#sorry about this I just really like that element... she understands christian trauma so well for not ever having been christian???

[azuresins]

Always forgetting about Jesus Christ when it comes to Kuroshitsuji... Sorry maybe it's just my own religious trauma talking. But... (under a cut in case this is a touchy subject)

I think it's an interesting distinction that Yana decided to showcase that Earl Ciel stopped having faith in God before summoning Sebastian and like... meeting a demon didn't change his mind at all about it even a little bit, I know people kind of go "???????" but I don't think it's weird. At all. I think it's interesting that God, as he knew him to be, wasn't real and that's just not a lie? ... like yes maybe supernatural beings exist, but a loving and just god, a god that would have answered his prayers, does not. It's not a god worth having faith in, to him, anymore. To push this further, I wonder how much Sebastian telling Earl Ciel that resurrection isn't truly possible as far as his powers are concerned... and also Undertaker having to go through all of these complicated bells-and-whistles and collection-of-blood/organs/souls in order to make these dolls and pass it OFF as resurrection-- what this might be doing to Earl Ciel's beliefs, I can only imagine what this is doing to him as an ex-Christian... and I can only assume it is further cementing his disbelief in "God", and I mean Christian God-- God as-he-understood-God to be, the God he was taught to believe in. He's probably like, "Resurrection seems like a complicated business. Sebastian can't do it. Undertaker can't do it. Maybe God could have but he's not real so neither is Jesus. Drat. Oh well!" Since like...God resurrected Jesus as the story goes and so far every supernatural he's come across has failed to do it... I wonder if fundamentally it's something not even "God" can do in Kuro's universe? If Jesus even existed at all, in Kuro's universe, or what "God" is actually-like within it, if they're even a personage at all or if it's connected at all what-so-ever to Christianity because I think it would be cool if like.... it actually wasn't. What if "God" as in "the creator" was real but they were just... not at all a tangible or even knowable concept and completely foreign of anything Christian so it's just never addressed whether or not he's out there or exists, period... I hope she doesn't address it, personally. Let people be confused/mad about it forever. Keep them on their toes.

[evelhak]

What are some series (any media) that aren't well known, but you enjoy, and would encourage other people to seek out?

I love this topic! Thank you for stopping me from aimless scrolling for another hour. It's always a little hard to determine what is well known but I'm just gonna have to go with my surroundings, so I'm gonna talk about some that I've never seen anyone mention on any social media.

Jean le Flambeur series by Hannu Rajaniemi

I feel like it should be quite well known, but maybe it's just not in the spaces I'm in or with people my age. But this is a very intricate and suspenseful sci-fi book trilogy by a Finnish author who writes in English. It begins with a thief trapped in a virtual prison. It's highly conceptual in the design of its world and the author is definitely not holding your hand explaining how everything works, but for me it was part of the charm and a wild and satisfying experience, it really sparked my imagination when I was attempting to visualize it all, and I didn't mind if I didn't understand everything because interpretation is the whole point of reading for me. The characters are also complex enough for a character driven taste. If you are looking for something that is highly stimulating for an abstract thinker, try it.

Syysmaa-sarja by Anu Holopainen

Sorry, this is just in Finnish... and the reason I never see anyone talking about it may just be that every Finnish fantasy nerd read it ten or more years ago like me. Although it would be nice seeing younger people find it now! It's a very overtly feminist fantasy series of 6 books, where people are divided into religions that worship a different tree. The mainstream worships oak which is very patriarchal, and the books focus on people (often women, queer or neurodivergent coded people) in very different and difficult life situations, who come in contact with a small group of rowan worshippers who are trying to create possibilities for a different kind of life and society. These were my favourite fantasy books as a teenager.

Lumikki Andersson series by Salla Simukka

These books have English translations, I don't know what quality, because I only read them in Finnish. But it's a YA "thriller" trilogy you should not read as thriller. It's a character driven modern Snow White with elements of thriller and mystery. Lumikki Andersson is not clear on everything that happened in her past, but she doesn't want to be a target so she has mastered the art of appearing insignificant and uninteresting in any given situation by impressive micro level acting and analysing people's every gesture. The main character is the point of this series and her internal world and observations are wonderfully written. If you like old mystery and gothic novels, if you read Sherlock Holmes for the character, if you love fairytales and satisfying analogies, you should read these poetic and insightful explorations on personality, trauma and survival.

