#sorentino

[innerduckgladiator]

Sharon Sorrentino

[communistkenobi]

the gold standard of academic articles responding to a bad argument for me is Garba & Sorentino’s Slavery is a Metaphor, responding to Tuck & Yang’s Decolonisation is Not a Metaphor. If I ever write something a tenth as cutting and decisive as that paper I will have achieved my dreams

[metamatar]

In disentangling decolonization from the impulse to make it a species of a larger struggle, Tuck and Yang differentiate between an “indigenous politics” (which would integrate land with life) and a “western doctrine of liberation” (instrumentalizing land for life). The prioritization of land, however, problematizes the efficacy of the distinction, for, as Jared Sexton (2014) addresses, regardless of the approach to land (Indigenous or otherwise), the issue for critics of settler colonialism remains primarily a “problem of the terms of occupation”:

> “This frames the question of land as a question of sovereignty, wherein native sovereignty is a precondition for or element of the maintenance or renaissance of native ways of relating to the land” (Sexton 2014:5).

The danger is that, while admitting “denial of sovereignty imperils native ways of relating,” the configuration of sovereignty as a positive claim to land “does not thereby guarantee this way will be followed” (Sexton 2014:5). Tuck and Yang’s argument subordinates this risk to a problem they see to be much more fundamental and abiding: that recognizing life (which becomes a stand-in for symbolization) may not materialize (and usually actively impedes) the repatriation of land.

To return to the problem of *via negativa*, Tuck and Yang cannot positively address what Indigenous approaches to land are, without complicating how land is the ground upon which decolonization hinges. In this way, they succumb to the seduction described by Katherine McKittrick in the epigraph—“the idea that space ‘just is’” (2006:xi). Their critique of metaphor serves as a counterfactual to what they see to be the central problem of (and solution to) settler colonialism—land—even as this single focus undercuts what might differentiate settler sovereignty from native sovereignty. By making metaphor “bad,” Tuck and Yang illustrate a reinvestment in sovereignty as an empty vessel, whose substantial difference from property orientations becomes indiscernible, except in the fleeting accelerationist fantasy later posed by Tuck and McKenzie that “decolonization may be something the land does on its own behalf, even if humans are too deluded or delayed to make their own needed changes.”

__

Garba, T. P., & Sorentino, S.-M. (2020). Slavery is a metaphor: A critical commentary on Eve Tuck and K. Wayne Yang’s “Decolonization is not a metaphor.” Antipode, 52(3), 764-782. https://doi.org/10.1111/anti.12615

[brbljivica]

Bio je to jedan od najlepših trenutaka u mom životu.

Bio je to jedan od najlepših trenutaka u njenom životu.

Jer smo se smejali i zaljubljivali u isto vreme.

Paolo Sorentino - Toni Pagoda i njegovi prijatelji

[fundgruber]

"Black aesthetic practices described as formless embrace a deform that already constitutes blackness, and not formlessness as a visual/performance motif, as is often the case in Western aesthetics’ “epistemic turns and revolutions.”1 The “West,” here, is not a specific geographical location; rather, as Édouard Glissant describes it, “it is a project, not a place.”2 The condition of “being without form,”3 as Calvin Warren theorizes, marks historico-political maneuvers of violence that rendered corporeal integrity an impossibility for African-derived people.4 Black corporeal/figural form's equivalency to humanity or personhood can neither be presumed nor incontrovertibly substantiated. The figuration of “the black body” does not allow entry into the category of the human, and it is not a “body” in the same way that other bodies are bodies. Its emergence deranges the very meaning of what constitutes a body, since, as Thomas DeFrantz has argued, it comes before the law already as both its antithesis and condition of possibility."

Mlondolozi Zondi: “An Impossible Form”: The Absence That Keeps on Giving. liquid blackness (2024) 8 (1): 24–43. doi.org/10.1215/26923874-11005943

"Es liegen weder genügende Untersuchungen darüber vor, ob sich durch moderne Formalisierungstechniken die philosophische Logik etwa in einem Sinn, der den Hiatus von "Form" und "Stoff" wenn auch nicht aufhebt so doch wenigstens mildert, generalisieren ließe; noch können wir heute mit Zuversicht behaupten, daß es unmöglich sei, wenigstens eine begrenzte Zahl der Stufen des dialektischen Prozesses zu formalisieren. (Eng zusammen damit hängt das Problem, was aus der Antithese von "Form" und "Stoff" wird, wenn wir eine Logik mit abzählbar unendlich vielen Werten einführen. Die Zahl der Funktoren eines solchen Systems ist dann von der Mächtigkeit des Cantorschen ℵ1, d. h. die Funktoren repräsentieren ein den reellen Zahlen äquivalentes Kontinuum. Es ist kaum wahrscheinlich, daß unser aus der zweiwertigen Logik abgeleiteter kategorialer Gegensatz von "Form" und "Stoff" in dieser transfiniten Dimension der Funktorenlogik noch den gleichm Sinn hat wie in endlichen Wertsystemen.)"

