#sorry wci has just been bouncing around in my brain and this was the perfect outlet lmao
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theclearblue · 11 months ago
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Is it bad that I feel personally victimised by WCI or am I just being dramatic?
I don't think so anon, I think the themes of family in WCI are some of the most personal and nuanced Oda has ever done and while tragic in so many ways, I think results in the best way of conveying how powerful found family is but also how someone can have complicated feelings towards their blood family.
Throughout all of One Piece, you can see this through line of found family and how blood relations isn't what matters in who you consider family (The ASL brothers, Bellemere and Nojiko for Nami, Kuina for Zoro, Zeff for Sanji, Saul for Robin, Tom and Iceburg for Franky, and while not a strawhat, Corazon and Law deeply affected me as well). This is obviously a trope Oda has liked writing for a long time and one he does well, but (with somewhat the exception of Marineford/Post-War arc with Whitebeard and Ace), WCI is the first time he really dives into these themes of what family is, and what I really appreciated, how messy it can be.
(I uhhh wrote a lot after the cut so be prepared for that)
And it's not just Sanji in this arc (I'll get to him though don't worry), from Germa, from the Big Mom Pirates, and the Firetank Pirates, so many characters are acting as narrative foils to Sanji and dealing with family related trauma, and responding to it differently. The ones that really got me were Pudding and Katakuri though, and they're pretty similar to each other as well. I've talked a little bit about Pudding already here so I'll talk a bit more about Katakuri instead, but it hit me really hard when he made a temple for himself, and he lets the rumors fly about "his back has never touched the ground, he's praying to a god of war, no one has seen him eat" and it's just. Him laying on his back, eating donuts happily. And the scene is kind of silly and funny right, but I kid you not my New Year's resolution this year was to just, try to be more comfortable in my living room/kitchen without thinking everyone is going to judge me for, what? Eating? Watching a show I like? Completely normal things, but if you've ever grown up in a house where just, EVERYTHING you do is picked apart and criticized by family, it's easier to just shut yourself away in a room and hide it. And isn't that tragic? Katakuri projecting this image of strength that his family asks of him so much that he feels he has to hide completely normal things like lying down and eating? I could go even deeper into this character but this is just one example of a character's complicated relationship with his family, where he hides so much of himself for them, but also it stemming from a place of love after what happened to Brulee when they were kids.
And now to talk about Sanji. Ohhhh where do I even start with this guy. As kind of a sidenote, if you've seen any of my posts from Thriller Bark through Punk Hazard, I was really struggling to like Sanji as a character and I didn't make that a secret. Which was upsetting to me because, from Baratie-Enies Lobby (and really good moments at the end of Thriller Bark and Saoboady) he was a favorite of mine! And at times I thought his character was done pretty dirty where he was stripped down to a singular gag and Oda leaned into it way way way too hard. But it's immensely satisfying to me to see all the little seeds Oda planted for so many years come to fruition in Zou and WCI, to the point I think he's turned from being the most one note strawhat to the most nuanced and layered in the span of a singular saga. And that was incredible to see.
I think what really captivated me about Sanji from the beginning were how strong and rigid his convictions are, and that even though he's kind of a rude brat (I say that with love lol), he's so undeniably kind, even to a fault. And with his first backstory we see how a lot of his rigid rules he's made for himself come from, it's from Zeff. He doesn't hit women, he'll feed anyone who's hungry no matter what, and he learns to fight to protect people he cares about, but he isn't really a fighter in the same way Luffy and Zoro are, and that's made clear in his desire to protect his hands in a fight so that he can do what he really loves, and that's to cook. A lot of what makes Sanji who he is today is shown here, but Oda was smart in showing aspects of Sanji that clearly don't stem from Zeff without telling the audience why for the longest time.
