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lokuhapuarachchi · 1 year ago

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Transitioning Gear: From Canon to Sony - A Journey of Adaptation and Savings

Preparing for an upcoming event in Leicester City, I decided to introduce a new addition to my camera gear. Before diving into the shoot, I wanted to familiarize myself with this latest equipment to ensure it seamlessly integrated into my setup.

My journey with photography spans across several iconic camera brands, starting from Minolta, Yashica, Practica, Olympus, and Pentax cameras from 1984 to 1991, transitioning to Nikon cameras from 1991 to 1998. However, the landscape shifted in 1998 when Canon stepped into the scene, bidding adieu to the familiar camera room. Canon swiftly became my preferred brand, solidifying that connection in 1999 with the Canon 400mm f2.8 L IS lens.

This lens became a staple, accompanying me to photograph international cricket matches for the Sri Lankan cricket team during my tenure at Reuters News Service. Its recommendation stemmed from multiple factors—excellent image quality, minimal optical distortion, a rapid aperture, image stabilization, and an agile autofocus system. While this lens thrived in sports reporting, my repertoire expanded to include everyday news, even extending to covering conflicts, utilizing three lenses: the Canon 16-35mm f2.8, 35-70mm f2.8, and 70-200mm f2.8. With a surplus of cameras matched to these lenses, I seamlessly interchanged cameras during shoots, minimizing lens changes.

However, as time progressed, my photographic needs underwent a metamorphosis. Weight reduction in equipment and a streamlined lens collection became paramount. Deliberating on this, Sony cameras emerged as a plausible option due to their lightweight build. Additionally, capturing bustling scenes without frequent lens changes became an appealing prospect.

Yet, I wasn’t prepared to compromise on lens quality or sacrifice the minimum aperture of f2.8. While lenses like Tamron 18-400mm f3.5-6.3, Canon EF 28-300mm f/3.5-5.6 L IS, and Sigma 28-300mm f/5.6-6.3 offered a range, the varying aperture and potential compromise in image quality didn’t align with my standards.

Contemplating a transition to Sony while retaining my Canon equipment, I stumbled upon the 35-150mm 2-2.8 lens—an intriguing find. Among the options like Samyang AF 35-150 f/2-2.8 FE and Tamron 35-150 mm f/2-2.8 Di III VXD, I found subtle performance differences despite a significant price gap and that feverable to Samyang. Opting for the Samyang, priced attractively on Amazon at £854.00 while Tamoron price £1486.00, seemed like the right choice after thorough research.

Thus, with the Samyang 35-150 f2-2.8, a Sony A7 Mark II, and a Godox Xpro at an Amazon special price, I made the purchase using allocated funds for new camera equipment.

Adapting from my Canon gear to Sony, I sought solutions for flash equipment. I found that using the Godox XPro to employ flash strobe lights for Sony, alongside the Godox SX 400 Studio Flash for Canon and Godox V1Hot Shoe, proved more cost-effective than purchasing new flash equipment. The entire conversion from Canon to Sony, inclusive of accessories, totaled £1585.00. This transition meant relinquishing the focal range of 35-16mm and 150-200mm, which I deemed acceptable given the substantial savings.

Considering the Amazon prices, the total expense for the Canon lenses (16-35mm f/2.8 = £1599.00, 24-70mm f/2.8 = £1947.00, and 70-200mm f/2.8 = £1624.00) would have amounted to £5170.00. Thus, by completing a full Canon to Sony conversion, I managed to meet my requirements while saving £3585.00.

