#space rental script

[prameethsd]

Revolutionize Your Rental Business with HomestayDNN's Versatile Software Solutions

In the rapidly evolving rental industry, offering seamless booking experiences is key to staying ahead. HomestayDNN provides highly customizable, Airbnb-inspired rental software solutions tailored for vacation properties, office spaces, boats, cars, and equipment rentals. Each script comes with advanced features, robust admin panels, and native mobile apps for a modern rental business. Here’s a comprehensive look at their offerings.

1. Vacation Rental Script

Elevate your holiday rental business with HomestayDNN’s feature-rich vacation rental script. Key benefits include:

Responsive Design for mobile-friendly browsing.

Multi-Language & Currency Support, essential for global transactions.

Payment Gateway Integration with PayPal, Stripe, and more. With options like free server deployment, rebranding, and a white-labeled, customizable platform, this script ensures smooth operations and brand growth.

2. Space Rental Script

Simplify the search for office or party venues with the Space Rental Script.

Provides customizable features to cater to various niches (e.g., office spaces or event halls).

Enables commission-based earnings for admins.

Paired with native iOS and Android apps for efficient listing and booking management.

3. Boat Rental Script

Tap into the lucrative boat rental market with this dedicated boat rental script.

Connect boat owners with renters on an hourly or daily basis.

Site owners can monetize through commissions or ads.

The user-friendly app streamlines operations and ensures client satisfaction.

4. Car Rental Script

Leverage growing demand for car rentals with this car rental software solution.

Allows peer-to-peer car rentals with admin monitoring tools.

Customizable for both hourly and daily bookings.

Accompanied by robust mobile apps, bridging owners and renters effectively.

5. Equipment Rental Script

Address the rising need for short-term equipment rentals with this adaptable equipment rental script. Designed for camping gear, sports, or outdoor equipment rentals. 

Revenue options include booking commissions and advertisements.

Fully integrated with a mobile app to maximize customer reach and convenience.

Conclusion HomestayDNN’s innovative rental scripts combine user-friendly interfaces, scalable solutions, and mobile compatibility to drive success across diverse rental niches. Whether you’re launching a vacation property marketplace or managing a car fleet, their technology-backed platforms are the ideal foundation. Embrace the future of rentals with HomestayDNN and maximize your business potential. Ready to transform your rental business? Explore HomestayDNN today.

[fresh-business-ideas]

Airbnb Clone for X — A Magical Business Software Solution

Table of Contents:

Introduction

What is an Airbnb Clone for X?

The Magical Business Software Solution

How Does it Work?

Benefits of Using the Airbnb Clone for X

Frequently Asked Questions (FAQ)

Conclusion

Introduction

Welcome to our blog on the magical business software solution — Airbnb Clone for X !

In this post, we’ll explore how this innovative technology can revolutionize the way you approach your niche-oriented accommodation business. Whether you’re looking to create an Airbnb for pet lovers, adventure seekers, or art enthusiasts, the Airbnb Clone for X has got you covered. Let’s dive in!

What is an Airbnb Clone for X?

An Airbnb Clone for X is a specialized software solution that empowers entrepreneurs and businesses to launch their own niche-oriented accommodation platforms. It is inspired by the success of Airbnb, the popular lodging marketplace, but with a twist. Instead of offering generic lodging options, the Airbnb Clone for X is designed to cater to the unique needs and interests of specific groups of travelers.

The Magical Business Software Solution

Our Airbnb Clone for X is a magical business software solution developed to transform your accommodation business dreams into reality. It opens up a world of possibilities for you to curate a platform that revolves around a particular theme or interest, ensuring unforgettable experiences for your guests.

How Does it Work?

The Airbnb Clone for X operates on a user-friendly interface that simplifies the process for both hosts and travelers. As a host, you can easily list your properties, adding specific details related to your chosen niche. Travelers, on the other hand, can explore a wide array of themed accommodations using advanced search filters to find their ideal stay.

Benefits of Using the Airbnb Clone for X

a. Personalized Experiences: By focusing on niche-oriented accommodations, you can provide your guests with personalized experiences that cater to their interests and passions.

b. Increased Customer Engagement: The unique offerings on your platform will captivate travelers and encourage them to share their experiences within your community, leading to increased engagement.

c. Enhanced Brand Identity: Establishing yourself as a niche-specific accommodation provider will help create a strong brand identity that sets you apart from generic competitors.

d. Supporting Local Businesses: Airbnb Clone for X not only benefits your business but also promotes local businesses related to the niche you choose.

Frequently Asked Questions (FAQ)

Q1. Is the Airbnb Clone for X customizable? Yes, absolutely! The Airbnb Clone for X comes with extensive customization options, allowing you to tailor the platform according to your chosen niche and branding.

Q2. Do I need technical expertise to use the software? Not at all! Our user-friendly interface ensures that you don’t need any technical expertise to set up and manage your platform.

Q3. Can I integrate a secure payment gateway for transactions? Yes, the Airbnb Clone for X supports secure payment gateway integration to ensure safe and hassle-free transactions.

So, Airbnb Clone for X is a magical business software solution that empowers you to create a niche-oriented accommodation platform that delights your guests. By offering personalized experiences and unique stays, you can build a strong brand identity and foster a vibrant community of like-minded travelers. Embrace the magic of Airbnb Clone for X and unlock new possibilities for your accommodation business!

Thank you for spending your valuable time with us.