Charity Bishop's books

These are speculative fiction books with a Christian twist, so proceed with caution if you need to. I got into them when I was studying theology and wrote my master's degree analysing different concepts of God in self-published Christian fiction. I am not religious and my interest in religion is psychological and anthropological and as such I often find fiction books written by religious people about religion interesting. In terms of literary merit, I've found these books to be the most enjoyable ones I've read in this genre, with well developed characters and plots where faith works as an organic part of the whole speculative element instead of the story just being a tool for preaching which is quite common in this genre.

I was going to do more than just books but I got tired now, so good night Tumblr. 💙 I'm always ready to give recommendations.

[obsidianarchives]

Black Wizard History Month 2019 Round Table

Every February at Black Girls Create we celebrate Black Wizard History Month, a celebration of the Black characters of Harry Potter, Black Potterheads in fandom, and magical Black folks everywhere. This year our month-long turn up included live tweets, a live show of our #WizardTeam podcast, and fanfiction hosted through our Hogwarts BSU project.

Fanfiction is a large part of fandom, and in many cases can be a place for marginalized fans to see and write themselves into the stories they love. Hogwarts BSU is a project specifically for Black writers and artists to write stories centered around Black characters, history, and magic in the wizarding world. As a way to wrap up a jam-packed month, we decided to host a round table with a few of the writers of the pieces that came out during this year’s Black Wizard History Month.

How did you get into Harry Potter?

Bianca Ramos: When I was in 7th grade, my younger cousin was assigned books 1-3 in school. It was during the conservative Christian outrage and my family asked me to pre-read them for him since I was a "reader." I knocked them out quickly and was hooked.

Delia Gallegos: Growing up, the books always peaked my interest in the library, even though I was only 5 or 6 years old. Our household was pretty religious, so my mom was wary about letting me read them. One summer, my cousin lent me Sorcerer’s Stone while we were at my grandma’s. I only got a chapter in but I knew I HAD to read it. After a lot of begging on my part, my mom relented and agreed to let me read it under the condition that she could read the first one out loud to me. The rest was history!

Constance Gibbs: I started reading Harry Potter when I was in sixth grade and someone was reading Chamber of Secrets. I can’t remember if I read that one first or if I went to Sorcerer’s Stone, but I read all three that were out at the time and had my grandma take me to pre-order Goblet of Fire, which was about to come out. I’ve been hooked ever since.

Porshèa Patterson: In 6th grade, my then-bestie told me about the series but had already lent the first book out. That summer I picked up the books from the library after learning I'd never see this bestie again due to me changing schools. Thus, Harry Potter became my new best friend.

Have you read fanfiction before? What draws you to it? Or what kept you away from it?

Bianca: I didn't read fanfiction before getting into everything going on here at Black Girls Create. I don't know why. I guess I just never found myself on that side of the internet. Now I think I’m more open to it.

Delia: I’m a long-time fanfiction reader. I first started after the 5th book came out. At the time, it was just a matter of Harry Potter sparking my imagination and there being no material to satisfy it. So, I turned to the internet. Now, engaging with Harry Potter and the fandom in a creative way is almost second nature to me.

Connie: I didn’t start reading Harry Potter fanfiction until sometime after the series was over because I didn’t want to spoil the series as it was coming out. I think I tried in 2007, when the series first ended, but it didn’t stick. But a few years later, I read a few post-series stories. Usually shippery ones involving Harry/Ginny and Ron/Hermione, but I went through a big Lily/James Marauders Era phase and I occasionally read Remus/Tonks. For the romantic stories, as we discuss on #WizardTeam often, there wasn’t a lot in the text, so it’s nice to see others’ varying but often similar interpretations on how the canon relationships could have gone with more effort put into developing them. Plus I’m a fuzzy Hufflepuff.

Porshèa: I'd started reading fanfic during the lapse between books 4 and 5, began integrating them into canon thanks to some very vivid dreams, then promptly stopped reading because there were too many books to go for me to have those problems.

What made you want to start writing fanfiction?

Bianca: I was inspired by revisiting Harry Potter through #Wizard Team, by the short stories on the site, and the complete gas up I received when I shared my ideas in the Slack. The team is a wonderful place to bounce around ideas and everyone is really supportive.

Delia: I was really young (probably too young, admittedly) when I started reading fanfiction. I started writing it on a whim. It was very much, “Hey I want to do that, too!” so I did. Being that young, you really don’t care that you don’t know how to plot a story or that you haven’t even really finished learning about grammar. You just do it because it seems fun.