With my setup primed, I am now geared up to capture the event in Leicester City next weekend, all with the convenience of a single lens.

by - Anuruddha Lokuhapuarachchi

#Sony #photography #anuruddha lokuhapuarachchi #art #tamron #samyang #canon #Lalana photography #tamaron35-150mm f2-2.8 #smayang f2-2.8 35-150mm

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ringnor · 4 years ago

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所持機材

2022/10時点

カメラ

K-3Ⅲ

K-1改

●OM-D E-M5Ⅲ

K-7

K10D

GRⅢ

THETA SC

Auto half S

Panasonic TX1

Sony DSC-WX350

Leica R4s

レンズ

フルサイズ

●HD PENTAX-D FA 21mmF2.4ED Limited DC WR

smc PENTAX-FA 31mmF1.8AL Limited

smc PENTAX-FA 43mmF1.9 Limited

smc PENTAX-FA 77mmF1.8 Limited

smc PENTAX-FA 35mmF2AL

HD PENTAX-D FA 28-105mmF3.5-5.6ED DC WR

HD PENTAX-D FA★50mmF1.4 SDM AW

smc PENTAX-D FA MACRO 100mmF2.8 WR

smc PENTAX-M 100mm F2.8

XR RIKENON 50mm/f2 L

XR RIKENON 135mm F2.8

ИНДУСТАР (Industar) 50-2 f3.5

Voigtländer NOKTON 58mm

Voigtländer ULTRON 40mm

APS-C

HD PENTAX-DA☆16-50mmF2.8ED PLM AW

HD PENTAX-DA FISH-EYE 10-17mmF3.5-4.5ED

smc PENTAX-DA 21mmF3.2AL Limited

HD PENTAX-DA 35mmF2.8 Macro Limited

smc PENTAX-DA 18-135mmF3.5-5.6ED AL[IF] DC WR

HD PENTAX-DA 55-300mmF4.5-6.3ED PLM WR RE

smc PENTAX-DA☆300mmF4ED[IF] SDM

シグマ 17-70mm F2.8-4 DC MACRO OS HSM　(2021/04/15 ドナドナ)

Qマウント

Wtulens Q

m4/3

●M.ZUIKO DIGITAL ED 12-45mm F4.0 PRO

●M.ZUIKO DIGITAL ED 75-300mm F4.8-6.7 II

Leica

Summicron R 50mm

その他

HD PENTAX-DA AF REAR CONVERTER 1.4X AW

フラッシュ

AF540FGZ II

FlashQ Q20II

三脚

Manfrotto 190go! カーボン４段

SIRUIの雲台

AOKA CMP163C＋KB20

バッテリー��リップ D-BG6

●：今年増えたもの

#所持機材

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thephoblographer · 2 years ago

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3 Lenses for Professional Photographers Under $2,000 You'll Love

You don't need to break the bank!

Professional photographers demand a lot from their lenses. They often want lightweight, sturdy, fast-focusing lenses that also deliver when it comes to image quality. But they also often don’t want to spend much money. Luckily, in today’s world, that’s possible. We dove into our Reviews Index to find lenses for professional photographers on a budget. And trust us, these are the ones we think you…

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#fujifilm #lenses for professional photographers #review #sony #tamron #Tamron 17-70mm F2.8 #Tamron 17-70mm F2.8 Di III-A VC RXD #Tamron 28-75mm #Tamron 28-75mm f2.8 Di III VXD G2 #Tamron 35-150mm F2-2.8 Di III VXD

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77photoposts · 7 years ago

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所持カメラ＆レンズまとめ

2018年5月現在の、ぼくが個人で所有するカメラとレンズのリストです。

なぜかまとめ要求があっ��ので…。

長いし見苦しいので、そのうち消すかもしれません。

カメラ

Canon ・EOS 650 ・Canonet QL17

OLYMPUS ・E-300 ・E-3 ・OM-D E-M5

Panasonic ・LUMIX GM1S

PENTAX ・*ist DS2 ・K100D ・K200D ・MZ-3 ・SL

SONY ・α7

レンズ

SIGMA ・DC 18-200mm F3.5-6.3 (PK) ・DG 28-200mm F3.5-5.6 (EOS) ・EX DG 24-70mm F2.8 (PK) ・EX MACRO 105mm F2.8 (PK) ・Super Wide II 24mm F2.8 (PK)

TAMRON ・AF 90mm F2.8 Di Macro (PK) ・AF 18-250mm F3.5-6.3 Di II (PK) ・AF 28-300mm F3.5-6.3 XR Di (PK)

