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matttgirlies · 6 months ago

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Matt & Me🎀

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a story heavily based on Priscilla Presley’s Book “Elvis & Me” based in the 1950’s - 1970’s.

fem! reader x singer! matt

disclaimer!! - in no way am i saying matt would ever support or do these kind of things, for the sake of the book certain unethical things do happen at times.

warnings - none

y/nn = your nickname for any confusion🩷

Chapter 16

Matt was not one for moderation. Whether it was motorcycles, slot cars, horses, amusement parks, roller skating, sex, or even eating the same dinner day after day, if he enjoyed it, he’d overindulge.

One evening I gave him a little racetrack with remote-control cars. A few weeks later he had an entire room added onto the house with a professional game track. There he played night after night until he had his fill and then he never went back to the room until much later, when the annex was converted into a trophy room filled with his gold records and awards.

As Matt’s fascination with occult and metaphysical phenomena intensified, Larry introduced him to the Self-Realization Fellowship Center on Mount Washington, where he met Daya Mata, the head of the center. She was an attractive woman who looked remarkably like Mary Lou Sturniolo, and he was captivated by her serenity and spiritual presence. She epitomized everything he was striving to be.

He made several trips to Mount Washington, high in the Hollywood Hills, for sessions with Daya Mata in the hope of attaining kriya, which is the highest form of meditation in the self-realization fellowship.

As relaxed and peaceful as he was upon leaving the center’s hushed grounds, one thing he couldn’t pass up was a good fight. We were on our way home from Mount Washington one afternoon when our limousine passed a service station where two attendants were staging a fight.

“Pull over,” Matt ordered the driver. “Someone’s in trouble.”

He jumped out of the car, Jerry and Sonny following him. Going up to one of the men, he said, “Hey, you want to give somebody trouble, give it to me.”

“Hey man,” the guy answered, scarcely able to believe this was Matt. “I don’t have any problem with you. I’m not arguing with you.”

“I’ll show you something, if you want to get into an argument,” Matt said. He shot out a karate kick, and to his surprise—and everyone else’s—he knocked a pack of cigarettes out of the guy’s pocket. Among our group, Matt wasn’t known for his precision in karate.

Long after the service station fracas, we joked about it, saying, “Man, the Lord had to be on M’s side that day. That guy doesn’t know how lucky he was.”

Of course Matt had acted as if he could do this any time he felt like it. After executing that kick he’d walked away with a cocky smile, warning the guy to stay out of trouble or there’d be more where that had come from.

When we got home, the way Matt told it you’d think he’d just wiped out half a battalion. We all supported his fantasy.

He was eagerly looking forward to one particular film, Harum Scarum, seeing it as a chance to create a genuinely interesting character. He identified his role with Rudolph Valentino’s in The Sheik. At last, he thought, a part he could sink his teeth into. He saw a physical resemblance between himself and Valentino, especially in profile.

During preproduction, he came home darkened with makeup, dressed in white harem pants and a white turban. He looked extremely handsome, much more so than Valentino, I thought. Tilting his head down, with a piercing gaze and flared nostrils, he asked rhetorically, “Frightening, isn’t it, how much I look like him? How does this get to ya?” He took me in his arms Valentino-style and dipped me over à la the famous poster of the Sheik.

Night after night he kept his makeup and the turban on all through dinner and up until bedtime.

Although he was excited about the film when he first started shooting, as each day went by, his morale plummeted. Harum Scarum’s plot was a joke, the character he played, a fool, and the songs he sang, disasters. The film turned out to be yet another disappointment, an embarrassing one at that.

Still committed to the picture but demeaned by its mediocrity, he sought escape on his motorbikes—eleven Triumphs and a Harley—a Triumph for each assistant and a Harley for the boss. Decked out in leather from head to toe and feeling as tough as a pack of Hell’s Angels on a rampage, we roared through the gates of Bel Air, revving our engines at all hours of the night.

Weekends we took trips through the Santa Monica Mountains, stopping off for beer or cola along the way. It was fast, fun, and wild. I liked it so much I wanted my own bike. Despite his concern for my safety, Matt reluctantly bought me a Honda Dream 350.

While he was at the studio I sometimes rode alone, fleeing Bel Air, Beverly Hills, Hollywood, MGM, and all my worries.

During this period when he was still seeking “a higher state of consciousness,” we experimented with mind-expanding drugs. We tried marijuana a few times and neither of us especially liked it. We felt tired and groggy and we’d become ravenously hungry. After a few raids on the refrigerator—and carrying the resulting extra poundage—we decided to stay away from the stuff.

Although he abhorred street drugs he was curious enough to try LSD once. When he initiated our experiment, he made sure Sonny West was on hand at all times to supervise. The night we tried it Steven, Jerry, Larry, Matt, and I took seats around the conference table in Matt’s office upstairs at Graceland.

Matt and I took half a tab. At first, nothing happened. Then we started staring at each other and laughing—our faces were becoming distorted.

I became engrossed in Matt’s multicolored shirt. It started to grow, getting larger and larger until I thought he was going to burst. It was captivating, but I did not like the feeling. I thought: This isn’t real, be careful, you’re losing it. I tried to hang on to sanity.

We all gathered around the large aquarium outside the master bedroom, fascinated by the tropical fish. Funny—there were only two or three, but suddenly I saw an ocean of brightly colored fish. I strolled off and found myself in Matt’s huge walk-in closet, purring like a kitten.

It was early morning when Matt and I went downstairs and walked outside. Dew came down, creating rainbows in the mist, glistening on the trees and the lawn. We studied the leaves, trying to count each dewdrop. The veins in the grass became visible, breathing slowly, rhythmically. We went from tree to tree, observing nature in detail.

It was an extraordinary experience. However, realizing it was too dangerous a drug to fool around with, we never tried LSD again.

By 1966, Matt’s long search for answers to the mystery of life involved us all in the strange games he loved to devise.

In the backyard of our Bel Air home we found him staring up at “planets moving across the sky” for long periods in the darkness of the early-morning hours. He was convinced, and nearly had us convinced, that there were energy waves so powerful they caused the stars to glide through the universe. For hours we all gazed up in wonderment, questioning each other about what we were seeing, afraid to ask ourselves anything but “Could it be possible?”

His imagination peaked later on when we were all standing in the yard, looking over at the Bel Air Country Club, which was being watered by a fanlike automatic sprinkler system.

“Do you see them?” said Matt, looking intently at the course.

“See what?” I asked, ready to hear anything.

“The angels, out there.”

“Angels?” I asked, looking down at the sprinklers. I wanted to believe him, we all did and we went along with it.

As if in a trance, he continued staring at the water for a few minutes. Then he began moving toward them. “I have to go,” he said. “You stay here. They’re trying to tell me something.” He wandered off toward the golf course in pursuit of his vision. Sonny followed, insuring Matt’s safety, and the rest of us were left dumbfounded.