Connie: I’d never written fanfiction before Hogwarts BSU/#Wizard Team. I was content to lurk in whatever fandoms I was reading fic for. I think wanted to give it a try because of something Robyn and Bayana said on #WizardTeam, and that’s where my first fic, Do Black Wizards Nod, came from. The idea of whether the Black students give each other the nod and how they would deal with that. Then I kept getting prompts or fic bunnies and it feels so much easier than when I try to write original works.

Porshèa: I've recently taken to writing fanfic because I want to fill in the holes within the fandoms I love. I'm empowered to do so because of the community that BGC has curated, the validation of headcanons, and understanding that we're the best at crafting stories from our individual lenses.

What was your inspiration for your piece?

Bianca: The complete ball drop that was History of Magic in North America and J.K. Rowling ignoring valid criticism. Like most American fans, I was excited to see the wizarding world expand to include us. However, the fact that racism — RACISM — something that plays a major part in the development of the three largest countries here, isn't even recognized on a small scale is insulting to readers. You can't tell me that a country with a history as bloody and messed up as the U.S. has wizards of every racial background being besties. It's not realistic. I also understand that maybe J.K. Rowling felt unqualified to talk about it, but I believe it can be done in a way that is both careful and makes sense.

Delia: I’ve been preaching the good word of Deanmione since February 2018. Since coming aboard the ship, I’ve been surprised to find that I am pretty much the only person sailing on it. The existing fanfic of the pairing is sparse. So when To All The Boys I’ve Loved Before came out on Netflix, I fell in love again with the story (I had read the book) and the gears in my head started turning. Then, when #WizardTeam started on Half-Blood Prince, I realized that was the perfect fit.

Connie: I’ve written a few things now, but I like thinking about the Black students forming a group and watching out for each other. I was never part of a BSU, but in high school and college I went to predominantly white schools and found myself most comfortable around my peers of color. In high school it was just natural, gravity, but I think in college I sought it out more deliberately. So I could relate to Blaise’s desire to find/start a group to help him feel less alone on campus. I remember that feeling, though I can’t say I consciously channeled it when I wrote Umoja. Other inspiration included the idea of honoring Kwanzaa in a way that helped me connect with the holiday more than I do in real life, and finding a creative way to use each principal to tell a story. And further inspiration comes from Delia and the rest of the team being instigators.

"...if you want something written about Black wizards learning within the wizarding world to be done well, you've gotta roll up your sleeves and do it yourself."  -- Porshèa Patterson

Porshèa: The inspiration for my piece comes from the wandless magic conversations throughout the books — specifically when it comes to powerful wizards and house-elves — the disappointment that is Magic in North America, and Uagadou. All of the missing elements in these spurred me into writing, because obviously if you want something written about Black wizards learning within the wizarding world to be done well, you've gotta roll up your sleeves and do it yourself.

What are some things in Harry Potter canon that you would like to explore or fix?

Bianca: As mentioned before, we can fix History of Magic in North America. I think that exploring the wizarding world here could be pretty awesome. I'd love to see stories of Indigenous wizards, Mexican wizards, or a story of Japanese American wizards and wizard immigrants (especially if they are written by someone in that community). Why did they decide to come here and what have they experienced and endured since? Also, we need to get rid of that "Cursed" play and Dumbledore and the Terrible, Horrible, No Good, Very Bad Day prequels.

Delia: I started as a Harmony shipper, believe it or not. I read others, but that was my OTP. I was just so underwhelmed by the romance in the books. Since the series finished, my biggest sore spot has been the Epilogue. They went through so much trauma. How did they work through it to get to that happy ending? How on EARTH did Hermione end up with emotionally stunted Ron (sorry Ronmione shippers, it’s all love)? Why is Harry not the DADA professor? I'd also love to fix Leta's story. I wish she could have a fully fledged story that isn’t based in tragedy. A story where she lives and is happy. She deserved better.

Connie: Like Bianca said, the global wizarding community is one thing I wish we could fix in canon. Jo did such a poor job of thinking of anywhere outside of Europe and it really hinders the story when considering how global both the fans and the Muggle world, even in Britain, are. I also wish we could remove Fantastic Beasts and Cursed Child from existence. I wish Fantastic Beasts starred an actor of color for Newt and that it was romps in the jungle searching for beasts and perhaps treasure. I wish they were adventure stories set in the ‘20s a la Indiana Jones or the Mummy franchise and not…what it is.