He shares the dream of the All Blue with Zeff, but where did it come from? Zeff is kind of similar where he has this hard exterior but underneath is kind as well, but it's taken to another level with Sanji where it becomes self sacrificial. Throwing himself down the mountain on Drum Island, taking the lightning bolts from Enel for Nami and Usopp on Skypeia, boarding the water train alone to try and get to Robin, and most prominently, at least for me, him trying to take Luffy's pain at the end of Thriller Bark instead of Zoro, where he very clearly places more value on Zoro's dream and life than his own. That was the moment to me that made me really realize he does not see value in himself, unless he's providing something he deems useful. And if the situation calls for it, he'll throw his life and dream away if that makes him "useful" not realizing that the crew don't see him as this dispensable thing like he sees himself.
And all of Sanji's strengths and flaws as a character just come to make this perfect storm and mess that is Whole Cake Island. And the kindness that is Sanji's most definitive trait is so clearly not in this family, at least not seen at first. His brothers are made to have no zero empathy and beat down on him constantly, verbally and physically, and Judge just watches and doesn't care, eventually just hides Sanji in a cell and pretends he's dead. Because he was physically weaker and human. And yet he continues to cook because he loves doing it, he remembers his mother's kindness, and his dream of the all blue is formed in a small dark room and just. This got to me big time. Not to get too personal but the set of expectations put onto Sanji by his family, ones he can never live up to and finding passion in something his family finds to be worthless and a waste of time. Finding an escape in books and finding his dream there even though everything around him is hell. Slowly realizing the extent of cruelty that his father will go to as he grows up. Very unfortunately for me this might be the most relatable character I have ever come across in regards to my own experiences. I'm someone to voice my thoughts on things even if nobody else cares (hence why I've been liveblogging on here since Drum Island I think lmao) but while watching Sanji's backstory it affected me like nothing else ever has. It's not even something that made me cry really, I was just in shock after watching it for awhile. And Reiju saying to Sanji, "There are people out there who will accept you for who you are, you need to get out of here" which is so similar to what Saul said to Robin and even similar to what one of my sisters said to me growing up. Yeah. I also felt personally victimized by Whole Cake Island lmao.
But the end result of Sanji's arc is so beautiful and amazing. Sanji putting on this act of looking down on Luffy, and once again trying to sacrifice himself to protect those that he cares about, but Luffy just cuts through the bullshit because he knows that isn't really Sanji talking in that fight. Luffy's speech as Sanji is being driven away where he says that he can't become the pirate king without him by his side. This isn't an original thought but Sanji and Zoro both kind of represent different aspects of Luffy's dreams. Zoro with a seemingly impossible ideal and putting 100% of yourself into it. "I will become the greatest swordsman." "I will become the pirate king." But Sanji's dream of finding the All Blue reflects Luffy's dream of finding the One Piece. They both don't know if either of those things are even real (the audience at this point knows the one piece is real, but to my knowledge and where I'm at, Luffy doesn't). Yet there's this childlike wonder they both have about these dreams, because, what if it is real? Luffy knows that Sanji is irreplaceable because of the ideals that they share, not because of what Sanji can provide or be "useful" as.
It takes so much for Sanji to go running back to Luffy, and even when he does, he obviously gets insecure again and starts listing off reasons why he isn't worthy enough to go back to the Sunny and to the crew. And God is it satisfying to see Luffy absolutely rock his shit for saying that and asking him to just SAY what he really wants. And Sanji breaking down and saying how much he misses the Sunny and the crew and also airing out how he feels backed into a corner and doesn't know the way out, that he wants to help his family even though he doesn't consider them family and he KNOWS it doesn't make sense, he is being kind to a fault again. But Luffy smiling at him and saying "Well, that's just how you are. Let's go crash the wedding." That's when I started sobbing lmao, because there is such unconditional love and kindness in that statement that Sanji has so desperately needed ever since his mother died. Someone who just accepts him and all his faults wholeheartedly, and is that not the most beautiful representation of family??? His relationship with his blood family is so messy and complicated and full of mixed feelings(and that's very common), but his feelings about Zeff and Luffy and the rest of the strawhats are so clearly full of adoration and unconditional love for them, and they feel that same love for him as well! How lucky all of them are where they found their people, and how everyone else in this world has that opportunity to find the space and people they truly belong to, not tied down by blood. Whole Cake Island's themes on family were so well done and also fundamentally changed me as a person I think.
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