Other times he’d have us stare for hours at the off-white, nubby-textured ceilings, trying to make out delicately lined faces that he said he was causing to appear.

More likely it was just a game he’d made up out of boredom and depression because he was experiencing such a low point in his career. He took sleeping pills to escape, and while fighting off their effect, he created his “images”—his mystical exercises.

The happiest I ever saw him was when he developed a passion for horses. It all began when I said I wished I had my own horse. I’d loved them since childhood, and Graceland had a beautiful old stable in back, where James used to store old furniture. It was equipped with a tack room, hayloft, and several stalls.

About two weeks later, I was in my dressing room when Matt, who had been out for a few hours, returned and knocked on my door. “Sattnin, I want you to come downstairs for a minute, got something I want to show you.”

He led me down the stairway, his eyes shining. Then he guided me out the back door, his hands over my eyes. When he took them away I saw the most beautiful sight I’d ever laid eyes on—a black quarterhorse with one white stocking.

“His name must be Domino,” I said, petting the spirited four-year-old. “Whose is he?”

“He’s yours.” Matt was grinning. “I saw this kid riding him, asked if he wanted to sell. I could just picture you on him.”

“You mean he’s really mine?” I yelled, jumping up and down, throwing my arms around Matt. I wanted to ride Domino immediately and I mounted him.

“Now, wait a minute,” Matt cautioned. “Don’t go off gettin’ yourself hurt.”

He watched me with a concerned look as I rode out through the pasture and then up to the window of Grandma’s room.

“Dodger! Dodger!” I shouted. “Look what I got, my own horse! Isn’t he beautiful? Matt just bought him for me!”

“Good Lord,” Dodger cried. “Get off that thing, y/n. You’re gonna get yourself killed. I’m gonna whop that young’un for gettin’ you that. You got no business ridin’ that creature.”

“It’s okay, Dodger, I can handle him,” I called out, riding off happily.

He was wild and spirited. When I rode in the late afternoons, I was in my own world. It was a wonderful release. Often Matt would watch me from his upstairs window. I’d call out to him, “Come down and ride with me.

Matt didn’t ride very well at that time. About the only experience he’d had was in a few of his films, where he didn’t feel totally at ease. In fact, he was somewhat intimidated by large animals; nonetheless, he accepted my invitation and tried riding Domino.

He loved it, declaring, “I want a horse of my own, a golden palomino.”

Jerry Schilling found Rising Sun at a nearby stable. He was the handsomest palomino imaginable—big and powerful. He’d been trained for shows, and I’ve never seen an animal that demanded and thrived on as much attention as Rising Sun. There was no doubt that this was the horse for Matt.

He remained skeptical and had Jerry test Sun out. “Hey, it’s beautiful, man,” Matt said.

“A great-looking horse. Jerry, you get on it and ride.” Jerry had little, if any, riding experience and was horrified at the thought. Nonetheless, he gamely mounted Sun, looking as misplaced as Noël Coward on a Clydesdale.

Sun took off like a bullet with Jerry barely holding on, every bit of pride in his boots. The magnificent animal seemed to be studying Matt as much as Matt was studying him. He raced back, heading straight to where Matt was standing. “Hold ’em back,” Matt yelled. “I am, M, I am,” shouted Jerry. Matt was won over.

Now we all developed horse fever. We rode late afternoons and well into the evenings. But this wasn’t enough for Matt. As with anything he enjoyed, he wanted everyone else to join the fun. Thus began our quest for horses for the group, including their wives. We bought horses for Billy and Joe Smith, Nate Doe, Jerry and Sandy Schilling, Steven, Charlie, Red, Sonny, Richard—everyone. We bought the finest saddles, blankets, halters, bits, reins, feeding buckets. Anything that had to do with a horse, we bought.

Every afternoon we’d all mount up and ride, in full view of the two hundred or so local fans lined up along the fences. In western riding gear—chaps included—Matt would turn it into a show. He’d race down the long slope in front of Graceland and then strut back and forth before the fans, demonstrating how well he could ride. He’d have all-out races with the guys as the fans cheered them on.

They were in for even more of a spectacle when Matt bought his prize black Tennessee Walker, nicknamed Bear, which he rode attired in full show regalia. He and Bear put on a fancy high-stepping show that—if made available to paying customers—would probably have matched his Vegas take.

His other hobbies—go-carts and model cars—were only machines. This was the first hobby that involved a living creature. The horses responded to his love, and it was touching to witness his attachment to them.

It was a close time for all of us, we had something in common. However, after. Matt had delighted in lavishing horses on all of us, Graceland wasn’t quite big enough to handle the herds. We didn’t know it yet, but we were about to become ranchers.

Excerpt from: "Elvis and Me" by Priscilla Beaulieu Presley. Scribd. This material may be protected by copyright.

a/n - sweet chapter since the last few have been sad🎀

#matt stuniolo fanfic #matthew sturn #matthew sturniolo #matt sturniolo #chris sturniolo #christopher sturniolo #sturniolo edit #sturniolo fanfic #sturniolo imagine #sturniolo smut #sturniolo triplets #sturniolo x reader #nick sturniolo #Spotify

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kawaoneechan · 2 years ago

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SCI title menus

Okay I've done my research. I've checked 32 different SCI 0 to 1.1 games and took note of what their title menus are like.

For this, I ignore the Sierra logo which may be un-skippable in some games, copy protection screens, and cutscenes that last just seconds before control is given like Sonny Bonds parking his car or Roger Wilco jumping out of his pod.

A. Just press a key to skip the title/intro (5)

No screenshots because there's no title menu to show for these.

Leisure Suit Larry 2 (SCI0)

Police Quest 2 (SCI0)

Space Quest 3 (SCI0) — you can enter commands and activate the menu at any time during the intro, so you can restore at any time.

Leisure Suit Larry 1 and 3 (SCI10, SCI0), after a fairly long age check.

Codename ICEMAN (SCI0) — there's some opening narration before control is given.

B. Is this your first time playing X? (4)

First thing the game does when the title appears is ask if you want to watch the intro (no) or skip it (yes). This is done with a regular old dialog window and DButtons.

King's Quest 4 (SCI0)

King's Quest 5 (SCI10)

The Colonel's Bequest (SCI0)

Conquests of the Longbow (SCI10) — a variation that lets you pick between the intro, restoring, or starting a new game.

C. Interruptible intro (5)

At any point during the introduction and title credits, you can press a key to skip ahead to the game or restore. This is done with a regular old dialog window and DButtons.