[luckykiwiii101]

OMG SUCCESS STORY

in my past year of knowing about the law, this is definitely the big thing that cleared all my doubts about it FOR SURE. ok so my family lives in a cramped apartment, right? bad vibes all around, there’s just so much negativity because we literally have no space between us.

so on my void list i scripted that we live in this very specific house and my grandma had her own place to herself. i’ve been affirming a little (not even rant affirming i literally only did it like twice then forgot about it) that we live in this specific house because i’m just so tired of living in this apartment and i need more space. so yesterday, my dad came in the room looking somber and told me we’re going to move into a house soon because my grandma was having trouble with our landlord so we gotta leave. i was so mfking shocked dude, he was surprised i wasn’t upset but HOW COULD I BE???? of course it’s not in the exact circumstances i wanted because the house i had in mind was already sold and is definitely out of our budget but i don’t even care about that anymore.

i’m so fucking happy you don’t even know this literally a BIG step to living my dream life. this success story might not seem like much but this is so big for me like not even a week ago i was so down in the dumps and almost offed myself but look at me now.

ofc grandma having some shit with the landlord is being put out on her record (along with some other stuff from past rentals) so it’ll be a little hard finding somewhere but i already affirmed that we apply and get accepted to live in a very nice house. 🧘🏽‍♀️

This is amazing!!!! You deserve a lovely home to live in. 💗💗💗 Proud of you 🥹

[brian-in-finance]

Instagram

GIVING CREDIT

Saluting the behind the scenes talent making movie magic

Rob Youngson is a unit stills photographer for film and television. He's captured images for Belfast, A Haunting in Venice, The Great Escaper, Heanstopper St and Atlanta S3. He also shoots stills for posters. 'An effective still image has to communicate a lot in a single moment. An onlooker should know the tone, the genre and who stars in the production within a few seconds. It should leave them with a question: what happens? The answer to which is always, to go and see the film. It's the visual equivalent of a hook in pop music.'

How would you describe your job in simple terms?

I work with the cast and crew to capture striking still images during filming - without being a distraction or affecting the schedule.

I work with the publicist to ensure I get the images needed to publicise the film. I also capture behind-the-scenes images, which highlight the collaborative process and anything unique about the production. I may work with the props department to take period-accurate portraits for set dressing.

I've also consulted actors on how to use old-fashioned prop cameras convincingly.

How did you get into set photography?

I trained and worked as a theatre lighting designer while photographing bands on the side. Then I discovered that this job existed through an article in Nikon Owner magazine.

It was an interview with Kimberley French (Brokeback Mountain, The Revenant). I knew straight away I had to do this. So I went to work at one of the rental companies that hires cameras and lenses to productions.

I cleaned the kit, loaded the trucks and got to know people in the industry. used any leave to work on short films and then went freelance. Early on, I assisted an established unit stills photographer on some studio shoots. He then recommended me for a job he couldn't take and that put my work in front of the right people to get hired again.

What's the biggest misconception about your job?

That still images are screen grabs from the film. This is a widespread misconception, even within the industry. It doesn't work for two reasons. The technical reason is that the common shooting frame rate of 24fps doesn't freeze motion enough for those screen grabs to be printed at billboard size.

The second and most important reason is artistic; what works well for a moving image doesn't necessarily make a strong still photograph. Another misconception is that actors are difficult to work with. They are usually lovely. Actors have to step into a vulnerable place while surrounded by noise and crew and kit. They have to keep going to that place again and again for different camera angles. Part of what makes a good unit stills photographer is respect for the acting process. Sometimes my job is knowing when to step away and allow the actors space to work.

What's been the most memorable moment on a film set?

Watching Judi Dench and Kenneth Branagh make each other laugh on day one of shooting Belfast. We had all been in lockdown for so long, it felt like a new beginning. It felt like photographing love and hope and friendship.

What's the worst thing about your job?

Missing time with my family because I'm working away. Sometimes standing in a field on a night shoot, in February, in the snow, I start to question it. Those moments can feel tough. But a lot of the crew are in that same situation with you. Working on good scripts with nice people makes the time away from home, the long hours and driving, a lot easier.

What's the best thing about your job?

Knowing that my images help stories to find an audience. Stories that take years of hard work and hundreds of people to get told. On set, the best thing is being witness to incredible acting, from both legends and up-and-coming talent. Seeing what the Heartstopper cast are doing for LGBTQA* representation right now is special. I'm also currently working with two incredible young actors. I am so excited for more people to discover their storytelling potential.

If someone wants to do your job, what's the best route in?

Get on to set any way you can, in any role. Take photos across all genres of photography. Welcome honest feedback on your work. Don't sweat the kit you haven't got. You'll get hired for your eye and how well you get on with people, not what's in your bag. The necessity to work on low/no-budget jobs early in your career is a barrier to many, especially as a lot of opportunities centre around expensive cities. Screenskills and BAFTA have resources for helping bridge that gap - seek those out. Go and see as much art and as many films as you can.

Remember… (most memorable moment on a film set) Watching Judi Dench and Kenneth Branagh make each other laugh on day one of shooting Belfast. We had all been in lockdown for so long, it felt like a new beginning. It felt like photographing love and hope and friendship. — Rob Youngson

[theneighborhoodsave]

estou jogando no seu save e não sei mais o que fazer, os itens colocados com o tool somem todos e não recebi nenhum erro de script ou algo parecido que d�� o motivo. Estava jogando sem problemas e estou quase no fim do verão no jogo.

Hi there, I'm sorry you're having some trouble with TOOL'd objects in the game! Are you playing or have edited a rental lot recently? If so, this tip I provided in my original post and read me file may help fix this:

To avoid the surrounding neighborhood deco from disappearing (TOOL’d in items) edit only a single rental unit at a time in build mode, rather than the whole lot. Gameplay on lots should not affect this so you can still visit your neighbors!

If you have not saved your game yet you can close without saving and the items will come back to their original spaces. Unfortunately rental lots in the game changed a lot about TOOL items, but that is the way around it. I hope this helps!

