with the latest technology, ensuring that your project benefits from advanced equipment and software.

Cost-Effective Solutions: Compared to some other production hubs, Noida offers cost-effective film production solutions without compromising quality.

Versatile Locations: From urban landscapes and contemporary settings to scenic natural spots, Noida provides a wide range of locations for diverse filming needs.

Final Takeaway

Film production is an art that requires a perfect blend of creativity, technical skills, and meticulous planning. Noida, with its burgeoning film production industry, offers comprehensive services that cater to every aspect of filmmaking. Whether you’re a budding filmmaker or an experienced director, you’ll find the support, resources, and expertise you need to bring your vision to life. With its dynamic blend of technology, talent, and creativity, Noida is quickly becoming a preferred destination for film production projects of all scales.

[migrateshop21]

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[infinitejourneysinfiniteworlds]

In this post, I'm going to vent a little bit, but I'm also going to write about my Better CR in depth.

I really try not to whine about how I haven't shifted yet overmuch because I know that it's counterproductive to actually succeeding (focusing on the state of lack, etc.), but sometimes when it feels overwhelming I think writing it down as an act of release can be helpful.

And everything feels overwhelming right now. It's been a lot. I think having to permanently re-home my dog is what cinched my decision to permashift as soon as I can. The house is replaceable, but my dog is not.

It's been hard, and I've been genuinely trying to shift since getting into the tiny little rental place, but I've had nothing to show for it so far and that has been discouraging. If writing all this out doesn't help to release this discouragement, I may take a short break. I'm trying not to feel overly desperate, but it's hard not to do when you feel like your whole CR life just collapsed around you. Just trying to stay as Zen as possible about it all, to focus on one day at a time, and to keep a healthy balance between tending to CR needs and taking the time to focus on shifting.

I know that it may take a little time to successfully permashift, so I'm trying not to rush it too much. I have time to experiment a bit. It'll probably be better to do that anyway than to just permashift right out of the proverbial gate. I am fully committed to finally permashifting at this point; however, this does not mean that I won't make some controlled shifts back to a certain "timeline branch" of this CR where things work out for me, including getting my dog back, so I can have some closure. But they will be carefully controlled and scripted, so that when I shift I will be able to easily shift back to my Home Reality that is my Better CR. In other words, I'll be shifting to an alternate CR that looks exactly like this one, but I'll be scripting what happens in the future instead of the past, as well as scripting that I can instantly shift back to my Home Reality when I intend.

I think I'd like to write a bit about my Better CR. I love it so much; it's nothing fancy or exciting, but it's cozy and comfortable and a great place to use as a Home Reality from which I can shift to other DRs.

Foremost in my mind right now: in my Better CR, my dog Shadow is still with me, happy and healthy and secure, and I scripted that there will be no negative effects from natural disasters in my life. I live in the foothills of the Berkshires of Massachusetts, have a beautiful three-bedroom home on a rural property, and work from home as a freelance artist. I only have to take three or four projects a year, because I've got a sizeable amount of money from wise investments over the years. I've been working on my illustrated urban fantasy series, and it's coming together nicely.

I live in an area with gorgeous forests, rivers and lakes and waterfalls, and gently rolling hills that rise into nearby mountains. The town is called Jasper, and it's picturesque and quaint, a bit reminiscent of Stars Hollow from Gilmore Girls, but it's just big enough to prevent boredom. Jasper has all my favorite restaurants, and I've scripted in a few family-owned restaurants that have amazing food of different varieties too. There is a big apple orchard/pumpkin patch farm that offers seasonal attractions, festivals and fairs and such. There are lots of beautiful nature trails around, including one right down the road from me. There is a great bookshop with a coffee shop/bakery attached. There are different venues for the arts, including live stage productions, galleries, and such. There's a movie theater. There is a large, teeming metropolis about an hour away, so I can get my fill of urban life when I feel like it.

A couple of my best friends in that DR rent the little guest house I have on my property too so I'm not really living alone. I have lots of personal space due to having my house to myself, but they are over quite often. They are a married couple; their names are Andrew and Jonas. Andrew is a pediatrician and Jonas is an architect. They are thinking about starting a family soon, but right now they're just cat dads. I haven't scripted much about them personality-wise, but in my DR I've known them for a long, long time and we are like family. We also have a friend, Lorna, who is a part of this little found family. Lorna is Wiccan, and she has a young daughter. The four (well, five including Lorna's daughter; I haven't scripted her name, but she's maybe five years old, I think?) of us hang out all the time, and we do holidays together.