Space Quest 1 (SCI10)

Space Quest 4 (SCI10)

Castle of Dr. Brain (SCI10)

Police Quest 3 (SCI10)

EcoQuest 1 (SCI0)

D. Options running along the bottom of the screen (2)

King's Quest 1 (SCI0)

King's Quest 6 (SCI11)

The Dating Pool

E. The same, but they're DButtons in a dialog window (2)

Freddy Pharkas (SCI11)

Leisure Suit Larry 6 (SCI11)

Eric Oakford's SCI 1.1 template

F. Options going down the screen (4)

Quest for Glory 1 (SCI0, SCI11)

Quest for Glory 2 (SCI01)

The Dagger of Amon-Ra (SCI11)

EcoQuest 2 (SCI11)

G. The same, but again as DButtons in a window (6)

Conquests of Camelot (SCI0) — the window is on the bottom but the buttons run down.

Police Quest 1 (SCI11)

Quest for Glory 3 (SCI11) — Technically that's an icon bar but they have the look.

Island of Dr. Brain (SCI11)

Space Quest 5 (SCI11) — DColorButtons are a kind of DButton.

Pepper's Adventures in Time (SCI11)

Phil Fortier's SCI 1.1 template, because it's based on SQ5.

H. Something more unique and novel (3)

Mixed-Up Mother Goose (SCI0)

Mixed-Up Fairy Tales (SCI10?)

Leisure Suit Larry 5 — fast forward twice (SCI10)

... personally I'd go with Police Quest 1 style for a template game. I like interruptible intros but the template wouldn't have such a thing. Leave it as a tutorial perhaps. And that's why C is missing in the poll.

#sci #sci companion #poll #what's a dbutton?

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nityarawal · 11 months ago

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12/10/2023

Mitra Cher

(Mommy's Hurt)

Morning Songs

Mummy's Hurt

Can You Hear Her

We Don't Blame

You #WeHeardYou

Whomever Joined

Special Forces

Mummy's Hurt

Charly's In The Cage

Mummy's Hurt

Doggy's Dirt

We Know You Don't

Want That

What Was #Hot

About Her First

Trust

Your Instinct

It Was Love

A Good Scent

Yummy Food

A Mantra 4 Eternity

Playing In A White

Zen Garden

It Was Her

Calming Our Nerves

When Highly Sensitive

Men

We're Targeted

It Was Mom

Gracious Smile

It Was Mom

"Cher"

#Moonstruck

Despite

Nicholas

Cages

It Was Mom

Mitra's

"Sister Of My Heart,"

Tortured

Like A $™ Teacher

Symmetry

SNL

Wanted More

Mitra Was

Witchhunted

From Switzerland

To Nitya

Princesses

Occupying Too Much

Real Estate

#Irany

In Your Brains

Jewish Santa's

Jerry Seinfelds

Stole Way Too Much

Early Days

With Jewish Boys'

Gigolos

Didn't Feel

So Good

Pedophiles

David Kaplan

Chanel Purses

Mercedes Benz's

None Of It

Us "Paris" Brats

Wanted

None Of It

Us Tay Tay

Estranged Kids

Especially Provo

Need

We Can't Bring

Our Moms

Back

We Can't Marry

"Frankenstein"

We Don't Want

#Meth Heads

Motorboating

Our Best

Men

Kimmy

Or "Cher" Raped

We Worry About

Our Kids

40% Raped

And Humiliated

Rest Murdered

With Men's

Dinosaur Brains

Offensive

You Know Why

Elon Chooses

We Spinned The Bottle

We Played Truth

Or Dare

He Loves Us More

And Wants Mother

Nature

Who Doesn't

Larry Kings'

Models

Hurt

Us All

#Bonny And Cher

We Blame #Sonny

But Not You Mom

Sun

We Blame

Sunil

But Not You Dad

We Pray

For Our Beloveds

Martyred

For Brahmin

2023

How Many Days

Left

Until Doje

Replaces

#4BillionMothersStrong

2023

#TickTock X

Our Greek Goddesses

Muted

#Grimesz By #RewindAI

Whatever Songs You

Strike

Crypto

Dick's

Currency

Wars

Merci

Moms

Need More

Peace,

Nitya Nella Davigo Azam Moezzi Huntley Rawal

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kieranculkingirl · 6 years ago

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guest judge possibilities

shit tier: calvin, oli, any of louis’ ugly sexist “friends”

okay tier: any semi well known celebrity that louis might be friends with

pretty nice tier: bebe rexha, steve aoki, ed sheeran, lottie, any little mix girl

great tier: liam, niall, zayn

god tier: harry tomlinson styles

#louis tomlinson #xfuk #one direction #larry stylinson #sonny speaks #now listen i know harry is unlikely but the rest i can totally see so.... ill be right one way or another i just pray its not shit tier #also now that im thinking abt it? a little mix girl would be quite liky #likely*#i mean they got their start on x factor too and louis has hung out with them before im p sure #would love to see jade and louis being gay and iconic together #anyways thanks for ur time #1d

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vamporilla · 4 years ago

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Some of my ships for adventure game characters (Sierra Online & Lucasarts)

Dave x Sandy (Maniac Mansion)

Razor x Bernard (Maniac Mansion)

Razor x Syd (Maniac Mansion)

Wendy x Michael (Maniac Mansion)

Graham x Valanice (King’s Quest)

Alexander x Cassima (King’s Quest)

Rosella x Edgar (King’s Quest)

Roger x Beatrice (Space Quest

Larry x Patti (Leisure Suit Larry)

Sonny x Marie (Police Quest)

Fifi x Jeeves (The Colonel’s Bequest)

Laura x Steve (The Dagger of Amon Ra)

Wolf x Olympia (The Dagger of Amon Ra)

Yvette x Ernie (The Dagger of Amon Ra)

Devon x Aziza (Quest for Glory)

Devon x Johari (Quest for Glory)

Devon x Katrina (Quest for Glory)

Shameen x Shema (Quest for Glory)

Rakeesh x Kreesha (Quest for Glory)

Olga x Boris (Quest for Glory)

Julanar x Salim (Quest for Glory)

Zak x Annie (Zak McKracken)

Melissa x Leslie (Zak McKracken)

Guybrush x Elaine (Monkey Island)

Ben x Maureen (Full Throttle)

#sierra online #lucasarts #maniac mansion #king's quest #space quest #leisure suit larry #police quest #laura bow #laura bow 2 #the colonel's bequest #the dagger of amon ra #quest for glory #zak mckracken #zak mckracken and the alien mindbenders #monkey island #full throttle

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larentsaloud · 4 years ago

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Wonder if you'll answer this or not. What kind of a leverage would force a white multimillioner popstar to sign fake US documents and sign contracts again in 2017 when The media had not obstacles to publish about Jay and Fizzy? Is that leverage that police is bribed to look away and not investigate? Physical threats to his family that would have him stay silent for five years & then resign with people who already were forcing him? What leverage would that be as to make him unable to use the law?

So, as you know Louis has/ had a contract with Syco. It was signed back in 2010 when 1d signed their deal with SC after X-Factor.

Rebecca Fergusson has told us on twitter in 2021 that she is launching a petition about how the contestants were treated, the way that their contracts were signed without legal support from independent counsel.