[deada55]

The Clicking of the Chain (The Silence of the Lambs Parody) (#1 of 2)

for kloktober day 11: horror movie crossover

It's a parody, not a crossover, and I used a lot of the original script for this sequence to make sure it 'accomplishes' similar things for the main plot. I've always wanted to do this sort of thing... I like doing kloktober pieces that are for me more than the audience, but I hope you enjoy this retelling of one of the most quoted scenes in The Silence of the Lambs featuring Charles Offdensen and Magnus Hammersmith.

tws: body fluids, sexual harassment

At the bottom of the stairs was a left turn into a dingy cream-colored space kin to a car rental window at a crusty regional airport. A bulletin board held seven year-old thank you cards and a sign-in sheet for personal visitors. From a slim staff door came a short man in his sixties in an Orioles ball cap and white coveralls and an extended hand.

“Hi, I’m Mashed Potato Johnson. He told you, don’t get near the bars?” Damien Cornickleson’s footsteps were still volleying down the stairwell.

“Charles Offdensen.” He took the handshake with a bit of a dip. ”Yes, he did.”

“Okay. Past the others, he’s in the last cell. Stay to the middle, now. I put out a chair for you.” He pointed through the door to the gray wall of the corridor, where there was a security camera mounted to the wall. “I’m watching. You’ll do fine.”

His even steps echoed down the dim corridor, lined on one side with cameras and the other with iron bars holding back men of all sorts of shapes and sizes and muttering. Right before he’d reached the end of the hall, a green, black, and white blur threw itself against the bars, bearing wet, darkly streaked, yellow teeth. The white cast on his face rubbed off on the iron, and his crudely-colored green mane of matted frizz was trapped in his grip on the lock. 

“Cocaine!”

Charles flinched hard enough to set his glasses off-kilter, but he only stalled on a single step before he was standing squarely in front of Magnus Hammersmith behind bars.

His cell was kept more lit, and had the addition of nylon netting on the exterior side of the bars. The inside of Magnus’ cell was covered in swaths of butcher paper decorated with black and white modern art patterns of various scales, with or without interlocking phantograms of all manners of polygons. 

Charles cleared his throat and lowered the briefcase in his hands. “Mr. Hammersmith, my name is Charles Offdensen. May I speak with you?”

Magnus looked up from his magazine, eyes shining behind the tight waves of his hair. His ankles stretched at least a foot past the hem of his hospital pajamas and his skin, historically photographed to be a warm medium tone, was bleached and dusty from the windowless basement floor. Despite the menacing angles of his face, his voice was indignant, not commanding.

“And good morning to you, too,” he sneered, then went back to his reading.

Charles took another step forward.

“Magnus, we’re having a hard time with a case, and we believe you might have some guiding information. Do you mind answering a short questionnaire?”

“ ‘We’ being the Behavioral Science Unit at Quantico… But what’s a suit like you doing there? Huh? Fraud investigation wasn’t the thrill you expected?” He chuckled at his own joke and tossed the magazine on the floor with a resonant slap. “You’re one of Roy Cornickleson’s, I expect.”

“I am, yes.”

“Show me.”

Charles whipped his wallet out of his pocket and opened it to his IDs, holding them out in front of them.

“Closer, Charles. I have two eyes, but only one of them works.”

Charles clenched his teeth so he wouldn’t make a face and inched closer each time, but didn’t dare lean.

“Expires in a week. You’re not real FBI yet, are you?”

“I’m still in training at the Academy.” Charles pushed his glasses back up to his nose and squared his feet.

“Old Roy’s showing me off to a trainee? Well-”

“We’re talking about investigation, Magnus. You can decide for yourself if I’m qualified.”

“Smart, Officer Offdensen. Sit down.”

The rusted hinges of the chair bent when he sat down. If he were any heavier, he’d have been tipped into the floor. Magnus mirrored him and sat back down on his cot.

“Now, what did Rockzo say to you? Don’t look stupid– Dr. Rockzo, the Rock n’ Roll Clown in the next cell. He lunged at you. What did he say?”

“He said, uh, ‘cocaine’.”

“Of course he did. He does cocaine. Or did. Whatever. But you… you don’t have that kind of money, do you? You brought your best briefcase to see me today, didn’t you?”

Charles pulled at his tie before he remembered to stop himself. “Sure.”

“It’s better than your shoes, but not great. Not the cocaine type.”

“Not now, no.” Just like that, Magnus was out of things to say, and started to bounce his leg. The movement of his subway-sized foot was comical… if he had a pair of spoons in his hand, they’d click together nicely. The nervous bouncing on such a long, flimsy frame made him look like a dancing toy.

“Did you do those drawings?”

“Yes. Do you care much for contemporary art?”

“I’m not familiar… they allow you to keep a compass?” One of the works was a system of interlocking circles, some of them chained together in links, and others that looked like they were out of a spirograph.

“No. The scratching of the pen is what I have instead of a tune. Can’t let me get a hold on wood or string, can they?”

Charles looked down as if bowing his head in church before taking out a questionnaire from his briefcase. He held his chest higher.

“Magnus, if you’d please…”

“I’ve had my fair share of shrinks and investigators, Offdensen. You’ve been courteous, you’ve established trust and complimented my art, but this segue into your little survey is a bunch of bullshit. It’s boring, it’s stupid, and that’s not going to cut it.”

“I’m asking you to look at it. Either you will or you won’t.”

Magnus snorted and stretched his legs out in front of him, ankles crossed. “Roy Cornickleson must be strapped for time hunting down the ‘Metal Masked Assassin’ if he needs help from the likes of amateurs like you. Did he send you here to ask me about him?”

“No, I-”

“How many people has he used up so far, that Assassin?”

“Five, so far.”

“Flayed?”

“Partially, but that’s an active case, and I’m not involved, s–”

“Do you know why he’s called the Metal Masked Assassin? The newspapers don’t say.”

“I’ll tell you if you look over this form.” Charles passed it into a metal hatch which opened on Magnus’ side when the door to the outside was closed. Once Magnus picked it up, Charles began…

“It, uh, started as a joke, about wearing their faces, like that one movie…”

“And you can’t remember the title.”

“No, I can’t.”

“Right.” Magnus set the questionnaire on the cot beside him. “Show me what you have to offer. Why do you think he takes their skins, Officer Offdensen?”

