#sorry it took me so long to get to this question wiings aaaaaa

[sketching-shark]

It's been a while since the last time I asked you Shark

But I have a new question:

What do you think about the retellings of JTTW, where Tang Sanzang proves to be able to stand up for himself or that he literally can also fight alongside Sun Wukong, Zhu Bajie, Sha Wujing and even Bai Long Ma/Ao Lie (who lately I've noticed has started to grab more fame and recognition, being more and more dynamic and part of the group than just being a simple background character)?

I think the most famous version of this kind of retellings is "The Westward" (I like the design of that Tang Sanzang)

PS: It's good to be back

Oh hey! Good to see you again too @wiings-kwami! And in regards to your question, while I fully appreciate that this is a very inadequate answer I guess that depends on how it's used asdfrweadf. TBH the idea that Tang Sanzang can fight back against or at least somewhat defend himself against yaoguai is a potentially really neat idea! As is in the og classic he is the second most static member of the pilgrim group, and this could provide an opportunity for him to be active and explicitly grown and change instead of regularly acting as the embodiment of the "damsel in distress" trope lol. THAT SAID, I can also easily see this being used to shove the monk into the role of "badass fighter" and keep him a static character that way...I know everyone makes fun of Tang Sanzang for crying and falling off his dragon horse, and while some of this is warranted tbh I feel like a more interesting story could be told by addressing WHY he's crying so much rather than putting him in the opposite direction as a stoic fighter. So at the end of the day and as with any other trope out there, I'd say making Tang Sanzang into a warrior monk is potentially a cool idea, but it's less about him being that and more about how it's executed.