The appeal / petition is focused on the following aspects:

The important thing about a contract is the promotional aspect. This means that the label / management and PR team have to make decisions about how to increase artists’ visibility. What happened in 2015 was that in March Louis suddenly broke up with Eleanor and seemed mighty pleased about while singing “I will survive” with 1d and the famous recording has since become the anthem for Larries and what ensued thereafter.

Louis, after the break-up became increasingly visible at night clubs etc then the whole situation escalated when the papers reported B was pregnant (baring in mind most new mothers don’t announce until they have completed third trimester). For someone who had been previously unknown there was no reason for B’s baby to become public affair.

One could argue that after Zain’s departure something has happened, we don't know what, but the whole bbg situation landed on Louis somehow. We could speculate that the band knew they would not continue after the 5th album, but what is clear that B’s family planned for the baby to be a Tomlinson as they registered a bunch of websites under that name. (You gonna have to read the master posts, I am not linking them here.)

So it seems that the plan was to get Louis married off with this woman and have a baby as soon as Elk was out of the picture. Now, what did Louis do? He rocked up to a festival with Tamara Bell (mutual friend of his and Harry’s / Gemma’s) holding her hand to prevent the tabloids from linking him closer to the ‘baby mama’. That tells you that he tried to fight the narrative. There are numerous interviews where L looks very upset when the kid is mentioned in 2015 and his bandmates look equally uncomfortable, especially his interview with Niall.

We also know that they cancelled their show in Belfast, because why? It all culminated around the interviews about the kid and articles.

Now then how come he became such an active party goer in April -May 2015?

It was to fit the narrative of B’s pregnancy, because it stopped after that ( no longer served a purpose ).

Have you heard that Elton John had a wife before he came out as gay all because of his label? Michael Jackson famously protesting Sony saying that Sonny kills music (Syco was part of and 1d is under Sony now that Syco has finished), Prince changing his name so that he can fight his label, Freddie Mercury, George Michael was involved in a huge scandal where he was caught soliciting homosexual sex, until he famously came out on live TV?

You have to look at the way artists have been treated in the industry, research the names I have given you and the hardships they have endured and why.

What you see in the media is a carefully constructed narrative for which the publicists of 1d would have agreed on when printing the initial story (planting the seed.)

The leverage is a lot less tangible but it doesn't make it any less powerful. It's homophobia, abuse of power, capitalism.

Louis was tied to Syco for almost 10 years, it seems like he was the last one to let go, and Simon’s company dissolved shortly after that if I am not mistaken.

Since Louis has announced that he is planning on opening up his own management company within a day Rebecca announced her petition to regulate music industry.

In her tweets she alleged that a boy band member (she wouldn't specify who) told her that they were thrown against a wall (literally, she actually replied to a fan to explain it was a physical altercation).

Rebecca is saying that people on X-factor were physically abused to give into compliance. She was on the show at the same time as 1d. Today she replied to may question, about the complaint to Ofcom we have been asked to make as fans.

In conclusion: The ‘coverage’ has given Louis huge exposure and publicity. I am saying this very cautiously, not implying L wanted to be part of this - but you have to think, why is the least popular (according to others, not ME) member of the band suddenly getting papped every night with girls, and why is there a story running in the papers about him booming a dad (8 months before the band will go on hiatus).

Why did Louis go on X-factor? AGAIN, exposure. I am going to assume that it was pitched to Louis as: in order to go solo we need you to get more PR. Which later turned into this fucking mess and he took almost 5 years to release his record after the band ended. Fucking Simon.

That is just my guesstimate.

Same with X-factor and singing the deal with Syco again, Louis really wanted to create his own imprint company triple strings and sign his own artists, you could see how amazing he was at mentoring at x-factor really he has the warmth and motivational abilities of an angel, but as he said he was unable to sign people and there was too much red tape.

I think the leverage is complex. I recently had a publishing deal come in and I was so excited I barely read it, later realised it was not the t&c I want; and had to void it.

So yeah, I hope it answers your question a little. I enjoy writing this, but it's tricky to explain without referencing million of her things that happened in the industry.

#tags are not working #bbg

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tuseriesdetv · 5 years ago

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Noticias de series de la semana: Reina Imelda

Renovaciones

Netflix ha renovado The Crown por una quinta y última temporada

Netflix ha renovado La casa de papel por una quinta y sexta temporada

Netflix ha renovado Sintonia por una segunda temporada

Epix ha renovado Perpetual Grace, LTD por una segunda y última temporada

Cancelaciones

Netflix ha cancelado Soundtrack tras su primera temporada

Noticias cortas

El reparto de Élite cambiará tras la tercera temporada.

Anthony Okungbowa (Kofu) y Bayo Akinfemi (Goodwin) serán regulares en la segunda temporada de Bob Hearts Abishola.

Fichajes

Se confirma que Imelda Staunton (Harry Potter, Pride) protagonizará la quinta y última temporada de The Crown.

Owen Wilson (The Royal Tenenbaums, Midnight in Paris) se une a Loki. Se desconocen detalles.

Marcia Gay Harden (The Newsroom, Damages) será la madre de Gary (James Roday) en A Million Little Things.

David Krumholtz (The Deuce, Numb3rs) será Bob Arum, adversario y posteriormente mejor amigo de Evel Knievel, en Evel.

Sarah Shahi (Person of Interest, City on a Hill) protagonizará Sex/Life. Será Billie Connelly, una madre de los suburbios que sale en busca de la chica sexy y soltera que era hace diez años.

Paget Brewster (Criminal Minds, Community) será recurrente en la segunda temporada de Blood & Treasure como la hermana Lisa, una monja de Roma.

Kelli Berglund (Lab Rats, Now Apocalypse) será Crystal, una valet (acompañante del luchador) de veinte años que desea competir como luchadora, en Heels.

Dulé Hill (Psych, Suits) y June Diane Raphael (Grace and Frankie, New Girl) se unen como recurrentes a la segunda temporada de Black Monday. Serán Marcus Wainwright III, presidente del fondo de becas afroamericano; y Corky Harris, esposa del congresista Harris (Tuc Watkins).

Mitchell Hoog (Hariet, The Devil Made Me Do It) y Belmont Cameli (My Evil Stepdad) serán Mac, el hijo de Zack Morris (Mark-Paul Gosselaar); y Jamie, el hijo de Jessie (Elizabeth Berkley); en el revival de Saved By the Bell. Haskiri Velazquez (The Birch) y Alycia Pascual-Pena (Moxie) también participan.

Harry Richardson (Poldark), Thomas Cocquerel (Escape Room 2) y Jack Gilpin (Billions) se unen como regulares a The Gilded Age. Serán Larry Russell, recientemente graduado en Harvard; Tom Raikes, un joven abogado de Doylestown, Pensilvania; y Church, el mayordomo de la familia Russell.

Jenny Gago (StartUp, Soutland) será recurrente en Deputy como Anjelica Reyes, madre de Paula (Yara Martinez).

