#sooooo good omg

[jupitercl0uds]

NO IDEA THEY HAD THE BOOM BLOX OST ON SPOTIFY ⁉️

[maiooo-0]

Hi hello I am yes very normal about them I definitely don't think about them all-day and feel crazy

[muuuuuuuunsons]

this is the sweetest, dorkiest, and most endearing thing i have ever read. not to be dramatic but i think i’m actually in love

The Kids Are Alright (Eddie Munson)

Your first date with Eddie Munson is fine, as far as first dates go. You get pizza together: meet awkwardly outside the door at 7pm, hands sweaty, exchanging nervous, butterfly-riddled smiles. You eat. He can't stop moving in his seat opposite you, tapping his hands on the sticky enamel tabletop. He looks at you with big brown eyes. Wary, at first, then as the night goes on and it becomes clear this isn't some string-along joke, or a prank, with boyish glee.

But the second date is the one that really shines.

Eddie, in all his intellectual glory, takes you to the Dollar Tree.

It's late, again, and the D in the logo flickers in and out of existence. The air inside smells like cheap plastic, dust, and the urban sprawl of capitalism. This is a place that's usually... dead. A pathetic sort of dead, where dreams come to die, the cashier looks about five seconds from falling asleep, agonizingly boring elevator music plays over tinny speakers, and Hawaiian themed teacups are on sale for ninety-nine cents.

You think god, what the hell are we even doing here? This is hardly a dinner date, or the bowling alley, or makeout point, or any of the usual dates your friends always bragged so cooling about. But then Eddie looks at you over his shoulder, spins on his heel, and throws his arms wide. His outfit jingles.

"Welcome," he says with a glint in his dark eyes, "to the goddamn kingdom of imagination."

You should leave. God knows to anyone else at school this date could sound like a horror story, an uncouth, uncool, unladylike disaster. But there's something in those eyes. Something vibrant and alive and real. So instead of leaving you think, okay. Why not.

Best decision of your life.

He knows this place by heart, every white-tiled aisle under the buzzing fluorescents. And he's funny, too: you didn't expect him to be so funny. As you both slowly amble and push your squeaky-wheeled cart he picks up random shit, talking as he fiddles.

A fuzzy caterpillar cat toy becomes his moustache. He wraps a crinkled paper streamer around his neck like a boa and faints dramatically against some of the shelves. He scurries to the aisle next to you and pretends to walk down a staircase, disappearing from view: when his moppish head pops back up again, his wild hair flounces.

Huh. He smiles like the sun.

Eddie asks about everything possible, and god, under his stoner slang he's whip fucking smart. You crack a joke or a sarcastic reference and he smoothly returns it with equal emphasis, two tennis players on the court.

You check out picture frames. Eddie suggests throwing a little spraypaint on it, a little silver paint to light the edges, some weathering with sandpaper, and suddenly you've got yourself some primo decor.

"You like to paint?" You ask him, standing in the aisle, holding the shitty wooden frame. He's looking over your shoulder. You can feel his body heat, this close.

"I'm a big believer in, uh. Creativity, y'know?" His smile is big, toothy. Still nervous. Like as extroverted as he is, as big as his personality could be, the sting of a scoff or a sneer could still hurt.

You tell him that's cool. Something in his eyes softens.

God, you don't know how many hours you spend in that place, just talking and touching shit and discussing potential DIY projects and cool ideas. You talk comics, and music, and Hawkins social politics. He tells you about Tolkien. You tell him about David Brin. He likes David Murray, you like Siouxie Sioux. You both agree the autumn leaves this time of year make the Hawkins High look like its roof is on fire (and god, if only).

Your cart is full of bullshit you don't really need, bullshit full of promise and potential, and Eddie is letting you ride the cart with your feet on the front bar as he pushes it down the aisle at mach one speed. He splutters behind you, your hair in his mouth. He's laughing.

The total comes to 12 dollars even. The plan for the next date is to turn the kids bathtub toys you bought- ducks and dolls and dolphins- into zombies and mummies and other creatures with the shitty barely-opaque acrylics set you scored.

The sky is black outside, and it's raining. He asks if he'll see you again this week, and you say yeah, duh. The air feels like fireworks- like lightning, like a live wire. You think for a second that he's gonna kiss you.

Eddie pulls out a silver-plastic tiara from under his vest, nicked free of charge from the girl's section, and sets it on your head. It's cheap, pattern-punched plastic with pink plastic gems. It's perfect. He's made you a fairytale.

Munson bows, smiles again- the one that makes his eyes crinkle- and then he's off in his van.

He's so weird. He's so strange. You don't understand him.

You think you really like him.

[luvmoonie]

me finding out there’s no fics for kyle gallner and that he’s married all in the same day

[klazje]

[tyttetardis]

Macbeth Q&A 18th Jan 2024 Part 1

Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️

The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.

The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.

Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if you haven't seen it yet but are going to!

To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).

David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".

First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!

Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.

David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.

He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.

Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.

When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!

Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.

Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.

Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".

It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.

David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.

He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.

Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.

David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.

Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.

David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".

Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.

The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.

Part 2

[hamletphase]

(taps mic) where's my haleth/caranthir community

[cowardlycowboys]

I dunno how people find the will to live past 26 I just thought about insurance again and immediately wanted to end my shit

[tired-and-swaggy]

Lisa Frankenstein genuinely was one of the greatest films i’ve seen released in a while. like that movie was made for me

[devientdoll]

tried reading a ford x reader where the kink was brat taming and I wanted to see if I'd be into it but I just ended up getting scared and that sinking feeling in my gut when he got "angry" (even if it was just meant to be sexy/not real) so now I can't help but think of an awkward sexy scenario where he and I try it out and I end up crying when he raises his voice and he immediately starts apologizing and I go "oh my god no it's fine idk why I'm crying I know you're not actually mad I just- ugh maybe this isn't for me."

[luvscharlos]

bambi eyed baby

[hamishlinklaters]

Hamish Linklater at the ‘Auction of Nothing’ in support of (RED)’s fight to end AIDS in Los Angeles–December 7, 2023

[chirpy-chi]

Just a quick little sketch for today's JJK episode. I've been eagerly anticipating this fight for so long aaaaa the entire episode was such a visual treat ;A; Thank you, anim team for another great episode <3

[aiai-cafe]

seeing discourse pass by on the periphery is so crazy like what do you mean a majority of the fandom hates kabru?????? that boy is the most character ever?? hello??

[arcadian-vampire]

Strawberry shortcake themed mini rotator cuff 🍓✨️