Porshèa: While there's a lot that needs to be fixed — see everyone else's answers — I think I only have the patience to 'fix' the ways in which Black American communities practice magic, the integration of magic and modern tech — because there are too many Muggle-borns for this to NOT be a thing — and wizarding higher education.

Are there Black characters in other media you would want to write fanfiction for?

Bianca: As of right now, no.

Delia: I don’t really see myself writing outside of my own original work and Harry Potter fanfiction. Potter is the only world besides those of my own creation that I know well enough to write in. But who knows!

Connie: There have been so few Black characters that I relate to, and I find myself not reading fanfic leading them very often. I’ve read only a few characters that were Black in other fandoms, Abigail Mills from Sleepy Hollow and Chidi from The Good Place more recently. I think I also read some fic starring Tucker from Danny Phantom (throwback!) who the fans thought had good chemistry with Danny’s sister Jazz. But there are few characters in other properties I feel drawn to enough to write, which really makes me sad. Hopefully I get more characters to want to play with and can expand my fic reading beyond shiny white people problems (or anime characters, as was my fanfiction beginnings). Perhaps some day I’ll be drawn to Doctor Who fic for those Black characters, but it hasn’t quite happened yet.

Porshèa: There is a character from the A Song of Ice and Fire series that I relate to heavily, though we know very little about her. My goal is to start on a fanfic for her after completing the Founding Home series.

Do you think Black characters get enough love in fan spaces? Why or why not?

Bianca: It depends on who the story was written for. In predominantly white stories with white main characters, Black characters are usually thrown in as an afterthought, and it shows. The same goes with color blind casting and not adjusting the story to make sense for a person of color. On the other hand, you get stories written for Black characters and characters of color like in Scandal or Pose and there is this level of care that is woven into it that changes how the characters are viewed. Fans can't help but fall in love with a fully fleshed out character.

Delia: You can read Mel’s Critical Companion piece from this month for the long answer. The short answer is, no. At best, in fandom, Black characters are often overlooked, save for when they serve a headcanon for a white character. At worst, they are overly harshly scrutinized or rejected, even though they are often one character of color out of dozens of white ones.

"At best, in fandom, Black characters are often overlooked, save for when they serve a headcanon for a white character."  -- Delia Gallegos

Connie: Definitely not. I get sad when I think about how I perhaps perpetuate this lack of love by not talking about those characters enough or, more to the point here, not reading fic starring them. But also, those characters only have a few stories on the fanfic websites or don’t get as much screen time or development to work with. Or perhaps they’re not put in situations I want to think on too often, leading me to not even go looking for “fix-it” fic where writers fix whatever bad thing happens to them. And I think the stories I like with predominantly Black characters are in recurring works where I’m waiting to see where the actual author takes them. There may be something to the idea of me just being happy they exist and not wanting to mess with them too much. Two book series I think of are the Shadowshaper Cypher by Daniel José Older and Children of Blood and Bone by Tomi Adeyemi. The worlds are so new and I’m just so happy to get these great characters that I’m not looking for anyone else’s take on them just yet, but maybe that will come down the line. In more established franchises, I definitely think Black characters don’t get enough love in the fandom nor by the writers/producers.

Porshèa: What they said. I do love that the actors who portray the token Black faces call out the Black fan appreciation they get, especially when Luke Youngblood and Alfie Enoch pointed out that they'd realized that the Black fans made a point to seek them out within the films during BGC-led panels at LeakyCon.

What is a character or theme in Harry Potter that you want to write about or explore in the future?

Bianca: I have a list of things that I would like to write about in Harry Potter, and it seems to grow everyday. New schools, founders, and histories. I'd also like to flesh out some characters like Mrs. Zabini.

Delia: I think even after To All the Wizards I’ve Considered Before is finished, there will still be more to be told of Dean and Hermione.

Connie: I’m interested in exploring more Blaise/Desiree as a flourishing Black couple in the wizarding world and what challenges in their relationship they may have to overcome. Also just showing Black love cuteness. I think beyond the BSUverse, Robyn and I keep trying to come up with some post-First War detective story, perhaps involving an original character or Kingsley.

