#sometimes the Bad Attention™ is fun when i know for a fact that everyone else can clearly see they're wrong

[cluster-b-culture-is]

questioning hpd + autistic culture is wanting any and all attention unless they’re being mean to you because in that case you’re making me angry and i dont like you you’re going on my block list

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[naamah-beherit]

On fanzines and the mess their current state is

Or: musings from a writer's biased perspective.

This post has been a long time coming, but always something else caught my attention and months passed as such. Finally, the time has come.

There was a zine wank recently. The mods proved to be quite ignorant how art works, kicked the artist, the artist went public with receipts, the mods insisted it wasn't like that, and the whole affair kept derailing with possibly another explanation for the kicking until at last the mods cancelled the zine. And it's just the latest wank of many. A zine here took money and never delivered the product, another zine there has a mod who hasn't read the book but only heard about it from their friends who, coincidentally, are the other mods. And so on, and so forth. Everywhere you look, there's a fanzine. Multiple fanzines in fact, sometimes at the same time. Which is understandable, given how old a concept of a zine is and how solid their foundations in fandoms.

Or, well, technically, because when I think about the zines of today, I can't help but realise they're gradually losing the connection to their roots.

(yes, this might be another post of the "old person yells at clouds" type. I'm fully aware of that)

I won't summarise a history of zines, because that's not the point here and also Fanlore has done a much better job in this article. It does serve as a good starting point, though, if you've never ventured past "zines are a thing that exist". The most important thing to keep in mind is: the zines used to be about much more than just art. And here lies some of my beef with them.

Nowadays, most if not all zines are art books. Worse than that: art books that refuse to acknowledge the fact, own it, and market themselves accordingly. I actually own an art book that was announced and sold as such (Ages of Arda Anthology), which to this day in all my fandoms¹ remains the only publication of that kind. And if the zines of today would have acknowledged their main focus is mostly if not only art, I wouldn't be writing this.

Alas, here we are. I participated in four zines. Additionally, I was one of the editors in one of those. It was the first English Hualian zine, actually, back in 2019 - unless another one somehow slipped my mind, but I don't think so. My 2019 was bad, but TGCF is the only thing I remember well from that time. I've also been traditionally published (three times so far), which is also relevant to the rant. I admit I don't remember how many check-ins we had for that one zine I was in the staff of. We had a word/size limit for the entries. As fas as I recall, that was the entry criteria. I might be missing details, though; I was hella depressed at the time. Like I said, bad year, few memories and 99% of them is TGCF.

But anyway, the other three zines I wrote for. I applied, was accepted, went through the process, saw it to the end. You know, the "usual" zine process. The one I've got Opinions™ about.

Let's start with submissions. x samples of works of y quality. Okay, sure, we all think without stopping to realise it's a tad weird to submit a selected portfolio of works for a hobby event as if it were a job application. It gets weirder the longer you think about it, because, as I once wrote, fandom is for fun. It's a hobby. Maybe I'm old and jaded, or an idealist, or an old jaded idealist, but I believe everyone has a place in something as deeply tied to the fandom as a fanzine.

Then comes what I've got a personal vendetta against: check-ins and deadlines. Sure, I know people create projects with specific time frames in mind, but dear gods, again, it's not a job. Nothing bad will happen if dates shift around a bit when there's no money involved. Maybe it's just me being bitter about putting fun, fannish activity into strict professional frames. again, I'm old and jaded. And dear gods, check-ins. Here's when my trad pub history comes into play, because in neither case I had to let the editorial staff know I was actually working. True, it might be a case for a story that isn't done yet, doubly so if there's a deadline looming over both an author and their editor, but when you submit something finished and aren't asked to revise&resubmit, you go over the editorial input, make the changes (or not if you're feeling brave, lol), send it back, go over the proof copy, submit possible adjustments, and that's it. Or at least that's how it worked for me for two magazines and a short story anthology.

What does it matter if someone writes a story the day before the zine submissions are due? If it works for them, then it shouldn't be an issue. Again, it might be just me, but standardising and project-managising a hobby activity doesn't really sit well with me. From my very biased perspective, I don't see fun in chasing deadlines and writing on the clock, but that's just me.

Zine being a project rather than fun activity also ties to it becoming a product. That means a zine has to sell to at least cover the production cost, and with the quality the organisers and the audience expect, the labour cost is basically non-existent. That at least remained from a fun hobby activity - people working for free, lol. It also enables situations when the same few highly popular artists partake in most or all zines in a fandom (often upon invitations, whose very existence makes my blood boil), leading to a reality where zines become an endless cycle of repetition. And don't even get me started on invitations that add to the marketing strategy of selling the zines. "Here are our wonderful, carefully selected artists, and here's everyone else". That's how I see it. Where has "we're all fans of the same thing" gone? Where's "share our mutual love for the same thing"? Instead, we get invited people and those who have to submit a CV-like application for a senior position.

You ruined a perfectly good fan activity, is what you did. Look at it, it's got capitalism.

And last but not least, art books that refuse to acknowledge what they are and the subsequent treatment of writers.

The longer I look at zines, the lower the artists:writers ratio is becoming. Sure, people like to look at art, because it's quite often easier and always quicker than reading. Sure, ain't nobody got time for reading these days. BUT. The growing disparity between respect and reception of works of artists vs writers is, well, growing, and by not giving writers an equal treatment and exposure in something as important to fandoms as fanzines doesn't help to improve the situation. Again, my opinion, but when seeing zine promos that have got approximately 20-30+ artists and 5-10 writers at most is not cool. This is why I say most of the zines these days are art books that refuse the name. And there's nothing wrong with that name, or with including only artists in something that's only about visual art. But when it's mixed for art and writing, then the least zine organisers could do is make the numbers equal. Again, we're all fans of the same thing, and no fan activity is better than the other when its outlet is meant to be varied. Also, where are cosplayers? Where are meta writers? Both of those have got a place in a fanzine as well and should be given a treatment equal to other expression of fannish love.

Am I trying to turn back a river with a stick? Probably. But I'm fed up with zines that fail because someone embezzles funds, zines that prioritise the same group of people over and over again over a more diverse crowd, or claim they're welcoming to all forms of expressions but obviously prefer to include only fanart. I'm fed up with manufacturing zine after zine after zine just because they sell. I'm fed up with fandom becoming more and more of a structured professional endeavour instead of a hobby. I'm fed up with audience that constantly demands a faster and faster stream of, well, content. Neither of those is what fandom and fanzines should be like.

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PS. not proofread. Sorry, I'm too dead to do that, so mistakes may get fixed within the next few days, 'cause they sure as hell are many.

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¹ - I don't know anything about other fandoms, though. Like I said: it's all opinions from a very personal angle.