Sarah Yarkin (Single Parents, Foursome) será recurrente en Motherland: Fort Salem como Libba Swythe, una ambiciosa joven de clase alta con un viejo rencor hacia Abigail (Ashley Nicole Williams).

Tireni Oyenusi se une como regular a Americanah. Será Dike, el hijo de Aunty Uju (Uzo Aduba).

Enrique Murciano (Bloodline, Without a Trace), Camron Jones (The Purge, Elephant Department) y Jessica Sula (Skins, Scream) sustituyen a Will Chase, Kevin Alves y Ashlei Sharpe Chestnut en los papeles del sheriff Kean, Bishop y Natalie en Panic. Kerri Medders (Alexa & Katie, SEAL Team), Bonnie Bedelia (Parenthood, Designated Survivor), Moira Kelly (One Tree Hill, The West Wing), Nancy McKeon (The Facts of Life, The Division), Rachel Bay Jones (Dear Evan Hansen, God Friended Me) y Bryce Cass (13 Reasons Why) serán recurrentes como Ruby Anne McDonough, amiga de Sarah y hermana de Riley; Anne, viuda que le da un trabajo a Heather (Olivia Welch) en su granja; Laura Kean, esposa del sheriff Kean; Jessica Mason, madre soltera de Dodge (Mike Faist); Sherri Nill; madre soltera de Heather; y Adam Lyons, amigo de Ray (Ray Nicholson).

Mather Zickel (Masters of Sex, Better Things) será recurrente en The Crew como Frank, el novio de Beth (Sarah Stiles).

Chance Kelly (Generation Kill, Aquarius) será recurrente en For Life como Cyrus Hunt, el poderoso e imponente alcaide de la prisión.

Kaley Ronayne (Gotham, Quarry) será recurrente en The Right Stuff como Dee O'Hara, enfermera de los Mercury Seven.

Sarah Minnich (Better Call Saul) será recurrente en Briarpatch como Ginger Galanti, reportera de campo para Channel 8 en San Bonifacio, Texas.

Rachel Boston (Witches of East End, Kidding) y Tim Chiou (iZombie, Living with Models) serán recurrentes en la tercera temporada de SEAL Team como Hannah, la mejor amiga de la infancia de Sonny (AJ Buckley); y Michael 'Dirty Mike' Chen, agente del equipo.

Jen Tullock y Zach Cherry (You, Living with Yourself) protagonizarán Severance junto a Patricia Arquette, Adam Scott y Britt Lower. Serán Devon, hermana de Mark (Scott); y Dylan, empleado de Mark.

Blake Harrison (A Very English Scandal, World on Fire) y Barbara Flynn (Death in Paradise, The Durrells) se unen a Kate & Koji, antes conocida como Kate and Kolo. Serán Medium, sobrino de Kate (Brenda Blethyn); y Councillor Bone, eterna archienemiga de Kate.

Zahra Bentham (Spinning Out) y Mouna Traoré (Condor, American Gods) serán recurrentes en Madam C.J. Walker como Nettie, esposa de Ransom (Kevin Carroll); y Esther, una joven artista que trabaja en la línea de productos de Sarah (Octavia Spencer).

John Douglas Thompson (The Bourne Legacy, A Most Violent Year), Patrick Murney (Seven Seconds, Public Morals), Ben Miles (The Crown, The Capture), James McArdle (Mary Queen of Scots, New Bloods), Sosie Bacon (13 Reasons Why, Here and Now), Joe Tippett (The Morning Show, Rise) y Neal Huff (Falling Water, Show Me a Hero) se unen a Mare of Easttown. Serán Carter, el jefe de Mare (Kate Winslet) en el departamento de policía de Easttown; Kenny McMenamin, el padre de Erin (Cailee Spaeny); Richard Ryan, profesor de escritura creativa; el díacono Mark Burton, Carrie Layden, madre soltera y exnovia de Kevin (Cody Kostro); John Ross, marido de Lori (Julianne Nicholson); y el padre Dan Hastings, un primo de Mare.

Austin Crute (Daybreak, Booksmart), Nik Dodani (Atypical), Andrew Jacobs (Paranormal Activity: The Marked One) y Chloë Levine (The OA) se unen a la segunda y última temporada de Trinkets. Serán Marquise, nuevo amigo de Tabitha (Quintessa Swindell); Chase, rival intelectual de Moe (Kiana Madeira); Ben, el hermano mayor de Moe; y Jillian, nueva amiga de Elodie (Brianna Hildebrand).

Olivia Scriven (Degrassi: The Next Generation) será recurrente en Mrs. America como Liza Schlafly, la hija de Phyllis (Cate Blanchett).

Jim Klock (Cloak & Dagger, Green Book) será recurrente en The Underground Railroad como Tom Hardman, agente local de Indiana.

Pósters

Nuevas series

FX encarga Redeemer, drama creado por Nic Pizzolatto (True Detective) e inspirado en 'The Churchgoer' (2019), novela de Patrick Coleman en la que el pasado y el presente de un antiguo pastor convertido en guardia de seguridad (Matthew McConaughey; True Detective, Dallas Buyers Club) colisionan mientras busca a una mujer desaparecida en Texas y descubre una conspiración criminal. Producida por Nic Pizzolatto (True Detective) y Matthew McConaughey (True Detective).

Netflix ha encargado diez episodios de una serie de acción real adaptación del anime One Piece. Creada y escrita por Steven Maeda (Lost, The X-Files).

Netflix desarrolla la primera serie creada por Daniel Sánchez Arévalo (Primos, Diecisiete), una emocionante historia de amistad y superación.

Netflix encarga Jaguar, ambientada en los años 60 y centrada en Isabel Garrido (Blanca Suárez; Las chicas del cable, El internado), una joven española que logró sobrevivir al campo de exterminio de Mauthausen y se une a un grupo de agentes en busca de justicia usando Jaguar como alias y destapando a cientos de nazis refugiados en España, entre ellos Skorzeny, conocido como el hombre más peligroso de Europa.

Apple TV+ encarga Physical, dramedia ambientada en los años 80 en una comunidad costera en el sur de California que sigue a una mujer (Rose Byrne; Damages, Bridesmaids) que sufre por su condición de ama de casa y encuentra el camino hacia el poder a través del mundo del aeróbic. Escrita y producida por Annie Weisman (Desperate Housewives, Suburgatory).

Apple TV+ encarga una comedia musical protagonizada y producida por Cecily Strong (Saturday Night Live) que sigue a una pareja de mochileros que quieren revitalizar su relación y descubren la ciudad mágica de Schmigadoon, donde todos actúan como si estuvieran en un musical de los años 40, y que no pueden irse hasta que encuentren el verdadero amor. Escrita y producida por Cinco Paul y Ken Daurio, guionistas de Despicable Me y The Secret Life of Pets. Producida por Lorne Michaels (Saturday Night Live, The Other Two).

