#sooooo good of manga. also mitsuba :’D!! you’re back! and wrong!
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Aa Hanako-kun. The verticality that the artists (? I assume AidaIro both do the art since it’s so gonzo detailed) like to use is always so fun. People are just zooming up down in and out of the supernatural spaces.
The sense of three-dimensionality in backgrounds/setting also makes the characters’ movements so much more fun when they cross from one plane to another. How to say. The confrontation in the Hell of Mirrors has the protag gang on a solid ledge and the antag gang floating in midair, looking down, so when Kou bounds up to stand on the railing he’s not just going to the edge or approaching Mitsuba, he’s crossing from the 2 dimensions of the protagonists/humans to the 3 dimensions of the antagonists/supernaturals. it’s lovely (:
#fair enough part of it is just top-class animationy character art in how much elasticity they have#when tsukasa hugs amane it feels like a bungee cord of impact < - > release#but stretching the settings up vertically adds gravity to all the movement. it’s so much easier to feel the force of the interactions#when you’re naturally thinking of the pull from on high to down low#kelsey liveblogs jshk#sooooo good of manga. also mitsuba :’D!! you’re back! and wrong!
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