In this world, there is a longevity gene that is known to occur spontaneously in certain family lines, allowing them to live for 7-800 years. Scientists in the mid 1900s studied that gene and were able to create a gene therapy program that extends the lifespan of anyone who uses it. It's become common practice, so overall the human lifespan is much longer than it was in the past.

The world in general is a much better place, peaceful and stable. The US has successfully implemented such things as a UBI (universal basic income) for people beneath a certain median, and a National Health Service that covers all medical expenses, including psychiatric care, gender affirming care, and reproductive healthcare. Housing, food, and other living expenses are very affordable. Minimum wage is a living wage. Bigotry of any kind is so frowned upon as taboo that anyone engaging in that sort of behavior is ostracized and basically unable to function in society because no one will hire them, rent to them, sell to them, etc., and they aren't protected by law either. They are shut down online too, so they can't recruit that way. There are still some pockets of those sorts, but they are the absolute minority and have zero influence or power in society or the world at large.

Because I feel the need to work through some of my childhood trauma still, I did script that my family was exactly the way they were in my Former Reality (the reality I'm in right now as I type this). They were extreme right-wing religious cult members when I was a kid. However, in my Better CR, they deconstructed all of that and nowadays are fully embracing progressive, universalist Christianity. They are no longer homophobic, transphobic, and generally shitty people, but have become better people all around. They have sincerely apologized to me for the trauma they caused me, and I have also been working with a therapist to heal from it. They live in Texas still, so we don't see each other very often, but we have a fairly good relationship. My dad's sister (who in my FR is much like my parents, but she's a "Christian counsellor") in my DR is a licensed psychiatrist and works in the secular field, but she is also a progressive Christian, and has been all along.

In this DR, I accidentally shifted to Narnia when I was a child. I was there for many years, and had a special connection to Aslan. I stopped due to parental fearmongering when I talked to them about it (remember, they were still religious fanatics then), but years later I would discover shifting again and remember my childhood experiences.

I have experimented with shifting a bit since discovering it, and have found it to be remarkably easy to do. I've mostly just been practicing with "small" shifts, focusing on shifting to a world where I, for instance, have a dragon sculpture on my bedroom fireplace mantel, or where there is a particular type of tree in my yard. I've written several scripts, all of which match the scripts I've written in my FR. I haven't tried yet to shift to any of those worlds, but I know it will be so very, very easy to do whenever I feel ready.

I have a lovely online shifting-focused community that I'm a part of in my Better CR, and have a few close friends from it. We have a lot of overlapping interests, and have a couple shared group DRs, and a few other DRs where we simply script each other in, which is always fun to hear about.

In my Better CR, I will have perfect memory of all of my shifts, and I will be able to process and compartmentalize as necessary, in a healthy manner. My therapist also believes in reality shifting (it's actually a pretty common thing in that world, though there is a lot of debate about what reality shifting actually is, with explanations ranging from psychological to mystical) so she can help me process too if I need it.

I've scripted that I clearly remember my Former Reality, in a similar manner that I remember my DR shifts, but I still feel and think like I've been in my Better CR the whole time. My Former Reality is still a lived experience that I can learn and grow from just like any other shift, but it doesn't overshadow my Better CR experiences. It will just feel like another world I shifted/shift to.

With that being said, I do have pretty good control over when and where I shift in my Better CR. I generally don't shift spontaneously anymore, and if I shift to a random reality it's almost always because I just want to "wander," and I always have a "safety scripting" list that applies to these random reality shifts. And I can always remember to come back whenever I want, whether it be after a couple minutes or a couple weeks. I am also able to accurately shift to scripted DRs, and I have a waiting room that I can shift to when I want to be absolutely certain of fine details when I shift to a DR, just for peace of mind. So I can shift with accuracy from my Better CR, and I can shift with pinpoint accuracy from my waiting room.

I have not scripted a romantic interest in my Better CR, just because I feel like I'd rather have romantic connections in my DRs that I shift to from there. I like having a bit of solitude and personal space in my Home Reality. I'm happy just living with my dog (and cats? I don't know, I keep wavering on whether or not I have cats in this reality, maybe because Shadow doesn't get along with cats in my FR and I've just kind of gotten locked in to thinking of her like that).

I am an actively practicing witch in my Better CR, and have all the same spirit connections that I have in my FR. These deities and spirits know I've shifted to my Better CR and they are aware of my FR life and the lessons I've learned along the way. My spiritual path is powerful and enriching, and I have a few nice groups of witchy friends that I interact with in person and online.

There are a few other odds and ends that I've scripted for my Better CR, but this entry is getting super long so I think I'll stop here.