Amazon encarga The Hospital, comedia de animación sobre dos doctoras alienígenas especializadas en enfermedades raras de ciencia ficción. Una de ellas desafía el protocolo y contrae una enfermedad de otra dimensión y deberán encontrar la cura antes de que el universo sea destruido. Escrita y producida por Cirocco Dunlap (Man Seeking Woman, Russian Doll). Producida por Natasha Lyonne (Russian Doll) y Maya Rudolph (Forever).

Amazon encarga dos temporadas de Fairfax, comedia de animación para adultos sobre cuatro amigos de instituto que buscan la relevancia social. Creada y producida por Matt Hausfater (Undateable), Aaron Buchsbaum y Teddy Riley.

Showtime desarrolla Memory, drama basado en la serie coreana sobre un abogado al que le diagnostican Alzheimer y se ve obligado a enfrentarse a sus errores pasados y a su peligroso futuro mientras intenta sacar a la luz una conspiración farmacéutica que podría salvar su vida y su carrera. Escrita y producida por Michael Saltzman (Sneaky Pete, Murphy Brown). Producida por Aaron Kaplan (Santa Clarita Diet, The Mysteries of Laura).

Movistar+ desarrolla una serie sobre la vida de Miguel Bosé. El cantante colabora con los guionistas mientras escribe su autobiografía, que será complementaria a la serie. La idea es tener tres temporadas de ocho episodios cada una. La primera se centraría en su niñez, la segunda contaría su crecimiento artístico y personal en Londres, Nueva York, Francia, Italia o México, la parte más desconocida, y la tercera mostraría su éxito como artista y el cumplimiento de sus sueños.

Netflix encarga ocho episodios de In From the Cold, thriller de espionaje internacional con un toque sobrenatural en el que una madre soltera americana (Margarita Levieva; Revenge, The Deuce), durante sus vacaciones en Europa con su hija, es obligada por la CIA a enfrentarse a su pasado como espía rusa y producto de un experimento de la KGB que le dio habilidades especiales. Escrito y producido por Adam Glass (Supernatural, The Chi).

Luz verde directa en ABC a The Big Sky, protagonizada por la detective privada Cassie Dewell y la antigua agente de policía Jenny Hoyt, que buscan a dos hermanas secuestradas por un camionero en una autopista de Montana pero descubren que no son las únicas chicas desaparecidas en la zona y trabajan contrarreloj para evitar otro secuestro. Escrita y producida por David E. Kelley (Big Little Lies, Ally McBeal). Basada en 'The Highway' (2013), libro de la saga de C.J. Box.

ITV encarga cinco episodios de Viewpoint, drama que sigue un procedimiento de vigilancia policial en Manchester y explora si es posible observar las vidas ajenas con verdadera objetividad. El detective Martin Young, con sus propios traumas y sentimientos de culpa, ha de vigilar al principal sospechoso de la desaparición de una maestra de escuela, su novio, pero teme estar proyectando su soledad y su remordimiento. Creada por Ed Whitmore (Silent Witness, Manhunt) y Harry Bradbeer, director de Fleabag o Killing Eve.

Netflix encarga diez episodios de Country Comfort, comedia multicámara en la que una joven sureña aspirante a cantante de country (Katharine McPhee; Smash, Scorpion) pierde el control de su vida personal y toma un trabajo de niñera de los cinco hijos de un tosco vaquero (Eddie Cibrian; Take Two, CSI: Miami). Ricardo Hurtado (School of Rock, Malibu Rescue), Jamie Martin Mann, Pyper Braun, Shiloh Verrico (Lingua Franca, Crown Vic) y Griffin McIntyre (Return of the Mac) interpretarán a los niños. Creada por Caryn Lucas (The Nanny, Miss Congeniality).

Netflix y Canal + Francia encargan doce episodios de On The Verge, dramedia escrita, producida y protagonizada por Julie Delpy (Before Sunrise, 2 Days in Paris) que se centra en cuatro madres de Los Ángeles que se enfrentan a retos con sus matrimonios, carreras, familias e identidades y fijan este punto de su vida como una oportunidad de reinvención. Producida por Nick Hall (Looking, Enlightened).

Starz ha encargado ocho episodios de Run the World, comedia creada y escrita por Leigh Davenport (Boomerang) y Yvette Lee Bowser (Dear White People) que sigue a un grupo de amigas negras que viven y trabajan en Harlem y luchan por dominar el mundo. Protagonizada por Amber Stevens West (The Carmichael Show, Greek), Andrea Bordeaux (NCIS: LA), Bresha Webb (Marlon, Grey's Anatomy), Corbin Reid (How to Get Away with Murder, Valor) y Stephen Bishop (Imposters, Being Mary Jane).

Hulu encarga Tender Is The Night, limited series adaptación de la novela de F. Scott Fitzgerald (1934), que cuenta la historia de un joven psiquiatra que tiene un problema con el alcohol y las chicas jóvenes. Escrita por Nina Raine.

Fechas

La séptima temporada de Endeavour se estrena en ITV el 9 de febrero

The Pale Horse se estrena en BBC One el 9 de febrero

The End se estrena en Sky Atlantic el 10 de febrero

La segunda temporada de The Split se estrena en BBC One el 11 de febrero

La cuarta temporada de Man With a Plan se estrena en CBS el 2 de abril

Broke se estrena en CBS el 2 de abril

El estreno de The Baker and the Beauty en ABC se retrasa del 6 al 13 de abril

Tráilers y promos

Better Call Saul - Temporada 5

youtube

The Plot Against America

youtube

Home - Temporada 2

youtube

Narcos: Mexico - Temporada 2

youtube

Las chicas del cable - Temporada 5a

youtube

L'amica geniale - Temporada 2

youtube

P-Valley

youtube

Good Girls - Temporada 3

youtube

The Split - Temporada 2

youtube

La línea invisible

youtube

Endeavour - Temporada 7

youtube

#series tv #television

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emilyiannielli · 5 years ago