Gotthard Günther, Formalisierung der transzendental-dialektischen Logik, in: ders. Beiträge zur Grundlegung einer operationsfähigen Dialektik I. [1976] 1985, S. 195

"Capitalist totality totalizes through its claim of capacitation (determinate negations and the possibility of their sublation being the staging ground for dialec- tical conflicts of the human), such that incapacity, as indexed by racial blackness and natural necessity, is violently filtered through the re- duced capacities of race and gender in ways that haunt contemporary imaginative intersectional and abolitionist horizons."

Sara-Maria Sorentino, Abolish the Oikos: Notes on Incapacity from Antiquity to Marxist Feminism, Black Feminism, and Afro-pessimism. Qui Parle (2023) 32 (1): 199–243, 202

[laaldunatedepirque]

Silvia

Después de la muerte de su padre y un retiro indefinido a Grecia logró que sus ideas por fin tomasen un rumbo como tal. Aún quedaba vino. Aún quedaba algo de Chile en ese rincón de Zaragoza, explotado, quizá, otra vez, pero de una forma en la que ninguno de los dos terminaba más afectado que el otro. El día de su cumpleaños número veintisiete, en lugar de celebrar, lo que hizo fue poner su plan en marcha. Ese plan por el que su cabeza tanto le había presionado. Comenzó la renovación de los viñedos en paralelo a sus estudios. También renovó los terrenos en Pirque, más de forma anónima y desinteresada.

Estudia por y para ella misma, lo mismo con el trabajo, por lo que los galpones que alguna vez sirvieron para reservar el vino, ahora estaban cubiertos de murales, colores, libros y salas de estar. Sillones en los cuales descansar y por supuesto, también zonas de diversión más extrovertida. Uno de los galpones funciona como galería de arte, siendo esta una de las más solicitadas del país y los países vecinos por su intrigante paisaje a las ruinas de Zaragoza, ciudad que le vio crecer, ganar, equivocarse y caer. Ciudad que le hizo perder parte de su vida que creía sería para ella, pero acabó encontrándose aún más en medio del país europeo. Más la sangre tira y no logró darse cuenta de su amor a Zaragoza hasta que su padre murió. Hubiese deseado que fuese diferente. Ambas cosas.

Aún guarda buenos recuerdos de Chile, de su pueblo al interior, pero con mucho menos énfasis con el que lo hacía. Se graduó con horones y un post grado en religión, mismo que le llevó a dar clases en pequeñas escuelas alejadas de la sociedad, o fácilmente volver a Chile y recorrer sus cerros para poder llevar el conocimiento hasta más lugares. Profesora por pasión, de alguna forma calma todas sus ansiedades el poder enseñar. Se dedicó por dos años a hacer variedades de cursos y el tercero para reclutar al grupo de gente idóneo para su primer proyecto como Aldunate’s Gallery, siendo su padre quien inspiró ese cachito de su vida por la gran amistad de compartió con Samuel Nitzana, un coleccionista español que deliraba con sus raíces egipcias, con aires de superioridad al punto de ser desagradable. Más era un buen profesor, y un buen contacto cuando las cosas se ponían tensas al punto de necesitar una salida más fácil. A ella le unía eso de él. Su padre los había presentado luego de que Silvia fuese una de las privilegiadas por la historia al encontrar una momia en el norte de Chile, junto a su equipo de la Universidad de Atacama y otros gringos que conoció a lo largo del camino seco, arenoso, con una vista a ese Pacífico que se volvía violento. Quizá ella era Chile y no lo sabía. Quizá era tanto que debía dejar de preguntarse de dónde era cuando al final, siempre será de ella. Además de Saard Nitzana, estaba al familia Sorentino, italianos de la élite, ella no se sentía parte del grupito de oro por lo que mantenía su anonimato en la mayoría de sus obras públicas, casi como escondida en su fachada de historiadora y geóloga. Familia de mala fama, terrible si le preguntaban a ella, pero debía reconocer que de ellos había recibido regalos indescriptibles, tal como el baúl en el que María Estuardo guardó sus cartas durante el cautiverio. Lo mantiene guardado dentro de un cristal. Le prometió a la madera descuidada usarlo en algún momento.

Acompañó sus estudios con cursos menores como lo es el paisajismo, el diseño de exteriores e interiores, con el único fin de lograr darle un mayor y mejor uso a los galpones heredados, manteniendo la armonía por más diferencias y variedad que hubiese. Nitzana se encargó personalmente de enseñarle paleontología, antropología, egiptología y pues lenguas antiguas ya era parte de ella desde que inició como principiante como licenciada de historia en Madrid. Fuertemente conectada con lo espiritual. Ha estudiado sobre varios temas esotéricos, tanto como de magia tradicional y ceremonial..