PENTAX ・smc PENTAX DA 18-55mm F3.5-5.6 ・smc PENTAX FA 28-80mm F3.5-5.6 ・smc PENTAX FA 28-200mm F3.5-5.6 ・smc A 28-135mm F4 ・smc Takumar 200mm F4 ・smc Takumar 50mm F1.4 ・smc Takumar 28mm F3.5 ・smc Takumar 20mm F4.5 ・Takumar 200mm F5.6 ・Super Takumar 55mm F1.8

OLYMPUS ・ZUIKO DIGITAL 70-300mm F4-5.6 ・ZUIKO DIGITAL 14-54mm F2.8-3.5 ・ZUIKO DIGITAL 14-45mm F3.5-5.6 ・M.ZUIKO DIGITAL ED 12-50mm F3.5-6.3

Panasonic ・LUMIX G VARIO HD 14-140mm F4-5.8 OIS ・LUMIX G VARIO 12-32mm F3.5-5.6 OIS

Carl Zeiss Jena ・MC SONNAR 135mm F3.5 (M42) ・TESSAR 50mm F2.8 (M42) ・MC FLEKTOGON 35mm F2.4 (M42)

FUJI FILM ・FUJINON 55mm F1.8 (M42)

Mamiya ・Auto Sekor 55mm F1.8 (M42)

ロシア勢・INDSUTAR 50-2 50mm F3.5 (M42) ・HELIOS 44-2 58mm F2 (M42) ・HELIOS 44M-7 58mm F2 (M42)

RAYNOX ・AUTO TELE 135mm F2.8 (M42)

COSINA ・MC WIDE ANGLE 20mm F3.8 (M42)

GIZMON ・Utulens 32mm F16 (Leica L)

中一光学・CREATOR 35㎜ F2 (Sony E)

#雑記

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kou-f · 5 years ago

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Lens

Sony A

SAL35F18

SAL70300G

Minolta A

AF 50mm F1.7

AF 24-85mm F3.5-4.5

AF 24-50mm F4

AF 28-70mm F2.8G

Sony E

SELP1650

SEL50F18

Sony FE

SEL2870

Kenko 400mm F8

Nikon F

nikkor-h auto 28mm F3.5

nikkor-s auto 5cm f2

nikkor-q auto 135mm F2.8

nikkor-q auto 135mm F3.5

M42

Industar-61 L/Z 50mm F2.8

Ingustar-61 L/D 55mm f2.8

Tamron ADUPTALL

TamronSP 90mm F2.5

0 notes

pauldeckerus · 6 years ago

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Dear Camera Cos.: Please Make a Fast Lens Between 50mm and 85mm

For some time now, my favourite portrait lens has been the Sigma 85mm f/1.4 art. This lens, as many of you may know, is simply incredible when it comes to performance. Even the price of this lens isn’t unreasonable when you compare it to some alternatives currently available.

As I started to shoot more portraits with my Sony cameras, I bought the Zeiss Batis 85mm f/1.8. This lens is also a fantastic performer and with eye detect autofocus in the Sony a7R III, producing high-quality results is super easy.

Another favorite lens of mine is the Sigma 50mm f/1.4 Art. This lens also offers fantastic performance and although I still use it with my Canon cameras, with my Sony cameras, I now prefer the Zeiss 55mm f/1.8. Both of these focal lengths are really popular for many photographers including me. Although there are companies that offer 75mm lenses like Leica, the problem is that currently, none of the major manufacturers offer a wide aperture lens between 50mm and 85mm.

Medium Format

You may have heard something about the “medium format look,” and photographers who choose the larger sensor options tend to discuss this as a valuable benefit. Aspect ratios aside, I’ve found this to be more a property of the lens as opposed to the actual sensor.

Essentially, the “medium format look” is having a wider angle of view, with a shallow depth of field at any given focal length. This also means you actually have less compression in the image if you’re trying to match the frame with any given focal length. The reason is because you’re required to shoot closer to your subject than you would with the same focal length on a smaller sensor.