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Some of my favorite shows ever 1. The Flying Nun starring Sally Fields 2. Get Smart starring Don Adams and Barbara Feldon 3. Family Affair starring Brian Keith 4. The Courtship of Eddie’s Father starring Bill Bixby 5. Addams Family starring John Astin 6. I Dream of Jeannie starring Barbara Eden and Larry Hagman 7. The Munsters starring Fred Gwynn 8. Bewitched starring Elizabeth Montgomery and Erin Murphy 9. The Partridge Family starring Shirley Jones 10. Gilligan’s Island starring Bob Denver There are many others but unfortunately I can list only 10 but here are others I loved as a kid through adulthood Batman The Walton’s The Night Stalker Columbo Petticoat Junction Superman The Rifleman The Lone Ranger Lassie Gentle Ben Green Acres The Brady Bunch That Girl The Dick Van Dyke show The Mary Tyler Moore show The Beverly Hillbillies Hogan’s Heroes Mash The Love Boat Love American Style The X Files Three’s Company Bosom Buddies Cheers The Facts of Life Punky Brewster The Honeymooners Different Strokes Home improvements All in the Family Sonny & Cher Monty Python Family Ties Full House The Ghost & Mrs Muir Candid Camera Johnny Carson show Alice Happy Days Six Million Dollar Man Knight Rider Dukes of Hazard Emergency Adam 12 George Burns show The Andy Griffith show Tales from the Crypt Creature Feature Chiller Twilight zone Night Gallery WKRP in Cincinnati Two and a Half Men Saturday Night Live Lost in Space Star Trek MTV VH1 Charlie’s Angels St Elsewhere Ally McBeal Beverly Hills 90210 Buffy the Vampire Slayer Party of Five Sabrina the teenage witch iCarly Knots Landing Dallas McMillan and wife The Rookies Ironside The Streets of San Francisco Perry Mason The Land of the lost McCloud Canon NYPD Blue Hawaii Five O American Idol Good Times One Day at a Time Cagney and Lacey American Bandstand General Hospital Doogie Houser The Flintstones The Jetsons Magilla Gorilla Felix the Cat Davie and Goliath The Wacky Racers Speed Racer The Carol Burnett show I Love Lucy The Bob Newhart show Frasier Mission Impossible The Fugitive Bonanza The David Letterman show 20/20 60 Minutes The Little Rascals The Bowery Boys Abbot & Costello & last but not least Seinfeld https://www.instagram.com/p/Bz1y_QyntLz/?igshid=178zhp429l108

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bonitamusic · 2 years ago

Audio

Tracklist :

Ari Lennox - Queen Space ft. Summer Walker

Mo$hpit Cindy - On On

LOTYS - Like That

Retrobands - Lonely

Shae Universe - Give Me a Break

Moxie Knox - Open Up

Zoe's Shangai - Stealing Me

Gabrielle B - Westside

Ari Lennox - Hoodie

Ari Lennox - No Settling

Ari Lennox - Tatted

JayDottCee - Avenue w/ Chrme.swhaty & Tispy Bounce

Mayhrenate - Baby It's You

Larry Murvin - TAKETIME ft. Flower In Bloom & Sonny Miles

Preyé - Red Wine

Dami Omiru - Alive

Diva La'Crybaby - Rock Da Boat

Diva La'Crybaby - Brandy2

Diva La'Crybaby - G thang

JayDottCee - 6 Gawd w/ Mastr_G

Mastr_G - Inluvwitu

Gwenn Bun - One Up

Jayd Ink - Rollin

The Code - Speak My Mind ft. Anuka & Alexis Colon

Joellen - Stay In Luv

Baeredith - Stamina

Rudi Creswick - Sometimes ft. Emmavie

Zilo - Flowers

Peyton - Make Me Say it Again, Girl

Mayhrenate - AnyTIME x anyPLACE (Janet Jackson cover)

Preyé - You Can Dream, But

#tracklist

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red-hot-moon · 1 year ago

Text

Why don't you hang out with me tonight? You could stay at my place, pal.

#miami vice #sonny crockett #larry zito #don johnson #john diehl #sonny x larry #crockett x zito #listen..... the hold this scene has on me #they're so Soft #I wish we'd gotten more Sonny/Larry scenes #we gotta stop sleeping on John Diehl too! He's a major cutie!#red hot gifs #miami bi's

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theloniousbach · 3 years ago

Text

ON SAXOPHONES WITH GUITARS

Melissa Aldana is touring behind her Blue Note debut 12 Stars with guitarist Lage Lund in the band as he produced the album and contributed to some of the tunes. She has played with Charles Altura with, as on the album too, occasionally pianist Sullivan Fortner. I was impressed with her feathery altissima tone and began to wonder about how Lund might contribute to that and, then, if guitars might offer a more open tonal palette than pianos.

Among my remaining tics (okay, prejudices) as a jazz fan is around the guitar as an instrument. But, if I’ve learned to appreciate alto saxophones on their own terms as not quite tenors, then just maybe guitars aren’t limited pianos. That said, piano is the essential jazz instrument, so widely adaptable. And, I’m of an age where the pre-rock amplifier sound seems thin and the endless chord substitutions are impressive but dull and the post-Hendrix into fusion and beyond makes the solos too evocative of rock. That John Scofield can comfortably play with Phil Lesh and Gov’t Mule impresses and appeals to me, but doesn’t take me back into jazz.

But I went from Aldana’s sets and album with Lund to Jim Hall. And that makes this whole project worthwhile. Hall is on both Sonny Rollins’s masterpiece, The Bridge, and Paul Desmond’s Take Ten. The Bridge just might help make my case as Rollins comeback, after a woodshedding sabbatical with Ornette and Coltrane recasting not just saxophones but jazz as a whole, is deceptively tame seeming. That is, whether or not he’s less burly in tone, he is even more melodically inventive. Hall certainly offers such a bed for Desmond who also shines with Ed Bickert on Pure Desmond. If Dave Brubeck is clunky, Desmond in particular seems liberated on these two albums. Hall seems to be the right mix of chord voicings and spare tone before the impact of effects, pedals, and amplifiers changed the instrument.

Jerry Hahn, beloved for the fabled and short lived eponymous Brotherhood of my youth, is pretty old school on John Handy’s Live at Monterey which was also a jammed out hypnotic favorite, but those compositions are a series of settings with Handy returning for climactic solos after Hahn has notched up the rhythm with chordal figures. His interludes with violinist Michael White though have very intriguing spaces.

Hahn was between Larry Coryell and Pat Metheny in Gary Burton’s bands which featured guitar with vibraphone (speaking of which there is a narrower subset of test cases for vibes as an alternative chordal instrument). Metheny for all of his Berklee and ethereal early albums always had both an edge and a deep respect for the tradition (Jim Hall was a hero and they recorded together). 80/81 with Michael Brecker and/or Dewey Redman has moments where he’s an accompanist but, and this is what I primarily noticed, he is another horn. Indeed, 80/81 may well be an audition/proof of concept for working with Ornette Coleman.

Song X was daunting—and still is—when I bought it on vinyl when it first came out and had to listen to it in shared family spaces. But in the intervening years I have come to hear Ornette the clever composer of catchy melodies and his own playing has become increasing accessible. Okay Endangered Species is both a showcase and intensely challenging. But other tunes are quite fun. But Metheny is more another horn and Ornette still doesn’t want/need a bed of chords.

That’s how I hear John McLaughlin with Miles, especially on Jack Johnson whereas the Get Up With It/Agartha era bands with Pete Cosey and Reggie Lucas are densely rhythmic, quite the opposite of the hypothesis I’m testing.