“Uh, well, most serial killers take a trophy, sometimes for excitement or-”

“I didn’t.”

“You ate them.”

“So it would seem.” He smirked and picked the forms back up, only to begin tearing them in a frenzy that exploded out of nowhere but the air around them. As he struggled, his grunts and the struggling, shearing sounds of ripping copy paper volleyed in the stony ward.

“You think you’re so clever, so ambitious, don’t you Chuck? You’re a fraud dressed like a bourgeois bagman. Good nutrition has given you well-fleshed features, but you’re not more than one generation from salty white trash, are you? That New England accent you prune so delicately to hide all the junkiness of Maine fishmarkets– What was your father, huh? Did you have one, or did he roll from his bed into the sea like every other frozen drunk on his lobster boat? I bet the other boys without fathers found you just fine in locker rooms, with wound, wet towels and cracked lips, while all you could think about was a less physical path of being, of being at all… and power. Powerful as the F.B.I…”

“You see a lot, but are you strong enough to look at yourself? Write it on the piece of paper.”

“And you’d love it, wouldn’t you?”

“If you weren’t a coward.”

“You think you’re tough one, aren’t you?”

“... I decline to comment.”

“Oh, but you’d hate if I thought you were anything but superior! It’d break you to little fucking pieces. Don’t worry, Charles. If you hold your head high enough, everyone will assume you’re tall someday soon.”

“And the questions?”

Magnus turned his back. Charles leaned forward in his seat and slammed the door of the meal hatch open and shut again. Magnus was up and snarling at the bars in a flash. 

“A census taker once tried to test me, Charles. I ate his liver with some fava beans and a nice chianti. I hope a degree from Harvard will help you piece together that fucking around making noise in a ward of prisioners and psychos won’t give you a bigger dick! Go back to school. The boys miss you!”

He retreated from the bars to stand in front of one of his works, and Charles took his invitation to leave.

“Ooh, hoo, hoo, hoo!… Dr. Rockzo don’t feel so good. Ohh, it hurts, it’s all infected, shit all over this mess, ooh-hoo! K-k-k-lookit-”

When Charles paused at the cry, he took half a load of semen into his face from Rockzo’s hand. While he howled, Magnus bellowed, “You stupid fucking clown!” Charles fumbled in his pockets for a frayed pink tissue and tried not to let the clown’s cum anywhere closer to his eyes and mouth. Just when he’d passed Dr. Rockzo’s cell and saw the light streaming in from the room he was in before, away from the din rising up in the corridor, he heard Magnus shouting above them all.

“Officer Offdensen!”

With burning eyes and sharp features as contorted and pinched as the acid-trip Devil that leads partygoers to slit their wrists or jump out of bedroom windows, Magnus stood again at the bars of his cell. Charles hurried himself back over, although he couldn’t see further than his armspan while he carefully wiped the body fluids off the lens of his glasses. 

The veins in Magnus’ neck were thick as snakes. “Look, I didn’t want that for you. Excretions are disgusting to me, and bad manners-”

“Then do the survey for me.”

“No, but I’ll do you one better. Advancement. Go to Split City, check on an old bandmate of mine, Ravenwood. Just like you think it’s spelled. Now leave. I don’t think Dr. Rockzo could manage again so soon, even if he is crazy. Don’t wait around to see– Go!”

[jpitha]

We're On Our Way

Here's my entry for this week's Flash Fiction Friday from @flashfictionfridayofficial

I swear, I didn't intend for it to happen this way.

I was just going out for a quick trip. I rented a ship to Flip over to see an interesting stellar anomaly in person. I wanted to take a few photos and videos to edit together into a fun little presentation and post for my friends to see.

When I got there, I set up my cameras, started recording and worked on writing a script for a narration I would do once I got back home.

About an hour into the recording, the ship reported an overspeed error on the Flip Drive. I padded over to the warning screen, and in the time it took me to read the error, the entire console lit up red. There were errors I had never seen before, things that seemed like they were impossible. The whole ship was going to destroy itself before I even knew what was wrong.

Remembering the training I had to take before they'd let me rent the ship, I quickly donned the emergency pressure suit that came in the rental. It smelled of new rubber and was bright yellow with EMERGENCY RESCUE written down the sides. There was a flashing beacon on the helmet. It was one size fits most, and I was swimming inside it. I felt ridiculous, but the stupid thing saved my life.

As it was overloading, the ship flashed a message on the main console:

EVACUATE NOW. RESCUE BEACON DEPLOYED. YOU'RE NOT ALONE. HELP WILL COME.

Not believing, but trusting the ship, I ran for the airlock. I didn't even cycle it, I just blew both doors and the rush of air leaving the stricken ship blew me into space.

Alone.

I watched as the Flip drive failed. As I was drifting away from the ship, it started to glow a hazy blue that hurt to look at it. Then, the front folded into the back, the back folded into the front, the bottom folded into the top, and the ship folded...away.

In less time than it took to take a sip of water, the ship, my only way home, was gone.

I'm not sure how long I drifted.

The suit had food - which was terrible, water - which tasted metallic, and waste processing facilities - which were humiliating. But, I was alive.

I spent the time staring at the anomaly I came to visit. It really was beautiful, and I got a front row seat to watch it. Unobstructed by the ship cameras, I took in the view with my own eyes. I was lost in the beauty.

Some time later, I felt a presence. Looking to my left, a ship had Flipped into view. It was red with a large white stripe, flashing lights along the top and had RESCUE painted in glowing letters next to the windows. Before I knew it, people had jetted out of the ship and over to me. They clipped a line to me and reeled me back into their ship.

"This never happens" they said. "We're so sorry you had to be subjected to this" they said. "Thank goodness the ship Flipped a rescue beacon to us" they said.

I was numb to all of their apologies. I was still lost in thought about the anomaly.

I was happy to be rescued, of course, but I couldn't shake the feeling I felt when it was just me, staring at it's infinite beauty.