Remember, compression has nothing to do with focal length and everything to do with how close or far you are from your subject.

The “medium format look” is also predominantly down to the fact that there are certain unique lenses available, like the Hasselblad 100mm f/2.2. I say this is unique because an equivalent of this lens does not currently exist for full frame cameras. This lens would be somewhat comparable to a hypothetical 65mm f/1.4 on full frame. This focal length sits quite well between 50 and 85. The Hasselblad 100mm is a popular portrait lens for good reason and the angle of view plays a huge part in that.

@jameschristopherphoto – Shot with Hasselblad H6D 100c and 100mm f2.2.jpg

Another more recent lens from Hasselblad is the 80mm f/1.9 for the X1D. This again offers a similar look to the 100mm on the larger sensor. I found the XCD 80mm offered exceptional image quality and a relatively unique look. If you want the “medium format look” with your full frame camera, a wide aperture lens that sits between 50mm and 85mm will go a long way to produce that.

Leica

Leica is currently the only full frame camera manufacturer that offer several 75mm lenses. Their latest addition to the line is the Noctilux-M 75mm f/1.25. The results this lens produces is definitely special, however, with a price tag of almost $13,000, it’s not the most practical option for most of us. Instead, I’ve been shooting with the Leica 75mm f/2 APO lens on the M10-P, and I’m a big fan of the results. The slightly wider angle of view fits relatively well with my style of shooting.

I would have preferred a lens at around 65mm or even 70mm and I believe that would have been perfect. Even still, I enjoyed shooting more with the 75mm lens on the Leica than I did with an 85mm on Sony or Canon. Sure, this can be put aside as nothing more than personal preference. However, I strongly feel an option between 50mm and 85mm would be extremely popular.

Finally, I’m aware that I missed focus on the image below, I’m still working on my experience with rangefinder cameras. Let’s not let that distract us from the actual point.

@dovileete – Shot with Leica M10-P and 75mm f2 APO.jpg

Current Lenses

Some of you may be inclined to believe that the two focal lengths 50mm and 85mm are sufficient. Shoot with an 85mm for portraits and if you need something wider then use a 50mm right? Some of you may even ask if there’s any need to have a lens between the two, and to that I say, absolutely.

Consider the lenses available around the wider range. Currently with Sony mirrorless cameras, which in all fairness hasn’t been around as long as Canon and Nikon, there are plenty of wide-angle lenses to choose from.

Zeiss Batis 18mm f/2

Sigma 20mm f/1.4 Art

Sigma 24mm f/1.4 Art

Sony 24mm f/1.4 GM

Zeiss Batis 25mm f/2

Sony 28mm f/2

Sony 35mm f/1.4

Sigma 40mm f/1.4 Art

Zeiss Batis 40mm f/2

The number of lenses available in-between all the focal lengths is almost ridiculous. Once again, this is just for Sony, we haven’t even covered what’s available for Canon and Nikon.

Don’t get me wrong, I absolutely love the fact that there are so many focal lengths to choose from when it comes to wider angle lenses. Why would it be a bad thing if we had more options between 50mm and 85mm? Even if we look at the longer end and consider how many lenses there are in-between all the focal lengths; it starts to make that gap between 50 and 85 seem a little odd.

Sigma

Over the past few years, Sigma has really made a name for themselves for producing extremely high-quality lenses. Its Art series lenses are almost always praised as being some of the best on the market. The great thing about what Sigma does is that they’re not afraid to try new things and offer somewhat unique lenses. Lenses like the 18-35mm f/1.8 Art and the 24-35mm f/2 Art which were at one point, the widest aperture zooms available.

Sigma also has a 70mm lens available too which could have filled this gap. Unfortunately, due to its relatively smaller aperture and that it is a macro lens; it doesn’t quite fill the gap. I personally believe Sigma could be the perfect company to offer something like a 70mm f/1.4 Art or even a 65mm f/1.4 art lens. A lens like this would more than likely be an incredible performer, both in terms of bokeh and sharpness. Sigma isn’t known for producing inferior lenses anymore and a lens such as this would also fit right in with their brand.