Joe Lovano is a chameleon of a tenor player with a wide range of tones and improvisatory approaches. He has had a partnership with Scofield (indeed I saw them) that has moments of his lightness phase playing off of Scofield’s comping, but they too can draw on the Miles model (Scofield was in that band) and the path Metheny carved. Bill Frisell was in Paul Motian’s Trio with Lovano and Frisell is a pedals master. He could be bass and rhythm and then soloist. Lovano dances about but Frisell isn’t light and airy.

I will keep exploring, but I don’t recall Wes Montgomery or Grant Green in spare bands with horns. Instead they capture the bluesy, soulful, grove side of the music.

I may well revert to form and will remain staunchly pro-piano, but Aldana’s wonderful album and evolution of approach to the tenor owe much to what the guitar in the hands of Lage Lund offers.

#jazz #2022

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livesets-dj-mixes-edm-podcasts · 5 years ago

Photo

Download Afrojack - Tomorrowland 2019 (Weekend 2) (Boom, Belgium) for free now!

Artist: Afrojack Show: Afrojack – Tomorrowland 2019 (Weekend 2) (Boom, Belgium) Quality: 320 Kbps 48000 Khz Genre: Electronic

Discover more Tomorrowland 2019 live sets & radioshows here

Afrojack – Tomorrowland 2019 (Weekend 2) (Boom, Belgium) Tracklist

[0:10] David Guetta ft. Bebe Rexha & J Balvin – Say My Name (Afrojack & Chasner Remix) [WHAT A MUSIC]

[2:11] Lumberjack ft. Sanjin – We Rolling [MCA]

[3:27] Afrojack & Martin Garrix – Turn Up The Speakers [SPINNIN’] w/ Ava Max – Sweet But Psycho (Acappella) [ATLANTIC]

[5:27] Sam Smith & Normani – Dancing With A Stranger [CAPITOL] w/ Tom Swoon & Teamworx – Atom [SPINNIN’]

[6:42] Keys N Krates – All The Time (Tove Lo Flip) [FREE] w/ ID – ID

[8:05] LMFAO vs. MureKian – Party Rock Anthem (Afrojack Edit)

[9:12] Mark Ronson ft. Bruno Mars – Uptown Funk (Acappella) [SONY] w/ Jay Robinson – Nineteen81 [MAU5TRAP]

[9:57] Afrojack vs. Jack Ü – Bass Is Kickin vs. Jungle Bae (Afrojack Edit)

[12:11] Yeah Yeah Yeahs & A-Trak vs. Silvio Ecomo & Chuckie & Afrojack vs. Alice Deejay vs. Spree Wilson – Heads Will Roll vs. Moombah vs. Better Off Alone vs. The Sparks (Afrojack Mashup) [DIRTY DUTCH/FOOL’S GOLD/VIOLENT/ISLAND] w/ Larry Tee ft. Roxy Cottontail – Let’s Make Nasty (Afrojack Remix) (Acappella) [ULTRA]

Chico Rose On Stage

[13:28] Afrojack & Chico Rose – ID

[16:41] Lil Nas X ft. Billy Ray Cyrus – Old Town Road (Remix) [COLUMBIA] w/ Dimitri Vegas & Like Mike vs. Nicky Romero – Here We Go (Hey Boy, Hey Girl) [SMASH THE HOUSE]

[18:42] Afrojack & Chico Rose – The Bass [WALL] w/ Chardy & Kronic – S.W.A.T. Team (Everybody Fucking *Beep* Jump Acappella) [HUSSLE]

[19:27] David Guetta & GLOWINTHEDARK ft. Harrison – Ain’t A Party (Acappella) [JACK BACK] w/ ID – ID w/ Afrojack & David Guetta ft. Ester Dean – Another Life (Acappella) [WALL] w/ Dimitri Vangelis & Wyman X Steve Angello – Payback [COLUMBIA/SIZE]

[22:55] FISHER – Losing It [CATCH & RELEASE] w/ Masters At Work – Work (Acappella) [MAW] w/ David Guetta & Showtek ft. VASSY – BAD [JACK BACK] w/ Afrojack vs. Fedde Le Grand – 1 2 3 4 [WALL]

[28:25] Afrojack – It Goes Like [WALL] w/ Zedd & Maren Morris & Grey – The Middle (Acappella) [INTERSCOPE] w/ Alesso – Raise Your Head (Acappella) [REFUNE]

[30:20] Afrojack & Blinders – ID [WALL] w/ Mightyfools – Footrocker (Get Your, Get Your Hands Up Acappella) [REVEALED] w/ Afrojack & Steve Aoki ft. Miss Palmer – No Beef (Acappella) [DIM MAK]

[33:05] Calvin Harris & Dua Lipa – One Kiss (R3HAB Remix) [COLUMBIA] w/ TJR & VINAI – Bounce Generation [SPINNIN’]

[34:33] Big Shaq – Man’s Not Hot (Afrojack Remix) [ISLAND] w/ Jax Jones ft. RAYE – You Don’t Know Me (Acappella) [POLYDOR]

[36:20] Steve Angello & Laidback Luke – Be (Acappella) [MIXMASH] w/ Yves V ft. Afrojack & Icona Pop – We Got That Cool [SPINNIN’] w/ Yves V ft. Afrojack & Icona Pop – We Got That Cool (Chico Rose Remix) [SPINNIN’]

[39:04] Oliver Heldens ft. Danny Shah – What The Funk (Steve Aoki Remix) [DIM MAK] w/ Calvin Harris & Sam Smith – Promises (Acappella) [COLUMBIA] w/ Hardwell – Spaceman [REVEALED]

[42:02] Afrojack & ID – ID

[43:16] Showtek ft. We Are Loud & Sonny Wilson – Booyah [SPINNIN’]

[45:23] Eurythmics vs. David Guetta & Martin Garrix & Brooks vs. Afrojack vs. Pitbull – Sweet Dreams vs. Like I Do vs. Take Over Control vs. Give Me Everything (Afrojack Live Show Edit) [RCA/WALL/WHAT A MUSIC] w/ Afrojack – ID

[48:38] David Guetta & Sia vs. David Guetta & Martin Garrix & Brooks – Titanium vs. Like I Do (Afrojack Mashup) w/ David Guetta vs. Hardwell & W&W vs. Lazy Rich & Hot Mouth vs. Afrojack & MC Ambush vs. Avicii vs. Swedish House Mafia – Titanium vs. Hands Up vs. Hey Brother (Afrojack Mashup) [VIRGIN EMI/PRMD/WALL]

[53:32] Wolfgang Gartner – Redline (Afrojack Remix) [ULTRA] w/ Lewis Capaldi – Someone You Loved (Acappella) [VIRGIN]

[57:18] Afrojack – ID w/ Bastille – Pompeii (Acappella) [VIRGIN]

Afrojack – Tomorrowland 2019 (Weekend 2) (Boom, Belgium) Video Set

N/A

#Tomorrowland #Livesets

0 notes

edmlivesets4u-blog · 5 years ago

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Listen or download Afrojack - Tomorrowland 2019 (Weekend 2) (Boom, Belgium) for free now!