Three months later, I had rented another ship, and came back.

This time, I'd mount the cameras outside of the ship, and try and show my friends back home the feeling.

[sleepynegress]

Doing An Early 2000's Double-Feature...

Someone brought up Red Eye on twitter, so I decided to check it out. This would have been a winner in the late Blockbuster rental years. Also, it had weird electricity between the leads, where it didn't go in a romantic direction, but could have if written differently.

Instead, it went with the antagonist and protag energy...Basically the ancestor of all those dark fic romances that are out now that are red flaggy shitty controlling men being objectified, and totally for the fictional space ONLY. Seriously... Cillian and Rachel, need to do something else together again. Now, I'm watching Cellular, which again... great early 2000's hot guy chemistry energy redirected into this tense one-location... (for the person needing rescuing) thriller. And Chris and Kim...

Again, the chemistry. Both of these relied on a good tight basic popcorn thriller script and great energy from the leads and all just worked. So, yeah...a good thematic double-feature with movies they just don't make anymore, because the climate has changed so much. PAY THESE PEOPLE WHAT THEY ARE WORTH... But until then, boot leg these when the lean entertainment times come. Man, seriously both aged well, and the nostalgia...whew.

They genuinely don't make movies like this anymore. Low to mid-budget, tight script, great thriller.

[hydralisk98]

My strengths and ambitions

Generic skills and forces:

Research, "Creative" Writing & Analysis (atlases, encyclopedias, reference works...)

Multimedia Collaging and Video Compositing

Analog Media and Digital Data Preservation

Composing tracker music

Technical documentation

(explorable?) multimedia explainers

History (& alternate history)

Information technologies

Historical hardware & software

Sidestream software & "operating" systems

Linguistics?

Casual spirituality topics?

TTRPG crawl campaign setting & systemic designs...

Toybox tools and manifestation games...

Causal collectible card games and expansive board game mods...

Demoscene and game modding...

Vector / Retro Aliased Raster illustrations

Animations & interactive (A?)SVG cartoons

Free, Libre and Open Source movement (open culture, open hardware and open software, et cetera.)

Computer builds and overall customization (especially the looks but also functionality, both virtual and physically informed)

Sensible, caring and detail-oriented.

Specific skills (existing and upcoming) and emphasis points for my career

Page pixel dolls, banner blinkies, panels & other animated GIF graphics...

Printables (blanks, worksheet, guestbooks, greeting cards...)

Stickers & clipart

Stationery (especially legacy/obsoleted types)

Desktop organizers with bundled theme packs (even cursors, icons, sounds, widgets and almost everything else under the sun?)

Monero+Liquid online shop

ClipStudioPaint (upcoming...)

WordPerfect from Corel (upcoming...)

OpenMPT + MilkyTracker (tracker music)

ReNoise (upcoming...)

LibreOffice

GIMP with G'MIC

Krita with G'MIC

GrafX2 (upcoming...)

Kate & KDevelop

Version control with Git (GitHub, GitLab, GitTea...)

Homebrew responsive yet retro stylized HTML5/CSS3 static sites/blogs with Neocities + Hexo (and Jekyll?)

XML+XSL

SQL?

Vim & Emacs

Linux + BSD commands with both Bash and Fish shells

KDE Plasma

Linux/BSD/POSIX certifications?

Common Lisp & Nim (with C bindings?)

WDC & KKIT

SLADE & GZDOOM

Godot + Qodot

Hammer++

Entrepreneurship / autonomous work?

Dreams and projects:

Video rental-store full-stack ticket database

Fiction atlases and themed pointcrawl semi-historical adventures...

Cozy game levels for raycasters and doom-clones

Cozy social spaces in Qodot & Hammer++

Cartoon pitches & short animated explainers

Toybox sets and modular building easy assemblers...

TTRPG campaign setting and supplementary rulesets...

Stylized yesterweb responsive pages

Analog media production (music video and data Digipaks)

SVG stickers, PDF printables and OGG content...

Fully custom developer desktop environment themes & scripted auto-riced workflows

Tutorials, listicles and other long-form content threads...

Raw art files and game-ready asset / clipart bundles

Manifestation / affirmation Tarot-sized card deques

Alternate technological implementations...

Dumbphone / "feature phone", two-way pagers and other dumb specialized devices... designing.

Constructed language(s) with nuanced dialects and poetic audio recordings...

Library economy in diecast car miniature worlds for sci-fi films

My very own guidebooks and curations

Lofi illustrations, podcast covers and album digipaks with feelies...

I hope that does sum up my professional + hobby goals well enough.

[prameethsd]

Why Your Event Venue Business Needs a Space Rental Website Today

In the highly competitive event venue industry, a space rental website is no longer a luxury but a necessity. As online bookings dominate the market, potential clients expect seamless, digital-first solutions when searching for venues. Here’s why adopting a website for your venue business is vital:

1. Boost Visibility and Credibility

A dedicated website ensures your venue stands out in search results, improving visibility to potential clients. Adding high-quality images, videos, and customer testimonials builds trust, creating a professional and credible online presence.

2. Simplify the Booking Process

Online platforms allow you to streamline reservations with real-time availability, pricing options, and secure payment gateways. Customers appreciate quick, hassle-free experiences, leading to higher booking rates and repeat clients.

3. Enhance Revenue Opportunities

Dynamic pricing tools integrated into your website can adjust costs based on demand, seasonality, and special offers. Upselling features like catering, decorations, or AV equipment can further increase revenue.

4. Leverage Data Insights

With analytics from your website, you gain valuable insights into customer behavior, preferences, and booking trends. This data allows you to tailor marketing strategies, pricing, and service offerings to meet customer needs effectively.

5. Meet Modern Customer Expectations

Customers expect convenient access to information about your venue, from amenities to floor plans, all at their fingertips. A professional website positions you as a modern, customer-focused business.