Canon

The chances of Canon making a 70mm f/1.4 lens available for their EF mount are slim to none in my view. In the coming years and decades, the EF mount will likely see fewer and fewer updates until eventually it could even be killed off depending on the success of the RF mount.

Having said that, their new RF mount looks very promising. It seems as though Canon is really experimenting with this mount and trying new things. With wide aperture zoom lenses like the 28-70mm f/2, Canon is really pushing the boundaries. I don’t think it would be crazy for them to start offering new and more interesting lenses.

Could Canon start to offer more lenses in-between the focal lengths while people migrate over from the EF mount?

Final Thoughts

The 35mm difference in focal length between 50mm and 85mm is actually pretty significant. In all fairness, that is a pretty big gap especially when you consider the gaps between other focal lengths. This is an area that really needs another focal length just to round off the whole line-up.

In my view, a 70mm or even a 65mm f/1.4 lens would be a Goldilocks type lens between 50mm and 85mm. Not too long and not too wide and also somewhat of a balance between the two when it comes to potential compression.

I also love the look and feel you get from the options available from medium format. This look is not the easiest to replicate and I think something like a 65mm f1.4 would be the perfect alternative for full frame cameras.

About the author: Usman Dawood is the lead photographer of Sonder Creative, an architectural and interior photography company. The opinions expressed in this article are solely those of the author. You can find more of his work on his website, Instagram, and YouTube.

from Photography News https://petapixel.com/2018/11/23/dear-camera-cos-please-make-a-fast-lens-between-50mm-and-85mm/

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sailorrrvenus · 6 years ago

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Dear Camera Cos.: Please Make a Fast Lens Between 50mm and 85mm

Medium Format

Remember, compression has nothing to do with focal length and everything to do with how close or far you are from your subject.

@jameschristopherphoto – Shot with Hasselblad H6D 100c and 100mm f2.2.jpg

Leica

Finally, I’m aware that I missed focus on the image below, I’m still working on my experience with rangefinder cameras. Let’s not let that distract us from the actual point.

@dovileete – Shot with Leica M10-P and 75mm f2 APO.jpg

Current Lenses

Zeiss Batis 18mm f/2

Sigma 20mm f/1.4 Art

Sigma 24mm f/1.4 Art

Sony 24mm f/1.4 GM

Zeiss Batis 25mm f/2

Sony 28mm f/2

Sony 35mm f/1.4

Sigma 40mm f/1.4 Art

Zeiss Batis 40mm f/2

The number of lenses available in-between all the focal lengths is almost ridiculous. Once again, this is just for Sony, we haven’t even covered what’s available for Canon and Nikon.

Sigma

Canon

Could Canon start to offer more lenses in-between the focal lengths while people migrate over from the EF mount?

Final Thoughts

source https://petapixel.com/2018/11/23/dear-camera-cos-please-make-a-fast-lens-between-50mm-and-85mm/

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chocolateheal · 6 years ago

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Fujinon XF56mm f1.2 R $899 (Save $100.95)

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Same goes for Fujifilm telephoto lenses as well. Able-bodied congenital and cool sharp. abnormally the 50-140mm f2.8 which you can save over $200 on.

Fujinon XF55-200mm f3.5-4.8 R LM OIS $599 (Save $100.95)

Fujinon XF18-55mmF2.8-4 R LM OIS $599 (Save $100.95)

Fujinon XF18-135mm f3.5-5.6 R LM OIS WR $799 ($100.95)

Fujinon XF10-24mm f4 R OIS $849 (Save $150.95)

Fujinon XF16-55mm f2.8 R LM WR $999 (Save $200.95)

Fujinon XF50-140mm f2.8 R LM OIS WR $1,399 (Save $200.95)

These deals are red hot. Your camera deserves to accept some abundant bottle absorbed to it, and Sigma accomplish some of the best around. See all the Sigma lenses for Canon that are on auction below.