Porshèa: After Founding Home, I'm going to (someday) flesh out my Parvati, Lavender, and others boss witch writers story, and my Dumbledore and Prince ‘90s fashion-off story. More after that, maybe?

Make sure to read our guests and other writers’ pieces on our Hogwarts BSU page. If you have fic you would like published, or if you would like to participate in Black Wizard History Month in the future, feel free to check out our submission guidelines or hit us up at weblackandnerds@gmail.com. Thanks for reading, and we hope to see you next February and all the months in between!

[whatsgodgottodowithreligion-blog]

Wounded Healers of the World, Unite!

In the dedication to my book, What’s God Got To Do With It, I wrote:

“To the wounded, and the wounded healers. Know that we are one and the same”

That wasn’t some clever turn of phrase or play on words - with that statement I was articulating a basic truth that we are either unaware of, or unconsciously forget as we go about the business of daily living. Now, some of us have been exceptionally wounded: through neglect, violence, and physical/emotional abuse we suffered either at the hands of our caretakers, and/or by the ones we have shared intimate relationships with. Some personal growth gurus are fond of saying that we attract those relationships, however damaging, so that we may learn the lessons we need to learn in this lifetime. 

Sorry folks, but I’m gonna stray into heretical territory when I tell you that personally, I find that to be complete and utter bullshit. True, as adults, many of us attract negative or destructive relationships into our lives (either through the familiarity of our personal backstory, or because we have been ingrained to believe those are the only kind of relationships we are worthy of having). But to say that those of us who have survived horrific abuses at the hands of parents/guardians/relatives/clergy needed those experiences to make us better persons is yet another platitude, however new-agey, used to explain that which is unfathomable in any empathic capacity. This doesn’t mean we can’t overcome such trauma, and even emerge victorious from our “baptism by fire”, but any suggestion of a conscious or metaphysical contract on our part to invite such abuse is a dangerous hypothesis to make.

The concept of the “wounded healer” is an allegory common to both Christian theology and traditional literature. It is a common theme because it is relatable and real: we all know stories of people who have overcome tremendous odds and psychological scars to give back to their communities, to share messages of hope and love, and to minister to those disenfranchised and often ignored. Even those individuals whose background involves less heinous transgressions put upon them have gone on to utilize those “lessons” in proactive ways to improve and uplift the lives of many suffering in present tense from similar circumstances. Often, grace is displayed by those whom we’d never believe to have suffered in any detrimental fashion, and yet have.

When I attended/presented at this year’s Wild Goose Festival, I met an angel of grace in the most (seemingly) unlikely of places. The headline performer on the main stage this year was none other than “Queen of Christian Pop”, Amy Grant. Amy’s trajectory from teenaged Contemporary Christian music artist to 80′s crossover pop star to bluegrass/gospel darling is a fascinating one, and yet many in attendance had an understandable enthusiasm toward her “VH-1 era” crossover hits, and her pop covers of 60′s chestnuts like “Put A Little Love In Your Heart” and “Turn, Turn, Turn.” Through a two-hour set on a ridiculously muggy night, under oppressive bright spotlights and swarms of insects attracted to such light, Amy remained poised, engaging, unflappable, even amusing - joking through both the annoyance and discomfort of contending with the elements.

Prior to the night’s stellar concert, I found that Amy and her “entourage of two” were camping in an RV just a few feet from where I was: while most past artists sought accommodations at the nearby (and considerably more civilized) Laughing Heart Lodge, Amy showed her humility in ways that still leave me scratching my head - brushing her teeth/hair in the communal sinks, singing and playing her guitar during Beer and Hymns, and being incredibly approachable to fans introduced to her by WGF Executive Director Jeff Clark. To give you an example of how modest and unassuming Amy was, when I stopped by the RV parked next door to re-connect and say hi to Jeff, I was completely clueless that the striking country gal he was talking with was none other than Grant herself.

On the final day of the Festival, Amy did a morning interview on the main stage, prior to our Sunday service. Moderator Chris Hauser asked the usual questions about her career and personal triumphs - at one point, I was waiting for Chris to exclaim, “AMY GRANT - THIS IS YOUR LIFE! Do you remember this voice from your past?” Thankfully, that didn’t happen. But he did play a voice from her past - it was a recording of a young Amy singing her first CCM hit, “My Father’s Eyes.” Needless to say, the 50-something year old Grant was a little embarrassed to hear her fourteen year old self singing that tune, and she was quite candid in her self critique. She said the tune was not very remarkable, her voice wasn’t that great - that there were dozens of female singers struggling to break into the industry whom she considered to be exceedingly more talented than she. 