Conclusion

Investing in a space rental website transforms your venue business by boosting visibility, simplifying operations, and meeting customer expectations. As the event industry continues to digitize, embracing a professional online presence ensures your venue remains relevant and profitable in the ever-evolving market.

[lunagracie01]

How to Start a Space Rental Software in 2025: A Step-By-Step-Guide

Are you excited to start a space rental business? Then,  this 2025 year gonna be great. 

The space rental business is at its peak in this recent market trend. People crave more creativity and quick solutions. In this case, you can start to create your space rental software. 

 Let's learn about space rental software and their work functionality. 

What is Space Rental Software and how does it work? 

Space rental software is an easy way to quickly establish a platform for space rentals. Improve your offerings and make a name for yourself in the cutthroat industry of digital rentals. This offers a smooth user experience and long-term app retention.

It creates an effective design. This improves your space rental services by making them user-friendly and accessible to everyone. 

 It allows you to develop your space rental software in different ways and give solutions with high-quality services. Some software solutions are available to help you start your space rental business. These solutions aim to provide better service. 

Event rental software - It increases revenue by ensuring efficient rental operations. This includes inventory control, customer reservations, and billing.

Event rental management software provides well-organized events without flaws. It monitors equipment availability, controls event bookings, and interacts with guests. 

Event rental inventory software- It provides you with a complete resource that you don't need to underuse the resources. 

You can use this software solution to build your space rental software. 

The space rental script's working process is to customize, test, and launch the app without any hassle. Space owners upload images of their available space for rental. 

Why do we need Space Rental Software? 

Space rental software is a powerful tool in today's world. It offers specialized solutions for various markets. These solutions cover office building management, event space rental, and vacation rental software. They are designed to address different types of businesses. 

It reduces your valuable time by launching your app quickly. Easily manages high-traffic volumes and multiple listings. Meets the customer needs leads to gain more orders seamlessly. 

These essential benefits encourage building space rental software. 

A Complete Step-by-Step Process

Come on, Let's see the step-by-step process briefly. 

Market Trend Analysis  

Determine your target audience and their needs. Researching competitors is important. This helps you avoid saturated markets for spaces like event venues, co-working spaces, or short-term rentals. To stay ahead of the competition, provide solutions that meet these needs and keep coming up with new ideas.

Identify the different regions within the rental industry that suit your interests and expertise. 

Find out the current rental rates, property prices, local regulations, and economic indicators. Examine an ideal selling proposition and the competitors to see whether your rental app is viable in the target market.

Create a Business Plan

Create a business plan that outlines the property management process. The plan should include risk management strategies, marketing strategies, financial projections, and an investment strategy. Calculate initial expenses, income, and the time it will take to turn a profit.

Make a plan for bringing in customers, taking into account digital marketing techniques like social media and SEO. A successful plan attracts potential investors. 

3. Development Process 

It is the core functionality in building space rental software. Developers build effective software with front-end, Backend development, and Database integration. 

Front-end development- A front-end web developer creates the visual elements of an app. These elements include buttons, links, animations, and more. Taking the customer vision and design concept and turning it into code is the responsibility of the front-end developer.

Work with designers to create features and optimize apps. Front-end developers need to be proficient in HTML, CSS, JavaScript, and problem-solving techniques. They also need to be skilled in collaboration and browser developer tools.

Back-end development- Back-end development creates apps on the server side. It is the process of building the server-side logic and infrastructure for an application. It is the section of the program that houses the database and server, as well as the logic that is used to carry out activities. It contains the primary attributes and capabilities of the server-side application. Backend programming languages include Node.js, Django, Spring, and others.

It creates an API interface that facilitates communication among various systems. This ensures a smooth user experience and integrates with third-party services. 

Databases -It is created and maintained by backend developers. They guarantee effective data upkeep, retrieval, and storage. For apps that handle a lot of dynamic content, this is essential. Developers finish their tasks with limited time using an appropriate framework.

Testing Process

After the development stage, testing is required to test the overall system to identify the errors. It checks the system performance based on workloads.  It also solves the issues in the space rental software and covers the gap. 

This testing phase provides an error-free app and makes your app work so effectively by eliminating the bugs. It protects from the risk of losses. 

Pre-Launch

A minimum viable product (MVP) helps business owners test their product concept. It gathers feedback from the intended market. This feedback guides the development of a finished product.

This involves testing payment systems, executing booking procedures, and confirming inventory monitoring accuracy. Test scenarios should include commonplace occurrences. These occurrences include equipment damage, late returns, and maintenance scheduling.

It ensures to save your time and reduce the risk by pre-launching your app. 

Launch Your App 

Planning is essential when starting a space rental business, from carrying out market research to putting together winning marketing campaigns.

A complete system is required to manage rental equipment. This system should also process rental contracts and monitor rental assets. 

Once your software is ready, launch your space rental software without any doubts. 

Final Thoughts 

Now, you may get a clear idea to start your space rental software after the discussion of this blog guidance.

This space rental business increases your revenue streams. Your main focus is to understand the customer needs and offer a high-quality experience. This takes you to a highly demanded position in the marketplace. 

Start to build your space rental software now! And meet the competitive world sooner. 

This 2025 will bring a brighter light to your business journey. 

[migrateshop21]

Ready to launch your own online space rental business? 🚀 Our Space Rental Script is the perfect solution for entrepreneurs looking to capitalize on the booming sharing economy. 💡 Start Now: https://migrateshop.com/space-rental-script/

[actionfilmzksa]

Your Complete Guide: Movie Production Studios and Event Rental Companies

What are movie production studios?

1. The foundation of movie making

From pre-production to post-production, a movie production studio is an establishment furnished with all the tools to create a film. These companies provide space for filming, equipment rentals, lighting, sound, and set building among other things. They are absolutely essential for ensuring a film's completion on schedule and seamless running-through.

2. Offerings of Services by Movie Production Studios

Apart from offering physical venues, movie production studios also provide several services to directors, such:

- Based on the demands of the script, studios can assist with design and construction of sets.