14mm f1.8 DG HSM Art $ 1,399 (Save $200)20mm f1.4 DG HSM Art $799 (Save $100)24mm f1.4 DG HSM Art $729 (Save $120)30mm f1.4 DC HSM Art $407.17 (Save $91.83)35mm f1.4 DG HSM Art $799 (Save $100)50mm f1.4 DG HSM Art $759 (Save $190)70mm f2.8 DG Macro Art $519 (Save $50)85mm f1.4 DG HSM Art $1,099 (Save $100)105mm f1.4 DG HSM Art $1,499 (Save $100)135mm F1.8 DG HSM Art $1,149 (Save $250)

12-24mm f4 DG HSM Art $1,399 (Save $200)14-24mm f2.8 DG HSM Art $1,195 (Save $105)18-35mm f1.8 DC HSM Art $667.19 (Save $131.81)24-35mm f2 DG HSM Art $828.38 (Save $170.62)24-70mm f2.8 DG OS HSM Art $1,149 (Save $150) 24-105mm f4 DG OS HSM Art $799 (Save $100)50-100mm f1.8 DC HSM Art150-600mm F5-6.3 DG OS HSM Contemporary $979 (Save $120)

150-600mm f5-6.3 DG OS HSM Contemporary $899 (Save $190)

Sigma accomplish some of the best lenses on the bazaar appropriate now, and they brace up with Nikon bodies perfectly. Check out all the Sigma for Nikon deals below.

14mm f1.8 DG HSM Art $1,409 (Save $190)20mm f1.4 DG HSM Art $799 (Save $100)24mm f1.4 DG HSM Art $749 (Save $100)30mm f1.4 DC HSM Art $373.04 (Save $125.96)35mm f1.4 DG HSM Art $789 (Save $110)50mm f1.4 DG HSM Art $752.39 (Save $196.61)85mm f1.4 DG HSM Art $1,099 (Save $100)105mm f1.4 DG HSM Art $1,499 (Save $100)135mm f1.8 DG HSM Art$1,149 (Save $250)

12-24mm f4 DG HSM Art $1,283 (Save $316)14-24mm f2.8 DG HSM Art $ 1,195 (Save $105)18-35mm f1.8 DC HSM Art $634.99 (Save $164.01)24-35mm f2 DG HSM Art $795 (Save $204)24-70mm f2.8 DG OS HSM Art $ 1,145 (Save $154)24-105mm f4 DG OS HSM Art $799 (Save $100)50-100mm f1.8 DC HSM Art150-600mm F5-6.3 DG OS HSM Contemporary $914.09 (Save $184.91)

150-600mm f5-6.3 DG OS HSM Contemporary $839 (Save $250)

Sigma and Sony go calm like peanut adulate and chocolate. Grab some of these abundant Sigma lenses on the bargain while you can.

20mm f1.4 DG HSM Art $799 (Save $100)

Sigma 24mm f1.4 DG HSM Art $749 (Save $100)

Sigma 30mm f1.4 Art DC HSM A Mount $399.99 (Save $100)

Sigma 35mm f1.4 ART DG HSM $799 (Save $100)

Sigma 50mm f1.4 ART DG HSM Lens for A Mount $830.69 (Save $118.31)

Sigma 70mm f2.8 Art DG Macro for Sony E $519 (Save $50)

Sigma 85mm f1.4 DG HSM Art $1,099 (Save $100)

Sigma 135mm f1.8 Art DG HSM $1,299 (Save $100)

Sigma 18-35mm f1.8 Art DC HSM A Mount $699 (Save $100)

Sigma 24-105mm f4.0 Art DG OS HSM $768.29 (Save $130.71)

Sigma MC-11 Mount Converter Lens Adapter (Sigma EF-Mount Lenses to Sony E Cameras) w/Essential Photo Array $149 (Save $100)

Check out these lens deals on Canon, Nikon, Sony and Olympus lenses. You can save $300 on the allegorical Canon 70-200 f2.8 IS appropriate now, and $200 on the NIKKOR 200-500mm lens.