She reflected on how she felt during those ‘early years’ in her career - in shock that so many folks saw a talent in her that, in her own mind, was hardly worth fussing over. Even forty years later, she remained astonished that so many folks treated her with kindness and encouragement, did not try to exploit her or physically take advantage of her - how blessed she was to have been surrounded by so many talented professionals who not only took a genuine interest in her, but wanted to see her succeed in a business that is not always known for having nice guys (and gals) finish first. Then, as her voice grew softer and more somber, she confessed to the crowd that for many, many years, she was plagued with feelings of inadequacy and low self-esteem. She never believed she was worthy of the early acclaim, the accolades, the success. She felt she was not up to the task, that the bar was being somehow lowered to allow her to perform and be in the spotlight. 

Now, it’s a given that many in the entertainment field chose creative expression precisely to overcome such feelings of low-esteem and unworthiness (as evidenced by the tragic endings of Amy Winehouse, Janis Joplin, John Belushi and Anthony Bourdain), but it was refreshing, even revelatory to hear that a woman who is a pillar of Contemporary Christian music, a woman who did not fall prey to drugs, bed-hopping or other vices, a woman who essentially led a sheltered life, and was sheltered from those temptations in an industry rife with them, would still have a personal demon - her own feelings of low self-worth and insecurity to deal with. She spoke about her marriage to fellow musician/songwriter Gary Chapman in 1992 (which produced three children), and her feelings of anger and betrayal when the couple divorced in 1999. It was an admission that caught me totally off guard, and I was floored by her honesty and transparency in sharing such an obviously difficult period in her life. But it also reminded me of our collective humanity - hers, as well as mine.

During the Sunday service, Amy sang “Better Than A Hallelujah” (from her 2010 release, Somewhere Down The Road) while a queer pastor officiated over the Eurcharist, then Amy, alongside progressive pastor Jacqui Lewis assisted in giving out communion. For some reason, I felt compelled to stand in the line where Amy was, and after receiving the bread and eating it, I hugged her and said, “I want you to know that what you said earlier really touched me. You are the last person that I would think would struggle with issues of low self-esteem. It really meant a lot to me to hear you say that, as I have been struggling with the wounds of my abuse for most of my adult life. God Bless You.” Amy could hear both the pain and sadness in my voice, and she ‘ministered’ to me with compassion and love. She thanked me for sharing what i said with her, and gave me a blessing before moving onto the next congregant waiting to be served the body of Christ.

In that one brief exchange I felt many things: grief, a depth of sadness I was not prepared to visit, but I also felt she understood, she cared, and I felt a psychic affirmation from her that what I went through was painful, that she appreciated being taken into her confidence, and most of all, that I mattered to her. Her, Amy Grant reminded me that I mattered. Even as I write this, I find it hard to stir up those emotions, but I do so because it is important that I convey to you, on an intimate level, what it means to be both wounded, and a wounded healer. I felt like kindred spirits with Amy during that exchange, like we had both had our share of baggage, and that in the end, we were both resolute survivors. We both understood that God had a larger plan for us, and we were going to do our best to fulfill that, and follow our inner voice. Throughout her professional and personal life (she has been married to country’s Vince Gill since 2000, and they share a daughter together), Amy has been the embodiment of good Christian values. I was not surprised to learn of the outreach she was doing on her ranch in the Tennessee mountains - utilizing her property to hold retreats and such - it made perfect sense given what I know about her now.

The reason I wrote the book in the first place was that I recognized that many people have been bruised by religion - the capricious application of it by equally wounded ‘followers’, how judgment and condemnation have pulled us from our humanity, instead of compassion and forgiveness drawing us toward it. I knew it was wrong, and needed to change. I knew it needed someone to call out such hypocrisy and brutality. I wanted to reach out to all those wounded souls and say, “Hey - God loves you. You’re here for a reason. Stop judging others, and say “Enough!” to the judgment foisted upon you by others. Respond to their ignorance with love.” John Lennon sang, “Love is the answer, and you know that for sure.” Don’t ever forget that you, in all your wounded brokenness have a gift to share with the world. And, if we could see in each other, that which we know lives inside our own souls, maybe, just maybe, we can move toward healing others, and by extension, be healed through them. For we are all one and the same.