- Studios usually have access to high-end lighting and audio equipment, which directors could rent.

- Some manufacturing facilities offer in-house makeup artists and catering for movie projects.

- Many companies also have a roster of technicians, cinematographers, and other highly qualified crew members on hand for hiring.

Definition of Event Rental Companies

1. Making Your Event Memorable

Range of tools and services required to plan and run different kinds of events is offered by event rental businesses. These businesses make sure you have all you need for a flawless experience whether it's for a business event, wedding, conference, or big public gathering. From furniture and décor to AV gear and event crew, they offer rental answers for everything. Expert in knowing the particular requirements of every kind of event, event rental companies make sure their equipment fits the theme and goal of your event.

2. Services Rendered by Rental Event Companies

Apart from tools event rental companies provide a spectrum of services to simplify your event planning process. These include:

• Rental businesses sometimes supply workers to assist in setting up and tearing down the equipment and décor on event day.

• They guarantee everything is delivered on schedule and provide rental item transportation to the event site.

• Many rental firms offer specialists or staff members able to help with the setup and running of specific equipment including sound systems or lighting.

Conclusion

Ensuring that your production or event is a success mostly depends on movie production houses as well as event rental businesses. Renting equipment from reliable companies will enable you to realize your creative vision whether your project is big-scale event planning, corporate video production, or a blockbuster movie filming.

[nik991]

Why You Need Chauffeur Services for Video Shooting?

When it comes to video shoots, every detail counts. From getting the perfect location to ensuring the shoot goes smoothly, reliable transportation can make or break your day. That’s where a chauffeur service comes in handy. Hiring a chauffeur-driven rental car for video shooting not only adds a touch of professionalism but also helps streamline your production schedule. Here’s why a chauffeur-driven car is essential for your next video project — and how GoodGears can provide the perfect ride at a budget-friendly price.

1. On-Time Arrivals and Smooth Scheduling

Video shoots are often on tight schedules. You need everyone and everything to arrive on time to make the most of daylight, meet deadlines, and manage crew costs. A chauffeur-driven car in Delhi ensures you get to your shoot locations promptly, without the stress of navigating traffic or searching for parking. With a Luxury car rental in NCR, a professional chauffeur can handle the logistics, allowing you to focus on capturing the perfect shot.

2. Effortless Transport for Equipment and Crew

Transporting video equipment can be a hassle, especially when dealing with fragile or bulky items. Choosing a chauffeur-driven rental car gives you a spacious and comfortable vehicle for your crew and gear. Whether it’s cameras, tripods, lights, or props, a reliable trip car service ensures everything gets to the location safely and securely. No more cramming gear into small cars or worrying about breakages — a chauffeur service makes equipment transport a breeze.

3. Professional Image for Your Project

Arriving at a video shoot in a well-maintained, luxurious vehicle adds a layer of professionalism to your production. It shows that you take your work seriously and are committed to quality. A Luxury car rental in NCR can be a game-changer for filmmakers, directors, or producers who want to make a strong impression. Plus, having a stylish car available can double as a prop or backdrop for your shoot, giving you more creative options.

4. Reliable and Safe Travel Between Locations

Video shoots often require moving between multiple locations throughout the day. A professional chauffeur car hire in NCR means you have a dedicated driver who knows the best routes to avoid traffic and get you from one place to another smoothly. This not only saves time but also reduces the stress of coordinating multiple rides or using unfamiliar public transportation. With a chauffeur-driven car, you can count on safe, efficient travel no matter how many locations you need to visit.

5. Comfort and Convenience for Talent and Crew

Keeping your crew and talent comfortable is essential for a successful video shoot. A chauffeur-driven car in Delhi provides a private, comfortable space for everyone involved. Whether it’s a quick break between scenes, a wardrobe change, or a chance to review scripts and footage, a luxury vehicle offers a space where your team can recharge. This level of convenience is crucial to maintaining the energy and focus needed for a long day of filming.

6. Cost-Effective Solution for Video Shoots

Contrary to popular belief, hiring a Luxury car rental in NCR doesn’t have to be expensive. With GoodGears, you get high-quality chauffeur services at pocket-friendly prices. When you consider the costs saved on logistics, time efficiency, and the added benefits of professional transportation, a chauffeur-driven rental car becomes a smart investment for your video project.

7. Versatile Fleet to Suit Your Needs

Whether you’re filming a documentary, a music video, or a corporate advertisement, having the right vehicle is crucial. GoodGears offers a wide range of chauffeur-driven rental cars, from sleek sedans to spacious SUVs, to fit the specific needs of your shoot. This versatility means you can choose the perfect car for your production, enhancing the look and feel of your video.

8. Flexible and Stress-Free Booking

Planning a video shoot is stressful enough without having to worry about transportation. That’s why GoodGears makes booking a chauffeur car hire in NCR easy and flexible. You can choose the exact time, date, and duration that fits your shooting schedule, and even make changes as needed. This flexibility allows you to focus on creating great content without the added worry of transportation logistics.

Why Choose GoodGears for Your Video Shoot?

At GoodGears, we understand the unique demands of video production. Here’s why we’re the best choice for your next shoot:

Wide Range of Luxury Vehicles: We offer a diverse fleet to meet your specific needs, from stylish sedans to spacious SUVs, all in excellent condition for a professional look.

Affordable Rates: We provide high-quality chauffeur services at prices that fit your budget. With no hidden fees, you know exactly what you’re paying for upfront.

Experienced Chauffeurs: Our chauffeurs are professional, punctual, and knowledgeable about the best routes to get you to your shoot locations efficiently and safely.

Easy and Flexible Booking: Our user-friendly booking system allows you to schedule a personal travel car service quickly and easily, adjusting as your shooting schedule changes.

24/7 Support: We’re available around the clock to answer any questions, provide support, and ensure your video shoot goes off without a hitch.