Canon EF 40mm f/2.8 STM Lens $129 (Save $70)

Canon EF 100mm f/2.8L IS USM Macro Lens $699 (Save $200)

Canon EF 70-200mm f/2.8L IS II USM Telephoto Zoom Lens $1,799 (Save $300)

Canon EF 50mm f/1.2 L USM $1,269 (Save $180)

Nikon AF-S DX NIKKOR 35mm f/1.8G Lens $166.95 (Save $33)

Nikon AF-S FX NIKKOR 50mm f/1.8G Lens $176.95 (Save $43)

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Nikon AF-S FX NIKKOR 200-500mm f/5.6E ED $1,196.95 (Save $200)

Olympus M. 40-150mm F4.0-5.6 R Zoom Lens $99 (Save $100)

Rokinon FE14M-C 14mm F2.8 Ultra Wide Lens for Canon $216.44

Sony 50mm f/1.8 Lens $273 (Save $25)

There are some above accumulation to be had on SD Cards like the 128GB Samsung EVO for aloof $19.99, and the 256GB Samsung EVO for $44.99! Don’t absence out! Stock up now and save!

SmartQ USB 3.0 Portable Card Reader $7.77

Sandisk Ultra 32GB Micro SDHC UHS-I Card with Adapter $9.59 (Save $5.40)

SanDisk Extreme 32GB microSDHC UHS-3 Card $12.72 (Save $7.27)

Sandisk Ultra 64GB Micro SDXC UHS-I Card with Adapter $13.60 (Save $11.39)

Sandisk Ultra 400GB Micro SDXC UHS-I Card with Adapter $103 (Save $146.99)

Samsung 32GB EVO Plus Class 10 Micro SDHC with Adapter $9.50 (Save $20.49)

Samsung 64GB 100MB/s (U3) MicroSDXC EVO Select Memory Card with Adapter $10.99 (Save $12)

Samsung 128GB 100MB/s (U3) MicroSD EVO Select Memory Card with Adapter $19.99 (Save $22)

Samsung 256GB 100MB/s (U3) MicroSDXC EVO Select Memory Card with Adapter $44.99 (Save $40)

WD 4TB Black My Passport Portable External Adamantine Drive – USB 3.0 $98.99 (Save $61)

WD 8TB My Book Desktop External Adamantine Drive – USB 3.0 $159.99 (Save $140)

If you appetite some new accessories you’re in luck. You can grab the able XPLOR 600 TTL Monolight for aloof $499 appropriate now, and you can save some blooming on new camera bags, and a Joby Tripod.

JOBY GorillaPod 3K Kit. Compact Tripod 3K Stand and Ballhead 3K $33.95 (Save $46)

Kattee Leather Canvas Camera Shoulder Bag $40.99

Lowepro ProTactic 350 AW – A Professional Camera Backpack $76.60 (Save $123.35)

Canon Speedlite 430EX III-RT $249 (Save $50)

Canon Speedlite 600EX II-RT $479 (Save $100)

Flashpoint XPLOR 600 HSS TTL Battery-Powered Monolight with Built-in R2 2.4GHz Radio $499

Flashpoint XPLOR 600 HSS TTL Battery-Powered Monolight and R2 Transmitter for Fuji

There are some absolutely amazing software, tutorials, and preset bales to be had appropriate now. You can save a ton of money and time by accumulation these into your workflow. Check out all the deals below.

The Complete Landscape & Night Photography Course Array $17 (Save $41)

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A Array Of Beyond Snaps: Two Abundant Street Photography Deals In One $39 (Save $21)

Buy One Get Two Chargeless Lightroom Presets Array $39 (Save $3,311)

Ultimate Bridal Compositing bundle $47 (Save $82)

$500 Worth Of Image Editing Tools For Under $50

Album Express 8 Pro: Able Software For Creating Albums (Lifetime) $59 (Save $191)

Fine Art Nudes With Lindsay Adler Maternity Posing Guide $59 (Save $220)

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