[lilyelle123]

Identical twins Maiah Claire and Naiah Grace are inseparable. They are each other’s halves, until a tragic accident took one of them, leaving the other to drown herself in grief and guilt. Her world dark and stagnant. Until one day, she runs into Kyros Aleksander Sorentino, her dead twin’s ex back in high school. Don't miss today's update of #ONCE WE WERE US! #webcomic #WEBTOON

#pinoymanga #pinoykomiks #teenromance #drama #webkomiks #graphicnovel

[karakalpink]

The New Pope (2019): Official Tease 2 | HBO

[pinktinselmonstrosity]

had big plans for dinner tonight but the Sickness has hit so alas. plain spaghetti it is 😔

[newintrigue]

The World According to Paolo Sorentino

The World According to Paolo Sorentino

I first discovered the films of Paolo Sorentino in university, when I watched his most famous work, The Great Beauty (In Italian, La Grande Bellezza).  The film begins in Rome, with the protagonist Jep Gambardella at his birthday party. The party is a spectacle of dance and depravity, a joyous celebration of a man that has reached his prime of middle age.  But even as he celebrates, Jep is less…

[communistkenobi]

thank you so much for the transmisogyny reading post! im definitely gonna be reading into those. in a similar vein, do you have a recommended reading list for decolonization/anti-imperialism?

Do you mean molsno's post? def cannot take credit for that but yes I have a couple!

high-level recommendation is discourse on colonialism by aime cesaire (this link goes to a pdf that is a collection of essays, you can skip to cesaire's essay). probably one of the most formative essays for me personally in terms of how i think about colonialism

decolonization is not a metaphor by Tuck & Yang is a famous article in decolonial scholarship and will likely come up pretty frequently if you're reading academic work. if you read that article, i recommend following it up with Slavery is a Metaphor by Garba & Sorentino - its a Black critical commentary by two marxist scholars i believe on Tuck & Yang's work, working through the anti-Black thinking that is present in the work, particularly the deeply problematic conceptual attention given by Tuck & Yang to slavery when historicising and analyzing settler colonialism in North America. These are both academic articles and they're both jargon-laden so your mileage will vary

I originally included decolonizing transgender 101 by b binaohan on here before realizing that it's already in the linked post above lol. in that post is a link to the full book that i'll repost here (usually you can only find the introduction online) so definitely make use of that. anyway great work, very accessible and insightful, makes direct linkages between white supremacy, settler colonialism, and transmisogyny in a way i found extremely helpful

i read beyond white privilege: geographies of white supremacy and settler colonialism during my master's about four years ago (jesus christ the passage of time!!!) and found it very insightful - the authors talk about white supremacy as a process rather than a historical event, as well as talk about some of the conceptual limitations of the popular focus on white privilege (as opposed to white supremacy) that i found very helpful for me personally. its another academic article

I've been recently introduced to Anibal Quijano's work, particularly the Coloniality of Power. this is an extremely theoretical work that focuses on the construction and universalization of race, the 'invention of Europe,' modernity as a colonial construction, and a bunch of other pretty dense topics. thats not to scare you off, but its probably the most theory heavy article i've linked here

this list skews towards academic work because that's what im most familiar with (all the links i provided are open-access links so you should not need institutional access to read them). For books, you can read Wretched of the Earth by Frantz Fanon or Orientalism by Edward Said, they're both pretty foundational decolonial texts and are also pretty formative for me. Fanon's work is on decolonial struggle and the pathologization of colonized people, Said's work is on the construction of "the East" to justify and reproduce Western hegemony.

Hope this was helpful! I'm by no means an expert and this is only scratching the surface of scholarship on the subject. I'm still in the process of reading, but hopefully this is a good starting point for you!

[brbljivica]

Život je, recimo istinu, baš gnusan. Kao dete, sećaš se svega ali nemaš čega da se setiš Kada si star, ne sećaš se ničega,a imao bi čitave reke stvari da smestiš na stočić nostalgije. Sećanje na udaljene trenutke rasipa ti se kroz prste, kao osušen kroasan od pre tri dana. Sve se pretvori u nepokretnu uobičajenost. Kada starac plače, on se ne seća više zašto plače. Kada dete plače, to je zato što želi zvučne trenutke kojih se neće sećati. Život je pomalo seratorska izmišljotina.

Paolo Sorentino - Toni Pagoda i njegovi prijatelji

[pelomundodascidades]

Paolo Sorentino, La Grande Bellezza /The Great Beauty, Roma, Italia, 2013 https://en.wikipedia.org/wiki/Paolo_Sorrentino

[terredumilieu]

La Grande Bellezza (Paolo Sorentino, 2013)

[uselessmuseum]

Paolo Sorentino, La Grande Bellezza / The Great Beauty, 2013 https://en.wikipedia.org/wiki/Paolo_Sorrentino

[viaov]

Andrea Sorentino, Harley Quinn(s)