Conclusion

A successful video shoot requires seamless coordination, reliable transportation, and a touch of style. Hiring a chauffeur service is the best way to meet all of these needs. From transporting equipment and crew safely to ensuring on-time arrivals, a Luxury car rental in NCR makes your video shoot more efficient and professional. With GoodGears, you get all the benefits of a chauffeur-driven rental car at an affordable price.

Ready to take your video shoot to the next level? Choose GoodGears for reliable, luxurious, and cost-effective chauffeur services that make your production run smoothly.

[amber-obrien]

How does renting a unique film location enhance storytelling and audience engagement?

Renting a unique film location significantly enhances storytelling by providing a distinct backdrop that adds authenticity and depth to a narrative. A carefully selected location can set the tone of a film, evoke emotions, and even become a character in its own right. Whether it's an industrial warehouse, a historical site, or an avant-garde venue, the environment helps convey the story's mood, culture, or period, enriching the viewer's experience. Film location rentals allow filmmakers to choose locations that align perfectly with the script, helping to immerse the audience in the world being created. 

For corporate event planner in Los Angeles, incorporating unique film location rentals into a promotional or branding event can provide a similar effect. Renting an iconic or unconventional venue for a corporate event adds an element of prestige and excitement, helping to captivate guests and reinforce the brand's identity. The right location creates a lasting impression, whether it's a glamorous venue for a product launch or a themed space for a team-building event.

[ear-worthy]

“The White Vault” Season 7 Premieres & “That Scares Me Too” Debuts

These two creepy podcasts are billed as Fool & Scholar’s Spook-tacular Podcasts. Normally, I scoff at such hyperbole, but after listening to a previous season of The White Vault and the trailer for That Scares Me Too! I’m sufficiently scared to hide under my weighted blanket until I get the signal that it’s safe to come out.

At the end of the recent trailer of The White Vault, host K.A. Statz tells her listeners, “The White Vault: Goshawk approaches as the cold winds blow in, and we hope you see us soon.” Then after a pause that sent a chill down my old, arthritic spine, Statz whispers, “Don’t worry. We see you, too.”

Mommy.

I recently wrote and reviewed two iHeart “scary” podcasts, Rattled & Shook and Radio Rental. Those shows represent the genre reasonably well and are enjoyable, if not predictable. But they demonstrate the disparity in artistry, creative design, imagination, and world building between independent shows like The White Vault, Dark Dice, and Don’t Mind (all from Fool & Scholar) and iHeart, Spotify or Wondery shows in the same genre.

The White Vault begins its seventh season on October 15th. Since there are more podcasts than conspiracy theories, I had never heard of the show until it was recommended by Shreya Sharma, who I consider a sound sommelier.

Here’s the show’s marketing pitch: “Explore the far reaches of the world’s horrors. Follow the collected records of a repair team sent to a remote arctic outpost and unravel what lies waiting in the ice below.”

Just to make it creepier, the show’s website has large text in all caps that reads, “TRAVEL NOT ADVISED.”

I listened to the last season and was hooked. The show is exquisitely produced. The lushness of the sound, the skillfully executed narrative, and the intensity of the actors places listeners in Iceland. I listened to the show in 80-degree weather while walking and perspiring and still, the howling wind and shivering sounds from the actors made me cold.

I can tell you that you can jump in anytime on this show. My plan is to revisit the first five seasons, but only when people are around and it’s daylight.

The White Vault is produced by Fool & Scholar Productions, which was founded as a hobby production duo by K. A. Statz and Travis Vengroff in 2015.

By 2019, Fool & Scholar Productions was a registered company with multiple podcast productions, awards, and a substantial following. Starting in the realm of science fiction, they have gone on to create shows in the horror, drama, TTRPG, and family-oriented spaces.

Kaitlin Statz began writing audio drama scripts in 2015 while completing her Master’s program at the University of Oxford. Within the year, her first stories hit headphones as Liberty: Critical Research and Liberty: Tales from the Tower.

By 2017, with several audio seasons completed, she launched The White Vault under the same Fool & Scholar Productions banner. Now, with even more shows, she works full-time creating audio stories. She lives in Bavaria with her husband and their rescue dog, Eezo.

Travis Vengroff is the award-winning sound designer, editor, and producer of The White Vault podcast and the other half of Fool & Scholar Productions. His search for authentic sound has taken him to the forests of Central America, the black beaches of Iceland, the streets of Oxford, and through misty trails in the Pacific Northwest.

Vengroff is also an educator, consultant, and an active member in numerous podcast communities and organizations, including the Audio Drama Hub and IADAS. He works full-time creating podcasts and lives in Bavaria with his wife and their rescue dog, Eezo.

On October 8, Fool & Scholar is releasing its first non-fiction podcast, THAT SCARES ME TOO!

Vengroff says: “In this conversational podcast, we discuss and share historical legends and more recent ghost stories from around the world.”

The new show’s marketing pitch is: “Join Dr. Sophie Yang and K.A. Statz to discuss horror tales and myths from Asia. We’ll share stories about urban legends, unknown entities, cemetery superstitions, the undead, ghost month, cursed objects, folklore, and more from Taiwan and other Mandarin-speaking communities. Together, we discuss, compare, and contrast horrors from our cultures and talk about the shared human terrors.”

You can listen to the one-minute teaser here. This may be one of my favorite trailers of all time. Why? First, it’s only a minute-long. Second, there’s very little dialogue, which is: “First, I’m going to tell you a couple and scary stories, and then we’ll continue the discussion.” I love the transposition of concepts. The words are spoken in a flat, matter-of-fact tone, while the creepy music and flatness of the narrator’s voice presage something far more sinister.

Third, it is the silence and the eerie music that dominates the 60-second interlude. It’s a classic “less is more” strategy, and it slays as a table setter for the upcoming podcast.

These two shows are another winner for independent podcasting. Check out The White Vault and That Scares Me Too!